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Issue 29 PDF.Indd
Now incorporating Audicord THIS ISSUE INCLUDES: “I Love Paris” Organ Arrangement by Tony Back Profile of DirkJan Ranzijn From One Note to Another by John Everett (Part Two) Alan Ashtons Organised Keyboards The Spreckels Organ by Carol Williams The Duo Art Aeolian Organ February to April 2006 to April February Groov’in with Alan Ashton (Part Seven) Issue Twenty-Nine 1 Welcome to Issue Twenty-Nine Contents List for Issue 29: MSS Studios Top Forty Welcome / General Information 2 Our best selling CDs & DVDs from October to December 2005 Alan Ashtons Organised Keyboards 4 Compiled from magazine and website sales The Spreckels Organ by Carol Williams 11 1 Klaus Wunderlich Up, Up & Away (2CD) Profile of DirkJan Ranzijn 12 2 Doreen Chadwick Echoes of Edmonton (Offer) Ian Wolstenholme ReViews... 14 3 Robert Wolfe Over The Rainbow (Offer) From One Note to Another by John Everett (Part Two) 16 4 VARIOUS Electronic Organ Showcase (DVD) The Duo Art Aeolian Organ 18 5 Arnold Loxam Arnold Loxam: 2LS Leeds Bradford… New Organ & Keyboard DVDs 19 6 Robert Wolfe Those Were The Days 7 John Beesley Colours (Offer) Groov’in with Alan Ashton (Part Seven) 22 8 Brett Wales One Way MUSIC FEATURE: I Love Paris 29 9 DirkJan Ranzijn Live in Bournemouth (DVD) ORGAN1st Catalogue 34 10 Byron Jones My Thanks To You (DVD) ORGAN1st New Additions 52 11 Doreen Chadwick Say It With Music 12 Howard Beaumont The Best of Times www.organ.co.uk 13 Tony Stace Happy Days Are Here Again 14 Phil Kelsall Razzle Dazzle 15 Franz Lambert Wunschmelodien, Die Man Nie Verg… 16 VARIOUS Pavillioned -
Kenny Burrell Kenny Burrell Mp3, Flac, Wma
Kenny Burrell Kenny Burrell mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Kenny Burrell Country: US Released: 1956 Style: Hard Bop, Bop MP3 version RAR size: 1734 mb FLAC version RAR size: 1777 mb WMA version RAR size: 1855 mb Rating: 4.5 Votes: 480 Other Formats: VQF RA MP2 MP4 WAV FLAC MP1 Tracklist Hide Credits Get Happy A1 Written-By – Arlen*, Koehler* But Not For Me A2 Written-By – Gershwin* Mexico City A3 Written-By – Kenny Dorham Moten Swing A4 Written-By – Bennie Moten, Buster Moten Cheeta B1 Written-By – Kenny Burrell Now See How You Are B2 Written-By – Pettiford*, Harris* Phinupi B3 Written-By – Kenny Burrell How About You B4 Written-By – Lane*, Freed* Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Recorded At – Audio-Video Studios Copyright (c) – Liberty Records, Inc. Credits Bass – Oscar Pettiford (tracks: A4, B1, B2, B3, B4), Paul Chambers (tracks: A1), Sam Jones (tracks: A3) Design [Cover Artwork] – Andy Warhol Design [Cover] – Reid Miles Drums – Arthur Edgehill (tracks: A3), Kenny Clarke (tracks: A1), Shadow Wilson (tracks: A4, B1, B2, B3, B4) Liner Notes – Leonard Feather Percussion – Candido (tracks: A1) Piano – Bobby Timmons (tracks: A3), Tommy Flanagan Producer – Alfred Lion Recorded By [Recording By], Mastered By [Mastering By] – Rudy Van Gelder Tenor Saxophone – Frank Foster (tracks: B2, B3, B4), J.R. Monterose (tracks: A3) Trumpet – Kenny Dorham (tracks: A3) Notes Recorded at the Audio-Video Studios, NYC on March 12, 1956 (tracks A4 to B4), at the Rudy Van Gelder Studio, Hackensack, NJ, on May 29, 1956 (track A1) and on May 30, 1956 (tracks A2, A3). -
Press Release April 6 2012
