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Star Channels, Jan. 5-11, 2020
JANUARY 5 - 11, 2020 staradvertiser.com HEARING VOICES In an innovative, exciting departure from standard television fare, NBC presents Zoe’s Extraordinary Playlist. Jane Levy stars as the titular character, Zoey Clarke, a computer programmer whose extremely brainy, rigid nature often gets in the way of her ability to make an impression on the people around her. Premiering Tuesday, Jan. 7, on NBC. Delivered over 877,000 hours of programming Celebrating 30 years of empowering our community voices. For our community. For you. olelo.org 590191_MilestoneAds_2.indd 2 12/27/19 5:22 PM ON THE COVER | ZOEY’S EXTRAORDINARY PLAYLIST A penny for your songs ‘Zoey’s Extraordinary Playlist’ ...,” narrates the first trailer for the show, “... her new ability, when she witnesses an elabo- what she got, was so much more.” rate, fully choreographed performance of DJ premieres on NBC In an event not unlike your standard super- Khaled’s “All I Do is Win,” but Mo only sees “a hero origin story, an MRI scan gone wrong bunch of mostly white people drinking over- By Sachi Kameishi leaves Zoey with the ability to access people’s priced coffee.” TV Media innermost thoughts and feelings. It’s like she It’s a fun premise for a show, one that in- becomes a mind reader overnight, her desire dulges the typical musical’s over-the-top, per- f you’d told me a few years ago that musicals to fully understand what people want from formative nature as much as it subverts what would be this culturally relevant in 2020, I her seemingly fulfilled. -
DW10: EP 1 "A Star in Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT
DOCTOR WHO SERIES 10 EPISODE 1 "A Star In Her Eye" By Steven Moffat SHOOTING SCRIPT 16/06/2016 (SHOOTING BLOCK 1) DW10: EP 1 "A Star In Her Eye" by Steven Moffat - SHOOTING SCRIPT - 16/06/16 1 INT. THE DOCTOR’S OFFICE - DAY 1 - 16.00 1 The quietest opening we’ve ever had. We’re in a reasonably untidy office. Dust and books. Obviously academic. A university lecturer’s office. We hold this stationary shot - there’s a pleasing symmetry. There’s a door on the left of the screen, and a slightly open one on the right - like the two doors on a weather clock. Through the slightly open door we can see another, smaller room. In between the doors, there’s a desk, facing across the screen. Two empty chairs. The one in front of the closed door, is a simple, wooden chair. Facing it across the desk is an elegant swivel chair. Distantly, a bell chiming. We hear the chatter of distant voices - young people, chatting and laughing. Under that, the drone of traffic. Ordinary and still, for as long as we dare. Then: Squeak! Squeak! Squeak! It’s like the squeaking wheel on a supermarket trolley - and it’s getting closer. Now the closed door opens, revealing: Nardole. Much as we last saw him in The Husbands Of River Song. He steps into the room (always a squeak on his left leg) revealing: In the doorway, Bill. Young, female, cheeky as hell. Nardole stands clear of the door, gestures towards the wooden chair. -
Doctor Who 4 Ep.18.GOLD.SCW
DOCTOR WHO 4.18 by Russell T Davies Shooting Script GOLDENROD ??th April 2009 Prep: 23rd February Shoot: 30th March Tale Writer's The Doctor Who 4 Episode 18 SHOOTING SCRIPT 20/03/09 page 1. 1 OMITTED 1 2 FX SHOT. GALLIFREY - DAY 2 FX: LONG FX SHOT, craning up to reveal the mountains of Gallifrey, as Ep.3.12 sc.40. But now transformed; the mountains are burning, a landscape of flame. The valley's a pit of fire, cradling the hulks of broken spaceships. Keep craning up to see, beyond; the Citadel of the Time Lords. The glass dome now cracked and open. CUT TO: 3 INT. CITADEL - DAY 3 FX: DMP WIDE SHOT, an ancient hallway, once beautiful, high vaults of stone & metal. But the roof is now broken, open to the dark orange sky, the edges burning. Bottom of frame, a walkway, along which walk THE NARRATOR, with staff, and 2 TIME LORDS, the latter pair in ceremonial collars. FX: NEW ANGLE, LONG SHOT, the WALKWAY curves round, Narrator & Time Lords now following the curve, heading towards TWO HUGE, CARVED DOORS, already open. A Black Void beyond. Tale CUT TO: 4 INT. BLACK VOID 4 FX: OTHER SIDE OF THE HUGE DOORS, NARRATOR & 2 TIME LORDS striding through. The Time Lords stay by the doors, on guard; lose them, and the doors, as the Narrator walks on. FX: WIDE SHOT of the Black Void - like Superman's Krypton, the courtroom/Phantom Zone scenes - deep black, starkly lit from above. Centre of the Void: a long table, with 5 TIME LORDS in robes Writer's(no collars) seated. -
