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Digital Booklet The idea for this record came from a friend of mine who suggested a collection of songs about the journey of life: the roads we take, the lessons we learn, the mysteries we’ll never understand. After decades of making music, what I know for sure is that the right song at the right time can be a lifesaver. I hope these songs speak to you like they speak to me. - Amy Hallelujah Better Than A Hallelujah Sarah Hart and Chapin Hartford “I’ve loved this song since I first heard it. The honesty and vulnerability of the lyric reminds me that to pray means to come as I am, imperfections and all, because ultimately, God seeks communion with us, the real us…and that’s freeing.” _____________________ ... _____________________ God loves a lullaby in a mother’s tears in the dead of night • Better than a Hallelujah sometimes • God loves a drunkard’s cry, the soldier’s plea not to let him die • Better than a Hallelujah sometimes We pour out our miseries, God just hears a melody • Beautiful the mess we are, the honest cries, of breaking hearts • Are better than a Hallelujah A woman holding on for life, a dying man giving up the fight • Are better than a Hallelujah sometimes • Tears of shame for what’s been done • The silence when the words won’t come • Are better than a Hallelujah sometimes •• Better than a church bell ringing • Better than a choir singing out, singing out Produced by Dan Muckala for Glorified Mono Productions // © 2009 River Oaks Music Company / spiritandsong.com Publishing (Admin. by EMI CMG Publishing) / Sony / Tree Music Publishing / Michael Puryear Music (BMI) // Acoustic and Electric Guitars: Adam Lester / Mixed by Dan Muckala / Engineered by Drew Bollman and Dan Muckala / Assistant Engineer: Dan Deurloo / Track Programming and Arranging by Dan Muckala / Recorded at “The House,” Nashville, TN and Glomo Studio, Franklin, TN no. 2 Overnight (featuring Sarah Chapman) Natalie Hemby, Luke Laird, Audrey Spillman, and Amy Grant “I had been trying for some time to find a song to sing with my daughter, Sarah. At 17 and 49, she and I see life from different perspectives. What I appreciate about this song is its simple message: if the good stuff happened ‘overnight’ you wouldn’t understand the value of it. That’s true at any age. Besides, the richest experiences in life are often not what we’ve planned for, but what comes at us sideways when we’re least expecting it.” So you’ve handed in your resignation • Contemplating why nothing turns out right • A little fed up with all the disappointment • So what’s the point in wasting any time •• It’s only temporary • So what’s your hurry • No need to worry don’t you know that If it all just happened overnight • You wouldn’t know how much it means • If it all just happened overnight • You would never learn to believe what you cannot see I feel like my pace is at a standstill • Do I wait ‘till it falls into my hands • A long highway ahead getting started • Steady hearted is what I think I am •• There’s something to be said for experience • Who knows what’s ahead keep on going • Take it a day at a time • One foot in front of the other • Take it a day at a time • No need to hurry • Take it a day at a time • It won’t happen overnight •• Have a little faith • You must appreciate every single day • Don’t give up no Produced by Dan Muckala for Glorified Mono Productions // © 2009 Grant Girls, LLC (admin. by The Loving Company) (ASCAP) / Universal Music – Careers / High Powered Machine Music / Tiltawhirl Music / Audrey Rose Publishing (BMI) // Me and Sarah 1994 Acoustic and Electric Guitars: Adam Lester / Bass: Chuck Butler / Mixed by Dan Muckala / Engineered by Drew Bollman and Dan Muckala / Assistant Engineer: Dan Deurloo / Track Programming and Arranging by Dan Muckala / Recorded at “The House”, Nashville, TN and Glomo Studio, Franklin, TN Every Road no. 3 Amy Grant and Wayne Kirkpatrick “No experience in life is wasted. Everything we go through provides us a unique opportunity to know ourselves and to know God. ” There you go making mountains • Out of such a little hill • Here I go mixing mortar • For another wall to build • There’s a struggle in this life we lead • It’s partly you • It’s partly me (but) Every road that’s traveled • Teaches something new • And every road that’s narrow • Pushes us to choose • And I’d be lying if I said • I had not tried to leave a time or two • But every road that leads me • Leads me back to you Here we stand in the middle • Of what we’ve come to know • It’s a dance, it’s a balance • Holding on and letting go • But there is nothing that we can’t resolve • When love’s at stake • When love’s involved Produced by Wayne Kirkpatrick for Magic Beans Productions // © 1997 Age to Age Music / Riverstone Music (Admin. by EMI CMG Publishing) (ASCAP) / Magic