DOCSLIB.ORG

Coins Item Boxes Local Multiplayer Creating a Room Instructions for the Game Host Online Multiplayer Joining a Room Instructions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Coins Item Boxes Local Multiplayer Creating a Room Instructions for the Game Host Online Multiplayer Joining a Room Instructions Items Banana Bullet Bill Karts that run over Bananas will Transforms you into a Bullet Bill, which spin out. automatically follows the course at a high speed. Press while accelerating Green Shell Blooper Travels in a straight line and knocks Sprays ink on all the karts ahead of over the first kart it hits. you and reduces their visibility. Red Shell Lightning Homes in on the closest kart in front of Causes all opponents to drop their items you and knocks it over. and drive slowly for a short time. Spiny Shell Super Star Chases after the kart in the lead, knocking Makes you invincible and increases over all karts it hits on the way. your speed for a short time. Bob-omb Fire Flower In first-person view, you can steer by tilting the Nintendo 3DS Will explode when thrown or dropped, Allows you to throw fireballs that cause to the left and right. The Circle Pad can also be used to steer. knocking over any kart in its blast radius. other karts to spin out of control on impact. Mushroom Super Leaf Provides your kart with a short Gives your kart a tail that can be used to speed boost. deflect items and knock over opponents. Coins Item Boxes Golden Mushroom Lucky Seven Gives you a speed boost whenever you Surrounds your kart with seven Press to return to standard view and controls. Collect coins to increase the top speed of your kart. Pass through an item box to pick up an item. press , but only for a short time. items that can all be used. Local Multiplayer Local Wireless Download Play Online Multiplayer Online Play Up to eight players can play this game using a single Join a Room Joining a Room Compete with players from across the globe by using a wireless Internet connection. Choose Mario Kart 7 Game Card if each player has a Instructions for the Players with Game Cards Nintendo 3DS system. In order to do this, the player with the Worldwide to be randomly matched with other Game Card should tap Create a Room, then the other players Tap Local Multiplayer on the Main Menu, and players all over the world. should select Download Play from the HOME Menu. Create a Room then tap on the room you’d like to join. For help with Nintendo 3DS Internet Settings, please read the Operations Manual. Follow the instructions on the screen. Friends/Opponents Creating a Room Instructions for the Players without Game Cards Instructions for the Game Host Play with online friends, recent opponents, and Open Download Play from the HOME Menu. players you have tagged via StreetPass. You can also Tap Local Multiplayer from the Main join friends from the friend list on the HOME Menu. Menu, then tap Create a Room. Select Nintendo 3DS, then select Mario Kart 7. Tap Start when all the players have joined The download will begin once the game host taps Start. Communities the room. Communities allow you to play with groups of people Wait for the download to complete. who have similar play styles and rule preferences. Follow the instructions on the screen. When playing via Download Play, you’ll always play as Shy Guy. THIS GAME CARD WILL WORK ONLY WITH THE PLEASE CAREFULLY READ THE NINTENDO 3DSTM OPERATIONS MANUAL BEFORE USING YOUR SYSTEM, WARNING - REPETITIVE MOTION INJURIES The Official Seal is your NINTENDO 3DSTM VIDEO GAME SYSTEM. GAME CARD OR ACCESSORY. THIS MANUAL CONTAINS IMPORTANT HEALTH AND SAFETY INFORMATION. assurance that this product is StreetPassLocal PlayTM Playing video games can make your muscles, joints, or skin hurt. Follow these instructions to avoid problems such as tendinitis, licensed or manufactured by VS Play IMPORTANT SAFETY INFORMATION: READ THE FOLLOWING WARNINGS BEFORE YOU OR YOUR carpal tunnel syndrome or skin irritation: Nintendo. Always look for this Nintendo2 - 8 3DSplayers systems CHILD PLAY VIDEO GAMES. Avoid excessive play. Parents should monitor their children for appropriate play. seal when buying video game ALLOWS WIRELESS MULTIPLAYER GAMES WITH • Take a 10 to 15 minute break every hour, even if you don’t think you need it. EACH NINTENDO 3DS SYSTEM CONTAINING A systems, accessories, games SEPARATE GAME CARD. • When using the stylus, you do not need to grip it tightly or press it hard against the screen. Doing so may cause fatigue or and related products. WARNING - 3D FEATURE ONLY FOR CHILDREN 7 AND OVER discomfort. Download Play • If your hands, wrists, or arms become tired or sore while playing, or if you feel symptoms such as tingling, numbness, VS Play Viewing of 3D images by children 6 and under may cause vision damage. 