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SIMON DE VOS (1603 – Antwerp – 1676)
CS0371 SIMON DE VOS (1603 – Antwerp – 1676) The Lamentation Signed and dated, lower left: S. D Vos. in et F 1644 Oil on panel, 14½ x 17⅝ ins. (36.8 x 44.8 cm) PROVENANCE With James A. Gorry, Dublin, until Anonymous sale, Christie’s, London, 6 October, 1950, lot 123 Anonymous sale, Christie’s, London, 9 July 2014, lot 159 (The Property of a Lady) Private collection, England, until 2021 Born in Antwerp in 1603, Simon de Vos studied with the portraitist Cornelis de Vos (1603- 1676) before enrolling as a master in the Antwerp Guild of St. Luke in 1620. Subsequently, he is thought to have rounded off his education with a trip to Italy. Although undocumented, a sojourn in Italy during the 1620s is the only plausible explanation for the stylistic similarities that exist between some of his early genre scenes and those of the German-born artist Johann Liss (c. 1595-1631), who was in Rome and Venice at that time. In any event, de Vos was back in his hometown by 1627, the year in which he married Catharina, sister of the still-life painter Adriaen van Utrecht (1599-1652). He remained in Antwerp for the rest of his life. In his early career, Simon de Vos painted mostly cabinet-sized genre scenes. He specialised in merry company subjects, whose style and composition recall similar works by such Dutch contemporaries as Antonie Palamedesz. (1601-1673), Dirck Hals (1591-1656) and Pieter Codde (1599-1678). After about 1640, he turned increasingly to biblical subjects that show the influence of Frans Francken the Younger (1581-1642), Peter Paul Rubens (1577-1640) and Anthony van Dyck (1599-1641). -
Twilight Payment Captures Melbourne Cup As Mcneil Sparkles | 2 | Wednesday, November 4, 2020
STEVE MORAN WE MOVED HEAVEN AND EARTH TO HAVE INTERNATIONAL CUP RUNNERS - AND NOW WE ARE PAYING THE PRICE - PAGE 17 Wednesday, November 4, 2020 | Dedicated to the Australasian bloodstock industry - subscribe for free: Click here Twilight Payment (right) RACING PHOTOS What's on Twilight Payment Metropolitan meetings: Launceston (TAS) Race meetings: Grafton (NSW), Kyneton (VIC), Kilcoy (QLD), Port Lincoln (SA), captures Melbourne Avondale (NZ) Barrier trials / Jump-outs: Warwick Farm (NSW), Grafton (NSW), Mornington (VIC), Cup as McNeil sparkles Mortlake (VIC), Toowoomba (QLD), Port Second O’Brien father-son quinella marred by fatal injury to Lincoln (SA) Derby winner as McEvoy cops record whip fine International meetings: Sha Tin (HK), Lingfield (UK), Nottingham (UK), Kempton But the event was marred by a fatal fetlock BY ANDREW HAWKINS | @ANZ_NEWS (UK), Dundalk (IRE), Greyville (SAF) injury to last year’s Epsom Derby (Gr 1, 1m oseph O’Brien led home his father Aidan 4f) winner Anthony Van Dyck (Galileo), the in the Melbourne Cup (Gr 1, 3200m) for Cup’s fifth racing-related injury resulting in the second time in four years yesterday death since 2013, while Kerrin McEvoy, aboard as Twilight Payment (Teofilo) held off runner-up Tiger Moth, received an Australian JTiger Moth (Galileo) under a sensational record whip fine of $50,000 and a 13-meeting Jye McNeil ride, giving owner Lloyd Williams a suspension as Racing Victoria stewards made historic seventh success in the race that stops good on their threat to heavily penalise overuse the nation at Flemington. of the crop. Continued on page 2>> Follow us @anz_news | 1 | Brought to you by Twilight Payment captures Melbourne Cup as McNeil sparkles | 2 | Wednesday, November 4, 2020 << Continued from page 1 The news overshadowed what will Plaudits for McNeil at first Cup ride be remembered as one of the toughest Melbourne Cup wins the contest has seen in its 160-year history, with McNeil’s ride sure to go down in the annals of history as an all-time great performance. -
The Intersection of Art and Ritual in Seventeenth-Century Dutch Visual Culture
