PRODUCT CATALOGUE 2014

UNIQUE LIGHTING ACCESSORIES ABOUT CONTENTS

INVENT, MANUFACTURE, & CUSTOMISE OUR NEW CATALOGUE Electronics/Electrical...... 4 City Theatrical specialises in lighting accessories, Our products play a part in many productions around those special products that make hanging and the world each year in live theatre, opera, ballet, motion operating your show easier or more artistic. Our pictures, music tours, and television productions. The Professional Lighting Software...... 34 products range from the simple to the complex but all chances are good that if you walk into any theatre in of them help you accomplish your lighting needs in New York City, London, or any other major city, that you some important way, and many of them are available will see our products in use. We like to know that we Beam Control...... 36 exclusively from us. have played a part in making these productions come to life. The photos in this catalogue are from some of those Our culture is to Invent, Manufacture, and Customise. productions. If you would like to be a part of our next Thank you for your continued support. Your Hardware...... 50 catalogue, please send us your images and a credit line. business means everything to us. For more product information, including detailed Index specifications, manuals, videos, white papers, and technical bulletins, please visit our website: THANKS 10” BOOM BASE ...... 50 MARTIN® ACCESSORIES...... 43 City Theatrical would like to thank the following www.citytheatrical.com ADAPTER...... 42 MASTERBLAST™...... 30 designers and inventors for allowing us to manufacture And follow us on Facebook and Twitter for more AQUAFOG 3300™...... 24 MOVING LIGHT ASSISTANT SOFTWARE...... 35 or distribute products from their ideas. We salute them information on a wide variety of lighting areas that might AUTOYOKE®...... 22 MOVING LIGHT HANGERS...... 51 for their creativity. be of interest to you. AUTOYOKE® SOURCE 4 LED...... 22 PATHWAY CONNECTIVITY...... 18 Jules Fisher BeamBender™ BARNDOORS ...... 40 PHILIPS/COLOR KINETICS® ACCESSORY HOLDERS...... 46 Jules Fisher, BEAM BENDER...... 42 PHILIPS/COLOR KINETICS® BARN DOORS...... 47 Peggy Eisenhauer, BLACKTAK™ LIGHT MASK FOIL ...... 42 PHILIPS/COLOR KINETICS® DIFFUSION FRAMES...... 48 & Vivian Leone Moving Light Accessories BOOMERANG HANDLES...... 44 PHILIPS/COLOR KINETICS® EGG CRATE LOUVERS...... 47 Ken Billington Swivel Yokes C-CLIP TRUSS PROTECTOR™...... 50 PHILIPS/COLOR KINETICS® GLASS SPREAD LENSES.....47 John McKernon LightWright™ CANDLE LITE UNLIMITED™...... 31 PHILIPS/COLOR KINETICS® HALF TOP HATS...... 46 Chris Lewton & COLOUR EXTENDERS...... 40 PHILIPS/COLOR KINETICS® HOLOGRAPHIC LENSES...... 48 Allen Lee Hughes Drop-In Boomerang COLOUR FRAMES...... 38 PHILIPS/COLOR KINETICS® POWER/DATA SUPPLIES...... 26 LeMark BlackTak™ CONCENTRIC RINGS...... 40 PHILIPS/COLOR KINETICS® REPLACEMENT GLASS...... 48 Terrry Richardson Follow Spot Handle DIMMER ACCESSORIES...... 16 PHILIPS/COLOR KINETICS® TOP HATS...... 46 Future Light Inc. C-Clip Truss Protector™ DMX IRIS...... 32 PROJECTOR DOWSER...... 32 Lori Friedlander Image Multiplexer™ DMX SNOW MACHINE ...... 32 SAFER SIDEARMS...... 53 Eric Bovie Manual Color Changers DONUTS...... 41 SHoW DMX ACCESSORIES...... 7 Mike Baldassari Stackers™ DROP-IN BOOMERANG...... 44 SHoW DMX NEO®...... 5 Noele Stollmack for many good ideas DROP-IN IRIS...... 41 SHoW DMX SHoW BABY® 5...... 6 Ken Posner Follow Spot Yoke EGG CRATE LOUVERS ...... 40 SHoW DMX VERO™...... 7 Martin Chisnall for many good ideas EIGHT UNIVERSE MAIN/BACKUP SWITCH...... 32 SHoW DMX VERO NET™...... 7 Alan Crawshaw for hanging hardware and for FOLLOW SPOT YOKE...... 44 SHoW DMX NEO® RADIO MODULE...... 7 many good ideas FOLLOW SPOT DROP-IN IRIS...... 44 SHoW DMX NEO® RECEIVER CARD...... 7 White Light Ltd. VSFX3 & DMX Snow Machine FOLLOW SPOT ACCESSORIES...... 45 SOURCE FOUR® CROSS BAFFLE TOP HAT...... 42 Philip Nye for many projects and good ideas GOBO HOLDERS...... 39 SS6000™ DRY ICE FOGGER...... 24 Andrew Voller Moving Light Assistant™ HALF TOP HATS...... 37 STACKERS™ TAPERED TOP HATS...... 36 IMAGE MULTIPLEXER™...... 41 TOP HATS...... 37 LED POWER SUPPLIES………………………………………..13 TRACK TAMERS™...... 52 LED TAPE………………………………………………………..12 VARI-LITE® ACCESSORIES...... 43 LED TAPE DIMMERS…………………………………………...14 VSFX3™ ...... 28 LIGHTWRIGHT 5™ SOFTWARE...... 34 The Broadway cast of Matilda The Musical Lighting Design: Hugh Vanstone MAINFRAMES® ...... 38 Wireless data by SHoW DMX Neo Photo Credit: Joan Marcus

SEE WEBSITE FOR DETAILED PRODUCT INFORMATION/SPECIFICATIONS/VIDEOS WWW.CITYTHEATRICAL.COM OR PHONE +44 (0)20 8949 5051 1 CUSTOM MANUFACTURING CASE STUDY: SHoW DMX VERO™

CUSTOM PROJECTS New LED Lighting For The Stamford Train Station Have you considered adding wireless DMX or RDM to some of your products, or just consolidating some of your If you are driving up the East Coast from New York City to Boston it’s impossible to miss the bold new lighting on supply chain issues and getting them under one roof rather than many? CTI has grown to be an experienced the Stamford, Connecticut train station. The story behind this installation is part of a larger story that is taking place manufacturer with a very knowledgeable staff and extensive esoteric lighting experience. all over the world: LED architectural lighting controlled by wireless DMX. Every municipality wants to be involved with the growing trend of revitialising their central cities with new lighting, controlled in new ways. Call us to discuss what we can do for your products. USA: 201 549 1160 UK: +44 (0) 20 8949 5051

FACILITIES Project credits: Conceived by: Jamie Burnett; Joy Wulke, visual artist and glass Our In-House Capabilities sculptor; Sandy Garnett, visual Artist; Steve Hamelin of Supertech. Installation crew: Ben Haverkampf, Rich Burkam, and Jamie Burnett with support from • Product design and development Sandy Garnett. • Software design including DMX and RDM System design: Jamie Burnett and Steve Hamelin. • Circuit design, development, and manufacturing (through-hole, SMT and mixed; all lead free) Proposal Design and Prep: Sandy Garnett, Joy Wulke

• Automated wire cutting, stripping, and wire harness Equipment and LED Neon Prep: Supertech crew; Tony Stubbs, Todd Paskin. fabrication Key City of Stamford officials: Anthony Bosco, consultant city of Stamford; • CE and ETL compliance Laure Aubuchon, Director of Economic Development city of Stamford; Rod Frantz

City Theatrical has a beautiful 40,000 sq. ft. • Sheet metal fabrication (high volume stamping, Representing the Department of Economic and Community Development (DECD); manufacturing facility in Carlstadt, NJ, just across CNC punching, bending, welding, etc.) Connecticut Office of the Arts (COA) the Hudson River from midtown Manhattan and a • Machine shop (turning, milling, etc.) Equipment list: sales and distribution office in London, England. 24 - Philips Color Kinetics ColorBlast 12 Powercore LED fixtures Our factory is filled with computerised production • Metal spinning 2 - Data Enabler Pro machinery and skilled product developers, fabricators, • Powder coating and assemblers. Besides our catalogue products, 1 - Pharos Controller DMX one universe • Electromechanical assembly and testing we presently manufacture a wide range of parts and 2 - City Theatrical SHoW DMX Vero Net Transceiver products for numerous companies in the entertainment • Fast turnaround manufacturing (one set as transmitter, one as receiver) 1400 Feet LED Neon Flex and architectural lighting industries. We are always • Warehousing, packing, and shipping looking for more OEM manufacturing relationships. 40 - RGB Neon Flex controllers 1 - 8 Channel Pathway Connectivity DMX Opto Splitter

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SHoW DMX NEO® TRANSCEIVER SHoW DMX NEO® RECEIVER cat. no. 5701 cat. no. 5711

Lighting professionals trust City Theatrical and SHoW DMX. When the stakes are high, why trust your show to anything else?