2 - 8 players burning or stiness, stop and rest for several hours before playing again. Use the Parental Control feature to restrict the display of 3D images for children 6 and under. See the Parental Controls section in the • If you continue to have any of the above symptoms or other discomfort during or after play, stop playing and see a doctor. FOR MORE INFORMATION, SEE THE BUILT-IN ALLOWS WIRELESS MULTIPLAYER GAMES Nintendo 3DS Operations Manual for more information. INSTRUCTION MANUAL DOWNLOADED FROM ONE GAME CARD. Internet To view the built-in instruction manual, tap the button VS Play WARNING - SEIZURES IMPORTANT LEGAL INFORMATION 2 - 8 players labeled “Manual” displayed on the HOME Menu. • Some people (about 1 in 4000) may have seizures or blackouts triggered by light flashes or patterns, and this may occur while they This Nintendo game is not designed for use with any unauthorized device. Use of any such device will invalidate your Nintendo ALLOWS ONLINE PLAY THROUGH THE INTERNET. are watching TV or playing video games, even if they have never had a seizure before. product warranty. Copying of any Nintendo game is illegal and is strictly prohibited by domestic and international intellectual NEED HELP PLAYING A GAME? StreetPassTM • Anyone who has had a seizure, loss of awareness, or other symptom linked to an epileptic condition should consult a doctor before property laws. “Back-up” or “archival” copies are not authorized and are not necessary to protect your software. Violators will be Connect to other prosecuted. REV–E Nintendo 3DS systems playing a video game. For game play assistance, we recommend using your Parents should watch their children play video games. Stop playing and consult a doctor if you or your child has any of the following ALLOWS AUTOMATIC SEARCH AND INFORMATION favorite Internet search engine to find tips for the game EXCHANGE WITH OTHER NINTENDO 3DS SYSTEMS. symptoms: you are playing. Some helpful words to include in the Convulsions Eye or muscle twitching Loss of awareness SpotPassTM Altered vision Involuntary movements Disorientation search, along with the game’s title, are: “walk Connect to Internet hotspots To reduce the likelihood of a seizure when playing video games: through,” “FAQ,” “codes,” and “tips.” ALLOWS INFORMATION EXCHANGE BETWEEN THE 1. Sit or stand as far from the screen as possible. 4. Play in a well-lit room. NINTENDO 3DS SYSTEM AND A WIRELESS HOTSPOT. 2. Play video games on the smallest available television screen. 5. Take a 10 to 15 minute break every hour. 3. Do not play if you are tired or need sleep. WARNING - EYESTRAIN AND MOTION SICKNESS Playing video games can result in eyestrain after a sustained period of time, and perhaps sooner if using the 3D feature. Playing video games can also result in motion sickness in some players. Follow these instructions to help avoid eyestrain, dizziness, or nausea: • Avoid excessive play. It is recommended that parents monitor their children for appropriate play. • Take a 10 to 15 minute break every hour, or every half hour when using the 3D feature, even if you don’t think you need it. Each person is dierent, so take more frequent and longer breaks if you feel discomfort. • If your eyes become tired or sore while playing, or if you feel dizzy or nauseated, stop and rest for several hours before playing again. © 2011 Nintendo. Trademarks are property of their respective owners. Nintendo 3DS is a trademark of Nintendo. © 2011 Nintendo. • If you continue to have any of the above symptoms, stop playing and see a doctor. www.nintendo.com A S U IN ED INT PR Redmond, WA 98073-0957 U.S.A. 98073-0957 WA Redmond, 1-800-255-3700 1-800-255-3700 or call or P.O. Box 957 Box P.O. .com o ecycle.nintend r visit SUPPORT.NINTENDO.COM Nintendo of America Inc. America of Nintendo ecycling information: ecycling r oduct r P Nintendo Customer Service Customer Nintendo 75613A NEED HELP WITH INSTALLATION, MAINTENANCE OR SERVICE? OR MAINTENANCE INSTALLATION, WITH HELP NEED communities from players all over the world. world. the over all players from communities This warranty is only valid in the United States and Canada. and States United the in valid only is warranty This to the Internet and receive ghosts and recommended recommended and ghosts receive and Internet the to Redmond, WA 98073-0957 U.S.A. 98073-0957 WA Redmond, 957, Box P.O. Inc., America of Nintendo is: address Nintendo’s vince. pro to province or state to state from vary which rights other have also may You rights. legal specific you gives warranty This When enabled, your system will automatically connect connect automatically will system your enabled, When NOT APPLY TO YOU. TO APPLY NOT SpotPass S MAY MAY S LIMITATION ABOVE THE SO DAMAGES, INCIDENTAL OR CONSEQUENTIAL OF EXCLUSION OR LASTS WARRANTY IMPLIED AN LONG HOW ON LIMITATIONS LLOW LLOW A NOT DO STATES SOME WARRANTIES.