Picturing Processions: The Intersection of Art and Ritual in Seventeenth-century Dutch Visual Culture By © 2017 Megan C. Blocksom Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Dr. Linda Stone-Ferrier Dr. Marni Kessler Dr. Anne D. Hedeman Dr. Stephen Goddard Dr. Diane Fourny Date Defended: November 17, 2017 ii The dissertation committee for Megan C. Blocksom certifies that this is the approved version of the following dissertation: Picturing Processions: The Intersection of Art and Ritual in Seventeenth-century Dutch Visual Culture Chair: Dr. Linda Stone-Ferrier Date Approved: November 17, 2017 iii Abstract This study examines representations of religious and secular processions produced in the seventeenth-century Northern Netherlands. Scholars have long regarded representations of early modern processions as valuable sources of knowledge about the rich traditions of European festival culture and urban ceremony. While the literature on this topic is immense, images of processions produced in the seventeenth-century Northern Netherlands have received comparatively limited scholarly analysis. One of the reasons for this gap in the literature has to do with the prevailing perception that Dutch processions, particularly those of a religious nature, ceased to be meaningful following the adoption of Calvinism and the rise of secular authorities. This dissertation seeks to revise this misconception through a series of case studies that collectively represent the diverse and varied roles performed by processional images and the broad range of contexts in which they appeared. Chapter 1 examines Adriaen van Nieulandt’s large-scale painting of a leper procession, which initially had limited viewership in a board room of the Amsterdam Leprozenhuis, but ultimately reached a wide audience through the international dissemination of reproductions in multiple histories of the city. -
Oti Racing 29
OMCATROCBHE R2 2 9 2T0H2 02020 ISSVUOEL 2 091 1 OTI GAZETTE The official newsletter of OTI RACING and Management Aidan O’Brien’s Reputation Goes to a New Level IN THIS WEEK'S Aidan O’Brien and his sons’ reputations as trainers went to a new level last EDITION weekend when they decided to withdraw their horses from feature European races, along with Roger Varian. Not surprisingly, some of their peers who were also supplied by the feed merchants at the centre of this Upcoming OTI Runners OTI Fun and Games OTI NEWS controversy, decided otherwise! A CONVERSATION Given the apparent clearance of the infected product in Ireland, O’Brien WITH could well have “ran the gauntlet” in the hope that any trace of Zilpaterol DEANE LESTER would have left the horses’ systems by race time. He chose instead to scratch and hence protect himself, his horses and indeed the industry from possible negative consequences. JOHN BERRY Aidan O’Brien is a tall poppy, a natural target for some of his competitors GET TO KNOW YOUR and those who thrive on innuendo. Unfortunately for them, the reality is FELLOW OTI OWNERS that he is a training genius. As competitive as he is, we also now know that - TRACEY CHAPMAN he is not a ‘win at all costs’ merchant. Through his actions last weekend that potentially cost some horses a stallion career, he displayed a level of integrity that many of us would like to see throughout racing. FUN & GAMES In the meantime, those who ‘ran the gauntlet’ in the hope that their horses DICK WHITTINGTON will produce clear swabs, will endure a few sleepless nights waiting for results. -
Full Program & Logistics Hna 2018
Thank you for wearing your badge at all locations. You will need to be able to identify at any moment during the conference. WIFI at Het Pand (GHENT) Network: UGentGuest Login: guestHna1 Password: 57deRGj4 3 WELCOME Welcome to Ghent and Bruges for the 2018 Historians of Netherlandish Art Conference! This is the ninth international quadrennial conference of HNA and the first on the campus of Ghent University. HNA will move to a triennial format with our next conference in 2021. HNA is extremely grateful to Ghent University, Groeningemuseum Bruges, St. John’s Hospital Bruges, and Het Grootseminarie Bruges for placing lecture halls at our disposal and for hosting workshops. HNA would like to express its gratitude in particular to Prof. dr. Maximiliaan Martens and Prof. dr. Koenraad Jonckheere for the initiative and the negotiation of these arrangements. HNA and Ghent University