SHoW DMX Neo® wireless DMX technology famous for, as well as incredibly fast 7ms latency, ensuring that wired and wireless DMX sources will SHoW DMX Neo® wireless DMX technology is the appear exactly the same. All SHoW DMX Neo products latest innovation in City Theatrical’s 12 years of feature the ability to optimise control of output power, wireless DMX development and manufacturing. full or limited bandwidth broadcast, and the ability to City Theatrical’s SHoW DMX® is the wireless DMX The SHoW DMX Neo Transceiver can be user Purchasing SHoW DMX Neo Receivers can be a lower broadcast less than the full DMX packet to shrink the of choice for lighting professionals on Broadway configured to be either a single universe Transmitter cost option for users in multi-receiver systems. radio footprint. For users who do not want to manually and West End shows, permanent entertainment and or Receiver, with powerful Ethernet Gateway functions optimise their broadcast, SHoW DMX Neo products architectural installations, major music tours such as and a full RDM controller. also have Neo Adaptive Mode that will select only Features the U2 360 Degree Tour, and events like the 2012 open radio channels to broadcast on, with no user London Olympics opening ceremonies. • A simple receiver only configuration intervention needed. All SHoW DMX Neo products will Features • Contains all SHoW DMX Neo broadcast features SHoW DMX Neo features the extremely high data also “heal” lost data packets. • Patented 2.4GHz FHSS Radio Transceiver System except Ethernet fidelity that the multi-award winning SHoW DMX is • Synchronised Hopping: SHoW DMX (Synchronised Hopping of Wireless DMX) Neo synchronizes the radio’s Frequency Hopping Spread Spectrum (FHSS) hopping period with the DMX packet so that every DMX packet is transmitted completely during a single hop, producing superior data fidelity

• Three User Selectable Broadcast Modes: SHoW DMX Neo Mode, Neo Adaptive Mode, Classic Mode ® SHoW DMX SHoW Baby 5 • Adjustable Output Power: 1-72mW ETSI - use only the power you need

• Adjustable Hopping Patterns: Full Bandwidth Hopping and Limited Bandwidth Hopping

• Limited Burst DMX Output: Reduce radio emissions by broadcasting less than all 512 DMX slots SHoW DMX Neo® Transceiver SHoW DMX Neo® Receiver • SHoW DMX Neo Adaptive Mode: Adapts the radio broadcast so as to not interfere with or be interfered with by other radio broadcasts

• User Interface: An on board five-button user interface gives complete configuration status and makes setting up easy

• Lost Data Replacement: SHoW DMX Neo “heals” SHoW DMX Neo Radio incomplete data packets with the most recent Module For OEM correct data • Ethernet Based Protocols: sACN, Art-Net, KiNet, and Pathport input and output. Dual Ethernet ports for Ethernet pass through.

• Ultra Low Latency: 7ms or less

• Simple Default Plug and Play Mode ® SHoW DMX Neo OEM Receiver SHoW DMX Vero® SHoW DMX Vero Net • RDM: Wireless RDM proxy and responder. Monitor and change system settings with our included RDM controller, or any other RDM controller SHoW DMX Neo® Transceiver SHoW DMX Transceivers are covered by U.S. Patent #7,432,803 and other patents pending. • USB: Easy firmware updates with the built-in USB port SEE WEBSITE FOR DETAILED PRODUCT INFORMATION/SPECIFICATIONS/VIDEOS WWW.CITYTHEATRICAL.COM OR PHONE +44 (0)20 8949 5051 4 5 ELECTRONICS/ELECTRICAL ELECTRONICS/ELECTRICAL

SHoW DMX SHoW BABY® 5 The quality and advanced features of SHoW DMX VERO NET® TRANSCEIVER SHoW DMX NEO® RADIO MODULE FOR OEM cat. no. 5702 SHoW DMX Neo technology in an affordable cat. no. 7400-5708 cat. no. 5792 plug & play package

The SHoW DMX Neo Radio Module for OEM applications provides a simple and low cost way for manufacturers to add high quality wireless DMX to their products with a single miniature printed circuit board. This very small PCBA incorporates all of its configuration and control functions as well as its RF DMX hardware and firmware and requires very Recessed button on rear of unit enables selection little external hardware, software, or space for direct of one of five available Show IDs. Our SHoW DMX Vero Net Transceiver has all the features of the SHoW DMX Neo Transceiver, minus the integration in a host product. fully configurable onboard user interface. All SHoW DMX Neo configuration is done with RDM SHoW DMX SHoW Baby 5 is incredibly easy to use It is packaged in a NEMA 4 / IP66 rated enclosure, is commands, and the external connection, power, and and incredibly affordable, while still offering the quality designed for outdoor installations with all liquid tight DMX I/O hardware requirements are minimal. City and advanced features of SHoW DMX Neo technology. cable entries, and is contractor ready with included Theatrical offers complete application materials as well SHoW DMX SHoW Baby 5 is perfect for the venue or mounting bracket and 4.5dBi outdoor omni antenna. as development hardware kits and reference designs to performance where a full featured SHoW DMX system support your application development. might be too sophisticated or too costly. ® ® The SHoW DMX SHoW Baby 5 represents a SHoW DMX VERO TRANSCEIVER SHoW DMX NEO OEM RECEIVER Receiver and Transmitters are both set to SHoW ID 117 as indicated by the cat. no. 7400-5707 breakthrough in plug-and-play wireless DMX and RDM magenta LED color on front panel. cat. no. 5706 transmission - a single unit that can be used either as a wireless DMX transmitter or receiver. Set-up couldn’t be Features simpler with SHoW DMX SHoW Baby 5’s instant plug- • SHoW DMX Neo® 2.4GHz Frequency Hopping and-play configuration: Spread Spectrum (FHSS) Radio

When a DMX cable is plugged into the SHoW DMX • DMX Synchronised Hopping SHoW Baby’s DMX Input, the unit senses the • Instant plug-and-play configuration: For a Transmitter, connection and configures itself as a transmitter. connect DMX IN, for a Receiver, don’t! The 5706 SHoW DMX Neo OEM Receiver is a If no cable is connected to the DMX Input, the unit miniature Wireless DMX Receiver PCBA for use in • 5 user selectable SHoW IDs configures itself as a receiver. All you need now to set custom designs such as set pieces, props, and up a SHoW DMX wireless DMX system is two SHoW • Wirelessly broadcast and receive a full Universe costumes, and contains all of the key operating (512 slots) of DMX DMX SHoW Baby 5 units and two minutes! 30% smaller than our SHoW DMX Vero Net, SHoW features of the SHoW DMX Neo Receiver. All settings • Ultra low 7ms max latency are also configurable via RDM commands from an In addition, the SHoW DMX SHoW Baby 5 system DMX Vero has all the features (less Ethernet ) and is external RDM controller. offers five different SHoW IDs which allow users to • Advanced high speed RDM proxy and responder packaged similarly for outdoor use. set up a multi-universe system by adding additional functions transmitters or to use multiple separate SHoW Baby • Included pipe mount bracket for installation with systems in the same area. C-Clamps or similar hanging hardware SHoW DMX ACCESSORIES

• Included CL2 power supply with international How it works: There are seven indicator LEDs on the DESCRIPTON CATALOGUE DESCRIPTON CATALOGUE connector kit front of the SHoW Baby 5. Four indicate signal strength, NUMBER NUMBER one indicates whether it is transmitting data, one • Included 2dBi Omni-directional Antenna Antenna, 7” 5dBi Omni 5630 Antenna, 14dBi Yagi (w/outdoor mount) 5636 indicates whether it is receiving data, and one which ® • Neutrik 5P or 3P XLR Connectors for DMX IN and Antenna, 2dBi Indoor Omni 5730 Antenna Splitter 5637 indicates both the SHoW ID and presence of DMX DMX OUT Antenna, 4.5dBi Outdoor Omni 5732 Antenna Adapter Cable 5638 data. The color of this LED indicates what SHoW ID is • Lost Data Replacement Antenna, 8dBi Directional Panel 5632 being used by that unit. A small indented button on the Gender Changer for #5637 Antenna Splitter 5639 back, when pushed, cycles through the five available • Supports reduced DMX slot frames for higher (w/indoor mounting bracket) SHoW DMX Antenna Extension Cables Call refresh rates SHoW IDs, and corresponding LED indicator light Outdoor mounting bracket for #5632 5670 SHoW DMX Power Supply 5627 colors. When Transmitting and Receiving units display • FCC, IC, and CE Certified 8dBi Directional Panel Antenna

the same colors, they are set to the same SHoW ID. • A wide range of accessory antennas available Antenna, 10dBi Yagi (w/outdoor mount) 5634

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SHoW DMX NEO® SPECIFICATIONS

