Best Record Store in Austin
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Isr Presentation 2019
ISR PRESENTATION 2019 1 STRATEGY FNAC DARTY OMNICHANNEL LEADER IN EUROPE Technical products 51% France & Editorial products €7.5bn revenue – 25,000 employees Switzerland 78% 2018 17% 2018 Top 3 European Omnichannel Retailer Turnover Turnover Iberian €7.5bn White goods €7.5bn Peninsula 9% 22% 780+ multiformat stores in 12 countries Other products and Benelux 13% services (3) 10% 2nd largest e-commerce retailer in France(1) What brand do you think best embodies the success of the 19% of Group sales omnichannel transition? 4th barometer Oliver Wyman – October 2017 81 million transactions 51% 34% (2) 32% No. 1 after-sales service in France 28% 22% 19% 15% 8 million loyalty program members 11% 9% 7% 6% 49% of online sales are omnichannel 5% 3% 1% 0% 1 Source: FEVAD, 2018 0% 10% 20% 30% 40% 50% 60% 2 Internal customer studies 3 Include: Ticketing, B2B, after sales service, membership fees, franchise fees, insurance, consumer credit 3 LEADING POSITIONS IMPLYING RESPONSABILITY… Audits carried out in 2018 on manufacturing facilities of our own-brand product suppliers in all client # our markets, # for key suppliers, specifically on high- in share of wallet 27 end products 1 1 CSR check points 44 43.5% 41% 31 99 29 28 27 26 26 27 21 21 25% 28% audited plants 19 16 16 18 19% 18 unsatisfactory CSR audit TOTAL CE IT Telecom SDA MDA Book Audio/ Supplier #1 Supplier #2 Supplier #3 Supplier #4 Supplier #5 video/ gaming Strict rules and audit procedures with our suppliers: Fnac Darty market share in Premium segments: 3rd and 4th quartile1 . -
What's the Download® Music Survival Guide
WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing. -
Haam Annual Report 2013
PHOTO BY BRENDA LADD PHOTOGRAPHY HAAM ANNUAL REPORT 2013 www.myhaam.org Dear Friends of HAAM: The year 2013 brought many changes to the health care landscape in our nation, our community and to the Health Alliance for Austin Musicians (HAAM). But through it all, HAAM’s core values and mission remained rock solid. We love Austin. We love live music. And we love what HAAM does for Austin’s musicians. Two major changes affected HAAM in 2013. First, the Affordable Care Act (ACA) began to take effect—opening new doors for many HAAM members to obtain health insurance. Although some people thought that the ACA might reduce the need for HAAM, nothing could be further from the truth. Because Texas did not follow many other states and expand its Medicaid eligibility, more than 60% of current HAAM members still need HAAM to access affordable health care. Additionally, the ACA does not usually provide the dental, vision, hearing and other health care services that are currently available to HAAM members. The second major change for HAAM in 2013 was the departure of our much loved, longtime executive director, Carolyn Schwarz, who deftly guided the organization for eight years. We wish her well and welcome Reenie Collins to our team as executive director. A native Austinite with deep roots in the health care and non-profit community, Reenie is passionate about HAAM and its mission. Reenie has a long-standing history with the HAAM family and actually worked as a health care consultant to our founder Robin Shivers in 2005 when HAAM was being formed. -
Weird City: Sense of Place and Creative Resistance in Austin, Texas
Weird City: Sense of Place and Creative Resistance in Austin, Texas BY Joshua Long 2008 Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Human Geography __________________________________ Dr. Garth Andrew Myers, Chairperson __________________________________ Dr. Jane Gibson __________________________________ Dr. Brent Metz __________________________________ Dr. J. Christopher Brown __________________________________ Dr. Shannon O’Lear Date Defended: June 5, 2008. The Dissertation Committee for Joshua Long certifies that this is the approved version of the following dissertation: Weird City: Sense of Place and Creative Resistance in Austin, Texas ___________________________________ Dr. Garth Andrew Myers, Chairperson Date Approved: June 10, 2008 ii Acknowledgments This page does not begin to represent the number of people who helped with this dissertation, but there are a few who must be recognized for their contributions. Red, this dissertation might have never materialized if you hadn’t answered a random email from a KU graduate student. Thank you for all your help and continuing advice. Eddie, you revealed pieces of Austin that I had only read about in books. Thank you. Betty, thank you for providing such a fair-minded perspective on city planning in Austin. It is easy to see why so many Austinites respect you. Richard, thank you for answering all my emails. Seriously, when do you sleep? Ricky, thanks for providing a great place to crash and for being a great guide. Mycha, thanks for all the insider info and for introducing me to RARE and Mean-Eyed Chris. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Off the Beaten Path EXPLORING HAMILTON POOL’S WATERFALL and GEOLOGICAL WONDERS
Iid Guide AUSTIN2015/2016 Off the Beaten Path EXPLORING HAMILTON POOL’S WATERFALL AND GEOLOGICAL WONDERS TUNE IN: ESSENTIAL YOUR GUIDE TO AUSTIN’S NEARBY GEMS: PERFECT MUSIC EXPERIENCES NEIGHBORHOODS HILL COUNTRY ROAD TRIPS PAGE 10 PAGE 15 PAGE 45 WE DITCHED THE LANDSCAPES FOR MORE SOUNDSCAPES. If you’re going to spend some time in Austin, shouldn’t you stay in a suite that feels like it’s actually in Austin? EXPLORE OUR REINVENTION at Radisson.com/AustinTX AUSTIN CONVENTION & VISITORS BUREAU 111 Congress Ave., Suite 700, Austin, TX 78701 800-926-2282, Fax: 512-583-7282, www.austintexas.org President & CEO Robert M. Lander Vice President & Chief Marketing Officer Julie Chase Director of Marketing Communications Jennifer Walker Director of Digital Marketing Katie Cook Director of Content & Publishing Susan Richardson Director of Austin Film Commission Brian Gannon Senior Communications Manager Shilpa Bakre Tourism & PR Manager Lourdes Gomez Film, Music & Marketing Coordinator Kristen Maurel Marketing & Tourism Coordinator Rebekah Grmela AUSTIN VISITOR CENTER 602 E. Fourth St., Austin, TX 78701 866-GO-AUSTIN, 512-478-0098 Hours: Mon. – Sat. 9 a.m. – 5 p.m., Sun. 10 a.m.– 5 p.m. Director of Retail and Visitor Services Cheri Winterrowd Visitor Center Staff Erin Bevins, Harrison Eppright, Tracy Flynn, Patsy Stephenson, Spencer Streetman, Cynthia Trenckmann PUBLISHED BY MILES www.milespartnership.com Sales Office: P.O. Box 42253, Austin, TX 78704 512-432-5470, Fax: 512-857-0137 National Sales: 303-867-8236 Corporate Office: 800-303-9328 PUBLICATION TEAM Account Director Rachael Root Publication Editor Lisa Blake Art Director Kelly Ruhland Ad & Data Manager Hanna Berglund Account Executives Daja Gegen, Susan Richardson Contributing Writers Amy Gabriel, Laura Mier, Kelly Stocker SUPPORT AND LEADERSHIP Chief Executive Officer/President Roger Miles Chief Financial Officer Dianne Gates Chief Operating Officer David Burgess For advertising inquiries, please contact Daja Gegen at [email protected]. -
Competitiveness in the Music Industry a Study of the Swedish Music Companies
J ÖNKÖPING I NTERNATIONAL B USINESS S C H O O L JÖNKÖPING UNIVERSITY Competitiveness in the Music Industry A study of the Swedish Music Companies Paper within Business Administration Author: Anders Berg Jörgen Fransson Fredrik Sörendal Tutor: Elena Raviola & Annette Johansson Jönköping January 2007 Bachelor thesis in Business Administration Title: Competitiveness in the Music Industry: A study of the Swedish Music Companies Authors: Berg, Anders; Fransson, Jörgen; Sörendal, Fredrik Tutors: Raviola, Elena and Johansson, Anette Date: 2007-01-15 Subject terms: Technological Change, Sustainable Competitive Advantage, the Music Companies. Abstract Problem: The music industry has experienced a significant technological change, leav- ing the music companies with a new way of distributing music. The sale of physical products (i.e. the CD) has decreased, and the industry has seen a steady increase in digital music. In this period of technological change, how are the four major music companies, EMI, SonyBMG, Warner Music Group and Universal Music to create a competitive advantage? Purpose: The purpose of this thesis is to study and analyze how the traditional music companies are creating a sustainable competitive advantage in a technologi- cally changing environment. Method: A qualitative approach, following the logic of a case study, has been used to answer the purpose. Interviews with new media managers at the four major music companies have been conducted. Furthermore, an interview with the mobile phone operator 3 was conducted since the company is one of the biggest customers to the music companies using the new technology. In or- der to avoid a biased study, we also interviewed Robert Picard at JIBS and Kris Serian at Warner Home Video who both have extensive experience in the media industry. -