are thankful to the many sponsors who have contributed so generously to this event. A generous grant from the Samuel H. Kress Foundation provided travel assistance for some of our North American speakers and chairs. The opening reception is offered by the city of Ghent, for which we thank Annelies Storms, City Councillor of Culture, in particular. We are grateful to our colleagues of the Museum of Fine Arts Ghent for the reception on Thursday and for offering free admission to conference participants. Also the Museum Het Zotte Kunstkabinet in Mechelen offers free entrance during the conference, for which we are grateful. In addition we also like to thank the sponsoring publishers, who will exhibit books on Thursday. This conference would not have been possible without the efforts of numerous individuals. -
The Beginning of a Masterpiece? Cont
FRIDAY, 27 JULY 2018 KEW OUT, CRACKSMAN IN KING GEORGE THE BEGINNING OF In a surprise twist to the tale of Saturday=s G1 King George VI A MASTERPIECE? and Queen Elizabeth S. at Ascot, Aidan O=Brien ruled out the G1 Grand Prix de Paris winner Kew Gardens (Ire) (Galileo {Ire}) after he scoped dirty before Thursday=s confirmation stage. Ballydoyle are supervising the wellbeing of the string due to the disappointing effort of Magic Wand (Ire) (Galileo {Ire}) in Saturday=s G1 Irish Oaks, after which she was found to have had a dirty nose. AOur horses are just going through a little bit of a stage--a little bit of a change--and the odd one is not scoping right at the moment,@ he explained. AWe=ve seen it with the filly in the Oaks and we just have to be careful.@ The removal of Kew Gardens means that Ryan Moore is on last year=s G1 Qipco British Champions Fillies & Mares S. heroine Hydrangea (Ire) (Galileo {Ire}) and the sole 3-year-old in the line-up will be the stable=s G1 Irish Derby runner-up Rostropovich (Ire) (Frankel {GB}). Cont. p5 Galileo=s Anthony Van Dyck takes the Tyros S. | Racing Post IN TDN AMERICA TODAY Despite having to navigate troubled waters as a bug infects PHOENIX ‘DREAMING’ BIG AT THE SPA parts of the Ballydoyle armada, Anthony Van Dyck (Ire) (Galileo Phoenix Thoroughbreds, off to a flyer at Saratoga with an {Ire}) was a faithful steer for Ryan Moore as he handed Aidan opening day ‘TDN Rising Star’, is primed for a big summer at the O=Brien a 12th win in resounding fashion in the G3 Japan Racing upstate oval. -
Libertycollection Welcome
LibertyCollection Welcome We are a specialist boutique British manufacturer of solid brass door and window products, including the original iconic Princess and Constable Collections, along with custom accessories for electrical applications and bathrooms. With a unique range of Collections dating back to architectural periods in the early 16th Century we offer a uniquely extensive range of Period, Heritage and Contemporary Door Furniture made from the purest Brass all hand worked, polished and finished on site... in England. We work with professional and private clients worldwide to create elegant door and window furniture products for royal palaces, super yachts, stately homes and high specification private residences. Here and on our website you can learn more about us, the work we do and how we can help you add those finishing touches of elegancee Our Timeline of Architectural Styles Welcome to our Collections architectural timeline! We are in a privileged position to be able to showcase to you our range of period, heritage, classic and contemporary Collections including the original iconic Princess and Constable Collections. All of our Collections make reference to a particular historical architectural style, helping you choose the right finishing touches to your home. Within our Collections you will find a number of product types so that you can add that luxury touch, not only to your doors! Louis XIV Louis XV Louis XVI Adam Constable Executive Style: Baroque & Rococo Style: Neoclassical Style: Victorian Style: Modern 1590-1725 1750-1880 1835-1901 1918-2000 Style: Ancient Greek Style: Georgian Style: Regency Style: Art Nouveau Style: Contemporary 1200BC-100AD 1720-1840 1810-1835 1890-1910 1980-now Coming Soon Meandros Burlington Governor Princess Liberty Bamboo 2 Liberty Collection Style: Art Nouveau 1890-1910 A Brief History The late 19th Century to early 20th Century saw the arrival of the style that came to be known as Art Nouveau. -
