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Demand Driven Education: Merging Work and Learning to Develop the Human Skills That Matter
DEMAND DRIVEN EDUCATION Demand Driven Education Merging work & learning to develop the human skills that matter By Joe Deegan & Nathan Martin 1 About the Authors Acknowledgements Joe Deegan is a senior program manager with JFF, providing This publication was made possible through generous support research and technical assistance at the intersection of postsecondary from Pearson. education and workforce development. He studies emerging and alternative education models that have the potential to benefit people The foundational research for this report came from interviews from low-income backgrounds and other underrepresented college with experts in higher education. We are enormously grateful to all learners. He also provides program-level coaching to practitioners. of them for sharing their time and insights. In particular, we would Prior to working for JFF, Mr. Deegan managed a postsecondary like to thank Tom Ogletree from General Assembly; Kalonji Martin bridging program that connected out-of-school youth to community from Nepris; Michael Bettersworth from SkillsEngine; Leslie Hirsch college. He has taught English as a foreign language to Slovak middle from City University of New York; Vivian Murinde from the London and high school students as part of the Fulbright English Teaching Legacy Development Corporation; Sumi Ejiri from A New Direction; Assistantship program. Mr. Deegan holds a bachelor’s degree in and Leah Jewell, Kristen DiCerbo, and Steve Besley from Pearson. English literature from King’s College (Pennsylvania) and a master’s degree in public affairs from Indiana University’s School of Public Joe Deegan would also like to thank his JFF colleagues for their and Environmental Affairs. -
University Microfilms International 300 N, ZEEB RD
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.Thc sign or "target” for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed cither blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. If copyrighted materials were deleted you will find a target note listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in "sectioning" the material. It is customary to begin filming at the upper left hand corner of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Google Courts China Partners Currency Collapse
WANT TO START FUTURES TRADING? ADVERTISEMENT THERE’SNOTIMELIKETHEPRESENT. LearnmoreabouttradingFutureswithTDAmeritradeonR6. ***** MONDAY, AUGUST 13, 2018 ~ VOL. CCLXXII NO. 36 WSJ.com HHHH $4.00 Last week: DJIA 25313.14 g 149.44 0.6% NASDAQ 7839.11 À 0.3% STOXX 600 385.86 g 0.8% 10-YR. TREASURY À 26/32 , yield 2.859% OIL $67.63 g $0.86 EURO $1.1412 YEN 110.90 What’s White-Nationalist Rally, Dwarfed by Protesters, Fizzles Investors News Focus on Turkish Business&Finance Lira’s Fall lphabet’s Google is Awooing partners in Higher U.S. tariffs China for a potential ex- pansion there even as its on steel and aluminum search engine and Gmail increase uncertainty remain officially blocked. A1 in currency markets Private-equity firms are increasingly lending to BY JACOB M. SCHLESINGER midsize companies, fueled AND MICHAEL WURSTHORN by an influx of cash from yield-hungry investors. A1 Emerging-market investors U.S. oil companies, are preparing for an unsteady primed to reap the bene- start to the week after a week- fits of rising prices after end marked by heightened years of wringing more from rhetoric, renewed trade ten- wells for less, are seeing prof- sions and a deeper slide in the its erode as costs rise. B1 Turkish lira. The lira sank to a record Digital currency Tether low on Sunday evening after hasn’t produced an audit collapsing last week. The cur- showing it has the dollar rency is now down more than reserves to back its ap- 40% this year, while bond proximately $2.5 billion of JIM LO SCALZO/EPA/SHUTTERSTOCK yields have skyrocketed, push- coins in circulation. -
Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-100