8 Must-Visit American Record Stores (Travel Channel, 2017)
Source: http://www.travelchannel.com/roamblog/foodculture/eightessentialrecordstoresintheus 8 MustVisit American Record Stores Check out these vinyl meccas for LP connoisseurs. JEFF STAFFORD TAGS ARTS AND CULTURE The record industry seemed headed for oblivion in the early Nineties and then something unexpected happened. A whole new generation of music lovers created a vinyl renaissance that continues to grow at a surprising rate. According to a recent Forbes magazine article, vinyl record sales are projected to earn close to one billion dollars for the first time this century. www.amoeba.com Streaming music services may have their converts but collectors of vinyl prefer the tactile sensation of holding an album, putting it on the turntable, studying the cover and liner notes and listening to the unmistakable sound of an authentic vinyl recording, imperfections and all. Another part of the appeal for vinyl fans is hunting for rare LPs or longdesired acquisitions in stores where the employees are more likely to be selftaught musicologists who can advise and aid them in their audio explorations. Here is just a small sampling of some of the most beloved vinyl meccas in the U.S. from coast to coast. Amoeba Music, Los Angeles, California www.amoeba.com The gold standard among independent music chains, Amoeba opened its first store in Berkeley, California in 1990, added a second store in San Francisco in 1997 and followed that with a third outlet in Los Angeles in 2001. A onestop destination for buying CDs, DVDs, BluRays and especially used and new vinyl, Amoeba can be an overwhelming experience due to the sheer volume of pop culture on display. -
Ayre P-5Xe Analog Sources
4 Auricle Publishing Audio Research Number 14 2006 $35.00 US PH5 6 Ayre P-5xe Analog Sources 9 Audio Perfectionist Journals #14 and 15 will pro- early 80s. The convenience of the compact disc, Hardesty on vide more information about source components con- along with a misleading advertising campaign that Phono Stages tinuing on from the general introduction to this com- promised “perfect sound forever,” allowed CDs to ponent category offered in Journal #9. This issue will supplant vinyl records and dominate the 10 concentrate on vinyl record playback and the next recorded music business for the SME 20/2 one will cover digital sources. I’d like to start by next 20 years. Turntable commenting on some information that was presented previously. Today FM radio has been 16 largely supplanted by VPI Super Audio Perfectionist Journal #9 was satellite and Internet Scoutmaster all about source components. We radio with compressed mentioned most of the possible digital streams that are sources of recorded music and I not suitable for high 21 offered opinions based on my expe- fidelity reproduction. Linn LP12 rience with commercial products dur- DVD-Audio, which was Upgrades ing my years as a high-end audio promoted almost exclu- retail merchant. The number of sively as a multichannel 25 sources now available for high fideli- format, seems to be Lyra Cartridges ty reproduction is shrinking and vinyl completely dead. Sony records have risen to the top of the failed to deliver “single 29 list again. My past experiences with inventory” SACD/CD Hardesty on certain design choices are still valid hybrid discs as promised Turntables but that doesn’t mean that products and SACD seems to using methods that I’ve found less have been relegated to 30 than completely satisfactory can’t cult status. -
Record Store Day: 10 Great American Record Shops by Douglas Wolk
