MOLLY MAGINNIS Costume Designer Mollymaginnis.Me

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MOLLY MAGINNIS Costume Designer mollymaginnis.me PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS TERMINAL LIST Season 1 Antoine Fuqua AMAZON / FUQUA FILMS David DiGillio, David Auge, Chris Pratt LAST CALL Feature Film Steven Bernstein FILMCOLONY / Alain Gagnon HOMECOMING Season 2 Kyle Patrick Alvarez UCP / AMAZON / Marc Bienstock PERPETUAL GRACE, LTD Various Directors MGM TV / EPIX Pilot & Series Mike Nelson / Steve Conrad THE FIX Pilot Larysa Kondracki ABC / Merri Howard, David Hoberman THE PATRIOT Steve Conrad ZAFTIG FILMS / AMAZON STUDIOS Series Various Directors Mike Nelson, Gil Bellows, Glenn Ficarra JACK RYAN Season 1 Various Directors SONY / AMAZON Bob Phillips, Dan Sackheim BROKEN Pilot Jeremy Podeswa ABC / Lori-Etta Taub, Casey Haver THE FAMILY Series Various Directors ABC / Sean Ryerson, David Hoberman RUNNER Michael Offer 20TH CENTURY FOX / SANDER-MOSES Pilot ABC Ian Sander, Kim Moses, Trish Hoffmann A GOOD MARRIAGE Feature Film Peter Askin Will Battersby / Pam Leiter MUHAMMAD ALI’S GREATEST FIGHT Stephen Frears HBO FILMS Feature Film Scott Ferguson, Frank Doelger Official Selection – Cannes Film Festival Ginny Nugent SMASH Season 1 Michael Mayer DREAMWORKS TV / NBC Winner, Outstanding Contemporary Series Various Directors Jim Chory, Darryl Frank, Justin Falvey Costume Designers Guild Awards DARLING COMPANION Feature Film Lawrence Kasdan John J. Kelley, Anthony Bregman LITTLE FOCKERS Feature Film Paul Weitz UNIVERSAL / Daniel Lupi SHE’S OUT OF MY LEAGUE Jim Field Smith DREAMWORKS SKG Feature Film George Gatins ROLE MODELS Feature Film David Wain UNIVERSAL / Dan Kolsrud, Mary Parent THE BUCKET LIST Feature Film Rob Reiner WARNER BROS. / Jeff Stott AMERICAN DREAMZ Feature Film Paul Weitz UNIVERSAL / Rod Liber, Chris Weitz IN GOOD COMPANY Feature Film Paul Weitz UNIVERSAL / Rod Liber, Chris Weitz DREAMCATCHER Feature Film Lawrence Kasdan CASTLE ROCK / Tammy Glover MIGHTY JOE YOUNG Feature Film Ron Underwood DISNEY / Tom Jacobson, Mike Fottrell AS GOOD AS IT GETS James L. Brooks Bridget Johnson, Laurence Mark Feature Film Richard Sakai, John Schofield, Kristie Zea TALES OF THE CITY Miniseries Alastair Reid PROPAGANDA / CHANNEL 4 Nomination, Best Costume Design Alan Poul BAFTA Awards LOOK WHO'S TALKING Feature Film Amy Heckerling TRISTAR / Bob Gray BROADCAST NEWS James L. Brooks 20TH CENTURY FOX Feature Film Penny Finkelman Cox Ms. Maginnis has also designed the costumes for such stage shows as “Showboat,” “Oklahoma,” “Madame Butterfly” and “Sherlock’s Last Case” (WINNER, BEST COSTUMES – DramaLogue Awards.) INNOVATIVE-PRODUCTION.COM | 310.656.5151 .

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“Can We Get a Cleanup On Aisle 2?” Previous: The Antisocial Fantasies of Jude the Obscure by Matthew Risling “Can We Get a Cleanup On Aisle 2?”: How Film Critics Mopped Up the Transgressions of Jenny McCarthy’s Dirty Love Sara Swain Pivot is published through Open Journal Systems (OJS) at York University 2 Introduction Dirty Love (John Asher, 2005) is the consequence of Jenny McCarthy’s fearless foray into the risky territory of the gross-out comedy. The film endured a long and laborious gestation period under the threat of financial ruin. The project began as a sitcom pilot that McCarthy had initially penned for Fox Television. Fox passed, deeming the project “too edgy and too controversial for TV” “Can We Get a Cleanup On (qtd. in Kevin Aisle 2?”: Williamson). But McCarthy and her How Film Critics Mopped Up the production team could Transgressions of Jenny McCarthy’s not be dissuaded. They Dirty Love bought the rights back Sara Swain from Fox and McCarthy went to work transforming the script into a feature film (Kates). She insists that she never wanted to be a writer but because of the dearth of onscreen comedic roles for women, she was forced to take matters into her own hands (qtd. in Sobczynski). Dirty Love eventually debuted at the Sundance Film Festival in late January 2005, where it was warmly received. John Cooper, the Festival’s Programming Director, lauded the filmmakers in the program notes for so brazenly travelling “across a comic minefield where few dare to tread.” Soon after the film was picked up for distribution.
