Vernacular Architecture – Correlation Between Cultural Expressions and Sustainable Built Forms
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Bhutan's Political Transition –
Spotlight South Asia Paper Nr. 2: Bhutan’s Political Transition – Between Ethnic Conflict and Democracy Author: Dr. Siegried Wolf (Heidelberg) ISSN 2195-2787 1 SSA ist eine regelmäßig erscheinende Analyse- Reihe mit einem Fokus auf aktuelle politische Ereignisse und Situationen Südasien betreffend. Die Reihe soll Einblicke schaffen, Situationen erklären und Politikempfehlungen geben. SSA is a frequently published analysis series with a focus on current political events and situations concerning South Asia. The series should present insights, explain situations and give policy recommendations. APSA (Angewandte Politikwissenschaft Südasiens) ist ein auf Forschungsförderung und wissenschaftliche Beratung ausgelegter Stiftungsfonds im Bereich der Politikwissenschaft Südasiens. APSA (Applied Political Science of South Asia) is a foundation aiming at promoting science and scientific consultancy in the realm of political science of South Asia. Die Meinungen in dieser Ausgabe sind einzig die der Autoren und werden sich nicht von APSA zu eigen gemacht. The views expressed in this paper are solely the views of the authors and are not in any way owned by APSA. Impressum: APSA Im Neuehnheimer Feld 330 D-69120 Heidelberg [email protected] www.apsa.info 2 Acknowledgment: The author is grateful to the South Asia Democratic Forum (SADF), Brussels for the extended support on this report. 3 Bhutan ’ s Political Transition – Between Ethnic Conflict and Democracy Until recently Bhutan (Drukyul - Land of the Thunder Dragon) did not fit into the story of the global triumph of democracy. Not only the way it came into existence but also the manner in which it was interpreted made the process of democratization exceptional. As a land- locked country which is bordered on the north by Tibet in China and on the south by the Indian states Sikkim, West Bengal, Assam and Arunachal Pradesh, it was a late starter in the process of state-building. -
Media Development Assessment 2010 Is an Evaluation of the Rapidly Changing Media Climate in Bhutan
MEDIA DEVELOPMENT ASSESSMENT 2010 Department of Information and Media Ministry of Information and Communications Royal Government of Bhutan in collaboration with INTERNATIONAL MEDIA SUPPORT Media Development Assessment in Bhutan 2010 Media Development Assessment in Bhutan 2010 COPYRIGHT © 2010 Department of Information and Media (DoIM), Ministry of Information and Communications (MoIC), Royal Government of Bhutan. ACKNOWLEDGEMENT DoIM, MoIC acknowledges the generous financial and technical support from our international partners, the United Nations Development Pro- gramme, UNESCO and International Media Support, Denmark. We would like to thank our local consultant WediaTM for carrying out the study and the stakeholders for their active involvement throughout the process. We would like to express our deep appreciation to our National Steering Committee Members for their direction and invaluable advise. Department of Information and Media (DoIM), Ministry of Information and Communications (MoIC), Royal Government of Bhutan Publication. P.O. Box: 278/1373 Tel# +975 2 322567 Fax: +975 2 331299 www.doim.gov.bt Printed in Kuensel, Bhutan ISBN: 978-99936-836-0-5 Media Development Assessment in Bhutan 2010 Media Development Assessment in Bhutan 2010 Contents Abbreviations v Preface vii Executive Summary xi Introduction xvii CATEGORY 1 A system of regulation conducive to freedom of expression, pluralism and diversity of the media 1 Legal and policy framework, 3 Regulatory system for broadcasting, 14 Defamation laws and other legal restrictions -
Buddhism: It,S Role and Importance in Bhutanese Culture