Load more

Recommended publications
  • Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015
    Repositorium für die Medienwissenschaft Jennifer deWinter; Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2 2015 https://doi.org/10.25969/mediarep/14996 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: deWinter, Jennifer; Kocurek, Carly A.: Chell Game: Representation, Identification, and Racial Ambiguity in PORTAL and PORTAL 2. In: Thomas Hensel, Britta Neitzel, Rolf F. Nohr (Hg.): »The cake is a lie!« Polyperspektivische Betrachtungen des Computerspiels am Beispiel von PORTAL. Münster: LIT 2015, S. 31– 48. DOI: https://doi.org/10.25969/mediarep/14996. Erstmalig hier erschienen / Initial publication here: http://nuetzliche-bilder.de/bilder/wp-content/uploads/2020/10/Hensel_Neitzel_Nohr_Portal_Onlienausgabe.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Weitergabe unter Attribution - Non Commercial - Share Alike 3.0/ License. For more gleichen Bedingungen 3.0/ Lizenz zur Verfügung gestellt. Nähere information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by-nc-sa/3.0/ http://creativecommons.org/licenses/by-nc-sa/3.0/ ­­­Jennifer deWinter / Carly A. Kocurek Chell Game: Representation, Identification, and Racial Ambiguity in ›Portal‹ and ›Portal 2‹ Chell stands in a corner facing a portal, then takes aim at the adjacent wall with the Aperture Science Handheld Portal Device. Between the two portals, one ringed in blue, one ringed in orange, Chell is revealed, reflected in both. And, so, we, the player, see Chell. She is a young woman with a ponytail, wearing an orange jumpsuit pulled down to her waist and an Aperture Science-branded white tank top.
    [Show full text]
  • Video Games: Changing the Way We Think of Home Entertainment
    Rochester Institute of Technology RIT Scholar Works Theses 2005 Video games: Changing the way we think of home entertainment Eri Shulga Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Shulga, Eri, "Video games: Changing the way we think of home entertainment" (2005). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Video Games: Changing The Way We Think Of Home Entertainment by Eri Shulga Thesis submitted in partial fulfillment of the requirements for the degree of Master of Science in Information Technology Rochester Institute of Technology B. Thomas Golisano College of Computing and Information Sciences Copyright 2005 Rochester Institute of Technology B. Thomas Golisano College of Computing and Information Sciences Master of Science in Information Technology Thesis Approval Form Student Name: _ __;E=.;r....;...i S=-h;....;..;u;;;..;..lg;;i..;:a;;...__ _____ Thesis Title: Video Games: Changing the Way We Think of Home Entertainment Thesis Committee Name Signature Date Evelyn Rozanski, Ph.D Evelyn Rozanski /o-/d-os- Chair Prof. Andy Phelps Andrew Phelps Committee Member Anne Haake, Ph.D Anne R. Haake Committee Member Thesis Reproduction Permission Form Rochester Institute of Technology B. Thomas Golisano College of Computing and Information Sciences Master of Science in Information Technology Video Games: Changing the Way We Think Of Home Entertainment L Eri Shulga. hereby grant permission to the Wallace Library of the Rochester Institute of Technofogy to reproduce my thesis in whole or in part.
