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CONTENTS Information . 1 Synopsis . 2 Awards & Festivals . 3 Director’s Statement . 4 Filming Judas Collar . 6 Behind the Scenes Clips. 8 Camels in Australia . 9 Detailed Synopsis . 11 Biographies . .12 Credits . .15 INFORMATION "Easily the best short film I’ve seen this year and the most heartbreaking." Title: Judas Collar — EMPIRE MAGAZINE Year of Production: 2018 Country of Production: Australia Production Company: No Thing Productions Pty Ltd ABN 30 615 241 006 Length: 15 minutes Genre: Drama Shoot Gauge: Digital Finish Gauge: DCP Aspect: Anamorphic – 2:35:1 (scope) Sound Format: 5:1 Language/ Subtitles: No dialogue / English credit sequence Contacts: Producer Publicity Brooke Tia Silcox Olga Zhurzhenko [email protected] [email protected] +61 439 481 084 +1 818 575 0940 Trailer link: https://vimeo.com/296240730 Movie link: https://vimeo.com/257652101 Website URL: www.judascollar.com JUDAS COLLAR PRESS KIT // 1 BACK TO CONTENTS SYNOPSIS In outback Australia a wild camel is captured and fitted with a tracking device known as a Judas Collar. Based on a real life practice, Judas Collar is a scripted, non-dialogue, live action short that explores the story of a camel used to betray her kind. How far would you go to protect the herd? JUDAS COLLAR PRESS KIT // 2 BACK TO CONTENTS AWARDS & FESTIVALS Judas Collar won Best Narrative Short at Austin Film Festival and Best Film at St Kilda Film Festival, twice qualifying it for Best Live Action Short at the 2020 Academy Awards. “Judas Collar is one of the best and important short films -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Page 01 Jan 20.Indd
TUESDAY 20 JANUARY 2015 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Eastwood’s American CAMPUS Sniper wins big in box • Chevron Phillips Chemical Qatar donates $25,000 to office battle American School of Doha P | 4 P | 8-9 RECIPE CONTEST • Send in your best recipe and win a dinner voucher for two P | 6 FOOD • Top with avocado, then have a little fun P | 7 HEALTH • Tethered to treadmills? Try the cardio machines in the corner P | 11 Nicole Schickova adjusts her unruly fake moustache, as crucial to her outfit as her bowler hat, and takes two comical giant steps, thrusting TECHNOLOGY her leg up as far as it will go, before dragging • Why Google should her rear foot over — all in fun for the fourth worry about being like Microsoft annual Silly Walk March. P | 12 WALKING SILLY IN LEARN ARABIC • Learn commonly used Arabic words CZECH REPUBLIC and their meanings P | 13 2 PLUS | TUESDAY 20 JANUARY 2015 COVER STORY icole Schickova adjusts her unruly fake moustache, as crucial to her outfit as her Nbowler hat, and takes two comical giant steps, thrusting her leg up as far as it will go, before dragging her rear foot over. The 24-year-old’s Austrian friend, also in moustache and hat, shuffles his feet while bending forward, then leans back for the next three steps — all with great exaggeration. The two are part of an 80-strong group doing the fourth annual Silly Walk March in the southern Czech city of Brno, inspired by a 1970 Monty Python sketch featuring John Cleese with a bowler hat, briefcase and goofy gait. -
What Will It Take to Save Comedy Central?