Beans Music / Warner Tamerlane Publishing) (BMI) // Drums: John Hammond / Bass: Jimmie Lee Sloas / Bassoon, Electric Guitars, and Keybord: Jerry McPherson / Electric Guitar: Gordon Kennedy / Acoustic Guitar, Hi- String Guitar, Hammered Dulcimer, and Background Vocals: Wayne Kirkpatrick / Pedal Steel Guitar: Greg Leisz / Wurlitzer Keyboard: Tim Lauer / Fairlight Uphonium: Carl Marsh / Percussion: Sam Bacco / Engineered and Mixed by Dan Marien at The Village Recorder Unafraid no. 4 Amy Grant and Wayne Kirkpatrick “Songwriting is a form of contemplation. To write about someone or something, you have to meditate on that person or that idea until the swirl of feelings surrounding it can be expressed in words. The process is worthwhile, whether or not you end up writing a song. I wept a bucket of gratitude writing this one.” Woke up this morning with you in our bed • Going over and over everything you said • Who taught you how to speak the words that you say • I’ve always wanted to be talked to that way •• Love has made • Has made you unafraid •• Watching my children finding their way • Through struggles and triumphs and heartbreak • I hope the roads they take are making them strong • I’ll still be on my knees long after they’re gone •• Love has made • Love has made • Love has made • Has made me unafraid •• My lovely mother is getting on in years • And the way her body’s aging brings her girls to tears • The way she trembles with each effort she makes • She just says heaven’s getting closer each day •• ‘Cause love has made • Love has made • Love has made • Has made her unafraid •• Love could make • Love can make • Love will make • Make you unafraid Produced by Amy Grant, Mike Brignardello and Greg Morrow // © 2009 Grant Girls Music (admin. by The Loving Company) (ASCAP) / Sell The Cow Music / Warner Tamerlane Publishing (BMI) // Guitars: Brent Mason / Strings arranged and performed by Chris Carmichael / Background Vocals: Angela Primm and Gail Mayes / Engineer: Ben Strano / Digital Editing and additional Engineering: Jed Hackett / Mixed by my lovely mother Russ Long / Recorded at Vibe 56 Studios, Nashville no. 5 Hard Times Amy Grant, Ian Fitchuk and Justin Loucks “How quickly the time goes by. How quickly the torch is passed from one generation to the next. I’m grateful for the sheltering love of the older generations of my family. They are almost all gone now, but I learned what I needed to know from them.” _____________________ ... _____________________ I smile when I remember all the things we did • The worlds we discovered when I was a kid • Sitting on your shoulders I was riding high • All of life before me, I could see for miles •• You gave me a life to love • Showed me the dreams I was dreaming of • Told me love was enough When hard times come • Hard times come • Hard times come for everyone • Hard times come • Hard times come • And they’ll come ‘till we’re done Lately I’ve been standing on my own two feet • There’s a pair of watchful eyes staring up at me • I will turn them toward the sunrise • Turn them toward the stars • Where the beauty of a new day will always fill the heart •• Give you a life to love • Show you dreams you’re dreaming of • Just let love be enough •• Making you measure what you’re made of • Helping you galvanize the love ‘Cause hard times come, they come • Hard times come to everyone • Hard times come • Hard times come • And they’ll come ‘till we’re done Produced by Ian Fitchuk and Justin Loucks // © 2009 Grant Girls Music, LLC (admin. by the Loving Company) / Pour The Juice Music (ASCAP) / Bearkiller Music (BMI) // Drums, Bass, Acoustic Guitar, Piano, and Keyboards: Ian Fitchuk / Drums and Electric Guitars: Justin Loucks / Background Vocals: Jeremy Lister, Jenny Gill, Leigh Nash, Peter Groenwalk and Mindy Smith / Recorded and Mixed by Justin Loucks at Casa De Ted no. 6 What Is The Chance Of That Amy Grant and Wayne Kirkpatrick “I wrote this song in 1996. I was asking a lot of questions about truth and reality in those last couple of years of my first marriage. With so much uncertainty in my life, music was a safe place to explore the landscape. A lot has changed since then. ...I still like trains.” _____________________ ... _____________________ Tonight I’ve been counting railroad cars • Clinking and grinding into the dark • One of them passed with an open door • And I pictured myself jumping on board • What is the chance of that •• Well I’ve always had this thing about trains • A lonesome sound like a man in pain • Going somewhere they don’t lose track • Some folks leave and they don’t look back • What is the chance of that •• I have believed since I was a little bitty girl • That there were rules of cause and effect • And they slowly shaped my world • But pain and hard times they come and
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