SHoW DMX SHoW DMX SHoW DMX Neo® Radio Module SHoW DMX Neo® SHoW DMX Neo® SHoW DMX Neo® SHoW DMX Vero Net® Vero® for OEM OEM RECEIVER TRANSCEIVER RECEIVER SHoW BABY®5 TRANSCEIVER TRANSCEIVER Applications Indoor Indoor Indoor Outdoor/indoor Outdoor/Indoor Direct Integration into OEM Products Integration into Props and Cotumes Model SHoW DMX NeoTransceiver SHoW DMX Neo Receiver SHoW DMX SHoW Baby 5 SHoW DMX Vero Net SHoW DMX Vero SHoW DMX Neo OEM Radio Card SHoW DMX Neo OEM Receiver Catalogue Number 5701 5711 5702 7400-5708 7400-5707 5792 5706 Broadcast Power 1mW ETSI 1mW ETSI 1mW ETSI 1mW ETSI 1mW ETSI 1mW ETSI 1mW ETSI 14mW ETSI 14mW ETSI 14mW ETSI 14mW ETSI 14mW ETSI 14mW ETSI 14mW ETSI 28mW ETSI 28mW ETSI 28mW ETSI 28mW ETSI 28mW ETSI 28mW ETSI 28mW ETSI 72mW ETSI 72mW ETSI 72mW ETSI 72mW ETSI 72mW ETSI 72mW ETSI 72mW ETSI Antenna 5dBi 5dBi 2dBi 4.5dBi 4.5dBi NA NA SHoW DMX Neo Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Broadcast Modes Neo Full Bandwidth Neo Full Bandwidth Neo Full Bandwidth Neo Full Bandwidth Neo Full Bandwidth Neo Full Bandwidth Neo Full Bandwidth Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 1-6 Neo Limited Bandwidth Wi-Fi 4-9 Neo Limited Bandwidth Wi-Fi 4-9 Neo Limited Bandwidth Wi-Fi 4-9 Neo Limited Bandwidth Wi-Fi 4-9 Neo Limited Bandwidth Wi-Fi 4-9 Neo Limited Bandwidth Wi-Fi i 4-9 Neo Limited Bandwidth Wi-Fi 4-9 Neo Limited Bandwidth Wi-Fi 7-11 Neo Limited Bandwidth Wi-Fi 7-11 Neo Limited Bandwidth Wi-Fi 7-11 Neo Limited Bandwidth Wi-Fi 7-11 Neo Limited Bandwidth Wi-Fi 7-11 Neo Limited Bandwidth Wi-Fi 7-11 Neo Limited Bandwidth Wi-Fi 7-11 SHoW DMX Classic Full Bandwidth Full Bandwidth NA Full Bandwidth NA Adaptive Neo Full Bandwidth Adaptive Neo Full Bandwidth Broadcast Modes Limited Bandwidth Wi-Fi 1-6 Limited Bandwidth Wi-Fi 1-6 Limited Bandwidth Wi-Fi 1-6 Neo Full Bandwidth Neo Full Bandwidth Limited Bandwidth Wi-Fi 4-9 Limited Bandwidth Wi-Fi 4-9 Limited Bandwidth Wi-Fi 4-9 Limited Bandwidth Wi-Fi 1-6 Limited Bandwidth Wi-Fi 1-6 Limited Bandwidth Wi-Fi 7-11 Limited Bandwidth Wi-Fi 7-11 Limited Bandwidth Wi-Fi 7-11 Limited Bandwidth Wi-Fi 4-9 Limited Bandwidth Wi-Fi 4-9 Limited Bandwidth Wi-Fi i 7-11 Limited Bandwidth Wi-Fi i 7-11 DMX Burst Modes Full (512 Slots) Full (512 Slots) Full (512 Slots) Full (512 Slots) Full (512 Slots) Full (512 Slots) Full (512 Slots) Limited (Classic: 32-480 Slots Limited (Classic: 32-480 Slots Limited (Classic: 32-480 Slots ; Limited (Neo, 51-476 Slots) Limited (Classic: 32-480 Slots, Limited (Classic: 32-480 Slots, Neo 51-467 Slots) Neo 51-467 Slots) Neo, 51-476 Slots) Neo: 51-476 Slots) Neo: 51-476 Slots) Ethernet Protocols Input: sACN, Art Net, KiNET, Pathport NA NA Input: sACN, Art-Net, KiNET, Pathport NA NA NA Supported Output: sACN, Art Net, KiNET, Pathport Output: sACN, Art-Net, KiNET, Pathport Hopping Patterns 17 17 3 17 17 17 17 Show IDs 132 132 5 132 68 132 132 Radio Transceiver CTI 5792 CTI 5792 CTI 5792 CTI 5792 CTI 5792 NA CTI 5792 RF Sensitivity -95dBm -95dBm -95dBm -95dBm -95dBm -95dBm -95dBm RDM Features RDM Proxy RDM Proxy RDM Proxy RDM Proxy RDM Proxy RDM Proxy RDM Proxy RDM Responder RDM Responder RDM Responder RDM Responder RDM Responder RDM Responder RDM Responder Compliance Certifications FCC, IC, CE FCC, IC, CE ETL Listed FCC, IC, CE FCC, IC, CE, ETL FCC, IC, CE, ETL FCC, IC, CE FCC, IC, CE Power 9-24VDC 3W 9-24VDC 2.5W 9-24VDC 2W 100-240 VAC 50/60Hz 3W 100-240 VAC 50/60Hz3W 5VDC .6W 5, 9-24VCD 2W 100-240 VAC 50/60Hz 2.5W Dimensions 6.25”W x 2.375”H x 5.125”D 6.25”W x 2.375”H x 5.125”D(159mm x 3.625”W x 1.8”H x 3”D 7.75W x 7.75”H x 5”D 5.5”W x 5.5”H x 5”D 1.65”W x 2.7”H x .25”D 2”W x 2.75”H x .5”D (159mm x 60mm x 130mm) 60mm x 130mm) (92mm x 46mm x 76mm) (178mm x 197mm x 127mm) (140mm x 140mm x 127mm) (42mm x 68mm x 6.35mm) (51mm x 70mm x 12.7mm) Weight 2 Lbs (.9 kg) 2 Lbs (.9 kg) 6.4 oz. (.18 kg) 2 Lbs (.9 kg) 2 Lbs (.9 kg) 1 oz (.03 kg) 2 oz. (.06 kg)

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INTEGRATED LED LIGHTING SOLUTIONS TURNKEY DESIGN & PRODUCTION SERVICES FOR THEATRE, FILM, AND VIDEO The use of LED light tape in Theatre, Film, and Video is trusted source for lighting accessories and we now offer The skills to put a working, reliable LED tape lighting becoming more and more widespread as the price of you our own outstanding line of LED components for system together are beyond many lighting users. light emitting diodes continues to decrease while quality use in your Theatre Film, and TV projects. These include We can help by delivering a unique package of goods and efficiency increases. The creative flexibility, energy LED tape, Low Voltage Wired and Wireless Dimmers, and services to help you meet the needs of your savings, safety, and cost savings associated with this Power Supplies, and our award winning wireless SHoW production. Whether you just need LED tape, LED new technology has led lighting designers to specify its DMX Neo lighting control systems. Dimmers, and power supplies, or you also need a use in and on practically every new show in live theatre, Unlike other (often faceless internet based) suppliers complete package including wire harnesses, wiring television, motion pictures, and nearly every other form of these types of components, City Theatrical brings diagrams, and system testing, call us or your local of entertainment. However, designing and implementing its long history of innovative technology and expertise City Theatrical dealer. We offer a range of goods and an LED tape installation can be confusing, difficult, and to the table and is able to combine a unique group services beyond what you can find anywhere else! overwhelming given the different components which are of products and services into one package for the required, their technical requirements for operation, and System Pre-planning and Quotation lighting user. the wide array of products to choose from. We will review your project’s specifications, design intent documentation, lighting plan etc., to gain a City Theatrical has long been the entertainment world’s thorough understanding of the project’s scope. Based on this information, we will prepare a written quotation for the project including line items for services, standard equipment, and custom components. Construction of Custom Elements We will fabricate and/or assemble any custom devices such as control interfaces or branch circuit distribution panels and we can provide them in NEMA rated enclosures with ETL listing. If your project requires it, we will produce any wiring harnesses/cable assemblies which are required to simplify final installation.

Wireless DMX LED Tape System Pre-assembly and Testing Control Systems All system components (DMX controls, dimmers, power supplies, custom elements, wiring & cabling) will be pre-assembled in our factory so that complete testing can occur. Installation & Operational Documentation As is required, CTI will prepare support documentation for the final installation showing wire routing, component placement/mounting etc. Low Voltage Dimmers Power Supplies

Custom Assemblies/ Planning/Design/Review Completed Production Harnesses

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QolorFLEX™LED TAPE LED POWER SUPPLIES

City Theatrical uses Mean Well and other fine power and confusing moment for lighting users. Call us for LED tape is a revolutionary product, allowing lighting single colour, RGB, RGBA, and RGBW . The types are supplies to power LED tape. The power supply must be help in designing and laying out your project. We can users to put light in places that were impossible in the constantly evolving, so check our website regularly for matched in both voltage and wattage to the LED tape talk you through it and help you put your order together, past and to create lighting fixtures and lighting effects in new additions. It has an adhesive applied to the back project you are specifying, and this is often a difficult or we can do the whole thing for you. new and inexpensive ways. It is disruptive technology at side to allow peel-and-stick mounting. It is available in 5 its best. meter (16.4 ft.) spools or cut-to-order lengths. Our QolorFLEX™ LED tape is manufactured to City CTI can also manufacture custom LED configurations Theatrical’s exact specifications for professional use in on our in-house surface mount line to suit your exact Theatrical, Film, and Video applications. QolorFLEX™ specifications. LED tape is available in a variety of types such as

SP-150-12 SP-320-12

SP-480-12

WHAT MAKES OUR LED TAPE UNIQUE:

• Manufactured to our exact specifications AD-24-12 SP-75-12 • LEDs are binned during manufacturing