What Will it Take to Save Comedy Central? 08.16.2016 Comedy Central's cancellation of The Nightly Show is the latest in a series of signals that all is not well at the network that was once the home of the country's sharpest political satire and news commentary. On Monday, Comedy Central announced that it was cancelling the show, which took Stephen Colbert's Colbert Report time slot in February 2015 when Colbert moved over to CBS' The Late Show. The move was not surprising considering the ratings: The Nightly Show is averaging a barely-there 0.2 among its key demographic of adults 18-49. RELATED: Comedy Central Cancels 'The Nightly Show' But The Nightly Show's failure to catch on is not the only problem at Comedy Central. Consider its late-night partner, The Daily Show, long the network's marquee program with host Jon Stewart. Stewart left the show just over a year ago and was replaced with South African comic Trevor Noah, who was hand-picked by Stewart. But despite Comedy Central's best efforts to reassure the media and audiences that Noah would eventually catch on, so far he hasn't. In May, The Wrap reported that The Daily Show had lost 38% of Stewart's audience among millennials aged 18-34 and 35% in households. And that comes at a time when the country is in the middle of a presidential election that lends itself extremely well to satire. It's also proven to be a mistake to let so much of its talent walk out the door, with Stephen Colbert going to CBS, John Oliver to HBO and Samantha Bee to TBS, taking much of Comedy Central's brand equity with them. -
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding. -
Annual Report 2012/2013
ANNUAL REPORT 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 SCREENWEST ANNUAL REPORT | 2012/2013 Table of Contents Statement of Compliance .......................................................... 2 Notes to the Financial Statements ........................................... 44 Overview of the Agency ............................................................. 4 Additional Key Performance Indicator Information ................... 84 Executive Summary ................................................................... 4 Key Efficiency and Effectiveness Indicators.................................85 Operational Structure ................................................................11 Appendix 1.0 Assessment Meetings and Members 2012/2013.........................................................................................100 Agency Performance ............................................................... 21 Significant Issues Impacting the Agency ................................. 31 Appendix 2.0 Productions with ScreenWest funding 2012/2013.........................................................................................107 Disclosures and Legal Compliance.......................................... 32 Independent Auditor’s Report .................................................. 33 Appendix 3.0 Funding Commitments 2012/2013.......................122 Statement of Comprehensive Income ...................................... 37 Statement of Financial Position................................................ 39 Statement of -
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected]
Stuart Richardson Post Producer / Field Director / Writer +64 27 395 0952 | [email protected] Australian Ninja Warrior, Series 5, Channel 9 Post Producer March 2021 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Ultimate Tag, Series 1, Channel 7 Post Producer November 2020 - Current Endemol Shine Australia, Sydney, Australia (Remote contract from Tauranga NZ) Ref: Dave Forrester, Post EP, Endemol Shine Australia [email protected] Title TBC! – A Netflix Original Documentary Series Post Producer March – October 2020 IFA Media, Singapore (Remote contract from Tauranga NZ) Ref: Joe Evans, Series Producer, IFA Media Singapore [email protected] Outback Truckers, Series 7 & 8, Discovery Channel Post Producer Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) January - June 2019, December 2019 – March 2020 Ref: Alan Hall, Series Producer, Prospero, Fremantle, WA [email protected] Outback Opal Hunters, Series 3, Discovery Channel Post Producer September - December 2019 Prospero Productions, Fremantle, Australia (Remote contract from Tauranga NZ) Ref: David Holroyd, Series Producer, Prospero, Fremantle, WA [email protected] The Making of Crossroads Maldives, History Channel Post Producer June 2019 - September 2019 IFA Media, Singapore (Remote contract from Dunedin, NZ) Ref: Joe Evans, Executive Producer, IFA Media [email protected] My Lottery Dream -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
Hvor Meget Tv Ser Danskerne?