Mukt Shabd Journal ISSN NO : 2347-3150 Buddhism: it,s role and importance in Bhutanese culture Research Scholar Pankaj Kumar Department of Western History University of Lucknow Abstract Bhutan is situated along the southern slopes of the Great Himalaya range. It is bounded by the table-land of Tibet on the north ; the plains of jalpaiguri district of west Bengal and Goalpara , kamrup and Darrang districts of Assam in the south; the Chumbi valley ( Tibet) , Sikkim and Darjeeling district of west Bengal in the west ; and the kameng district of the Arunachal Pradesh on the east. Before the introduction of Buddhism in Bhutan, the prevalent religion was Bon. Some scholars assert that it was imported from Tibet and India, perhaps in the eighth century when Padmasambhava introduced his lineages of Vajrayana Buddhism into Tibet and the Himalayas. The history of Bhutan is mainly the history of spreading of Buddhism and it,s different sects those creates main bases for Bhutanese culture from ancient time to till now. Many famous monks such like Guru Padmasambhawa presented many religious rituals and symbols before Bhutanese people those became traditions and culture. Buddhism and Bhutanese culture are seems like mirror of each other. Bhutanese dresses, dances, festivals, rituals, paintings etc. directly follows Buddhism. Key word:- Bhutan, Buddhism, Culture, Padmasambhawa, Ngawang Namgyal, Driglamnamzha, Introduction Bhutan is situated along the southern slopes of the Great Himalaya range. It is bounded by the table-land of Tibet on the north ; the plains of jalpaiguri district of west Bengal and Goalpara , kamrup and Darrang districts of Assam in the south; the Chumbi valley ( Tibet) , Sikkim and Darjeeling district of west Bengal in the west ; and the kameng district of the Arunachal Pradesh on the east.1 Bhutan is situated 88 deg.45 min to 92 deg. -
Buddhist Art and Architecture Ebook
BUDDHIST ART AND ARCHITECTURE PDF, EPUB, EBOOK Robert E Fisher | 216 pages | 24 May 1993 | Thames & Hudson Ltd | 9780500202654 | English | London, United Kingdom GS Art and Culture | Buddhist Architecture | UPSC Prep | NeoStencil Mahabodhi Temple is an example of one of the oldest brick structures in eastern India. It is considered to be the finest example of Indian brickwork and was highly influential in the development of later architectural traditions. Bodhgaya is a pilgrimage site since Siddhartha achieved enlightenment here and became Gautama Buddha. While the bodhi tree is of immense importance, the Mahabodhi Temple at Bodhgaya is an important reminder of the brickwork of that time. The Mahabodhi Temple is surrounded by stone ralling on all four sides. The design of the temple is unusual. It is, strictly speaking, neither Dravida nor Nagara. It is narrow like a Nagara temple, but it rises without curving, like a Dravida one. The monastic university of Nalanda is a mahavihara as it is a complex of several monasteries of various sizes. Till date, only a small portion of this ancient learning centre has been excavated as most of it lies buried under contemporary civilisation, making further excavations almost impossible. Most of the information about Nalanda is based on the records of Xuan Zang which states that the foundation of a monastery was laid by Kumargupta I in the fifth century CE. Vedika - Vedika is a stone- walled fence that surrounds a Buddhist stupa and symbolically separates the inner sacral from the surrounding secular sphere. Talk to us for. UPSC preparation support! Talk to us for UPSC preparation support! Please wait Free Prep. -
Dorje Lingpa and His Rediscovery of the “Gold Needle” in Bhutan
Dorje Lingpa and His Rediscovery of the “Gold Needle” in Bhutan Samten G. Karmay1 Introduction Among the Buddhist ritual traditions that are still preserved and carried out as the central religious constituents of the annual festivals in Bhutan today those of Dorje Lingpa (1346-1405) stand out strikingly. This is particularly so in Bumthang area, Central Bhutan. In 1998 and 1999, I have had the good fortune to witness these spectacular festivals in Ogyen chöling and, in 1999, at Jampa Lhakhang in Bumthang itself. Dorje Lingpa is considered as one of the five great “treasure revealers” (tertön) among the Nyingmapa and an important Dzogchen master by the Bonpo tradition. He was thus an exceptional figure who clearly adopted an impartial approach to both Buddhist practices and the