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First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
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Mozart in the Jungle
UC San Diego UC San Diego Electronic Theses and Dissertations Title Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work Permalink https://escholarship.org/uc/item/71g9n4gd Author Sim, Yi Hong Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SAN DIEGO Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Communication by Yi Hong Sim Committee in charge: Professor Robert Horwitz, Chair Professor Akosua Boatema Boateng Professor Amy Cimini Professor Nancy Guy Professor Daniel Hallin Professor Stefan Tanaka 2019 The Dissertation of Yi Hong Sim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California San Diego 2019 iii EPIGRAPH On one side, the artist is kept to the level of the workingman, of the animal, of the creature whose sole affair is to get something to eat and somewhere to sleep. This is through necessity. On the other side, he is exalted to the height of beings who have no concern but with the excellence of their work, which they were born and divinely authorized to do. William Dean Howells, A Traveler from Altruria (1894) iv TABLE OF CONTENTS Signature Page ......................................................................................................................
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Ann Patchett, Bel Canto (New York: Harpercollins Publishers, 2001
133 Reviews DOI: 10.2478/abcsj-2019-0010 American, British and Canadian Studies, Volume 32, June 2019 Ann Patchett, Bel Canto (New York: HarperCollins Publishers, 2001. $16.00 paperback). Pp. 318 ISBN 0-06-093441-7 and Bel Canto (Priority Pictures/ Depth of Field/ A-Line Pictures 2018), directed by Paul Weitz. Screenplay by Paul Weitz and Anthony Weintraub, based on the novel by Ann Patchett. 1h 40min. Starring Julianne Moore, Ken Watanabe, Sebastian Koch, Ryo Kase, Christopher Lambert. When Ann Patchett’s fourth novel, Bel Canto , was published in 2001, it was met with almost universal praise from critics, also winning the prestigious PEN/ Faulkner Award for Fiction, and rightfully so: it is a modern classic infused, from the first to the last page, with the author’s scintillating prose that unfolds gradually, to the beat of an inner rhythm reminding one of the architecture of classical opera. Unfortunately, as it is often the case in classical opera, whatever rare happy end exists is decidedly more bitter than sweet. The novel is inspired by a real-life hostage crisis taking place in the Peruvian capital Lima in 1996, when members of the Tupac Amaru revolutionary guerrillas stormed the Japanese Embassy in the middle of an official reception to celebrate the Emperor’s birthday and took almost six hundred high profile guests as hostages; the crisis dragged on for months before Peruvian security forces stormed the compound and killed all the rebels, releasing the remaining prisoners. By and large, Patchett preserved all the features of this dramatic incident in her novel, but added one more ingredient that she felt such a crisis required: a world-famous lyric soprano named Roxane Coss.
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Sony Pictures Classics Acquires Paul Weitz's Grandma
FOR IMMEDIATE RELEASE SONY PICTURES CLASSICS ACQUIRES PAUL WEITZ’S GRANDMA NEW YORK (January 27, 2015) - Sony Pictures Classics announced today that they acquired worldwide rights to GRANDMA. The film, written and directed by Paul Weitz, premieres Friday at the 2015 Sundance Film Festival and stars Lily Tomlin, Julia Garner, Marcia Gay Harden, Judy Greer, Laverne Cox and Sam Elliott. GRANDMA is produced by Andrew Miano, Weitz, Paris Kassidokostas-Latsis and Terry Dougas and executive produced by Stephanie Meurer, Dan Balgoyen and Danielle Renfrew Behrens. In GRANDMA, Lily Tomlin is Elle Reid. Elle has just gotten through breaking up with her girlfriend when Elle’s granddaughter Sage unexpectedly shows up needing $600 bucks before sundown. Temporarily broke, Grandma Elle and Sage spend the day trying to get their hands on the cash as their unannounced visits to old friends and flames end up rattling skeletons and digging up secrets. The deal was negotiated by WME GLOBAL and Alex Kohner of Morris Yorn Barnes Levine Krintzman Rubenstein Kohner & Gellman. ABOUT SONY PICTURES CLASSICS Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 32 Academy Awards® (28 of those at Sony Pictures Classics) and have garnered 158 Academy Award® nominations (132 at Sony Pictures Classics) including Best Picture nominations for WHIPLASH, AMOUR, MIDNIGHT IN PARIS, AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.