• All reels are unspooled, rechecked for binning, accuracy, and quality before shipping SPECIFICATIONS Catalogue Number AD-24-12 SP-75-12 SP-150-12 SP-320-12 SP-480-12 Configuration Wall Enclosed Enclosed Enclosed Enclosed DESCRIPTION USE BACKING LED SIZE LEDs/M LENGTH CATALOGUE COLOUR NUMBER Current, Output 2A 6.3 A 12.5 A 26.7A 40A Natural White Indoor White 5050 60 5m 5050-12-NW-60-5-20-1 Size L x W x H 3” x 1.5” x 3” 7.04” x 3.81” x 1.29” 7.83” x 3.89” x 1.96” 8.46” x 4.52” x 1.96” 10.94” x 5.00” x 1.69” Natural White Indoor White 5050 60 0.5m 5050-12-NW-60-0-20-1 (76.2mm x 38mm (178.8mm x 96.8mm (198.9mm x 98.8mm (214.9mm x 114.8mm (277.9mm x 127mm RGB Indoor White 5050 60 5m 5050-12-RGB-60-5-20-1 x 76.2mm) x 32.8mm) x 49.8mm) x 49.8mm) x 42.9mm) RGB Indoor White 5050 60 0.5m 5050-12-RGB-60-0-20-1 Mounting Type Wall Plug Panel Panel Panel Panel RGBA Indoor White 5050 60 5m 5050-12-RGBA-60-5-20-1 Number of Outputs 1 1 1 1 1 RGBA Indoor White 5050 60 0.5m 5050-12-RGBA-60-0-20-1 Operation PFC PFC PFC PFC RGBW Indoor White 5050 60 5m 5050-12-RGBNW-60-5-20-1 Output 12VDC@2A [email protected] [email protected] 12VDC@25A 12VDC@40A RGBW Indoor White 5050 60 0.5m 5050-12-RGBNW-60-0-20-1 Power, Output 24W 75W 150W 320W 480W Natural White Indoor White 3528 60 5m 3528-12-NW-60-5-20-1 Primary TypE AC AC-DC AC-DC AC-DC AC-DC Natural White Indoor White 3528 60 0.5m 3528-12-NW-60-0-20-1 Type Non Commercial Commercial Commercial Commercial Commercial Natural White Indoor White 3528 30 5m 3528-12-NW-30-5-20-1 Voltage, Input 100-240VAC 115-264 VAC 115-264 VAC 135-264 VAC 165-264 VAC Natural White Indoor White 3528 30 0.5m 3528-12-NW-30-0-20-1 Voltage, Output 12 VDC 12 VDC 12 VDC 12 VDC 12 VDC

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LED TAPE DIMMERS D2 DIMMER D3 DIMMER D4 SHoW DMX Neo® Dimmer cat. no. 5620 cat. no. 5742 City Theatrical LED Dimmers are found on shows cat. no. 5711 around the world. When quality of dimming is important to the show, lighting designers and consultants choose City Theatrical. CTI Dimmers dim smoothly throughout their entire range and don’t snap on like most other LED dimmers. On the dark stage of a professional The D4 SHoW DMX® Dimmer adds wireless capability The size of a credit card and 1/2” (12.7mm) thick, production, with thousands of eyes watching, this is to our D4 Dimmer, making it the smallest full featured the D2 Dimmer is our smallest and most affordable enormously important! four channel wireless dimmer available. With the 2 channel unit. Designed for controlling LEDs or low City Theatrical’s D3 is our most versatile and feature proven reliability and versatility of our patented SHoW voltage incandescent fixtures, it is ideal for use in rich dimmer. It may be user configured as a one Our dimmers are rich in features that make them easier DMX® technology included, this dimmer can receive props, displays, or cabinets where it’s size is limited channel (30A), two channel (15A), or three channel to install and use, such as bump buttons (to check and output DMX (a full universe) command instructions and only two channels of control are required. The (10A) device. The large backlit LCD display and 5 circuiting before DMX control data is run), and other from up to 200 feet away making it the ideal dimmer D2 accepts wired DMX data communication from button control makes the D3 the industry leader in ease innovative features depending on the model. Some for use in costumes or other freestanding/mobile props controllers/consoles. The device has four dimming of set-up and operation. It accepts wired data from models include advanced user interfaces and local where direct wiring is not practical or possible. level setting so no external lighting controller is needed. modes: Linear and ISL for incandescent use, Non-Dim any controller/console with DMX output, can be paired (on/off) -for relays, solenoids etc., and . The D2 with one of our wireless transmitting/receiving systems The D4 SHoW DMX Neo® Dimmer features: Bump There is no other range of LED Dimmers like ours, from LED also provides four variable smoothing rates and five (SHoW Baby®5/ SHoW DMX Neo®), and has stand buttons, Channel indicators, Four dimming modes: tiny Dimmers with our award winning SHoW DMX built TV/Film modes for ultra-smooth low end dimming and alone dimmer settings to allow use without a lighting Linear and ISL for incandescent use, Non-Dim (on/ in, to large and powerful Dimmers with power supplies flicker free performance with LED tape. 7.5-30VDC 10A controller/console. The D3’s additional features include: off) -for relays, solenoids etc. and LED. It also provides built in. We have a high quality and reliable LED max input. 5A max output per channel, 10A max output four selectable dimming curves/modes, variable four variable smoothing rates and five TV/Film modes dimmer to suit the needs of your production. per device. smoothing rates, film/video modes, Starting DMX for ultra-smooth low end dimming and flicker free address, and it is fully RDM enabled. 9-24VDC 30A performance with LED tape. 7.5-30VDC 10A max input. max input. 30A max output per device. 5A max output per channel, 10A max output per device. D1 DIMMER D2 SHoW DMX Neo® Dimmer cat. no. 5520 cat. no. 5722 D4 HP Dimmer D4 DIMMER cat. no. 5750 cat. no. 5740 The D4 HP Dimmer combines all of the functionality of our D4 Dimmer with higher output and an integral 40A power supply in one unit. Designed for surface mounting to scenery, the angled control surface is both By adding two additional output channels to our D2 visible and accessible in tight spaces and corners. Dimmer, the D4 Dimmer offers increased control This workhorse is the perfect self contained unit for the The D1 is a high output single channel low voltage Sharing the minimal D2 form factor, this two channel versatility in an affordable compact package. The heavy demands of theatrical and touring events. dimmer. Ideal for LED tape applications, its 15A low voltage dimmer comes equipped with CTI’s four channel configuration allows the unit to work The D4HP is compatible with both DMX 512 and output capacity is perfect for use with extended runs patented SHoW DMX Neo® wireless technology. It can perfectly with 1, 2, 3, or 4 colour tapes. It is suited for 0-10VDC Analog architectural style control data. Both of 12V or 24V single color tape. Its small size makes receive and output DMX (a full universe) command applications where color mixing and illumination are RJ45 and 5PXLR connectors are standard for DMX it ideal for mounting behind scenery, displays, and instructions from up to 200 feet away making it the needed for creating dramatic effects. connection. Other features include: Four dimming in cabinetry. Use it directly connected to any DMX ideal dimmer for use in costumes or other freestanding/ modes: and for incandescent use, compatible controller/console or in conjunction with mobile props where direct wiring is not practical or The D4 accepts wired DMX data communication Linear ISL Non-Dim (on/off) -for relays, solenoids etc., and . It also one of our wireless DMX transmitter/receiver systems. possible. from controllers/consoles. Other features include: LED provides four variable smoothing rates and five TV/Film The device has four dimming modes: Linear and ISL Bump Buttons, Four dimming modes: Linear and ISL The D2 SHoW DMX Neo® Dimmer has all of the modes for ultra-smooth low end dimming and flicker for incandescent use, Non-Dim (on/off) -for relays, for incandescent use, Non-Dim (on/off) -for relays, other features of the D2 wired version including: Four free performance with LED tape. solenoids etc., and LED for use with tape. 12-24VDC solenoids etc., and LED. The D4 also provides four dimming modes: Linear and ISL for incandescent use, 15A max input. 15A max output. variable smoothing rates and five TV/Film modes 110-240VAC input. 10A max output per channel, 40A Non-Dim (on/off) -for relays, solenoids etc. and LED. for ultra-smooth low end dimming and flicker free max output per device. It also provides four variable smoothing rates and five performance with LED tape. 7.5-30VDC 10A max TV/Film modes for ultra-smooth low end dimming and Part No. Name input. 5A max output per channel, 10A max output flicker free performance with LED tape. 7.5- 30VDC per device. 5750 D4 HP Dimmer, 12V, Terminal Blocks 10A max input. 5A max output per channel, 10A max 5752 D4 HP Dimmer, 12V, Anderson Connectors output per device. 5754 D4 HP Dimmer, 24V, Terminal Blocks 5756 D4 HP Dimmer, 24V, Anderson Connectors