    [Show full text]
  • Nintendo Co., Ltd
    Nintendo Co., Ltd. Financial Results Briefing for the Nine-Month Period Ended December 2013 (Briefing Date: 1/30/2014) Supplementary Information [Note] Forecasts announced by Nintendo Co., Ltd. herein are prepared based on management's assumptions with information available at this time and therefore involve known and unknown risks and uncertainties. Please note such risks and uncertainties may cause the actual results to be materially different from the forecasts (earnings forecast, dividend forecast and other forecasts). Nintendo Co., Ltd. Consolidated Statements of Income Transition million yen FY3/2010 FY3/2011 FY3/2012 FY3/2013 FY3/2014 Apr.-Dec.'09 Apr.-Dec.'10 Apr.-Dec.'11 Apr.-Dec.'12 Apr.-Dec.'13 Net sales 1,182,177 807,990 556,166 543,033 499,120 Cost of sales 715,575 487,575 425,064 415,781 349,825 Gross profit 466,602 320,415 131,101 127,251 149,294 (Gross profit ratio) (39.5%) (39.7%) (23.6%) (23.4%) (29.9%) Selling, general and administrative expenses 169,945 161,619 147,509 133,108 150,873 Operating income 296,656 158,795 -16,408 -5,857 -1,578 (Operating income ratio) (25.1%) (19.7%) (-3.0%) (-1.1%) (-0.3%) Non-operating income 19,918 7,327 7,369 29,602 57,570 (of which foreign exchange gains) (9,996) ( - ) ( - ) (22,225) (48,122) Non-operating expenses 2,064 85,635 56,988 989 425 (of which foreign exchange losses) ( - ) (84,403) (53,725) ( - ) ( - ) Ordinary income 314,511 80,488 -66,027 22,756 55,566 (Ordinary income ratio) (26.6%) (10.0%) (-11.9%) (4.2%) (11.1%) Extraordinary income 4,310 115 49 - 1,422 Extraordinary loss 2,284 33 72 402 53 Income before income taxes and minority interests 316,537 80,569 -66,051 22,354 56,936 Income taxes 124,063 31,019 -17,674 7,743 46,743 Income before minority interests - 49,550 -48,376 14,610 10,192 Minority interests in income -127 -7 -25 64 -3 Net income 192,601 49,557 -48,351 14,545 10,195 (Net income ratio) (16.3%) (6.1%) (-8.7%) (2.7%) (2.0%) - 1 - Nintendo Co., Ltd.
    [Show full text]
  • Dark Souls™ Series By: BANDAI NAMCO Entertainment Inc
    1 Contents Introduction . 3 Character Activations . 22 Overview . 22 Game Contents . 4 Character Movement . 22 Setup . 8 Character Attacks . 22 Initial Setup . 8 Enemy Activations . 24 Setup After the Mini Boss . 9 Overview . 24 Tiles and Nodes . 10 Enemy Movement . 24 The Basics . 10 Enemy Attacks . 25 Node Movement . 10 Boss Encounters . 26 Range . 10 Boss Basics . 26 Node Model Limits . 10 Boss Data Cards . 26 Characters . 11 Behaviour Cards . 27 Character Boards . 11 Boss Arcs . 27 Estus Flask Tokens . 11 Starting a Boss Encounter . 28 Luck Tokens . 11 Ending a Boss Encounter . 28 Equipment . 12 Boss Activations . 29 Equipment Cards . 12 Overview . 29 Upgrade Cards . 12 Boss Attacks . 29 Equipment Modifiers . 12 Boss Movement . 29 Embers . 12 Boss Activation Example . 30 The Bonfire Tile . 13 Post-Game Ritual . 31 Home Base . 13 Blacksmith Andre . 14 The Firekeeper . 15 Resting at the Bonfire . 15 Exploration . 16 Into the Dungeon . 16 The Fog Gate . 16 Campaign Rules . 32 Introduction . 32 Encounter Setup . 17 Encounter Cards . 17 Rules of the Campaign . 33 Terrain . 17 Setup . 33 Trap Tokens . 18 Adding and Dropping Players . 33 Encounter Setup Example . 18 Dashing Through . 33 Sparks . 33 Encounters . 19 Progressing through The Basics . 19 the Campaign . 33 Activating Models . 19 The Bonfire Tile . 33 Ending an Encounter . 19 Campaign Scenarios Combat Basics . 20 Using the Core Set . 34 Target versus Hit . 20 The Endurance Bar . 20 The First Journey . 34 Enemy Data Cards . 20 The Coiled Sword . 36 Pushing . 21 Conditions . 21 Campaign
    [Show full text]
  • Comparison of Esports and Traditional Sports Consumption Motives by Donghun Lee, Ball State University and Linda J
    Comparison of eSports and Traditional Sports Consumption Motives by Donghun Lee, Ball State University and Linda J. Schoenstedt, and in turn, has boosted eSports consumption. Consequently, Xavier University multimedia outlets cover more eSports games and potential investors have paid more attention to this market segment as Abstract a growing sponsorship opportunity. Global companies such as With recognition of the need for studying eSports in this Samsung and Microsoft have been sponsoring the World Cyber interactive digital communication era, this study explored 14 Games at event and team levels. Corporate sponsors have jumped motivational factors affecting the time spent on eSports gaming. into the online advertising industry because online games have Using a sample of 515 college students and athletic event become a common promotional venue in which brands get repeated attendees, we further compared eSports game patterns to their exposure to an avid target market (Chaney, Lin, & Chaney, 2004). non-eSport or traditional sport involvements (game participation, Electronic sports have, in recent years, become a more popular game attendance, sports viewership, sports readership, sports form of leisure activity for many people. Based on the units sold listenership, Internet usage specific to sports, and purchase of in 2007, sports video games (including auto racing) comprised team merchandise). Multiple regression results indicated that more than 22% of the entire video game industry (Entertainment competition and skill had a statistically significant impact on the Software Association, 2008). This number rose to 44.7% if ‘action’ time spent on eSports games while peer pressure had marginal genre was included. Among the list of the top 20 popular video significance.