Bon, the non-Buddhist religious tradition in Tibet, in his spiritual quest. His approach therefore made him the precursor of what is later known as the “eclectic” (rime) movement of the nineteenth century (Smith 1970). Like many other Tibetan men of religion, Dorje Lingpa never settled himself in one place. He travelled around incessantly carried away by the motivation of disclosing hidden manuscripts and it was mainly because of this urge in him that he travelled to Bhutan, then known as Mönyul or Lhomön (Cf. Pommaret 1999), where he flourished particularly. He had left in Bhutan not only his ritual legacy but also his family descendants. 1 Centre National de la Recherche Scientifique, Paris 1 Journal of Bhutan Studies Due to the studies of Michael Aris (1979: 158) and Françoise Pommaret (1997: 408, 414), the accounts of Dorje Lingpa’s descendants who established themselves there as well as those of his reincarnations are now relatively well known. -
Festivals and Mountaintop Temples of Bhutan
BHUTAN Festivals and Mountaintop Temples of Bhutan DATES Sep 28–Oct 06, 2017 COST 3,999.00 USD ITINER ARY 9 days, 8 nights BOOK YOUR TRIP Be one of the lucky few to experience this tiny, landlocked nation during its lively festival season. Celebrate the Land of the Thunder Dragon alongside locals through traditional Bhutanese dance, song, and cuisine. Perhaps best-known for its chart-topping measure of Gross National Happiness, this Himalayan nation is home to dramatic landscapes, mystical temples, and fewer than one million people. On this unique trip, you’ll see firsthand how Bhutan is one of the greenest and most sustainable countries on the planet. This adventure is designed for travelers of all ages and most levels of physical ability and is limited to 25 explorers. (See “Note on Hiking and Health” in the Fine Print.) HIGHLIGHTS National Festivals: Experience the sights and sounds of two teschus (festivals)—the first, in Thimphu, is the largest of Bhutan's Buddhist festivals. The second, in Gangtey in the Phobjikha Valley, is less frequented by tourists. At each, you’ll see traditional religious and tantric dance performances and celebrate, pray, and receive blessings for the year ahead. Wildlife and Conservation: The Bhutanese constitution mandates that 60 percent of the country remains forested. During this beautiful time of year, we’ll hike through Jigme Dorji Wangchuck National Park, explore the Royal Botanical Park, and spot birds, wild goats, and grey langurs. the Royal Botanical Park, and spot birds, wild goats, and grey langurs. Spiritual Practice: Raise peace flags on the Dochula Pass, meet with Buddhist spiritual leaders, and take in the evening chants at historic temples. -
Bhutanese Karate Team Ranked Third
JANUARY/2013 01 COVER STORY 26 Learning to love 54 Say You Love Work Me 10 FIVE YEARS ON: A REVIEW OF THE RULING PARTY 30 The Ultimate 58 Living with the Experience! Consequences of Teenage 34 Fiction The Raven’s Tshering Dorji provides an Pregnancy analysis of the DPT government, and postu- Revenge, by Karma lates on how its performance in the last five Singye Dorji years might impact the upcoming elections 65 Thumbs Up and in 2013 38 Social Me: To Be or Down Not To Be ? 40 Article A Moment For Self Reflection INTERVIEW 48 Legends Reflections on the Eternal Dragon 60 TÊTE Á TÊTE 49 Questioning the Quality of With Tshewang Tashi, who worked with Revenue Education and Customs 52 Restaurant Review MOST DISCUSSED 66 Experience e-Reader Vs a Book E-reader Vs Book TheThe Raven Raven OCTOBER,January, 2013 2012 1 LETTERS TO THE EDITOR Sir/Madam, As president of the Hungarian Bhutan Friend- The articles carried by your magazine have been impressive and ship Society, I would love to receive electronic therefore, I have immense respect for your team. I hope you all copies of The Raven. Is it possible? If so, can will carry on your good work and soon start going indepth with the we distribute it to our members? stories. So far, The Raven doesn’t seem to be tilted to any political party and I hope it stays that way. I really liked the interview with my friend Karma Phuntsho. Karma Pem, businesswoman, Thimphu. Zoltan Valcsicsak. Got hold of the Raven, the latest one I guess, The Raven has been providing different views to various issues. -