2018 MIDYEAR Worldwide Ticket Sales TOP 200 THEATRE VENUES 1-100 1 758,219 Auditorio Nacional Mexico City, MEXICO 51 78,389 Stadsschouwburg Antwerp, BELGIUM 2 419,539 Fox Theatre Atlanta, GA 52 78,207 Velma V. Morrison Ctr. For The Perf. Arts Boise, ID 3 253,361 Durham Performing Arts Center Durham, NC 53 76,060 Park Theater At Monte Carlo Resort & Casino Las Vegas, NV 4 207,375 Smart Financial Centre At Sugar Land Sugar Land, TX 54 74,948 The Theater At MGM National Harbor Oxon Hill, MD 5 205,717 Zappos Theater At Planet Hollywood Las Vegas, NV 55 74,817 Auditorio Pabellón M Monterrey, MEXICO 6 203,250 Auditorio Telmex Zapopan, MEXICO 56 71,494 Express Live! Columbus, OH 7 200,074 Dreyfoos Hall West Palm Beach, FL 57 67,914 SEC Armadillo Glasgow, UNITED KINGDOM 8 198,172 Broward Ctr. Au-Rene Theater Fort Lauderdale, FL 58 67,504 Hanover Theatre For Performing Arts Worcester, MA 9 167,681 Bill Graham Civic Auditorium San Francisco, CA 59 66,761 Peace Center Concert Hall Greenville, SC 10 167,166 Chicago Theatre Chicago, IL 60 65,652 The Colosseum At Caesars Palace Las Vegas, NV 11 154,160 Radio City Music Hall New York, NY 61 63,464 WinStar Global Event Center Thackerville, OK 12 150,221 The Smith Center / Reynolds Hall Las Vegas, NV 62 62,974 The Plaza Theatre El Paso, TX 13 150,179 Carol Morsani Hall Tampa, FL 63 62,815 Andrew Jackson Hall Nashville, TN 14 141,531 Fox Theatre Detroit, MI 64 62,673 Stage AE Pittsburgh, PA 15 123,333 Ryman Auditorium Nashville, TN 65 62,267 Bushnell Center Mortensen Hall Hartford, CT 16 118,705 Orpheum Theatre Minneapolis, MN 66 62,094 Fabulous Fox Theatre St. -
Musicians' Learning Styles, Learning Strategies, And
MUSICIANS’ LEARNING STYLES, LEARNING STRATEGIES, AND PERCEPTIONS OF CREATIVITY BY WILLIAM WINSER HAGANS Bachelor of Music Berklee College of Music Boston, Massachusetts 1980 Master of Human Relations University of Oklahoma Norman, Oklahoma 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF EDUCATION December, 2004 ACKNOWLEDGMENTS I give my faithful thanks to God for providing me the courage, determination, and resiliency to complete another successful project. I would like to thank my loving wife, Dr. Monica E. Browne-Hagans, for accepting and enduring the role and responsibilities of a single parent during this journey. Thanks for your coaching, encouragement, support, and inspiration. We know that I would not be here without you. I dedicate this study to my creative children, William W. Hagans, Jr., Marcus A. Hagans, Triana D. Browne, and Teras X. Hagans. Hopefully this study will answer some of the questions concerning your creative lives. I also would like to thank my mother Anne Clarke for your unconditional love and Steven and Cheryl Brown and Bobbie Atkinson for being my family away from home. I want to express my utmost sincere appreciation to Dr. Gary J. Conti for facilitating the genuine concept of transformative learning through the lens of a Reconstructionist. Thanks for your encouragement, patience, and vision to guide me through the obstacles to the “Land of Done”. I give my deepest thanks and appreciation to my committee members Dr. Lynna Ausburn, Dr. Martin Burlingame, Dr. Anne Ghost Bear, Dr. Robin Hughes, and Dr. -
Upgrades, Rebranding Designed to Further
CRANKING UP ‘THE AMP’ BY LISA WHITE UPGRADES, REBRANDING DESIGNED TO FURTHER HEIGHTEN PROFILE OF ST. AUGUSTINE AMPHITHEATRE AND PONTE VEDRA CONCERT HALL . Amphitheatre kicked o its main-stage concert season March 1 with a sold-out show by Alabama, guests at the Florida venue couldn’t help but notice the changes. The 4,000-seat facility had been expanded by 700 seats, and a new food truck area provided fresh local options beyond the traditional concession stands. “We sell out a lot of our shows quickly, so we knew the demand was Athere and the ability to bring in bigger acts,” said Gabe Pellicer, assistant director of the venue and the adjacent Ponte Vedra Concert Hall, about the new seats. “We knew we had a lot of momentum, so we went for it.” The changes coincide with a rebranding for what’s now being called The Amp St. Augustine, including new graphics and brand colors and a fresh tagline — “Big Acts, Small Venue” — that echoes Pellicer’s words. The rebranding eorts are among a continuing eort to create a nationally known venue in a small market. “We felt like we ran into a fork in the road,” Pellicer said. “Do we create more revenue, more shows or a better experience? We’re a government-run venue that doesn’t have to chase prots, so we decided to make it the best we possibly could.” Owned and operated by the cultural events division of St. Johns County, The Amp hosts over 40 concerts and multiple community events annually, including the Saturday Farmers Market, held year-round, and the Sing Out Loud Festival, Florida’s largest free live entertainment festival and benet, held every weekend in September. -
Madison Square Garden Entertainment Announces the Return of Acclaimed Holiday Theatrical “‘Twas the Night Before…” by Cirque Du Soleil