Sunday Morning Grid 1/12/20 Latimes.Com/Tv Times
SUNDAY MORNING GRID 1/12/20 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News College Basketball Michigan State at Purdue. (N) The NFL Today (N) Å Football 4 NBC Today in L.A. Weekend Meet the Press (N) Å NBC4 News Paid Program Saving Pets A New Leaf Champion Bensinger Monster 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News Hearts of Rock-Park Jack Hanna News Ocean Paid 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb Paid Program Icons The World’s 1 1 FOX Paid Program Fox News Sunday News The Issue Paid Program 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News The Issue 1 8 KSCI Paid Program Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Christina Joanne Simply Ming Food 50 2 8 KCET Kid Stew Curious Wunderkind Wunderkind Darwin’s Biz Kid$ Aging Backwards 3 Brain Secrets With Dr. Michael Merzenich Å 3 0 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN Pathway Win Walk Prince Carpenter A Jackson In Touch PowerPoint It is Written Ed Young Bethel Kelinda Hagee 4 6 KFTR Paid Program Super Genios (TVY) El mundo es tuyo El mundo es tuyo Paid Program 5 0 KOCE Nature Cat Nature Cat Wild Kratts Wild Kratts Odd Squad Odd Squad Antiques Roadshow Antiques Nature (N) Å NOVA Å 5 2 KVEA Paid La Liga Fútbol Premier League La Liga Paid Program 5 6 KDOC Perry Stone In Search Lift Up Paid Cath. -
How Health Workers Earn a Living in China 25
Gerald Bloom, et al • How Health Workers Earn a Living in China 25 Original Article How Health Workers Earn a Living in China Gerald Bloom 1, Leiya Han 2 , Xiang Li 2 1. Institute of Development Studies, University of Sussex, Brighton, BN1 9RE, UK 2. Department of Health Policy, Tongji Medical University, People’s Republic of China Abstract Health workers earned the same salary throughout China during the period of the command economy. Differ- ences in earnings have grown substantially since then. Some health facilities supplement basic government salaries with substantial bonuses financed out of earned revenues, whilst others cannot pay basic salaries in full. Some health workers supplement their income through informal channels. The government’s response depends on the kind of informal payment. It uses moral pressure and the threat of the loss of professional privileges to discourage acceptance of cash payments from patients. It treats those who accept kickbacks from drug suppliers or health facilities as criminals. The government faces very difficult challenges in facilitating the adaptation of the health system to a market economy. Its strategy has been to create a broad policy framework within which individuals and enterprises can develop individual adaptation strategies. It has enacted rules to regularise new relationships that emerge. The strategy of gradual institutional reform has enabled the health sector to adjust to major change. However, it has allowed people to profit from opportunistic behaviour and resulted in inefficiencies and problems with access. It could eventually change social attitudes about what constitutes ethical behaviour by health workers. The challenge is to create a regulatory framework that permits health workers to earn a reasonable income, whilst encouraging them to provide effective and affordable health services that meet the needs of the population. -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Doctor Who Series 12 Episode Five Fugitive of the Judoon Programme