    [Show full text]
  • Shopping for Game Mechanics
    Shopping for Game Mechanics Tiago Machado, Ivan Bravi, Zhu Wang, Andy Nealen, Julian Togelius New York University {tiago.machado, ivan.bravi, zhu.wang, nealen, julian.togelius}@nyu.edu ABSTRACT Recommender systems are very common nowadays, from shopping websites to social net- works, from map routing systems to entertainment stream services. We use recommender systems as an inspiration to create an AI Game Design Assisted tool which recommends game elements, such as sprites and mechanics, during the development process. Sugges- tions are based on similarities between games and freely inspired by game analysis studies. The tool is based on the Video Game Description Language. Keywords Recommender Systems, AI Game Design Assisted Tool, Game Analysis Studies INTRODUCTION Recommender systems are very common nowadays. Practically every system has its own way to suggest users to be friends with, movies to watch, or something to buy. It is possible to find recommender systems in the game industry as well, although they focus on suggesting games to the user, based on the games she or her friends played before (newgrounds.com 2016). In this work, we describe a recommender system designed to assist developers, by sug- gesting VGDL game mechanics (Ebner et al. 2013). Our methods are inspired by Game Analysis studies, which describe some methods commonly used in games’ pre-production phase. Our system uses the games in the GVG-AI framework game library as its knowledge base (Perez et al. 2015). Every time a user requests suggestions, it provides recommenda- tions by comparing the current game with the games in the library. Two types of sugges- tions are provided based on two search paradigms: the item-based search and the user-based search.
    [Show full text]
  • Vocabulary Can Be Reinforced by Using a Variety of Game Formats. Focus May Be Placed Upon Word Building, Spelling, Meaning, Soun
    ocabulary can be reinforced by using a variety of game formats. Focus may be placed upon word building, spelling, meaning, sound/symbol correspon­ Vdences, and words inferred from sentence context. Teaching Techniques. The full communicative potential of these games can be real ized through good spirited team competition. Working in pairs or in small groups, students try to be the first to correctly complete a task. These games can be used at the end of a lesson or before introducing new material as a “change of pace” activity. Teachers should allow sufficient time for class discussion after the game has been completed. word games 2 Letter Power Add a letter A. From each word below, make two new words by adding a letter (1) at the end; (2) at the beginning. B. Form new words as in A (above). In addition, form a third word by adding a letter at the beginning and the end of the word. 3 Change the first letter. Make one word into another by changing the first letter. Example: Change a possessive pronoun to not sweet. Answer: your, sour. 1. Change a past tense of BE to an adverb of place. 2. Change an adjective meaning not high to an adverb meaning at the present time. 3. Change a period of time to a term of affection. 4. Change was seated to have a meal. 5. Change a part of the head to international strife. 6. Change a respectful title to atmosphere. 7. Change to learn thoroughly to not as slow. 8. Change very warm to a negative adverb.
