Selected Bibliography for the Study of the Beat Generation
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The Spirit of the People Will Be Stronger Than the Pigs’ Technology”
FOR IMMEDIATE RELEASE November 2017 “THE SPIRIT OF THE PEOPLE WILL BE STRONGER THAN THE PIGS’ TECHNOLOGY” An exhibition, a symposium, and a month-long series of events re-examining the interdependent legacies of revolutionary poetry and the militant left in the United States, with a spotlight on Allen Van Newkirk’s Guerrilla: Free Newspaper of the Streets (Detroit, Mich. & New York City: 1967-1968) and the recent & upcoming 50th anniversaries of the founding of the Black Panther Party in Oakland, Calif. (1966) and the White Panther Party in Detroit, Mich. (1968) including a presentation of rare ephemera from both groups. Exhibition: 9 November – 29 December 2017 @ Fortnight Institute Symposium: 17 November 2017 @ NYU Page 1 of 6 E XHIBITION A complete run of Guerrilla: Free Newspaper of the Streets serves as the focal point for an exhibition of r evolutionar y le fti s t posters , bro adsides, b oo ks, and ep hemera, ca. 196 4-197 0, a t East Villag e ( Manhattan) a rt gall e ry Fortnight Institute, opening at 6 pm on Thu rsd ay, Novemb er 9 , 2017 a nd c ontinuing through Sun day, December 29. Th e displa y also inc lude s rare, orig inal print m ate rials a nd p osters fro m the Bl ack Pan ther Party, Whi t e Panther Party , Young Lords a nd ot her revolu tion ary g roups. For t he d u ration of the exhib itio n, Fortnig ht Institute will also house a readin g room stock ed with cha pbooks and pa perbacks from leftist mili tant poets o f the era, many of w hose works we re p rinted in G uerrill a, includ ing LeRo i Jones, Diane Di P rima, M arga ret Ran dall, Reg is Deb ray an d o thers. -
Materializing the “Eternal French Connexion”
Introduction: Materializing the “Eternal French Connexion” Véronique Lane THE IMAGES HAVE BEEN FAMILIAR around the world for more than fifty years: a shy Jack Kerouac standing beside road-travelling companion Neal Cassady; Allen Ginsberg and Peter Orlovsky sitting back to back on a bench in Paris, smiling brightly; William Burroughs in trench coat and fedora outstaring the camera with sinister poker face. Sustained by innumerable biographies, exhibitions, and film adaptations, such iconic images of the first major Beat writers as travellers and border-crossers remain indelible in the popular imagination, persisting as nostalgic snapshots of countercultural rebels from a black-and-white past when writers had the power to move an entire generation. The enduring popularity of the Beats as photogenic iconoclasts has created a wider public interest than in perhaps any other area of literature. But it also deterred academic scholarship for decades and has led to a mismatch between the shallow, seductive imagery of hip Americana in mass circulation and the picture now constructed in the critical field. Over the past two decades, Beat Studies has come of age: the days of fanzines, hagiography, sociology, and broad cultural history, when discussion focused largely on jazz or drugs and a trilogy of famous writers and their holy texts – Ginsberg’s “Howl” (1956), Kerouac’s On the Road (1957), Burroughs’ Naked Lunch (1959) – are long gone. Beat Studies today is far broader and richer, and has decentered itself as it has expanded: sensitized to issues of race, gender, sexuality, and social justice, while attentive to work in multiple media, it now produces book-length studies ranging from Beat religion and philosophy to Beat cinema and 2 theatre. -
Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
KEROUAC, JACK, 1922-1969. John Sampas Collection of Jack Kerouac Material, Circa 1900-2005
KEROUAC, JACK, 1922-1969. John Sampas collection of Jack Kerouac material, circa 1900-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Kerouac, Jack, 1922-1969. Title: John Sampas collection of Jack Kerouac material, circa 1900-2005 Call Number: Manuscript Collection No. 1343 Extent: 2 linear feet (4 boxes) and 1 oversized papers box (OP) Abstract: Material collected by John Sampas relating to Jack Kerouac and including correspondence, photographs, and manuscripts. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Jack Kerouac papers, New York Public Library Related Materials in This Repository Jack Kerouac collection and Jack and Stella Sampas Kerouac papers Source Purchase, 2015 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. John Sampas collection of Jack Kerouac material, circa 1900-2005 Manuscript Collection No. 1343 Citation [after identification of item(s)], John Sampas collection of Jack Kerouac material, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. -
POETS HATING POETRY Can’T Anyone Give Poetry a Break? by Ryan Stuart Lowe