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LED DIMMER SPECIFICATIONS

DI DIMMER D2 DIMMER D2 SHoW DMX Neo® DIMMER D3 DIMMER D4 DIMMER D4 SHoW DMX Neo DIMMER D4 HP DIMMER Catalogue Number 5520 5720 5722 5620 5740 5742 5750 / 5752 Output Channels 1 2 2 3 4 4 4 Input Voltage 12~24VDC 15A 7.5~30VDC 10A 7.5~30VDC 10A 9~12VDC 7.5 to 30VDC 10A 7.5~ 30VDC 10A 100~240VAC 50/60Hz Max Output per Channel 12~24VDC 15A 7.5~30VDC 5A 7.5~30VDC 5A 30A 7.5~30VDC 5A 7.5~30VDC 5A 12VDC 10A Max Dimmer Output 15A 10A 10A 30A 10A 10A 40A Size L x W x H 5.25 x 3.25 x 1.68 in 3.5 x 2.25 x .5 in 3.5 x 2.25 x .5 in 6.25 x 5.125 x 2.375 in 3.5 x 2.25 x .5 in 3.5 x 2.25 x .5 in 12.25 x 8.88 x 4 in (133.4 x 82.6 x 42.7mm) (88.9 x 57.2mm x 12.7mm) (88.9 x 57.2 x 12.7mm) (158.8 x 130.2 x 60.3mm) (88.9 x 57.2 x 12.7mm) (88.9 x 57.2 x 12.7mm) (311.15 x 225.55 x 101.6mm) Weight 24 oz (.68 kg) 2.4 oz (.07 kg) 2.4 oz (.07 kg) 32 oz (.9 kg) 2.4 oz (.07 kg) 2.4 oz (.07 kg) 112 oz (3.18 kg) Power Connections 30A Anderson Powerpole Screw Terminals Screw Terminals 45A Anderson Powerpole Screw Terminals Screw Terminals Corded / Powercon Output Connections 30A Anderson Powerpole Screw Terminals Screw Terminals 45A Anderson Powerpole Screw Terminals Screw Terminals Terminal block (2 per) / 45A Anderson DMX Connections 5 Pin XLR Screw Terminals Screw Terminals 5 Pin XLR Screw Terminals Screw Terminals 5 Pin XLR, RJ45 0-10V Connections N/A N/A N/A N/A N/A N/A User Selectable Sourcing or Sinking / N/A User Interface DIP Switches DIP Switches DIP Switches 5 button w/Backlit LCD DIP Switches DIP Switches DIP Switches DMX Address Yes Yes Yes Yes Yes Yes Yes Curve Selection Yes-4 Yes-4 Yes-4 Yes Yes Yes Yes-4 Film & Video Modes No Yes-5 Yes-5 Yes Yes Yes-4 Yes-5 DMX Termination Yes Yes Yes Yes Yes Yes Yes SHoW ID N/A N/A 68 Yes N/A Bump Buttons Yes Yes Yes Yes Yes Yes Yes Pilot Lights Yes Yes Yes Yes Yes Yes Yes Status Light Yes Yes Yes Yes Yes Yes Smoothing Settings No Yes-Variable 6 Yes-Variable 6 Yes Yes- Variable 6 Yes- Variable 6 Yes- Variable 6 Stand Alone Levels Yes No No Yes No Yes No RDM No Yes Yes Yes Yes Yes Compliance CE, ETL CE CE, FCC CE, ETL CE CE, FCC CE, ETL LED DIMMER ACCESSORIES

DESCRIPTION CATALOGUE DESCRIPTION CATALOGUE NUMBER NUMBER SHoW DMX 12V 12AH Rechargeable 5635 Anderson Connector, Red 5660 Battery w/ connectors Anderson Connector, Black 5661 SHoW DMX 12V 5AH Autocharger 5640 Anderson Connector, Yellow 5662 115-230VAC w/ connectors Anderson Connector, Blue 5663 Twofer, Battery to Receiver and 5650 Anderson Connector, Orange 5664 Dimmer Anderson Connector, Green 5666 Twofer, 18” with Anderson 5656 Phoenix ZooLights Spectacular 2012 Anderson Connector, White 5667 Lighting Designer: Ryan Muller Connectors D4 HP Output Terminal Block 5668 Installation: Clearwing Productions D4 HP 0-10V Connector 5669 Wireless Data: SHoW DMX Vero NET

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PATHWAY CONNECTIVITY PATHWAY CONNECTIVITY

City Theatrical is proud to have partnered with Pathway Connectivity and is the exclusive distributor for their products in the UK and Europe. Earning their reputation by extending the functionality of DMX control, Pathway VIA ETHERNET SWITCHES DMX/ETHERNET NODES is now creating next generation lighting networks with open system products that harness the power and convenience of Ethernet. Pathway stretches the realm of the possible by creating breakthrough products that are dependable and easy to use. Pathway’s proven record for innovation and reliability has helped to create ever more spectacular visual experiences for live audiences worldwide. COGNITO™ Lighting Control Console World class DMX and data distribution

products for entertainment PATHPORT VIA™ Ten Port Network Switch PATHPORT™ Touring Edition Single Port DMX Node Features Ethernet is now the backbone of choice for modern • Up to 1024 output channels entertainment networks. But network robustness is • No practical limit on the number of Memories, Cues entirely dependent on the choice of switch. Pathport or Playlists VIA Gigabit Ethernet Switches are designed and built • Pathport Protocol, ANSI E1.31 sACN and Art-Net by Pathway specifically for entertainment network • Power-over-Ethernet operation needs.Combining the speed required for today’s • Convection cooled - fanless, silent operation data-intensive shows, with management features such • Natural language control uses”real-world” terms and as VLANs, rapid ring fail-over, and AVB support, VIA values, not channel numbers and arbitrary DMX TM switches provide fanless, silent operation in a robust, PATHPORT QUATTRO™ Four Port Rack The Cognito console solves the complex task levels of programming shows for systems that include cast-aluminum housing. A straight-forward, front panel Mountable Node • Continually maintained fixture library of over 1000 incandescent dimmers, moving lights and colour LCD and encoder interface allows configuration without commonly available multi-attribute lights changing LED fixtures. Cognito is network-ready and a computer. All RJ45 ports support Ethercon locking • 7” capacitive touchscreen features a streamlined user interface to guide you connectors, while user supplied mini-GBIC plug-ins • Context-sensitive help overlays through the process of selecting lights, adjusting their allow connection to fibre networks. • Colour backlit faders, buttons, and encoders attributes, and recording reference libraries, memories • Twenty pageable channel/memories faders with and cues. Once programmed, the show is played back configurable bump buttons manually or with sequenced playlists. • Two playbacks, each with an intensity fader, GO eDIN DMX INTERFACES button and PAUSE button PATHPORT OCTO™ Eight Port Rack • Four rotary encoder wheels with associated tool Mountable Node buttons • Two DMX512-A output ports (Pro512 and Pro1024) • One DMX512-A input port (Pro512 and Pro1024) Since their ground-breaking and award-winning • DIN5 ports for MIDI IN, OUT and THRU (Pro512 and introduction in 2000, Pathport DMX-over-Ethernet Pro1024) nodes have been the answer to large-scale DMX TM • neato iOS app extensions for remote control of management. Supporting from 36 to 64,000 input lights and memory playback universes (depending on network protocol), Pathport’s Cognito is available in three models: Starter, Pro512 industry-leading DMX patch allows merging and and Pro1024. prioritization of up to eight sources for each output channel in a universe. Multi-protocol support includes Starter Pro512 Pro1024 sACN, Art-Net, Pathport and Shownet. Even combine Output addresses 512 512 1024 different protocols together into a single DMX output. Pathport Protocol Yes Yes Yes Sometimes, DMX alone is not enough. Pathway eDIN The ever-expanding feature list is consistent across ANSI E1.31 sACN No Yes Yes interfaces allow DMX control of non-DMX equipment. all models. Select your Pathport based on the number Art-Net No Yes Yes Choose from contact closure output, 0- 10V control of ports you need and form factor desired. Port DMX512 OUT ports 1 2* 2 (both sourcing and sinking) or even PWM for functions are set by the user, not by the connector, dimming constant voltage or constant current LEDs. DMX512 IN ports Not enabled Yes Yes using the freely available Pathport Manager software. The DIN-rail form factor allows you to design and Pathport Manager also provides an RDM (Remote MIDI show control Not enabled Yes Yes quickly assemble bespoke solutions tailored to the Device Management) interface, allowing your Pathport RS232 port Not enabled Yes Yes job at hand. DIN-mountable optosplitters, with or system to discover and configure up to 128 RDM Contact closure Not enabled 3 3 without RDM support, are also available. devices per port.

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PATHWAY CONNECTIVITY Adana Theatre Festival in Turkey Three Show Baby’s were used to control a massive water show spectacular and LEDs on the water at the Opening Ceremonies of the 15th International Theatre Festival 2013 in Adana, Turkey DMX/RDM DISTRIBUTION SPLITTERS PROTOCOL CONVERTERS

PATHWAY DMX REPEATER 8-Way Opto Prior to DMX512, a number of multiplex protocols were used for dimmer control. And, despite the LED revolution, many of those dimmer racks are still in use. But how to connect a current generation DMX512 lighting console to a perfectly functional dimmer rack expecting AMX 192? The answer is the Pathway Ultimate Converter. Along with two AMX192 outputs, the Ultimate Converter REPEATER PRO 8-Way Opto Splitter will translate DMX into K96, EC-Mux, AVAB, Microplex or Strand D54. Most older protocols can also be Don’t neglect the last mile. Rock solid DMX distribution translated into DMX, if needed. Built in trouble-shooting – and now DMX distribution that supports RDM– is tools – critical when working with older systems – allow even more important today than ever before. With most analysis of incoming signal as well as sending of test lighting systems now using an incredible mixture of signals to downstream devices. gear from a very large number of manufacturers, opto- splitters are required for starwiring and for protection against ground loops, common mode voltages and other problems that may emerge. Pathway Repeaters use a time-proven design that includes self-resetting poly-switches for unassisted recovery from electrical faults, and socketed transceiver and opto-coupler chips. The Repeater Pro models support RDM packet traffic, as well as DMX, and will also act as simple Jens Hillenkotter states: RDM controllers. In addition to the standard splitter mode, also included are Hub Mode that autodetects “We had to integrate a multimedia show around an incoming DMX on any port – eliminating DMX patch artistic performance. Part of the opening ceremonies bays – and a 2-in/7-out Merge Mode. Output speed included a 75 meter water display in the middle of the and signal loss are user-adjustable, and input/output Seyhan River in front of the Hilton SA Hotel Adana. testing tools are standard. We had two nights to program and rehearse the entire opening ceremony around the artistic rehearsals. Strong winds caused delays as the water display could shoot up to 75 meters high which means there are 3.5 tons of water which are coming down somewhere. During setup and tech rehearsals we built the mission control in a suite at the Hilton.