FOR IMMEDIATE RELEASE For more information, contact: RKR-CB (505) 250-3105 [email protected] NEW CD “SHOTGUN” BOB ANDREWS AND SPECIAL GUESTS April 6, 2012 (New Orleans, Louisiana)--Released just in time for the New Orleans Jazz and Heritage Festival, the CD “SHOTGUN” is brand new music featuring Bob Andrews playing with some of the best musicians in New Orleans. SHOTGUN was inspired by a book by RKR- CB (also called SHOTGUN to be released April 20, 2012) which is a curious mix of images of the Marigny and Bywater neighborhoods juxtaposed with edgy graphic art and an eclectic short story. Known throughout New Orleans and the world as a keyboard player, Bob Andrews instead plays guitar on all tracks of SHOTGUN for a new sound that reflects a merging of Bob’s British rock and R&B roots with New Orleans funk and blues. The songs are fresh, edgy, and innovative. The music and the intriguing lyrics capture the energy of New Orleans with sultry and vivid flavors of lust and love in a rollicking zest for life. SHOTGUN brings together diverse and talented musicians including Alex McMurray, Johnny Sansone, Cornell Williams, Jermal Watson, Calvin Johnson, and Red Priest. SHOTGUN was recorded at Piety Street Recording by Wes Fontenot and mixed by John Porter. Development of the SHOTGUN CD was partially supported through a grant from the Threadhead Cultural Foundation. SHOTGUN is the first in a series of collaborative projects by RKR-CB to promote New Orleans musicians in tandem with a companion book. The next RKR- CB book/CD project, “INVISIBLE LOVE” will be released later in 2012. -
MARIANNE FAITHFULL a Legendary Rock Chanteuse Talks Sad Songs and Horror Stories
JUNE 2011 ISSUE MMUSICMAG.COM Q&A Patrick Swirc Patrick MARIANNE FAITHFULL A legendary rock chanteuse talks sad songs and horror stories YES, SINGER, SONGWRITER AND partly because I’m so good at the dark side. How were the guests recruited? actress Marianne Faithfull’s 1964 I fi nd writing my own to be much harder Hal brought in Lou Reed, although Lou is a breakthrough hit “As Tears Go By” was work. If you ask Nick to give you a rundown great friend of mine. Dr. John is also a great written by the Rolling Stones’ Mick Jagger of my faults, he’d say, “She’s incredibly friend. Wayne Kramer has become my new and Keith Richards. Yes, she and Jagger talented, but she’s very lazy and needs best friend. He’s been on tour with us in dated throughout the late ’60s. No, she a kick up the ass.” Europe. Plus we’re going to write together. doesn’t want to talk about it. “I don’t even mention their names,” she says. “Those Did Hal help choose songs? Do you have a backlog of songs? people are written out of my picture.” Today He did. There were a lot of arguments as I have a backlog, but I also have a deadline. the picture includes her 19th and latest solo to what should be the fi nished product, At the moment I’ve got plenty of time, but album, Horses and High Heels, recorded huge rows—the usual making of a record. I’m starting to put things together. -
Jazzletter PO Box 240, Ojai CA 93024-0240
Gene Lees Jazzletter PO Box 240, Ojai CA 93024-0240 November 1999 Vol. 18 N0. 11 Other Voices imposing licensing and record-keepingrequirements on gun dealers and prohibiting firearms purchasers from providing false state- I finished reading Slaughterhouse '99 and a depressed day trader ments, and even an Illinois ban on possession of most handgims. goes on a spree in Atlanta. Then a man who wants to give a . In these cases, the courts have held that the Second Amend- “wake-up call to America to kill the Jews” opens fire in Los ment guarantees a ‘collective right’, not an individual one.” Angeles on little children. “Pith schools starting this week all over The cowardice is found not necessarily in the courts but rather America, should we ask Tom Selleck where the next rampage will in the state legislatures and the Congress, greedily trousering NRA occur? . dollars and doing their bidding. As your favorite songwriter said, You may want to ask the impressive liberal Ted Turner, now “Money doesn’t talk, it swears." Of course, with the present a part of the Time-Life-Warner cartel. If he is a liberal, he has a composition of the “Renchburg” court, as Nixon once called him, lovely way of showing it. there is no guarantee this modicum will continue. This Court seems Thanks for the altemative to crap you provide. determined to return the nation to the ante-bellum days of Henry - — Thomas Priesmeyer; Nashville, Tennessee Clay and John C. Calhoun arguing over states’ rights. I can ahnost hear Jesse Helms and Strom Thurmond calling for a reconsidera- Since your thoughtful and compelling article Slaughterhouse tion of the “unsettled slavery” issue. -