Nationalism and Regional Relations in Democratic Transitions: Comparing Nepal and Bhutan
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2018 Nationalism and Regional Relations in Democratic Transitions: Comparing Nepal and Bhutan Deki Peldon Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the International Relations Commons Repository Citation Peldon, Deki, "Nationalism and Regional Relations in Democratic Transitions: Comparing Nepal and Bhutan" (2018). Browse all Theses and Dissertations. 1981. https://corescholar.libraries.wright.edu/etd_all/1981 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. NATIONALISM AND REGIONAL RELATIONS IN DEMOCRATIC TRANSITIONS: COMPARING NEPAL AND BHUTAN A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By DEKI PELDON Bachelor of Arts, Asian University for Women, 2014 2018 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL [May 4, 2018] I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY DEKI PELDON ENTITLED NATIONALISM AND REGIONAL RELATIONS IN DEMOCRATIC TRANSITIONS: COMPARING NEPAL AND BHUTAN BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS. Laura M. Luehrmann, Ph.D. Thesis Director Laura M. Luehrmann, Ph.D. Director, Master of Arts Program in International and Comparative Politics Committee on Final Examination: Laura M. Luehrmann, Ph.D. School of Public and International Affairs Pramod Kantha, Ph.D. School of Public and International Affairs Judson Murray, Ph.D. -
Living in Limbo: Tibetan and Bhutanese Refugees in Nepal
Living in Limbo Tibetan and Bhutanese Refugees in Nepal Jeevan Baniya 1 pdf pdf. European Bulletin of Himalayan Research Nepali Times South Asia State of Minorities Report 2019 or its for refugee protection and for the determination of individual domestic legal instruments governing refugees was conducted. The Himalayan Times The Record . Convention Relating to the Status of Refugees . , Protocol Relating to the Status of Refugees . Tibetan and Bhutanese Refugees in Nepal Persecution and Exodus of Tibetan and Bhutanese Refugees 11 report having faced violent religious persecution at the hands of Lhotshampas were forced In Exile from the Land of Snows Exile as Challenge: The Tibetan Diaspora, Pacific Affairs . Peace and Democracy in South Asia South Asia State of Minorities Report 2019 capital punishment. at gunpoint. Furthermore, the Driglam Namzha The New York Times html. Peace and Democracy in South Asia European Bulletin of Himalayan Research The Lhotshampa people of Bhutan: Resilience and Survival Tibetan and Bhutanese Refugees in Nepal art and architecture. As such, the language, dress, and culture of kira and gho. pote The Lhotshampa people of Bhutan: -
CREATIVE-ART-CLUB Fv
CREATIVE ART CLUB CREATIVE ART CLUB 2017 1 EXECUTIVE SUMMARY The proposed business would deal with canvas painting as well as the normal paintings. Art paintings would have three categories, viz., Abstract painting, Landscape painting and Realistic painting. The prices of the art works would vary depending on the complexity and time duration. Every painting would depend on the time duration and complexities of the paintings which is why the Abstract painting is charged higher than the other two paintings. The Abstract painting is charged at Nu. 12,000, while the Landscape painting would be charged at Nu.10,000 and Realistic Painting at Nu. 9,000. Although the price of every category of paintings is given in the financial statement however the price may vary depending upon the needs and demands of the customers. The report presents the justification of the project, market analysis, resources required, plant location, environmental aspects, implementation of the project, cost presentation and financial analysis. 1. Justification of the project: People’s exposure to outside countries and its lifestyle is encouraging the people to have attention and interest in arts and its expressions. The arts not only beautify the surroundings and home but also it soothes one’s mind and soul. 2. Market analysis: Many artists are expressing themselves today and in the capital alone, within the last 10 years, the number of art galleries has increased from one to five. Some of the artist showed this through photography and visual displays while others show it through art, architecture and crafts. 3. Resource required: The main raw materials required for the creative art club is paint brushes, carpentry equipments and Artist palette which should be present for the artist to continue with the art. -