We used three Show Babys (equipped with 5dbi Production: 15th Sabanci International Adana Theatre Festival Opening Ceremonies 2013 - Adana (Turkey) Show Designer: Markus Katterle Lighting aerials) to control the water display, one as the Designer/Programmer: Jens Hillenkotter Production Director: Boray Dundar Pyramids of Uxmel, Mexico receiver on the water platform at the river, one as Lighting installed by: Teletec de Mexico Wireless data by SHoW DMX sender at the mission control at the Hilton, one at the front of the house.”

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AUTOYOKE® SOURCE FOUR LED The First Automated Lighting Solution AutoYoke for Source Designed For ETC’s Source Four LED. Four™ PARNel • Turns a Source Four™ Features PARNel into an automated variable beamspread • Supports state of the art ETC Source Four LED fixtures washlight • Adjustable beamspread • Creates a low-cost moving LED lighting fixture of 25° - 45° • Designed for theatrical and studio applications • Yoke includes Source • Fully functional onboard user interface Four™ PARNel fixture • 8 or 16 bit DMX control DESCRIPTION CATALOGUE • Accuracy of movement less than 0.1º NUMBER • Lightweight AutoYoke Source Four LED 5001LED The AutoYoke® Source Four LED combines the quiet • Quiet operation operation, accuracy, reliability, and professional AutoYoke for S4 Ellipsoidal 5000 quality of the AutoYoke®, with the brightness, built in AutoYoke for S4 Ellipsoidal (CE Version) 5001 colour changing, energy efficiency, and long life of the AutoIris for S4 Ellipsoidal 5010 Source Four LED, and is the solution for converting AutoFocus for S4 Ellipsoidal 5020 ETC’s state of the art Source Four LED into a full- AutoYoke with PARNel (includes fixture) 5060 featured moving light. Smooth, precise, and quiet, AutoYoke for S4 PAR (includes fixture) 5061 the AutoYoke Source Four LED’s DMX control allows 15” AutoYoke Scroller Cable for Wybron Forerunner, 5035 you to pan and tilt the unit, as well as adjust the iris, Custom AutoYoke ChromaQ, or Rainbow Pro and change the focus (sharpness of the beam). with mirror Since Source Four LED lighting fixtures have colour 15” AutoYoke Scroller Cable for Wybron Coloram II 5036 changing capabilities, there’s no need for colour or CXI (reversed polarity) scrollers, and no dimmer required. AutoYoke “A” Size Template Holder 5040 AutoYoke “B” Size Template Holder 5041 AUTOYOKE® The First Automated Lighting Solution Designed for Theatrical Use. SPECIFICATIONS AutoYoke for AutoYoke for Ellipsoidal PARNel Custom AutoYoke Features RANGE with Wybron Beam Pan Range: 360˚ 360˚ • Creates a low-cost incandescent moving light Projector Tilt Range: 270˚ 270˚ • Designed for theatrical applications SPEED • Fully functional onboard user interface Pan Speed (360˚) 7.5 seconds 4.0 seconds Customised Applications • 8 or 16 bit DMX control Tilt Speed (270˚) 4.0 seconds 3.0 seconds City Theatrical’s engineers have a great deal of • Accuracy of movement less than 0.1° ELECTRICAL experience customising AutoYokes to suit the needs of special lighting projects. Past projects • Lightweight Voltage: 100-240 VAC 100-240 VAC (autosensing) (autosensing) include mounting strobes, mirrors, lasers, projectors, • No cooling fans and a wide variety of lighting fixtures on the basic Current: 1.3A @50/60Hz 1.3A @50/60Hz The AutoYoke® is the first affordable solution for • User selectable travel limits and invert feature on AutoYoke. Call us for a consultation and a quote on Wattage: 40W 40W converting theatrical lighting fixtures into full-featured all AutoYoke attributes your next project. moving lights. Smooth, accurate, and quiet, the PROTOCOL USITT DMX 512 USITT DMX 512 • Supports Wybron Forerunner™, Coloram II™, CXI; AutoYoke’s DMX control allows you to pan and tilt the Required slots: 7 Slots 7 Slots ChromaQ Broadway™, and Rainbow Pro Series™ unit, as well as drive colour scrollers. With the AutoYoke (16 Bit) (16 Bit) • Colour Scrollers via AutoYoke power supply for Ellipsoidal, the optional DMX controlled AutoIris 5 Slots 5 Slots and AutoFocus also allow you manipulate the size and (8 Bit) (8 Bit) sharpness of the beam of light.

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AQUAFOG 3300™ SS6000™ DRY ICE FOGGER cat. no. 3303 cat. no. 3100 There is simply no substitute for dry ice fog. Nothing else is as thick and hugs the ground as tightly as real dry ice fog from City Theatrical.

SPECIFICATIONS MODEL Aquafog 3300 SS6000 Catalogue Number 3303 3100 Material High temperature plastic polymer .062” (1.5mm) Stainless steel, TIG welded, black texture paint Dimensions 21 1/2” x 31” x 38” (including casters) 24” x 23” x 42” (610mm x 585mm x 1066mm) Tank only (546mm x 787mm x 965mm) 24 1/2” x 33” OD of dolly x 55” (622mm x 838mm x 1397mm) (floor to tank top) Water Capacity 28 gallons (106 litres) 52 gallons (197 litres) Ice Capacity 75 lbs. (34kg) 150 lbs. (68kg) Casters 3 1/2” (88.9mm) swivel front, 8” (203mm) fixed rear 5” (127mm) swivel Hose Vent 4” (101.6mm) molded into tank 6” (152mm) PVC pipe flange 6.625” (168mm) ID, 7” (178mm) OD Fill Door 20” x 30” (508mm x 762mm) 16” x 10” (406mm x 254mm) fully gasketed A new concept in dry ice fog. This water-based system Extra large capacity dry ice fog machine holds Weight Empty 115 lbs. (52kg) 330 lbs. (149kg) is light-weight, portable and durable, allowing you to over 50 gallons (197 liters) of water and 150 lbs Shipping Weight 130 lbs. (59kg) 360 lbs. (163kg) create large amounts of billowing fog. The Aquafog (68kg) of dry ice. Electrical system features circuit Loaded Weight 455 lbs. (208.19kg) 910 lbs. (412kg) 3300™ features a durable molded thermoplastic tank breakers, indicator lights for water temp and heating for corrosion resistance and light weight. No more element status, low water cutout, and an adjustable Plumbing Fittings All stainless, brass or high temperature plastic All 1 1/4” brass pipe, fittings and valves rusting steel drums to replace. The large lid lifts for temperature regulating circuit. Rugged construction Pump Stainless steel 10GPM (37.85 litres/min.) Stainless steel 19GPM (70.3 litres/min.) easy loading of the dry ice. Stainless steel pump brings features a 16-gauge (1.5mm) stainless steel tank, all Heating Elements 230v 3000 watt (two) 240v 3000 watt, (two) heated water from the tank up to the dry ice. A 6” brass plumbing, integral dolly with large casters. Access Screw -in Screw-in, easily accessible through lower electrical box, (152.4 mm) fan pressurises the tank and sends the fog spare element built in out to the stage. Thermostat Adjustable automatic control (100°F-160°F) (38°C-71°C) Adjustable automatic control TANK Overtemperature 175°F (79°C) cutout, manual reset 195°F (89°C) The heart of the Aquafog 3300™ is our custom Low water cut-out Turns off heaters when water is low Turns off heaters when water is low designed and molded plastic tank. Plastic is both Blower 240 CFM axial (6.799 CMM) 240v, 465 CFM lightweight and corrosion resistant, and many of the Circuit Breakers 20 amp on heating element 2 amp (lighted) on fan & pump Type 220v 20A plumbing and electrical fittings use pressure seals to Fuses 10A for pump and fan circuits ensure extended leak-proof use. The large lid makes it easy to lay the ice in the machine. ELECTRICAL FOG ACCESSORIES Aquafog 3300™ conveniently plugs into wall outlets. Circuit breakers control the dual heating elements, fan, and pump. Indicator lights show the status of the water temperature and heating elements at a glance. A low water level cutout switch assures that the heaters will not operate if the water is low. The sophisticated adjustable water temperature circuit will bring the temperature from DESCRIPTION CATALOGUE a range of 100 through 160 degrees (F) (38 through 71 NUMBER (C)) and will maintain temperature all through your long 4” (101mm) Hose (25 foot, 7.6m) 3301 rehearsals. The convenient 4-plug system allows for 7” (177mm) Hose (25 foot, 7.6m) 3101 easy remote control. 4” (101mm) Coupling 3311 Custom City Theatrical hexcel lighting domes 6” (152mm) Coupling 3311 DOLLY at the Las Vegas production of Le Reve. The large rear wheels and the front swivel casters Lighting: Jules Fisher and Peggy Eisenhauer 4” (101mm) Wye 3312 make moving a breeze. 6” (152mm) Wye 3312

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PDS-750 TRX™ POWER/DATA SUPPLY PDS-375 TRX™ PDS-375 TR™ cat. no. 6500 NEO City Theatrical has teamed up with cat. no. 6550 NEO cat. no. 6250 Philips Color Kinetics to design and develop a complete line of power/data supplies for Color Kinetics professional lighting products.