Saturday, Apr. 16, 2011 Record Store Day: 10 Great American Record Shops By Douglas Wolk This Saturday, April 16, is the fourth annual Record Store Day, when around 700 independent record shops across the country celebrate their continued existence as a cultural institution. Some will have sales, giveaways, performances and signings; upwards of 200 different limited-edition vinyl records and CDs will be appearing on their racks, too. Though most of the big music chains have shuttered their doors in recent years, many smaller, quirkier stores have stayed afloat by cultivating loyal customers and integrating themselves into local music scenes. Here are ten of the best. Other Music: New York, NY This downtown NYC fixture opened in 1995, in the most unlikely spot imaginable for an independent record store with a focus on underground, experimental and forgotten sounds: across the street from a mammoth Tower Records. Now Tower is long gone and Other endures, with a thriving mail-order business and a huge selection of otherwise-impossible-to-find CDs, records, DVDs, and even the odd cassette. "We have a really loyal following — customers who come in every week," says owner Chris Vanderloo. On Record Store Day, the store will be hosting an intimate performance by Regina Spektor and an exhibition of '80s-era fanzines. Treehouse Records: Minneapolis, MN Next weekend marks Treehouse's tenth anniversary in the Minneapolis spot that formerly housed another legendary record shop, Oar Folkjokeopus, which had been the Twin Cities' punk rock headquarters in the early '80s. "We've always been vinyl snobs here," says the store's manager Dan Cote, "and vinyl coming back into vogue has played into our hands. -
Getting Around in Austin
GETTING AROUND IN AUSTIN Austin-Bergstrom International Airport (AUS) Austin-Bergstrom International Airport (ABIA) is a state-of-the-art airport with 25 gates, full customs facilities ready for the international traveler, and two parallel runways including a 12,250 foot runway. Easy to get to (only seven and a half miles from the Austin Convention Center), the airport saw an all-time passenger record of nearly 11.9 million passengers in 2015, up 11% from 2014. In operation since 1999, the airport has roughly 300 daily flights with nonstop service to 45+ destinations including international flights to London, Cancun, Guadalajara, San Jose Del Cabo and Toronto, and seasonal summer flights to Frankfurt, Germany. Austin is one of only seven airports with year-round service to all United Airlines hubs. Live music has been a distinguishing feature of the airport since its Music in the Air program launched in June 1999, just one month after the airport opened. What started as two performances per week has grown to 23 shows per week in six different venues throughout the airport: Ray Benson’s Roadhouse, the Saxon Pub, Annie’s Café & Bar, Earl Campbell’s Sports Bar, Austin City Limits/Waterloo Records & Video, and Ruta Maya. ABIA participates in the Transportation Security Administration’s (TSA) Pre-Check and Customs and Border Protection’s Global Entry program. Construction begins in 2016 on a nine-gate terminal expansion. ABIA reported 1,190 live music performances, 65.5 tons of brisket and 693,375 breakfast tacos were enjoyed by its passengers in 2015. ABIA ranked third among airports in North America for Airport Service Quality (ASQ) in 2015. -
Getting Around Austin To/From ABIA
Getting Around Austin To/From ABIA Downtown Austin is only 10 miles from the airport. It only takes a quick 15-minute drive to downtown. Look for convention electronic sign and volunteers at the luggage pick up area! Airport is small and you should meet your ride directly outside the door of the luggage area. Rideshare (Average $15) - Pick up at Level G of the Rental Car Area. From backage go outside, cross the street to the garage, go up a level, cross the garage to the Level G of the Rental Car area. See the Airport Rental Car Map. Check for discounts or share with a brother. • Uber - download at uber.com • Lyft - download at lyft.com • Ride Austin - download at rideaustin.com • Wingz - download at wingz.me Super Shuttle (Average $15) - check out discounts! Cab (Average $30) - check out discounts! Minimum fare for taxi customers is $12.30, this includes a $1 airport surcharge. All taxis have a four passenger maximum, excluding children 12-years and under. All taxis accept major credit cards. • ATX Co Op: 512-333-5555 • Austin Cab: 512-478-2222 • Lone Star Cab: 512-836-4900 • Yellow Cab: 512-452-9999 Capital Metro Airport Flyer (Average $1.25 - CHEAPEST) - Route 20 Runs about every 20 minutes and stops at 4th. Find the Guitar Sign after walking outside the baggage claim at the airport. Check the airport flyer times and wait. Once on the bus, get off at the 4th street drop off. Once off the bus, walk a few steps north to 4th Street, take a right, you will see the rainbow flags, walk two blocks to Congress, cross Congress and walk two blocks south to the JW Marriot.