    [Show full text]
  • The Effects of Portal 2 and Lumosity on Cognitive and Noncognitive Skills
    Computers & Education 80 (2015) 58e67 Contents lists available at ScienceDirect Computers & Education journal homepage: www.elsevier.com/locate/compedu The power of play: The effects of Portal 2 and Lumosity on cognitive and noncognitive skills * Valerie J. Shute , Matthew Ventura, Fengfeng Ke Florida State University, College of Education, 1114 West Call Street, Tallahassee, FL 32306-4453, USA article info abstract Article history: In this study, we tested 77 undergraduates who were randomly assigned to play either a popular video Received 11 May 2014 game (Portal 2) or a popular brain training game (Lumosity) for 8 h. Before and after gameplay, par- Received in revised form ticipants completed a set of online tests related to problem solving, spatial skill, and persistence. Results 19 July 2014 revealed that participants who were assigned to play Portal 2 showed a statistically significant advantage Accepted 23 August 2014 over Lumosity on each of the three composite measuresdproblem solving, spatial skill, and persistence. Available online 30 August 2014 Portal 2 players also showed significant increases from pretest to posttest on specific small- and large- scale spatial tests while those in the Lumosity condition did not show any pretest to posttest differ- Keywords: Assessment ences on any measure. Results are discussed in terms of the positive impact video games can have on Persistence cognitive and noncognitive skills. Problem solving © 2014 Elsevier Ltd. All rights reserved. Spatial skills Videogames 1. Introduction Most children and young adults gravitate toward digital games. The Pew Internet and American Life Project surveyed 1102 youth be- tween the ages of 12 and 17 and found that 97%dboth males (99%) and females (94%)dplay some type of digital game (Lenhart et al., 2008).
    [Show full text]
  • Revista Nintendoblast N37.Pdf
    EDIÇÃO Nº37 OUT/2012 cc BY NC ND ÍNDICE A volta do camundongo mais querido do mundo! Mickey talvez seja o único personagem mais conhecido mundialmente do que Mario. No entanto, é certo que ele esteve, por muitos anos, longe dos holofotes quando o assunto é videogame. Dando seguimento ao grande trabalho de Epic Mickey (Wii), suas duas continuações prometem reviver os anos dourados do camundongo da Disney com muito estilo no Wii, 3DS e até Wii U. É claro que nós não deixaríamos esse lançamentos tão aguardados passarem sem fazer uma Prévia a cada um, não é? Além das Prévias de Epic Mickey 2: Poder em Dobro e Epic Mickey: Power of Illusion, você ainda confere o Perfil do Mickey, que mostra toda a sua trajetória pelas mais variadas plataformas. Óbvio que não poderíamos falar de Mickey no universo dos games sem citar Castle of Illusion, não é? O clássico para Mega Drive recebeu um glorioso Blast from the Past para fazer qualquer fã morrer de saudade. Além dessas e de muitas outras matérias, trazemos ainda o Especial: 3 anos de Revista Nintendo Blast, afinal, não é todo dia que nossa querida revista assopra velinhas, não é? – Rafael Neves PERFIL ESPECIAL 07 Mickey Mouse 3 Anos de Blast 37 BLAST FROM THE PAST ESPECIAL Castle of Illusion Do Project Café 11 (Mega Drive) para o Wii U 44 PRÉVIA DISCUSSÃO MAIS ONLINE! Epic Mickey: Power O Potencial do 13 of Illusion (3DS) StreetPass PRÉVIA DEVELOPERS Epic Mickey 2: The 17 Power of Two (Wii) Gunpei Yokoi BLAST BATTLE ANÁLISE Paper Mario x Pokémon Black 2 23 Mario & Luigi & White 2 (DS) CHRONICLE MYTHBLASTERS
    [Show full text]
  • Esports: a Whole Different Ball Game
    Esports A Whole Different Ball Game BY AARON D. LOVAAS, ESQ. Boston Uprising, London About Esports Shaquille O’Neal, Joe Montana and the 1 Spitfire, San Francisco Oversimplified, esports is competitive Wilpon family (think New York Mets). video game play. However, unlike going Clearly, this is serious sports business. Shock, Shanghai Dragons: for the high score on a game like PacMan, If there are any lingering doubts, One might guess these esports involves head-to-head, real-time consider further that the NBA is now the competition, in which players dedicate first of the “big four” sports leagues to were the doomed team themselves to one particular game and venture directly into esports. The NBA monikers of some now- one specific character or avatar, develop 2K League, a joint venture between proficiency in utilizing the skill set the NBA and Take-Two Interactive defunct, professional programmed specifically to that avatar, Software, commenced its first season in indoor soccer league. To assemble teams with complementary skill May 2018, following scouting, a player combine and a full-blown draft at Madison the contrary, these are sets and develop fan bases through online broadcasts of the gaming action. Of course, Square Garden, presided over by NBA four of the 12 franchised, esports is also about money. Commissioner Adam Silver. The NBA city-based teams of the To begin to appreciate the scope 2K League consists of 17 teams, each and popularity of esports today, consider representing and owned by a real-life NBA Overwatch League (OWL). the recent launch of the OWL. In 2016, counterpart (e.g.