MSG-entertainment Logo NEWS RELEASE Madison Square Garden Entertainment Announces the Return of Acclaimed Holiday Theatrical “‘Twas the Night Before…” by Cirque du Soleil 7/29/2021 Limited Engagement Will Run Exclusively At Two MSG Entertainment Venues This Holiday Season: The Chicago Theatre - November 26-December 5 Hulu Theater at Madison Square Garden - December 9-27 TICKETS ON SALE WEDNESDAY, AUGUST 4 AT 10:00AM NEW YORK--(BUSINESS WIRE)-- Madison Square Garden Entertainment Corp. (MSG Entertainment) is pleased to announce that the acclaimed family holiday theatrical – “‘Twas the Night Before…” by Cirque du Soleil – is returning to both The Chicago Theatre and Hulu Theater at Madison Square Garden, two of MSG Entertainment’s venues. The production will run at The Chicago Theatre for 17 performances from November 26 through December 5, 2021, and at Hulu Theater at MSG for 28 performances from December 9 through December 27, 2021. Tickets for both shows go on sale to the general public on Wednesday, August 4, 2021 at 10:00AM local time. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20210729005880/en/ “‘Twas the Night Before…,” Cirque du Soleil’s exhilarating spin on the beloved Christmas tale, is about the wonders of sharing and friendship. The production marks Cirque du Soleil’s rst-ever Christmas show and is a urry of Christmas cheer – rip-roaring fun with hugely lovable characters that will introduce audiences to the magic of Cirque du Soleil and help families create new holiday traditions. The critically acclaimed production returns to The Chicago Theatre and Hulu Theater at Madison Square Garden 1 after debuting at both venues in 2019. -
WDAF, KANSAS CITY, MO This Report Covers the Time Period September 1, 2003 – August 31, 2004 (Except Where Otherwise Specifically Noted)
WDAF, KANSAS CITY, MO This report covers the time period September 1, 2003 – August 31, 2004 (except where otherwise specifically noted). Local Newscasts and Key Stories WDAF airs 49.0 hours of local news each week, at the following times: Monday – Friday, 5 a.m. – 9 a.m. Monday – Friday, 12 p.m. – 1 p.m. Monday – Friday, 5 p.m. – 6:30 p.m. Monday – Friday, 9 p.m. – 10:30 p.m. Saturday – Sunday, 7 a.m. – 9 a.m. Saturday – Sunday, 5 p.m. – 6 p.m. Saturday – Sunday, 9 p.m. – 10:30 p.m. Provided below is a brief summary of important local news issues that WDAF has covered recently within its local news broadcasts: * Local Government - WDAF provided coverage of Missouri's concealed gun law, and efforts by some Kansas City city council members to impose limitations. * Environment – Station covered efforts to begin a curbside recycling program in Kansas City. * Law Enforcement – Federal, state and local law enforcement agencies teamed up to prevent welfare fraud. * Economy – WDAF reported on efforts to deal with Kansas City's $24 million budget shortfall, which included a hiring freeze and potential furloughs and layoffs. * Education – A report detailed the Lawrenceville school district's creation of a curriculum for a virtual school to cater to the increasing number of parents who home school their children. * Transportation – Area transportation planners studied commuter rail options to ease congestion along Interstate 70. A list of WDAF's local interest news stories is attached hereto as Exhibit A. Breaking News Updates WDAF broke into and/or preempted regularly-scheduled programming hundreds of times during the period covered by this report in order to bring its viewers breaking news or disaster information. -
HOTTICKETS MORE THAN 15,000 CAPACITY Ranked by Gross
HOTTICKETS MORE THAN 15,000 CAPACITY Ranked by gross. All data based on figures supplied to Pollstar. Date range: 12/16/19-1/15/20. Data updated as of Jan. 19. TICKETS RANK GROSS EVENT VENUE SOLD PROMOTER DATE SHOWS 1 $6,712,920 Phish Madison Square Garden, New York 76,079 Live Nation Dec. 28-31 4 2 $5,385,074 Andrea Bocelli Madison Square Garden, New York 28,623 Gelb Productions Dec. 18-19 2 3 $4,892,015 Rod Stewart The O2, London 44,662 Live Nation Dec. 17-20 3 4 $4,184,642 Dead & Company Chase Center, San Francisco 30,244 Live Nation Dec. 30-31 2 5 $4,118,335 Elton John Qudos Bank Arena, Sydney 29,113 Chugg Entertainment, Frontier Touring Jan. 7-9 2 6 $3,456,199 Dead & Company Forum, Inglewood, Calif. 25,166 Live Nation Dec. 27-28 2 7 $3,095,633 Daddy Yankee Coliseo de Puerto Rico, San Juan 55,442 Mr. Sold Out Dec. 27-29 4 8 $1,978,866 The Strokes Barclays Center, Brooklyn, N.Y. 15,619 Live Nation Dec. 31 1 9 $1,869,688 Raphael WiZink Center, Madrid 22,555 RLM Producciones Dec. 19-20 2 10 $1,809,893 Cher American Airlines Center, Dallas 13,312 Live Nation Dec. 19 1 Phish's annual New Year’s Eve run at New York City’s Madison Square Garden grossed $6.7 million off four performances. HOTTICKETS 10,001–15,000 CAPACITY Ranked by gross. All data based on figures supplied to Pollstar. -