Seertal uge 41 (5. oktober 2015 - 11. oktober 2015) Eftertryk/citat må kun ske mod flg. kildeangivelse: "TNS Gallup TV-Meter" Klik her for at hente en udskriftsvenlig udgave i PDF-format (kræver Adobe Acrobat Reader). TNS Gallup måler hvert døgn på vegne af Danmarks Radio, TV 2/DANMARK, TV3, Discovery Networks Danmark, Turner Broadcasting, Viacom International Media Networks og The Walt Disney Company Nordic tv-seningen i Danmark i tv- husstande ved hjælp af tv-metre. I uge 41 har i alt 1020 husstande og 2110 personer deltaget i TV-Meter-systemet. Alle seertal i pressemeddelelsen er beregnet ud fra universet 3 år og derover, med mindre andet er anført. Det bemærkes at alle tal er LIVE + VOSDAL (Viewing On Same Day As Live) og beregnet som "net ratings". Hvor meget tv ser danskerne? I uge 41 så en gennemsnitsdansker på 3 år og derover i gennemsnit 19 timer og 54 minutters tv, hvoraf 13 timer og 07 minutter fandt sted i perioden 17.00-00.00. Hele døgnet, alle Kl. 17-24, alle 15-50 år Tmin Pct. Tmin Pct. Tmin Pct. 4t 51m 24 3t 16m 25 3t 25m 21 0t 29m 2 0t 17m 2 0t 51m 5 0t 43m 4 0t 32m 4 0t 13m 1 0t 45m 4 0t 15m 2 0t 26m 3 0t 13m 1 0t 09m 1 0t 09m 1 0t 08m 1 0t 06m 1 0t 06m 1 4t 18m 22 3t 19m 25 2t 27m 15 0t 57m 5 0t 38m 5 0t 39m 4 0t 27m 2 0t 20m 3 0t 37m 4 0t 25m 2 0t 18m 2 0t 16m 2 0t 23m 2 0t 09m 1 0t 18m 2 0t 11m 1 0t 06m 1 0t 06m 1 1t 02m 5 0t 43m 5 1t 15m 8 0t 29m 2 0t 14m 2 0t 43m 4 0t 18m 2 0t 10m 1 0t 23m 2 0t 07m 1 0t 04m 1 0t 09m 1 0t 06m 1 0t 01m 0 0t 03m 0 1t 11m 6 0t 54m 7 1t 26m 9 0t 16m 1 0t 12m 2 0t 22m 2 0t 12m 1 0t 09m 1 0t 15m 2 0t 07m 1 0t 03m 0 0t 08m 1 0t 11m 1 0t 05m 1 0t 06m 1 0t 05m 0 0t 02m 0 0t 03m 0 0t 06m 1 0t 03m 0 0t 08m 1 0t 08m 1 0t 05m 1 0t 10m 1 0t 06m 1 0t 03m 0 0t 04m 0 0t 04m 0 0t 02m 0 0t 04m 0 0t 02m 0 0t 01m 0 0t 04m 0 0t 00m 0 0t 00m 0 0t 00m 0 0t 07m 1 0t 03m 0 0t 04m 0 0t 01m 0 0t 01m 0 0t 02m 0 0t 04m 0 0t 03m 0 0t 09m 1 Andre 1t 27m 7 0t 49m 6 1t 23m 8 Total TV 19t 54m 100 13t 07m 100 16t 24m 100 Hvor mange ser kanalerne pr. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
Inside Amy Schumer Size 12
Inside Amy Schumer (Comedy Central, USA), "Size 12" Introduction 1) Do you enjoy shopping for clothes? 2) Do you think that magazines use models who represent the "average" woman? 3) What is the average size in your country? 4) Can it be hard to find clothes in your size? 5) What can you do if you can't find the right size clothes in a shop? Vocabulary Before watching the video, match the difficult vocabulary to the definition. jewelry a. an actress who starred in The Office toddler b. an awards ceremony in the US the Midwest c. the part of the store where you pay a turtleneck d. a large plastic sheet used to protect things from the rain Bat Mitzvah e. a young child who is just beginning to walk the AIDS quilt f. decorative accessories, usually made of gold, diamonds etc. Mindy Kaling g. a bread snack the Golden Globes h. a tornado a tarp i. an enormous piece of fabric made as a memorial to people who have died of AIDS the register j. a top with a very high neck a twister k. a part of the US stereotypically boring and comprising of many small towns where "normal" looking people live a pretzel l. a religious ceremony for a Jewish girl aged twelve years Video 1. Watch the video for the first time and decide which description below best describes the video. a. The video shows a woman being banned from a clothing shop because she keeps asking for strange things. b. The video is a comment about how it is difficult to find clothes in large sizes. -
Music November 29 Picturehouse Central
C21Kids | Fall 2016 Feature: Music usic is ubiquitous in children’s television. And the catchier it is, the better. Think Mback to your favourite series as a child and almost certainly the theme song will enter your head. And stay there for the rest of the day, maybe even the rest of your adult life. Hitting the Title music helps children to identify a show and draw them to the TV, Pied Piper-style. Anne Miller, joint MD of music publishing company Accorder Music, recalls a decades-old experiment into the phenomenon. Researchers counted how many children would come running in from a dif erent room to the television set when a particular title tune was played. “It’s the music that engages the right note child. If the child is bored, they will just walk away,” Miller says. Music also helps to represent emotion, especially Music has always been key to children’s TV, but Netflix’s Beat Bugs, featuring hit in animation, a medium in which expressions can tunes from The Beatles, has raised the game. Toni Sekinah reports. be harder to read. “There aren’t many monologues, so a lot of the emotion you have to portray to kids comes with the music,” says Lina Tebbs, head of Josh Wakely, principal partner at US-based television in Europe for UK-based music fi lm and television production company Grace, distributor Audio Network. made headlines around the world earlier this But as well as helping to convey year when he sold Beat Bugs to Netfl ix. emotion, music also assists young Inspired by the music of The Beatles, the viewers in understanding what is happening on big-budget CGI animation features pop artists screen by underscoring the personalities of the such as Pink, Sia and Rod Stewart covering characters.