A silent Color Kinetics power/data supply that can A lower cost Color Kinetics power/data supply with operate without a fan. very simple setup

Features The PDS-375 TRX contains all the features of the The PDS-375 TR is a lower cost power/data supply for PDS-750 TRX in a six output package. The PDS-375 up to six ColorBlast 12s that allows a starting address The PDS-750 TRX combines advanced new LED • For up to 12 Philips Color Kinetics ColorBlast 12, TRX also operates without a fan in its standard upright to be set, or allows operation in pass through mode ColorBlast 12 TR, ColorBlast 12TRX and iWhite Blast fixture control and configuration features with operating position, allowing for use in applications with DMX addresses set on the individual lighting 12 lighting fixtures multi-control protocol interoperability and powerful such as television studios, where fan noise might be fixtures. Four rotary BCD switchs allow users to set new data management resources in a single lighting • Select the footprint for each output, from two to 10 objectionable. The PDS-375 TRX includes a built-in DMX address or select a range of stand alone modes. control unit. slots per output three port managed switch to provide an Ethernet • A budget power/data supply • Select the starting DMX address of each output pass-thru to downstream devices, and a built-In The PDS-750 TRX’s on board user interface give easy • For up to six ColorBlast 12 or ColorBlast 12 TR, Ethernet node gateway which when using one of the access to all setup and control functions including a • Control by DMX512, RDM, streaming DMX and RDM 12 ColorBlast 6 Ethernet control protocols allows the assignment of wide range of stand alone functions that allow the unit over ACN, Art-Net, KiNET, or internal MasterBlast any of the six outputs (or the DMX output) to one of • Industry standard four pin XLR connectors to be used without an external lighting controller. stand alone routines two virtual DMX512 universes, as well as the ability to • Built-in mini-Zapi function The units can be controlled with all popular Ethernet • Ethernet pass through reconfigure Philips Color Kinetics LED fixtures remotely • Stand alone modes protocols including Streaming ACN, Art-Net, or Ki-Net, ® • SHoW DMX Neo receiver via RDM control of Zapi features. as well as wired and wireless DMX512, and are fully • built in DMX pass through mode RDM enabled. Every unit includes a built-in SHoW • All the features of the PDS-750 TRX, for up to six Philips Color Kinetics ColorBlast 12, ColorBlast 12 TR, • Carry handle/C-clamp mount DMX® Neo receiver. • Built in rack mount / pipe mount ears ColorB last 12TRX and iWhite Blast 12 lighting fixtures The PDS-750 TRX provides full control capability for • Carry handle/C-clamp mount the Philips Color Kinetics ColorBlast 12 TRX, as well • USB port as 16-bit and 8-bit ColorBlast 12 TRs, iW Blast 12s, • Enhanced Mini-Zapi conventional 8-bit ColorBlast 12s, ColorBlast 6s, ColorSplash 2s, and other CKDMX fixtures. Each of the 12 outputs can be individually configured for the quantity of DMX slots required and the starting DMX address. Other features include a built-in three port managed switch to provide an Ethernet pass-thru to downstream devices, and a built-In Ethernet node gateway which when using one of the Ethernet control protocols allows the assignment of any of the 12 outputs (or the DMX output) to one of two virtual DMX512 universes. The PDS-750 TRX can also reconfigure Philips Color Guys and Dolls Kinetics LED fixtures remotely via RDM control of Zapi Rowan University Department of Theatre and Dance features. Resident Lighting Designer: Robert Thorpe This production of Guys and Dolls utilised 11 of City Theatrical’s SHoW DMX SHoW Baby units to control the LED sidelights.

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VSFX3™ VSFX3™ LENSES & ACCESSORIES VSFX3™ DISKS DESCRIPTION CATALOGUE NUMBER DESCRIPTION CATALOGUE DESCRIPTION CATALOGUE VSFX3 Drive Unit with 8 3/16” Mounting Plate 5400-1 NUMBER NUMBER VSFX3 Drive Unit with 7 1/2” Mounting Plate 5400-2 Fleecy Clouds Disk 5404 Smoke Disk (with Art Glass) 5409 6.5cm (90°) Lens 5401

VSFX3™ 10cm (50°) Lens 5402 VSFX3 Storm Clouds Disk 5405 VSFX3 Flame Disk (with Art Glass) 5410 Perfectly smooth, perfectly quiet, perfectly beautiful scenic projection effects! Why it works: 15cm (30°) Lens 5403 Machines similar to the VSFX3 have been used in entertainment for nearly 100 years, but previous versions were noisy and unreliable. City Theatrical redesigned this machine from the ground up with an advanced drive system that makes it completely VSFX3 Thunder Clouds Disk 5406 Running Water Disk (with Art Glass) 5411 smooth and completely silent. The VSFX3 utilises an Lens Adaptor for S4 Lens 5416 18” glass disk to produce stunning visual effects. The (5° to 90°) large disk allows effects to move horizontally across the gate for maximum realism. Other devices that use smaller disks can’t do this.

What you can do with it: Adjustable Masking Shutter 5413 Make incredibly realistic clouds move across your backdrop, or make realistic flames and fire. Make rippling water, rain, or snow. And make wildly creative VSFX3 Rain Disk 5407 Vapor Trail Disk (with Art Glass) 5412 effects with our Vapor Trails disk. These are effects that creative designers will love! S4 PAR Light Baffle 5420 Where the VSFX3 has been used: Shows like the Broadway, West End productions of Mary Poppins and The Woman in White, Dirty Dancing, Oklahoma, and Lord of the Rings have all utilised VSFX technology to create visual effects that VSFX3 7 1/2” Mounting Plate 5414 were important to the productions. VSFX3 8 3/16” Mounting Plate 5415 City Theatrical developed the VSFX3 system in VSFX3 Snow Disk 5408 VSFX3 Long Lens Support 5417 5 3/8” VSFX3 Colour Frame 5418 partnership with White Light Ltd. of London. The VSFX3 (136 mm) is a new version of the White Light VSFX System and VSFX3 Art Glass 5421 it is compatible with the accessories for all previous versions of the VSFX and the Patt 252 effects. 19 1/2” (489 mm)

18 5/8” 7 1/4” 4 7/8” (473 mm) (184 mm) (124 mm)

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™ ™ DESCRIPTION CATALOGUE MASTERBLAST CANDE LITE UNLIMITED NUMBER Wireless lighting is here – carry your Candle Kit (Incandescent) 3450 MasterBlasts in – set up your show in just seconds – start lighting! Candle Kit (LED) 3451 IIn

Candle Stick (Incandescent) 3470 5” (127mm)

Candle Stick (LED) 3471 5” (127mm)

Candle Stick (Incandescent) 3472 12” (305mm) The MasterBlast is a battery operated LED lighting fixture with built-in SHoW DMX® wireless DMX. Every Candle Stick (LED) 3473 Incredibly realistic electronic flicker candles especially MasterBlast is selectable to be either a transmitter 12” (305mm) designed for live entertainment. or receiver, so one MasterBlast can serve as both a lighting console and wireless transmitter, sending out a 230v AC Adapter for One Candle 3482 show of built-in routines to many other MasterBlasts. • Candle stick holds 9V battery and has integral switch

The MasterBlast utilises City Theatrical’s interchange- • Candle kit has slim circuit board to make your custom able polycarbonate holographic lenses in nine different designs easier 230v AC Adapter for Six Candles 3483 symmetrical and asymmetrical beamspreads, and is • All candles are available with LED light source for compatible with the full line of City Theatrical power/ longer battery life data supplies for Color Kinetics. It has 14 or more D4 HP DImmer (Dims up to 200 candles) 5750 hours of battery life when using a rolling colour change, a battery that recharges in two hours, a very bright 50W colour changing Philips Color Kinetics LED fixture, and a user friendly user interface. NAME CATALOGUE NUMBER Features MasterBlast Kit 6400 • No power distribution (in fact no power needed at all) Master Blast Kit Without Fixture 6401

• No generator MasterBlast Kit (CE) 6402

• No feeder cables Master Blast Kit Without Fixture (CE) 6403

• No power cables

• No data cables Replacement Parts & Accessories CATALOGUE NUMBER • No lighting console MasterBlast Controller 6410 • No wireless DMX transmitter MasterBlast Controller (CE) 6411 • No plugging strips Color Blast 12 TR Fixture 6430 • No UPS (Sold only as part of a kit ) • No floor stands SHoW DMX 12V 5A Autocharger 115V-230V with 5640 • No gels Connectors

• No colour scrollers Twofer , 18” with Anderson Connectors 5656 The Broadway cast of Kinky Boots Battery Base 12/24V 6280 • Only minutes of setup and take down time, Lighting Designer: Kenneth Posner instead of hours Battery Base Series 24V Cable 6282 Wireless data by SHoW DMX Neo • Little or no crew instead of several crew members Blast 12 TR Symmetric Lens Kit 6320 Photograph: Matthew Murphy

• Little truck space instead of a lot Blast 12 TR Asymmetric Lens Kit 6321

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DMX IRIS EIGHT UNIVERSE DMX MAIN/BACKUP SWITCH Charlie And The Chocolate Factory .... A World Of Pure Imagination City Theatrical worked closely with UK specialist lighting contractor Howard Eaton to realise the demanding wireless DMX requirements. As well as using SHoW DMX Neo® Transceivers and Receivers, the production marked the first use of the new D2 and D4 Dimmers.