Marianne Faithfull
MERCOLEDì 19 MARZO 2014 Marianne Faithfull, una delle autrici e interpreti più originali della musica inglese, festeggia i 50 anni di carriera con un tour mondiale che la porterà in Italia il 27 ottobre all' Auditorium di Milano. Marianne Faithfull La signora della musica inglese a Milano a ottobre Quello di Marianne Faithfull è un nome che non ha bisogno di presentazioni. Nata ad Hampstead nel 1946, inizia la sua carriera come regina della swinging London con il brano "As Tears Go By", prima canzone composta insieme da Mick Jagger e Keith Richards. La sua ANDREA LECCARDI carriera musicale nei Sixties procede in parallelo con quella cinematografica (con il film "Girl on a motorcycle") e teatrale (con "Le tre sorelle" di Cechov e "Amleto"). Dopo un periodo di pausa dalla fine degli anni '60 alla seconda metà dei '70, Marianne ritorna sulla scena nel 1979 con "Broken English", dimostrando di essere al passo con le nuove tendenze della nascente new wave. Dopo i successivi "Dangerous Acquaintances" (1981) e "A child's adventure" (1983), Marianne Faithfull [email protected] pubblica nel 1987 "Strange Weather", una raccolta di classici pop e blues SPETTACOLINEWS.IT da lei reinterpretati. Marianne intraprende nuove direzioni con "Secret Life" del 1995, scritto con la collaborazione del compositore italiano Angelo Badalamenti, e con la rilettura dell'opera teatrale "The seven deadly sins" di Kurt Weill e Bertolt Brecht (1998). L'artista ritorna su binari più mainstream realizzando nel 1999 uno dei suoi album più apprezzati, "Vagabond Ways", mentre, con il nuovo millennio, entra in una fase di rinnovato vigore creativo della sua carriera di attrice con i film "Intimacy" (2001), "Marie Antoinette" (2006), e, grazie al ruolo da protagonista nell'acclamato "Irina Palm" (2006), ottiene una nomination agli European Film Academy. -
May to July 2005
THIS ISSUE INCLUDES: “Thou Swell” Organ Arrangement by Tony Back A Tribute to Jimmy Smith 1928-2005 Profile of Virgil Fox (with new CDs and DVDs) Profile of Arnold Loxam Groov’in with Alan Ashton (Part Four) May to July 2005 Alan Ashtons “Organised Keyboards” CD FEATURES: New Book Hector Olivera: I Have Dreamed Jon Smith: Some Enchanted Evening Jelani Eddington: Musical Fireworks & Perpetual Motion Issue Twenty-Six 1 Welcome to Issue Twenty-Six It’s been a slow time with organ releases lately, but there are some great CDs MSS Studios Top Forty in this issue including new titles from Jelani Eddington, Brett Wales, Hector Olivera, Our best selling CDs & DVDs from January to March 2005 Jon Smith & George Wright to name but a few. (Compiled from magazine and website sales) As there are only a handful of electronic and theatre organ 1 Phil Kelsall Blackpool Tower… (All 3 CDs) releases, we have included some ‘mainstream’ double classical organ sets (at great prices) as well the Complete 2 Chris Powell In Concert (DVD) Organ Player series of books. We also have a profile with 3 Keith Beckingham Ritz Beckingham some CDs and DVDs from the legendary Virgil Fox. The DVDs have been imported from the USA, but we have them 4 Klaus Wunderlich Recollections (2CD) at the same price as UK DVDs (and what’s more, they all 5 Chris Stanbury Portrait come with a free CD!). 6 (Derek Austin) Hammond - Monsters of Rock 7 Phil Kelsall 25th Anniversary / Tower (DVD) Contents List for Issue 26: 8 Ian King Snowdonia Photo & Music (DVD) Welcome / General Information -