Silence in the Land of the Thunder Dragon
SILENCE IN THE LAND OF THE THUNDER DRAGON by Line Kikkenborg Christensen Thesis submitted May 2018 . Thesis submitted: 31st of May 2018 PhD supervisor: Associate Prof. Simon Turner, University of Copenhagen Assistant PhD supervisor: Associate Prof. Bjørn Møller, Aalborg University PhD committee: PhD Series: Faculty of Social Science, Aalborg University ISSN: ISBN: Published by: Aalborg University Press Skjernvej 4A, 2nd floor DK – 9220 Aalborg Ø Phone: +45 99407140 [email protected] forlag.aau.dk © Copyright: Line Kikkenborg Christensen Printed in Denmark by Rosendahls, 2015 Cover photos by Signe Ravn-Højgaard (Copyright). Front cover: The Thinker from Paro. Back cover: Goooooodmorning Trongsa. Normalsider: 78 sider (á 2.400 anslag inkl. mellemrum). Standard pages: 78 pages (2,400 characters incl. spaces). CV Line Kikkenborg Christensen holds a Master of Social Science in Development Studies and International Relations from Aalborg University and a Bachelor of Science in Anthropology from Aarhus University. She worked as a research assistant at Global Refugee Studies at Aalborg University before becoming a PhD fellow in the University’s Department of Social Science. ENGLISH SUMMARY In Bhutan, old codes of secrecy are part of the political culture. This creates societal silences around politically sensitive issues such as ethnicity, citizenship and the domestic conflict of the past. This article-based thesis raises the overall question: what forms of societal silence exist in Bhutan and what consequences do they have for the political culture of the country? Four articles answer this overall question. The article ‘Freedom of Speech and Silent Youth Protest in Bhutan: ‘Plz Delete it from Your Inbox’’ contributes to our understanding of silence as sensitivity and how obliviousness, self-censorship and silent protests play out in the political culture of Bhutan. -
Art Camp Report
India-Bhutan Cultural Exchange and Art Camp 14 to 18 June 2016 Royal Office for Media To learn and celebrate the rich heritage of Indian and Bhutanese art and culture, a group of 10 distinguished artists – five from each country –came together for an Art Camp in Thimphu from 14 to 18 June to interact and collaborate on creating great works of art. The Art Camp was part of an India-Bhutan cultural exchange programme jointly organised by the Centre for Escalation of Peace, New Delhi; the Royal Office for Media, Thimphu; the Voluntary Artists’ Studio, Thimphu; and the India-Bhutan Foundation, Thimphu. The cultural exchange programme is split in two components; the first half of the programme took place in Bhutan; while the second half of the programme will take place in India, comprising the same 10 artists. The five artists from Bhutan were: Kama Wangdi, Pema Tshering, Sukbir Bishwa, Rajesh Gurung, and Karma Wangchuk; while the five artists from India were: GR Iranna, Rajendra Tiku, Jagannath Panda, Kishor Shinde, and Manjunath Kamath. Objectives: • The India-Bhutan Cultural Exchange and Art Camp is a programme that aims to build cultural awareness and positive cultural relations between the two countries by providing a common platform for artists to come together, interact, get inspired and thus expand the scope of their own art form. • The exchange of ideas during artistic collaboration will not only stimulate the creative environment but will also help in maintaining a continuous and harmonious interaction required between the two countries, thus strengthening the existing, uniquely close and mutually beneficial relationship.