DOCTOR WHO SERIES 12 EPISODE FIVE FUGITIVE OF THE JUDOON PROGRAMME NUMBER: DRAA715N/01 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Tosin Cole 10:00:17 Caption ‘Mandip Gill’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Nida Manzoor’ 10:00:34 Caption ‘Fugitive of the Judoon Written by Vinay Patel Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 INT. RUTH'S FLAT/KITCHEN - DAY 10:00:39 Music in ‘M2 My Guided Tour’ A WATCH on a wrist. Each tick feels mighty. TICK! TICK! Seconds hand cruises past ten. EYES. WATCH. MOUTH. Two to twelve. One to twelve -- BANG! TWO SLICES OF TOAST snap smartly out of a toaster. The hand rescues them, gives them refuge on a plate where a knob of butter on a knife sits waiting, alongside a single hard boiled egg in a floral cup. We see now the architect: RUTH CLAYTON, mid-50s. A woman who knows who she is and loves it. She smiles upon her creation. RUTH CLAYTON Proper. CUT TO: 10:01:02 INT. RUTH'S FLAT/LIVING ROOM - DAY RUTH, eating her toast, looks up to see her partner LEE -- early 50s, slippery, charming, sexy, edge of danger -- stumble in, half-asleep. LEE CLAYTON I said I'd make your birthday breakfast. RUTH CLAYTON Yeah well, I was hungry. -
Greetings Faithful Reader and Welcome Once Again to Cosmic
Greetings faithful reader and welcome A couple of decades ago, whilst still a once again to Cosmic Masque. student, I wrote an unsolicited submis- sion of a third Doctor novel for the BBC We’ve got some great stuff for you in Past Doctor range. Expecting a swift this issue including Neil Davies story rejection, I was delighted to receive a ‘Devil Woman’ which concludes what two page response clearly showing that began in ‘Reunion of The Rani’ last my book had been read and analysed issue. at length. There are features on Colourisation Encouraged, I reworked the idea as a and 3D as well as the second part of sixth Doctor script for the then nascent my feature on the Twitch marathon this Big Finish range (at a time when they time covering the Second Doctor. considered unsolicited manuscripts). Again, I received positive comments, We’ve also got an interview with The but it was felt that the story was un- Greatest Show In The Galaxy’s Flower workable due to various considerations Girl and our usual plethora of reviews including the number of characters. for you to devour. Sadly, real life took over and post- So sit back, put your feet up and delve degree I had to concentrate on working into this issue. Dickensian hours and gaining my ac- countancy qualifications. The career Enjoy! took over and life became the mundan- ity of work and sleep and eating chips. Rik Writing was put on hold indefinitely as mortgages and family took hold. Then Russell T. Davies gave Doctor Who back to the masses, enthralling Published by The Doctor Who Appreciation Society the UK (and beyond) including my twin P O Box 1011, Horsham, RH10 9RZ, UK children. -
Doctor Who Series 12 Episode Six Praxeus Programme Number
DOCTOR WHO SERIES 12 EPISODE SIX PRAXEUS PROGRAMME NUMBER: 01/DRAA716H 10:00:00 BBC WORLDWIDE STING 10:00:05 OPENING TITLES 10:00:05 Music in ‘M1 Opening Titles’ 10:00:12 Caption 'Jodie Whittaker' 10:00:13 Caption 'Bradley Walsh' 10:00:15 Caption ‘Mandip Gill’ 10:00:17 Caption ‘Tosin Cole’ 10:00:20 Caption 'BBC Doctor Who' 10:00:27 Caption 'Series Producer Nikki Wilson 10:00:30 Caption 'Director Jamie Magnus Stone’ 10:00:34 Caption ‘Praxeus Written by Pete McTighe Chris Chibnall 10:00:38 Music out ‘M1 Opening Titles’ CUT TO: 10:00:39 EXT. SPACE, ABOVE THE EARTH 10:00:39 Music in ‘M2 Together and Alone’ The Earth hanging in space. Beautiful and majestic. THE DOCTOR (V.O.) Planet Earth. Early in the third decade of the 21st century. Population: seven billion. Seven billion lives, separate and connected. From the depths of the oceans to the edge of the atmosphere. A FIERY OBJECT ROARS THROUGH FRAME. The International Space Station's SOYUZ DESCENT MODULE, hurtling into the atmosphere. CUT TO: 10:01:05 INT. SOYUZ DESCENT MODULE Strapped inside: astronaut ADAM LANG (30s, focussed, brave). Instrument panels are flashing, alarms are blaring. FIRE BLAZES outside the portal as the heat shields melt away. ADAM LANG Soyuz to Control, we have automatic system failure. CONTROL (V.O.) Copy that Soyuz, can you switch to ballistic descent and maintain trajectory? Straining against g-forces -- squeezing a hand controller -- ADAM LANG Negative, I'm way off course - Static from the communications speaker. The module control panel sparks. -
A Thirteenth Doctorate