Marianne Faithfull Easy Come Easy Go Mp3, Flac, Wma
Marianne Faithfull Easy Come Easy Go mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Easy Come Easy Go Country: Asia Released: 2008 MP3 version RAR size: 1911 mb FLAC version RAR size: 1703 mb WMA version RAR size: 1554 mb Rating: 4.1 Votes: 334 Other Formats: AU AHX MP1 DTS DXD VOX DMF Tracklist Hide Credits Down From Dover Arranged By, Conductor – Steve WeisbergBacking Vocals – Jenni MuldaurBass – Greg CohenCello – Jane ScarpantoniDrums – Jim White Guitar – Barry Reynolds, Marc 1 RibotOrgan – Rob BurgerPiano – Gil GoldsteinSaxophone [Alto] – Marty EhrlichSaxophone 4:44 [Baritone] – Doug WieselmanSaxophone [Tenor] – Lenny PickettTrombone – Art BaronTrumpet – Steven BernsteinViola – Michael NicholasViolin – Maxim Moston, Rob MooseVocals [Vocal] – Marianne FaithfullWritten-By – Dolly Parton Hold On Hold On Bass – Greg CohenDrums – Jim White Guitar – Barry Reynolds, Sean LennonOrgan – Rob 2 2:58 BurgerPiano – Steve WeisbergViolin [Electric] – Warren EllisVocals – Chan MarshallVocals [Vocal] – Marianne FaithfullWritten-By – Good*, Belitsky*, Case*, Dean*, Good* Solitude Arranged By, Conductor – Steven BernsteinBass – Greg CohenCelesta [Celeste] – Steve WeisbergClarinet – Ken Peploski*Clarinet [Alto] – JD Parron*Clarinet [Bass] – Lenny 3 5:25 Pickett, Marty EhrlichClarinet [E B] – Doug WieselmanDrums – Jim White Guitar – Marc RibotOrgan – Brian MitchellVocals [Vocal] – Marianne FaithfullWritten-By – Ellington*, De Lange*, Mills* The Crane Wife 3 Acoustic Guitar – Marc RibotArranged By, Conductor – Steve WeisbergBass – Greg -
Download the Tenor Saxophone of Buddy Tate
1 The TENORSAX of GEORGE HOLMES TATE “BUDDY” Solographer: Jan Evensmo Last update: Jan. 4, 2020 2 Born: Sherman, Texas, Feb. 22, 1914 Died: Chandler, Arizona, Feb. 10, 2001 Introduction: We became familiar with Buddy Tate very early through his recordings with Count Basie. I met him once, many years ago, at the Molde International Jazz Festival. He was a very kind man, and when he realized I was doing some useful work on ja zz tenor saxophone, he invited me to his hotel room for whisky. We had a very nice time together in the light summer night of Norway! Early history: His brother, a saxophonist, gave Buddy an alto in 1925. Two years later began gigging with McCloud's Night Owls (led by his cousin, trumpeter Roy McCloud). In 1929 played for several months in Wichita Falls with the St. Louis Merrymakers, later that year joined Troy Floyd's Band in San Antonio. Briefly with Gene Coy's Band, then with Terrence Holder's 12 Clouds of Joy from 1930-33. Worked with E. J. Malone and his Rhythm Kings (early 1933), Wesley Smiths' Band, ‘Tan Town Topics’, and Ethel May's Band before joining Count Basie in Little Rock, Arkansas (ca. July 1934). From late 1934 until early summer 1935 with Andy Kirk, played with band at Wiley College, Texas, then long spell with Nat Towles until joining Count Basie in spring 1939. Remained with Basie until September 1948, brief return in early 1949, then for the rest of that year worked mostly with Hot Lips Page, occasionally with Lucky Millinder. -
Mark Levy Leviathan: in the Heart of the Beast Mp3, Flac, Wma
Mark Levy Leviathan: In The Heart Of The Beast mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues / Folk, World, & Country Album: Leviathan: In The Heart Of The Beast Country: US Released: 1980 Style: Folk MP3 version RAR size: 1855 mb FLAC version RAR size: 1752 mb WMA version RAR size: 1143 mb Rating: 4.7 Votes: 521 Other Formats: DXD VOX WAV MP2 XM MP4 AC3 Tracklist Hide Credits Sunpower Bass Guitar – Jim Rutledge Congas – Michael HorneDrums – Rick WalkerElectric Piano [Fender A1 Rhodes], Chamberlin [Strings] – Paul Smith Flute – Ken DeaverSoprano Saxophone – Jay ClarkVocals – Beth Ann La Barra, Jan Luby, Peggy McCartyVocals, Twelve-String