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American Pie Film Free Watch
American pie film free watch Watch online American Pie Movie in HD quality prints without making any membership account. Jim, Oz, Finch and Kevin are four friends who make a pact that before they graduate they will all lose their. Watch American Pie Online Free Putlocker | Putlocker - Watch Movies Online Free. Watch movies and tv series stream full hd online for free! Whatever you. See more ideas about American pie online, American pie movie series and Watch American Pie () Full Movie Online Free | Download American Pie Full. Watch American Pie starring Jason Biggs in this Comedy on DIRECTV. It's available to watch on TV, online, tablets, phone. Comedy · Four teenage boys enter a pact to lose their virginity by prom night. See more awards» American Pie Presents: The Naked Mile . When Erik Stifler gets a free pass to do whatever he wants from his girlfriend, he and . If you are a person easily offended by a film dedicated primarily to the glory of teen sex. Posts about american pie written by. Toggle navigation american pie Archives - Free Movies Cinema - Watch Free Movies online · Home · Short Films. WATCH FREE FOR A MONTH. GET STARTED. SIGN IN. American Pie Presents: Band Camp: A Netflix Original MORE DETAILS. This movie is: Raunchy. American Pie is a teen sex comedy film written by Adam Herz and directed by brothers From Wikipedia, the free encyclopedia. Jump to: navigation, search. This article is about the original film. For the film series, see American Pie (film series). American Pie movie dvd! watch American Pie the movie full version, Jason Pie movie high quality - American Pie English Film Free Watch Online.
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BJOERN REHBEIN Make-Up Artist IATSE 798
BJOERN REHBEIN Make-Up Artist IATSE 798 FILM JUNGLE CRUISE Personal Make-Up Artist to Emily Blunt (ADDITONAL PHOTOGRAPHY) Director: Jaume Collet – Serra Crocus Productions, INC. BAD EDUCATION Personal Make-Up Artist to Mr. Hugh Jackman Automatik Entertainment Director: Corey Finley AVENGERS: INFINITY WAR Personal Make-Up Artist to Michael Douglas Marvel Director: Anthony and Joe Russo ANT-MAN AND THE WASP Personal Make-Up Artist to Michael Douglas Marvel Director: Peyton Reed CIGARETTE Personal Make-Up Artist to John Travolta Netflix Director: John Luessenhop THE LIFE AND DEATH OF JOHN GOTTI Department Head – New York Lionsgate Director: Kevin Connolly Cast: John Travolta SUBMERGENCE Make-Up Designer Waterstone Entertainment Director: Wim Wenders Cast: Alicia Vikander, James McAvoy, Charlotte Rampling DOCTOR STRANGE Department Head – New York Shoot Marvel Studios Director: Scott Derrickson MONEY MONSTER Department Head – Additional Photography New York Tri-Star Pictures Director: Jodie Foster Cast: Jack O'Connell, Dominic West, Caitriona Balfe THE TALE Personal Make-Up Artist to Laura Dern Blackbird Films Director: Jennifer Fox INDIGNATION Department Head FilmNation Director: James Schamus Cast: Sarah Gadon, Logan Lerman JOY Assistant Department Head Annapurna Pictures Director: David O. Russell Cast: Édgar Ramirez, Isabella Rossellini, Diane Ladd, Drena De Niro, Susan Lucci THE MILTON AGENCY Bjoern Rehein 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 [email protected]
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Sept Film Discussion Grandma
FILM: GRANDMA FDG RATING: 2.86 OO Film Discussion Group (FDG) Scale is 1-5 (5 is best) Paul Weitz: Director, writer Lily Tomlin: Actress: Elle (grandma) Julia Garner: Actress: Sage DATE: Sept. 20, 2015 DISCUSSION SUMMARY: GRANDMA I doubt if any of us have a Grandma as “hip” as Elle played by Lily Tomlin. Feisty, 70 year old Elle, a lesbian poet, is having trouble coping with the recent death of her long-term life partner, Violet. Realizing that her new relationship with a much younger woman, Olivia, isn’t fair, she brutally breaks off the relationship and returns to her bereavement for Vi. Unexpectedly, in the morning, her 18 year old granddaughter, Sage, arrives asking her Grandma to lend her $600. After some prying, Sage confesses that she needs the money for an abortion scheduled later that day. Elle has already cut up her credit cards after paying off all her debts so without enough cash, she embarks on a frenetic roadtrip with Sage, visiting the people she is currently close to (such as her tattoo artist) to borrow the money. The twosome visit others and then as a last resort, Elle visits a relationship from her past, Karl, (a mesmerizing performance by Sam Elliott) to try and get the cash Sage needs. We get a quick trip down memory lane as Elle and Karl reminisce, but ultimately a pivotal life decision is exposed which puts the brakes on any hope of getting the cash from Karl. The roadtrip allows Elle to vent her anger, resentment, and sorrow as we learn about the trials and tribulations of her free spirited life style.