Beat the Streets Annual Benefit Returns to the Hulu Theater at Madison Square Garden May 28 Following Sold-Out Event Last Year
For immediate release, March 2, 2020 Contact: Joe Favorito, 917-566-8345, [email protected] Jerry Milani, 917-797-5663, [email protected] Gary Abbott, USA Wrestling, 719-659-9637, [email protected] Beat the Streets Annual Benefit Returns to the Hulu Theater at Madison Square Garden May 28 Following Sold-Out Event Last Year Top U.S. Men’s and women’s wrestlers expected to compete in ‘Grapple at the Garden,’ 11th annual fundraiser to help raise money for youth non-profit Beat the Streets NEW YORK– One of the highlights on the annual amateur wrestling calendar returns for the 11th straight year as Beat the Streets Wrestling (BTS), the largest grassroots inner city wrestling program in the United States, and USA Wrestling today announced that the annual BTS benefit will be held on Thursday, May 28. The thrilling night of wrestling, dubbed “Grapple at the Garden,” will again be held at the Hulu Theater at Madison Square Garden after making a highly successful, sold-out debut there in 2019 following nearly a decade at various other iconic New York City venues. The bouts will again be followed by the annual Benefit Celebration, which recognizes not only the elite athletes who compete at the event but also the BTS standout youth wrestlers who epitomize the work that the not-for-profit organization does year-round. Expected to compete are BTS wrestlers along with a national high school All-Star match-up, NCAA Champions and international Olympic men and women, and potentially mixed martial arts athletes who began as wrestlers. -
Mitigating the Effects of Implicit Constraints in Verbal Insight Problem Solving Through Training
Mitigating the Effects of Implicit Constraints in Verbal Insight Problem Solving through Training Afla Ahmed BA (Hons), MSc, C Occ Psychol A Thesis submitted for the Degree of Doctor of Philosophy School of Psychology, Cardiff University 70 Park Place Cardiff, CF10 3AT UMI Number: U584516 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584516 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. Signed .. .............. .... (candidate) Date .t Vi.\P.Vi.}XQ.U.............. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree o f ......................................... (insert MCh, MD, MPhil, PhD etc, as appropriate) Signed . l/? \ ..................(candidate) Date .!V j. 1.9 .^ .|. 3 -.9 .W ........ STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. A bibliography is appended. Signed .. ..................(candidate) Date . 1 Lv.. .OM J. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. -
The 2018 Christmas Spectacular Starring the Radio City Rockettes, Presented by Chase, Announces a Brand-New Finale Scene That Us
The 2018 Christmas Spectacular Starring the Radio City Rockettes, Presented by Chase, Announces a Brand-New Finale Scene That Uses Live Theater’s Newest Innovations in Technology to Transform Radio City October 2, 2018 Tony, Drama Desk And Olivier Award-Nominated Director Sam Buntrock Joins The Creative Team Alongside Immersive Design Studio Obscura Digital New Finale Scene Includes 100 Drones That Will Take Flight In A Show-Stopping Christmas Light Performance PERFORMANCES RUN NOVEMBER 9 – JANUARY 1, 2019 TICKETS ON SALE NOW! NEW YORK, Oct. 02, 2018 (GLOBE NEWSWIRE) -- The Madison Square Garden Company (NYSE: MSG) announced today that the 2018 production of the Christmas Spectacular Starring the Radio City Rockettes, presented by Chase, will be technologically transformed with the addition of an all-new finale scene and redesigned elements. Directed by Tony, Drama Desk and Olivier Award-nominated director Sam Buntrock (Broadway and West End productions of Sunday in the Park with George), the new finale will include 100 drones that take flight to create a groundbreaking magical holiday light show, and new digital projections from Obscura Digital. The finale joins several of the production’s beloved numbers, which will showcase new, state-of-the-art digital projections from Obscura to combine next-level technology with awe-inspiring artistry that extend the show beyond the stage. “As the number one holiday show in America, the Christmas Spectacular has been a beloved holiday tradition for generations and we want to ensure we’re doing everything we can, including pushing artistic boundaries, creating new experiences and embracing innovation, to capture the enthusiasm and allegiance of generations to come,” said Victoria Parker, executive vice president, productions, The Madison Square Garden Company.