Guitar – Mark Levy* San Andreas Rag Banjo [4-string] – E.Z. MarcBass Guitar – Jim Rutledge Drums – Jerry DupreePiano – Harriet A2 JacoffSoprano Saxophone – Jay ClarkTrombone – Tony AinsworthTrumpet – Rebecca FranksViolin – Teresa JohnsonVocals, Guitar – Mark Levy* Room At The Top Bass Guitar – Jim Rutledge Congas – Michael HorneDrums – Jerry DupreeElectric Piano [Fender A3 Rhodes], Synthesizer [Oberheim Obx] – Ruben ValtierraFlute – Ken DeaverSaxophone – Jay ClarkVocals, Acoustic Guitar, Electric Guitar – Mark Levy* Blues For Us A4 Piano – Mark Levy* Leakin' Like A Sieve Bass Guitar – Jim Rutledge Drums – Jerry DupreeFiddle – Mike Ray Guitar [Dobro] – Gene A5 FrankMandolin – Greg BurgerPedal Steel Guitar – Brad LopezPiano – Harriet JacoffVocals – Jan Luby, Peggy McCartyVocals, Guitar – Mark Levy* Mourning Dove Bass Guitar – Jim Rutledge Cello – Susan BaverFlute – Robert GilesHarp [Irish] – Chris -
Marianne Faithfull
MARIANNE FAITHFULL ‘Horses and High Heels’ www.mariannefaithfull.org.uk “A dire il vero non faccio mai cose convenzionali...” - dopo 47 anni di vita pubblica creativa, Marianne Faithfull rimane una delle artiste musicali più peculiari, intriganti e anticonformiste della Gran Bretagna. Nell’arco di 47 anni si è evoluta, passando dall’immagine dell’ingenua cantante dalla voce tremula del suo album di debutto ‘As Tears Go By’ (1964, la prima canzone in assoluto scritta da Mick Jagger e Keith Richards) fino a divenire l’icona dal timbro struggente e cantautrice dalla forte carica emotiva, come riconferma ancora oggi in occasione del suo 23esimo album solista, l'incredibile ‘Horses And High Heels’. Registrato a New Orleans con una cerchia di musicisti locali d’eccezione, l’album contiene otto cover e quattro nuove canzoni originali co-firmate da Marianne, quattro tracce in cui è presente il virtuoso della chitarra John Porter, un musicista/produttore noto soprattutto per le sue collaborazioni con Roxy Music, Eric Clapton e The Smiths. L’album comprende inoltre un brano con testi scritti appositamente per lei dal drammaturgo irlandese Frank McGuiness (l’evocativa ‘The Old House’), due contributi alla chitarra di un altro amico di vecchia data, Lou Reed, oltre ad altre partecipazioni di Dr. John e Wayne Kramer degli MC5. La produzione è firmata dal collaboratore storico Hal Willner, l’alchimista dei paesaggi sonori nell’acclamato ‘Easy Come, Easy Go’ (2009); la sua superba collezione di cover e duetti vede la presenza di altri colleghi artisti, da Keith Richards e Jarvis Cocker, a Rufus Wainwright e Nick Cave. -
Silver,Let'sgettonitty
ROTH FAMILY FOUNDATION Music in America Imprint Michael P. Roth and Sukey Garcetti have endowed this imprint to honor the memory of their parents, Julia and Harry Roth, whose deep love of music they wish to share with others. The publisher gratefully acknowledges the generous contribution to this book provided by the Music in America Endowment Fund of the University of California Press Foundation, which is supported by a major gift from Sukey and Gil Garcetti, Michael Roth, and the Roth Family Foundation. LET’S GET TO THE NITTY GRITTY LET’S GET TO THE NITTY GRITTY THE AUTOBIOGRAPHY OF HORACE SILVER HORACE SILVER Edited, with Afterword, by Phil Pastras Foreword by Joe Zawinul University of California Press Berkeley Los Angeles London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2006 by The Regents of the University of California Excerpts from “How Calmly Does the Orange Branch,” by Tennessee Williams, from The Collected Poems of Tennessee Williams, copyright © 1925, 1926, 1932, 1933, 1935, 1936, 1937, 1938, 1942, 1944, 1947, 1948, 1949, 1950, 1952, 1956, 1960, 1961, 1963, 1964, 1971, 1975, 1977, 1978, 1979, 1981, 1982, 1983, 1991, 1995, 2002 by The University of the South. Reprinted by permission of New Directions Publishing Corp.