    [Show full text]
  • Conflict Desert Storm Manual.Pdf
    DS_PC_man_(E).qxd 15/8/02 4:43 pm Page 1 www.conflict.com TABLE OF CONTENTS The Game Controls . .04 Navigating the Menus . .04 In-Game Controls . .04 Introduction . .07 The Single Player Game . .07 Training . .07 Special Forces Basic Training Area . .08 The Assault Course . .08 The Weapons Evaluation Course . .09 Special Forces Advanced Training Area . .11 Advanced Weapons . .11 Driving Vehicles . .11 Off-Map Support . .11 Commanding a Squad . .12 Using the Medikit . .13 Fire At Will/Stand Down Orders . .14 The Desert Storm Campaign . .15 Starting Off . .15 Mission Objectives . .16 In-Game Screen . .17 The Soldier . .17 The Control Panel . .17 Health . .18 Current Weapon . .18 Aiming Cursor . .18 Ammo/Ammo Clip/Number of items . .18 Weapon Skill Level . .18 Compass/Radar . .18 Flashing Text . .19 Mission Objectives Map . .19 Inventory . .20 Pausing the Game (Pause Menu) . .20 Save Game . .20 Load Game . .20 1 DS_PC_man_(E).qxd 15/8/02 4:43 pm Page 2 Options . .21 Controlling More Than One Soldier . .21 Finding/Picking Up Objects . .22 Throwing Objects . .23 Equipment Use . .23 Completing Objectives . .24 Medals and Promotions . .25 Ranks and Promotions . .26 Medals . .27 Soldier Experience . .27 Soldier Skills . .28 The Next Mission . .29 Multiplayer Mode . .29 Hints and Tips . .33 Technical Support . .35 Credits . .36 2 DS_PC_man_(E).qxd 15/8/02 4:43 pm Page 3 www.conflict.com LOADING THE GAME • Place the Conflict: Desert Storm CD into your computer’s CD- ROM drive. The disk should autorun and load the launcher screen. Click the ‘Play’ option at the top of the screen to launch Conflict: Desert Storm.
    [Show full text]
  • Pay to Play: Video Game Monetization Patents and the Doctrine of Moral Utility
    GEORGETOWN LAW TECHNOLOGY REVIEW PAY TO PLAY: VIDEO GAME MONETIZATION PATENTS AND THE DOCTRINE OF MORAL UTILITY Kirk A. Sigmon* CITE AS: 5 GEO. L. TECH. REV. 72 (2021) TABLE OF CONTENTS I. INTRODUCTION ...................................................................................... 72 II. THE GROWING COST OF VIDEO GAMES ................................................. 74 III. CONTROVERSIAL VIDEO GAME PATENTS ON DLC AND MICROTRANSACTIONS ................................................................................... 81 IV. THE CONTROVERSY BEHIND THE PSYCHOLOGY OF DLC AND MICROTRANSACTIONS ................................................................................... 86 V. A BRIEF HISTORY OF PATENTS AND “MORAL UTILITY” ........................ 89 VI. WHY MORAL UTILITY SHOULD NOT BE REVIVED FOR VIDEO GAMES .. 94 VII. CONCLUSION .......................................................................................... 98 I. INTRODUCTION Video games are now more complex and realistic than they ever have been—but making those games is not cheap. Video game development and marketing costs are sky high.1 To help recoup these costs, game developers and publishers have begun inventing increasingly clever ways to encourage users to spend more money on video games—and they are pursuing patents for those inventions. One recently granted patent seeks to drive in-game purchases by making multiplayer matches difficult for a player, encouraging that player to buy an item and, once that item is purchased and used, subtly rewarding the spending by making multiplayer matches easier.2 Another recently granted patent targets players more likely to spend money in-game by presenting them with exclusive spending opportunities, maximizing value * Shareholder, Banner Witcoff. Thanks to Ross A. Dannenberg, Scott M. Kelly, and Carlos Goldie for their invaluable input and assistance with this Article. 1 See infra Part II. 2 See U.S. Patent No. 9,789,406 (filed Oct. 17, 2017) [hereinafter Marr].
    [Show full text]