Number 43 Trinity 2019 A THIRTEENTH DOCTORATE Series Eleven reviewed Minor or major corrections, or referral? Virgin New Adventures • Meanings of the Mara The Time of the Doctor • Big Chief Studios • and more Number 43 Trinity 2019 [email protected] [email protected] oxforddoctorwho-tidesoftime.blog users.ox.ac.uk/~whosoc twitter.com/outidesoftime twitter.com/OxfordDoctorWho facebook.com/outidesoftime facebook.com/OxfordDoctorWho The Wheel of Fortune We’re back again for a new issue of Tides! After all this time anticipating her arrival true, Jodie Whittaker’s first series as the Doctor has been and gone, so we’re dedicating a lot of coverage this issue to it. We’ve got everything from reviews of the series by new president Victoria Walker, to predictions from society stalwart Ian Bayley, ratings from Francis Stojsavljevic, and even some poetry from Will Shaw. But we’re not just looking at Series Eleven. We’re looking back too, with debates on the merits of the Capaldi era, a spirited defence of The Time of the Doctor, and drifting back through the years, even a look at the Virgin New Adventures! Behind the scenes, there’s plenty of “change, my dear, and not a moment too soon!” We bid adieu to valued comrades like Peter, Francis and Alfred as new faces are welcomed onto the committee, with Victoria now helming the good ship WhoSoc, supported by new members Rory, Dahria and Ben, while familiar faces look on wistfully from the port bow. It’s also the Society’s Thirtieth Anniversary this year, which will be marked by a party in Mansfield College followed by a slap-up dinner; an event which promises to make even the most pampered Time Lord balk at its extravagance! On a personal note, it’s my last year before I graduate Oxford, at least for now, so when the next issue is out, I’ll be writing from an entirely new place. -
Number 42 Michaelmas 2018
Number 42 Michaelmas 2018 Number 42 Michaelmas Term 2018 Published by the OXFORD DOCTOR WHO SOCIETY [email protected] Contents 4 The Time of Doctor Puppet: interview with Alisa Stern J A 9 At Last, the Universe is Calling G H 11 “I Can Hear the Sound of Empires Toppling’ : Deafness and Doctor Who S S 14 Summer of ‘65 A K 17 The Barbara Wright Stuff S I 19 Tonight, I should liveblog… G H 22 Love Letters to Doctor Who: the 2018 Target novelizations R C 27 Top or Flop? Kill the Moon J A, W S S S 32 Haiku for Kill the Moon W S 33 Limerick for Kill the Moon J A 34 Utopia 2018 reports J A 40 Past and present mixed up: The Time Warrior M K 46 Doctors Assemble: Marvel Comics and Doctor Who J A 50 The Fan Show: Peter Capaldi at LFCC 2018 I B 51 Empty Pockets, Empty Shelves M K 52 Blind drunk at Sainsbury’s: Big Finish’s Exile J A 54 Fiction: A Stone’s Throw, Part Four J S 60 This Mid Curiosity: Time And Relative Dimensions In Shitposting W S Front cover illustration by Matthew Kilburn, based on a shot from The Ghost Monument, with a background from Following Me Home by Chris Chabot, https://flic.kr/p/i6NnZr, (CC BY-NC 2.0) Edited by James Ashworth and Matthew Kilburn Editorial address [email protected] Thanks to Alisa Stern and Sophie Iles This issue was largely typeset in Minion Pro and Myriad Pro by Adobe; members of the Alegreya family, designed by Juan Pablo del Peral; members of the Saira family by Omnibus Type; with Arial Rounded MT Bold, Baskerville, Bauhaus 93, and Gotham Narrow Black. -
Doctor Who and the Creation of a Non-Gendered Hero Archetype
Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-13-2014 Doctor Who and the Creation of a Non-Gendered Hero Archetype Alessandra J. Pelusi Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Pelusi, Alessandra J., "Doctor Who and the Creation of a Non-Gendered Hero Archetype" (2014). Theses and Dissertations. 272. https://ir.library.illinoisstate.edu/etd/272 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. DOCTOR WHO AND THE CREATION OF A NON-GENDERED HERO ARCHETYPE Alessandra J. Pelusi 85 Pages December 2014 This thesis investigates the ways in which the television program Doctor Who forges a new, non-gendered, hero archetype from the amalgamation of its main characters. In order to demonstrate how this is achieved, I begin with reviewing some of the significant and relevant characters that contribute to this. I then examine the ways in which female and male characters are represented in Doctor Who, including who they are, their relationship with the Doctor, and what major narrative roles they play. I follow this with a discussion of the significance of the companion, including their status as equal to the Doctor. From there, I explore the ways in which the program utilizes existing archetypes by subverting them and disrupting the status quo.