Spring | Summer 2017 OKLAHOMA HUMANITIES Culture | Issues | Ideas dLearning to love like not hate poetry 2017—A Year of New Initiatives At Oklahoma Humanities, the will explore this challenging period in year 2017 begins with continued our nation’s history. Concurrent with the ANN THOMPSON commitment to serving the public magazine and local programming will Executive Director through inspired and inspiring cultural be the September debut of an 18-hour, experiences. In addition to successful NEH-funded Ken Burns documentary programs like Museum on Main Street; on PBS called The Vietnam War. Our Let’s Talk About it, Oklahoma; Oklahoma objective in focusing on the Vietnam era Humanities magazine; and, of course, is to remind those of us who remember our grants program; we’re working on the war to think critically of lessons special initiatives that we’re proud to learned (and not learned) from the war, bring to our state. and to inform younger generations of First, through a partnership with the challenging issues of that period the Ralph Ellison Foundation, we are that continue to impact our national sponsoring a series of public meetings identity—the civil rights movement, on race relations in Oklahoma. Using the the changing roles of women, student texts of one of Oklahoma’s most esteemed writers and favorite sons, the Foundation activism, how we treat veterans, and the will encourage community conversations roles of music, literature, television, and to foster greater understanding and to the media in forming American opinion. promote the common good. This year promises to be meaningful Second is a multi-faceted look at the and rich in opportunities and, as always, Vietnam era. -
Everything Lost
Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook. -
Religion and Spirituality in the Work of the Beat Generation
DOCTORAL THESIS Irrational Doorways: Religion and Spirituality in the Work of the Beat Generation Reynolds, Loni Sophia Award date: 2011 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 Irrational Doorways: Religion and Spirituality in the Work of the Beat Generation by Loni Sophia Reynolds BA, MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of English and Creative Writing University of Roehampton 2011 Reynolds i ABSTRACT My thesis explores the role of religion and spirituality in the work of the Beat Generation, a mid-twentieth century American literary movement. I focus on four major Beat authors: William S. Burroughs, Allen Ginsberg, Jack Kerouac, and Gregory Corso. Through a close reading of their work, I identify the major religious and spiritual attitudes that shape their texts. All four authors’ religious and spiritual beliefs form a challenge to the Modern Western worldview of rationality, embracing systems of belief which allow for experiences that cannot be empirically explained. -
Naked Lunch and the Death of Obscene Literature
Oberlin Digital Commons at Oberlin Honors Papers Student Work 2014 On the Genealogy of Obscenity: Naked Lunch and The Death of Obscene Literature Luke Harrison Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the English Language and Literature Commons Repository Citation Harrison, Luke, "On the Genealogy of Obscenity: Naked Lunch and The Death of Obscene Literature" (2014). Honors Papers. 290. https://digitalcommons.oberlin.edu/honors/290 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. Harrison 1 Luke Harrison Oberlin College English Department 18 April 2014 On the Genealogy of Obscenity: Naked Lunch and The Death of Obscene Literature The Court: Mr. Ginsberg, do you consider that this book is obscene? Allen Ginsberg: Not really, no, sir. The Court: Well, would you be surprised if the author himself admitted it was obscene and must be necessarily obscene in order to convey his thoughts and impressions? Well, it’s on page xii of the Introduction: “Since Naked Lunch treats this health problem [addiction], it is necessarily brutal, obscene and disgusting. Sickness is often repulsive details not for weak stomachs.” Allen Ginsberg: Yes, he has said that. I don’t think he intends that to be obscene in any legal sense or even obscene as seen through his own eyes or through the eyes of a sympathetic reader. -
Véronique Lane. French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac’S Appropriations of Modern Literature, from Rimbaud to Michaux
Studies in 20th & 21st Century Literature Volume 43 Issue 1 Engaging the Pastoral: Social, Environmental, and Artistic Critique in Article 12 Contemporary Pastoral Literature December 2018 Véronique Lane. French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac’s Appropriations of Modern Literature, from Rimbaud to Michaux. Bloomsbury, 2017. Susan Pinette University of Maine, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Pinette, Susan (2018) "Véronique Lane. French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac’s Appropriations of Modern Literature, from Rimbaud to Michaux. Bloomsbury, 2017.," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 1, Article 12. https://doi.org/10.4148/ 2334-4415.2065 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Véronique Lane. French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac’s Appropriations of Modern Literature, from Rimbaud to Michaux. Bloomsbury, 2017. Abstract Review of Véronique Lane. French Genealogy of the Beat Generation: Burroughs, Ginsberg and Kerouac’s Appropriations of Modern Literature, from Rimbaud to Michaux. Bloomsbury, 2017. Keywords Kerouac, Beat Generation, French Modernism This book review is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol43/ iss1/12 Pinette: Review of French Genealogy of the Beat Generation Véronique Lane. -