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Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.
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John Bissell Music Supervisor
JOHN BISSELL MUSIC SUPERVISOR FEATURE FILM STRETCH Jason Blum, Joe Carnahan, Tracy Falco, prods. Blumhouse Productions Joe Carnahan, dir. UNBRANDED (Documentary) Dennis Aig, prod. Cedar Creek Productions Phillip Baribeau, dir. FALLEN Mark Ciardi, Gordon Gray, Bill Johnson, prods. Mayhem Pictures Scott Hicks, dir. THE FORGER Al Corley, Bart Rosenblatt, Eugene Musso, Code Entertainment Rob Carliner, prods. Philip Martin, dir. UNBRANDED Dennis Aig, prod. Cedar Creek Productions Phillip Baribeau, dir. ZERO DARK THIRTY Colin Wilson, Greg Shapiro, prods. Zero Dark Thirty Productions Kathryn Bigelow, dir. THE COMPANY YOU KEEP Bill Holderman, Nicholas Chartier, prods. Voltage Pictures Robert Redford, dir. THE LUCKY ONE Denise DeNovi, prod. Riverboat Productions, LLC Scott Hicks, dir. A VERY HAROLD AND KUMAR Greg Shapiro, prod. CHRISTMAS Todd Strauss-Schulson, dir. Mandate Pictures THE CONSPIRATOR Jeremiah Samuels, exec. prod. American Film Company Greg Shapiro, prod. *Music Consultant Robert Redford, dir. SHREK FOREVER AFTER Andrew Adamson, Paramount Aron Warner, exec. prods. *Music Consultant Mike Mitchell, dir. THE IRISHMAN Al Corley, Bart Rosenblatt, prods. Code Entertainment Jonathan Hensleigh, dir. STOLEN Anders Anderson, Al Corley, Josh Lucas, 2 Bridges Productions Devin Maurer, Bart Rosenblatt, Andy Steinman, prods. Anders Anderson, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 JOHN BISSELL MUSIC SUPERVISOR BABY ON BOARD Emilio Ferrari, prod. A Plus Entertainment Brian Herzlinger, dir. THE HURT LOCKER Greg Shapiro, Kathryn Bigelow, prods. First Light Productions Kathryn Bigelow, dir. BALLAST Andrew Adamson, Mark Johnson, IFC Films Lance Hammer, prods. Lance Hammer, dir. NO RESERVATIONS Sergio Aguero, Kerry Heysen, Castle Rock Entertainment / Bruce Berman, prods. Warner Brothers Pictures Scott Hicks, dir. YOU KILL ME Carol Baum, Mike Markus, IFC Films Bart Rosenblatt, prods.
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Lemont High School Drama Club Will Be Putting on a Production of the Play, “Our Town”
Our TOwn… P. 2) To Be Pants or Not To Be...That is The Question by Erin O’Connor LemOnT P.3) Silence Please! News writer The Lemont high school drama club will be putting on a production of the play, “Our Town”. They play will be performed on Friday Febru- P.4) Education: Burden or ary 11 and Saturday February 12 at 7 p.m. Privilege? Our town originally debuted in 1938 in Princeton, New Jersey and later moved on the New York. The play is centered around an average American family. The character of the stage manager helps the play P.5) Is Silence Really Gold- flow with interjections bring other situations into perspective as the play is acted. en? “Our town”, originally written by Thorton Wilder, is about the lives of ordinary people, in an ordinary town during the 1930s. However the LHS Drama Club has put its own spin on things and changed the play P.6) Denim Styles Making to be about our very own town of Lemont. The play portrays many of life’s usual events: school, marriage, rais- Their Way Back ing families etc. and shows Senior Clare Rogers said, “…the fact that life is important, and that people need to realize how wonderful life really is as they live it.” P.7) The “Meet the Parents“ Rogers said that the stage will have minimal set and due to how the Trilogy characters act and look, the audience will infer their location. Not only is there very little set in this play, but the characters will not be using any props – bringing the audience’s attention towards the actors’ ac- P.8) Lap Two tions once again.
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NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
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