Recent Acquisitions (2006–20) at the Mauritshuis, the Hague
Recent acquisitions (2006–20) at the Mauritshuis, The Hague Supplement COVER_NOV20.indd 1 09/11/2020 09:41 Recent acquisitions (2006–20) at the Mauritshuis, The Hague he royal picture gallery mauritshuis in The 1. Paintings by Nicolaes Berchem reunited at the Mauritshuis. Hague is often likened to a jewellery box that contains (Photograph Ivo Hoekstra). nothing but precious diamonds. Over the past fifteen BankGiro Lottery and the Rembrandt Association, as well as individual years the museum has continued to search for outstanding benefactors, notably Mr H.B. van der Ven, who has helped the museum time works that would further enhance its rich collection of and again. That the privatised Mauritshuis – an independent foundation Dutch and Flemish old master paintings. A director who since 1995 – benefits from private generosity is proved by a great many wants to make worthwhile additions to a collection of such quality must gifts, including seventeenth-century Dutch landscapes by Jacob van Geel Taim very high indeed. The acquisitions discussed here were made during (Fig.5) and Cornelis Vroom (Fig.4), as well as works from the eighteenth the directorship of Frits Duparc, who in January 2008 retired as Director century: a still life by Adriaen Coorte (Fig.2) and a portrait of a Dutch after seventeen years at the museum, and his successor, Emilie Gordenker, sitter by the French travelling artist Jean-Baptiste Perronneau (Fig.16). who earlier this year left the Mauritshuis for a position at the Van Gogh New acquisitions are also supported by numerous other foundations and Museum, Amsterdam. The present Director of the Mauritshuis, Martine funds, all mentioned in the credit lines of individual works. -
Mauri Delcher Intenta La Cima Con Pedro Cara
INTERNACIONAL PREVIA CRÍA Godolphin paga 210.000 euros A contrareloj: 3 días para que la Odriozola se hace con el precio por el hijo de Friné pista se seque Top de la subasta de la ACPSIE Página 2 Página 4 Página 7 www.blacktypemagazine.com | Jueves 24 de octubre de 2019 | Número 27 Mauri Delcher intenta la cima con Pedro Cara Pedro Cara viene de ser segundo en el Jockey Club Derby, en Nueva York NYRA La edición de 2019 del Royal-Oak (G1) se presenta espe- cuestión de balanceo, parecía cialmente interesante para los aficionados españoles. El que su temporada había llegado Iñigo Zabaleta Sr. Delcher decide dar el paso y presentará a esa realidad a su fin y que el año que viene @Porunpeloturf llamada Pedro Cara (Pedro The Great) frente a buena se presentaba como el del ascenso a la cima de las carreras parte de la élite europea sobre la larga distancia. Y si algo para stayers, pero si el Sr. Delcher da el paso de intentarlo tenemos que reconocerle al preparador español es que de es porque el caballo lo vale. Después, será la pista la que todo esto sabe, y mucho. Tras los éxitos, en distancias de decida la posición de cada uno, pero pase lo que pase a aliento, conseguidos con caballos como Bannaby (Dyhim Pedro Cara le queda por delante todo el futuro del mun- Diamond) o Domeside (Domedriver) todo apunta a que do. Pedro Cara puede tomar el relevo. Tal vez no sea ahora, a muy corto plazo, pero este tres años tiene a su favor, Como decíamos, la carrera esta lejos de ser poco competi- sin intervención de lesiones, el tiempo. -
The Five Senses in Genre Paintings of the Dutch Golden Age