Poetics at New College of California
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Gleeson Library Faculty and Staff Research and Scholarship Gleeson Library | Geschke Center 2-2020 Assembling evidence of the alternative: Roots and routes: Poetics at New College of California Patrick James Dunagan University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/librarian Part of the Poetry Commons Recommended Citation Dunagan, Patrick James, "Assembling evidence of the alternative: Roots and routes: Poetics at New College of California" (2020). Gleeson Library Faculty and Staff Research and Scholarship. 30. https://repository.usfca.edu/librarian/30 This Presentation is brought to you for free and open access by the Gleeson Library | Geschke Center at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Gleeson Library Faculty and Staff Research and Scholarship by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. ASSEMBLING EVIDENCE OF THE ALTERNATIVE: Roots And Routes POETICS AT NEW COLLEGE OF CALIFORNIA Anthology editor Patrick James Dunagan presenting material co-written with fellow anthology editors Marina Lazzara and Nicholas James Whittington. abstract The Poetics program at New College of California (ca. 1980-2000s) was a distinctly alien presence among graduate-level academic programs in North America. Focused solely upon the study of poetry, it offered a truly alternative approach to that found in more traditional academic settings. Throughout the program's history few of its faculty possessed much beyond an M.A. -
The Beat Generation: Collaboration and Community
The Beat Generation: Collaboration and Community Flores ACRL Literatures in English Section (LES) and Arts Sections Saturday, June 16, 2001, 2-4 p.m. - Argent Hotel Followed by a reception at City Lights Book Store, 261 Columbus Ave., 4-6 p.m. The Beat Generation created a rich legacy of books, periodicals, polemical and creative ephemera, music, and art works that have enriched libraries, museums, bookstores, and publishers, and that permanently altered the cultural landscape of America. These writers and artists collaborated in poetry readings, jazz, writing-inspired dance and films, and often in their personal lives. Our speakers will describe the cultural community of the Beat Generation's literature, visual arts, and dance. Honored guests in our audience are Diane di Prima and Lawrence Ferlinghetti; book signing to follow the program. • Beat Writers ¾ Ann Charters • Beat Writers Artists ¾ Bill Morgan • Beat and Beat-Related Painting ¾ Paul Karlstrom • Dancer Anna Halprin ¾ Janice Ross • Reading from His Poetry ¾ Michael McClure SPEAKERS: Dr. Charters is Professor of English, University of Connecticut, Storrs, CT, and an author and editor of many books inclucing The Portable Beat Reader (Viking, 1992). Dr. Karlstrom is the Director of the West Coast Research Center, Archives of American Art, Huntington Library, San Marino, CA. Michael McClure is one of the original Beat poets. He continues to write and tours with musician Ray Manzarek. For more information see: http://www.thing.net/~grist/l&d/mcclure/mcclure.htm http://www.mcclure-manzarek.com/Michael-main.html. Bill Morgan is a painter, author, bibliographer, collector and the editor of Allen Ginsberg's Deliberate Prose: Selected Essays, 1952-1995 (HarperCollins, 2000) and other books on the Beat Generation. -
Beat Generation Icon William S. Burroughs Found Love – and Loved Life – During His Years in Lawrence
FOR BURROUGHS, IT ALL ADDED UP BURROUGHS CREEK TRAIL & LINEAR PARK Beat Generation icon William S. Burroughs found love – and loved life – during his years in Lawrence William S. Burroughs, once hailed by In 1943, Burroughs met Allen Ginsberg America after charges of obscenity were 11th Street Norman Mailer as “the only American and Jack Kerouac. They became fast rejected by the courts. In the meantime, novelist living today who may conceivably friends, forming the nucleus of the Burroughs had moved to Paris in 1958, be possessed by genius,” lived in Lawrence nascent Beat Generation, a group of working with artist Brion Gysin, then on a few blocks west of this spot for the last 16 often experimental writers exploring to London in 1960, where he lived for 14 13th Street years of his life. Generally regarded as one postwar American culture. years, publishing six novels. of the most influential writers of the 20th century, his books have been translated Burroughs became addicted to narcotics In 1974, Burroughs returned to 15th Street into more than 70 languages. Burroughs in 1945. The following year, he New York City where he met James was also one of the earliest American married Joan Vollmer, the roommate Grauerholz, a former University of multimedia artists; his films, recordings, of Kerouac’s girlfriend. They moved Kansas student from Coffeyville, paintings and collaborations continue to to a farm in Texas, where their son Kansas, who soon became Burroughs’ venue venue A A inspire artists around the world. He is the Billy was born. In 1948, they relocated secretary and manager.