The Five Senses in Genre Paintings of the Dutch Golden Age Kitsirin Kitisakon+ (Thailand) Abstract This article aims to study one of the most popular themes in 17th-Century Dutch genre paintings - the five senses - in its forms and religious interpretations. Firstly, while two means of representation were used to clearly illustrate the subject, some genre scenes could also be read on a subtle level; this effectively means that such five senses images can be interpreted somewhere between clarity and am- biguity. Secondly, three distinct religious meanings were identified in these genre paintings. Vanity was associated with the theme because the pursuit of pleasure is futile, while sin was believed to be committed via sensory organs. As for the Parable of the Prodigal Son, party scenes alluding to the five senses can be read as relating to the episode of the son having spent all his fortune. Keywords: Five Senses, Genre Painting, Dutch Golden Age, Prodigal Son + Dr. Kitsirin Kitisakon, Lecturer, Visual Arts Dept., Faculty of Fine and Applied Art, Chulalongkorn University, Thailand. The Five Senses… | 125 Introduction In the 16th and 17th Centuries, the five senses had never been more popular as subject matter for graphic art, especially in the Low Countries. Since Nordenfalk (1985), this theme has been occasionally discussed in monographs, catalogues of specific artists, or Dutch genre painting studies. Yet, an analysis of the modes of representation of the five senses seems to have been ignored, and there is a certain lack of fresh interest in their religious interpretations. From this observa- tion, this article aims to firstly examine how the five senses were represented in the Dutch genre paintings of the Golden Age, inspect how artists narrated them; secondly, reinvestigate how they can be religiously interpreted and propose deeper meanings which go beyond realistic appearance. -
2020 Rwitc, Ltd. Annual Auction Sale of Two Year Old
2020 R.W.I.T.C., LTD. ANNUAL AUCTION SALE OF TWO YEAR OLD BLOODSTOCK 142 LOTS ROYAL WESTERN INDIA TURF CLUB, LTD. Mahalakshmi Race Course 6 Arjun Marg MUMBAI - 400 034 PUNE - 411 001 2020 TWO YEAR OLDS TO BE SOLD BY AUCTION BY ROYAL WESTERN INDIA TURF CLUB, LTD. IN THE Race Course, Mahalakshmi, Mumbai - 400 034 ON MONDAY, Commencing at 4.00 p.m. FEBRUARY, 03RD (LOT NUMBERS 1 TO 71) AND TUESDAY, Commencing at 4.00 p.m. FEBRUARY, 04TH (LOT NUMBERS 72 TO 142) Published by: N.H.S. Mani Secretary & CEO, Royal Western India Turf Club, Ltd. Registered Office: Race Course, Mahalakshmi, Mumbai - 400 034. Printed at: MUDRA 383, Narayan Peth, Pune - 411 030. IMPORTANT NOTICES ALLOTMENT OF RACING STABLES Acceptance of an entry for the Sale does not automatically entitle the Vendor/Owner of a 2-Year-Old for racing stable accommodation in Western India. Racing stable accommodation in Western India will be allotted as per the norms being formulated by the Stewards of the Club and will be at their sole discretion. THIS CLAUSE OVERRIDES ANY OTHER RELEVANT CLAUSE. For application of Ownership under the Royal Western India Turf Club Limited, Rules of Racing. For further details please contact Stipendiary Steward at [email protected] BUYERS BEWARE All prospective buyers, who intend purchasing any of the lots rolling, are requested to kindly note:- 1. All Sale Forms are to be lodged with a Turf Authority only since all foals born in 2018 are under jurisdiction of Turf Authorities with effect from 1 Jan 2020. -
Sir Anthony Van Dyck
CO N T E N T S k B H u h k e s Sir Anthony Van Dyc . y g St o ‘ List of su c h of the principal w ork s of Van Dyck as are in public Galleries L I ST O F I L L U ST R A T I O N S Portrait of T homas of Savoy Fron t zspzece T he R Coronation of St . osalie by the Child Jesus Minerva at the Forge of Vulcan T h e Virgin and Child with St . Joseph Saint Francis listening to Celestial M usi c Portrait of Prince Rupert of the Palatinate Portrait of Maria Louisa De T a s sis Christ on the Cross T h e Lamentation over Christ J esus bearing the Cross S h his n aint Sebastian , wit angels removing the arrows from wou ds T he Virgin and Child with two Donors Rinaldo and Armida P I ortrait of Charles . Portraits of Prince Charles Louis and Prince Rupert of B avaria Portrait of T h e Duk e of Richmond T h e Virgin and Child with the M agdalen Christ crowned with T horns P S his W Son ortraits of ebastian Leerse , ife and Saint Jerome T h e Drunk en Silenus H M l I enrietta aria , Queen to Char es . Portrait of the Painter P M R t W the ortrait of ary u hven , ife of Artist Portrait of an Artist T h e E mperor T heodosius refused admission 1rto the Church a n Portrait of Cornelius .