® • Based on the proven and reliable AutoYoke iris • Used on large productions to switch to a backup console • Plugs into a 24VDC power supply (such as Forerunner™ or ChromaQ™) with a four pin cable • Entirely mechanical switches, no electronics

• Units can daisy chain to scrollers or to other • One U Rack mount standard DMX Irises • One multi-layer PCBA DESCRIPTION CATALOGUE NUMBER DESCRIPTION CATALOGUE DMX Iris for Source Four* (does not include power supply) 2192 NUMBER Power Supply for up to 2 Irises 2199 Eight Universe DMX Main/Backup Switch 5300 PROJECTOR DOWSER

• Changes “video black” to complete blackout

• DMX controlled

• Plugs into a 24VDC power supply (such as Forerunner™ or ChromaQ™) with a four pin cable

• Fits most video projectors

DESCRIPTION CATALOGUE NUMBER Projector Dowser (does not include power supply) 4160 Charlie and the Chocolate Factory The Great Glass Elevator Power Supply for up to 2 Dowsers 2199 Wireless data by SHoW DMX Neo Photograph: Helen Maybanks DMX SNOW MACHINE Lighting Designer: Paul Pyant Associate Lighting Designer: David Howe Assistant Lighting Designer: Derek Anderson Programmer: Jim Beagley Senior Production Electrician: Gerry Amies Production Electricians: Martin Chisnall, Chris Dunford, Sam Floyd, James Leatherby Theatre Chief Electrician: Steve McAndrew Lighting equipment supplied by: White Light Specialized Lighting Contractor: Howard Eaton Lighting

City Theatrical Wireless Equipment List:

• DMX control of snow fall 4 - SHoW DMX Neo Transceivers as transmitters 4 - Panel antennas • Variable speed 10 - Neo Receivers • Hangs on one or two clamps, allowing center pivot King Kong The Musical in Australia 5 - D4 Dimmers • Quiet operation Lighting Designer: Peter Mumford 18 - D2 Dimmers DESCRIPTION CATALOGUE Wireless data by SHoW DMX Neo 3 - D1 Dimmers NUMBER Photograph: Jeff Busby Charlie and the Chocolate Factory Photograph: Brinkhoff-Mögenburg DMX Snow Machine 1600

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LIGHTWRIGHT 5™ MOVING LIGHT ASSISTANT™ Increase your Moving lights are complex. productivity Moving Light Assistant keeps you organised. by using both Lightwright 5 and Vectorworks Spotlight. Moving Light Assistant is an application designed to document both the physical setup and programming information for moving light rigs commonly used in the entertainment industry. The application will run on both Apple Mac OSX (Intel only) and Microsoft Windows operating systems.

LIGHTWRIGHT™, written by Professional designer DESCRIPTION CATALOGUE FEATURES John McKernon, is the quintessential tool for tracking NUMBER all aspects of selecting and arranging, numbering Personal Lightwright 5 3890 • Spreadsheet view showing configuration (lenses, and comparing, assigning and footnoting lighting lamps, menu options etc.) of moving light fixtures Institutional Lightwright 5 3891 paperwork. in the rig. Personal Upgrade from LW4 TO LW5 3892 • Design and Edit moving light gobo, colour and FEATURES Wheel Loads Screen Institutional Upgrade from 3893 effect wheel loads. • Worksheet reconciliation compares and LW4 TO LW5 • Integrated Gobo and Fixture library. Easily synchronises show files Student Lightwright 5 3894 customised and updated. • Share files and worknotes via network and Student LW4 or LW5 to Personal LW5 Upgrade 3895 • Import console reports from leading lighting built-in email Replacement Lightwright 5 CD 3896 consoles. • Completely rethought and enhanced worknotes • View cue list, cue data, and channel data. Examine • Global search across all worksheet columns SYSTEM REQUIREMENTS channel usage including maximum intensity, preset use, redundant moves, and more. • Complete history of all changes, with flexible Microsoft Windows® rollback options • Microsoft Windows 2000/XP Service Pack 3/Vista • Track current cue and photographs in the cue list or later with the lighting console in real time using Midi • Wheel design window for moving lights • A CD-ROM drive if istalling from CD Show Control. • Colour scroll design window • 1GB of physical RAM, 2GB or more strongly recommended • A colour monitor with at least 1024x768 resolution, • Design, print or generate PDF paperwork reports. • Template pictures 256 colours or better • Import and Export rig data with Lightwright. Preset Documentation Screen • A hard drive or SSD with at least 120 MB of available • New standard colours choose list and colour swatches on the worksheet disk space • Take photographs directly into the application with • Internet connection required for installation and a compatible DSLR camera connected via USB. • Live instrument and accessory counts use of some features © • Automatic dimmer load balancing Apple Macintosh • Mac OSX 10.4 (Tiger) or later DESCRIPTION CATALOGUE • More than one show file can be open at a time • A CD-ROM drive if istalling from CD NUMBER • 1GB of physical RAM, 2GB or more strongly recommended • 18 flexible user-definable columns • A colour monitor with at least 1024x768 Personal Moving Light Assistant 3660 resolution, either thousands or millions of colours Institutional Moving Light Assistant 3665 • A hard drive or SSD with at least 120 MB of available disk space Student Moving Light Assistant 3670 • Internet connection required for installation and use of some features Note: Visit website for complete licensing terms including rules and restrictions before finalising your purchase. Upgrades must be in the same name and serial number as the original buyer. Cue List Screen

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STACKERS™ TAPERED TOP HATS STACKERS™TAPERED HALF TOP HATS STANDARD TOP HATS STANDARD HALF TOP HATS

Top Hats serve two important functions: control spill light and prevent the audience or viewers from seeing • Black flocked interior

the bright and possibly distracting source of the light. • Half Top Hats mask the beam on one side while allowing maximum light output on the other side Tapered so they stack, but they don’t stick together. Round frames allow Stackers Half Top Hats to rotate to • Black flocked interior the most advantageous angle. • • Lightweight aluminum construction Call for information on optional safety cables

• Black flocked interior B D B D • Saves space in storage and transport

Stackers™ fit Source Four, Source Four PAR, Source A C A C Four Jr, Source Four Zoom, Selecon Pacific, Altman D B DESCRIPTION A B C D CATALOGUE DESCRIPTION A B C D CATALOGUE Shakespeare, and many others. Sorry, Stackers™ do NUMBER NUMBER not fit Strand SL, or Source Four 14° and may not fit all A C S4 Mini 2.76” 2.76” 2.3” 2.3” 2570 S4 Mini 2.76” 2.76” 2.3” 2.3” 2572 lighting fixtures. Please call us with any questions. Short S4 Mini 2.76” 2.76” 1.5” 2.3” 2571 Short S4 Mini 2.76” 2.76” 1.5” 2.3” 2571 DESCRIPTION A B C D CATALOGUE NUMBER PAR 16 2 7/8” 2 7/8” 2” 2” 2455 PAR 16 2 7/8” 2 7/8” 2” 2” 2465 6 1/4" Half Top Hat 6 1/4"” 5” 5” 5 3/8” 2841 PAR 20 3 1/4” 3 1/4” 2 1/2” 2 1/2” 2456 PAR 20 3 1/4” 3 1/4” 2 1/2” 2 1/2” 2466 6 1/4" Short Half 6 1/4"” 5 1/8” 3” 5 3/8” 2843 3” Fresnel 3 3/4” 3 3/4” 3” 3” 2457 3” Fresnel 3 3/4” 3 3/4” 3” 3” 2467 D B Top Hat 3 1/2”Ellipsoidal 4 1/8” 4 1/8” 3 1/2” 3 1/2” 2454 3 1/2” Ellipsoidal 4 1/8” 4 1/8” 3 1/2” 3 1/2” 2464 7 1/2" Half Top Hat 7 1/2” 6” 6” 6 3/4” 2851 D-22 5.55” 5.55” 3” 4.95” 2590 D-22 5.55” 5.55” 3” 4.95” 2591 A C 7 1/2" Short Half 7 1/2” 6 3/8” 3” 6 3/4” 2853 S4, SL, SH, PC* 6 1/4” 6 1/4” 5” 5” 2450 S4, SL, SH, PC* 6 1/4” 6 1/4” 5” 5” 2460 Top Hat Short S4, SL, 6 1/4” 6 1/4” 3” 5” 2440 Short S4, SL, SH, 6 1/4” 6 1/4” 3” 5” 2441 DESCRIPTION A B C D CATALOGUE 10" Half Top Hat 10” 8” 8” 8 7/8” 2861 SH, PC* PC* NUMBER 10" Short Half 10” 8 1/2” 4” 8 7/8” 2863 6 1/4" Full Top Hat 6 1/4"” 5” 5” 5 3/8” 2840 Top Hat 6” Ellipsoidal 7 1/2” 7 1/2” 6” 6” 2400 6” Ellipsoidal 7 1/2” 7 1/2” 6” 6” 2420 6 1/4" Short Full 6 1/4"” 5 1/8” 3” 5 3/8” 2842 12" Half Top Hat 12" 10” 10” 10 3/4” 2871 S4 PAR** 7 1/2” 7 1/2” 6” 6 3/4” 2480 S4 PAR** 7 1/2” 7 1/2” 6” 6 3/4” 2482 Top Hat 12" Short Half 12" 10 3/8” 5” 10 3/4” 2873 Short S4 PAR** 7 1/2” 7 1/2” 3” 6 3/4” 2481 S4 PAR Round 7 1/2” 7 1/2” 6” 6 3/4” 2492 7 1/2" Full Top Hat 7 1/2” 6” 6” 6 3/4” 2850 Top Hat S4 PAR Round 7 1/2” 7 1/2” 6” 6 3/4” 2490 Frame** 7 1/2" Short Full 7 1/2” 6 3/8” 3” 6 3/4” 2852 14" Half Top Hat 14" 12" 12" 13 3/8" 2881 Frame** PAR 64 10” 10” 8” 8” 2463 Top Hat 14" Short Half 14" 12 3/4" 6" 13 3/8" 2883 Short S4 PAR 7 1/2” 7 1/2” 3” 6 3/4” 2491 (Altman and L&E) 10" Full Top Hat 10” 8” 8” 8 7/8” 2860 Top Hat Round Frame ** D-60 8 7/8” 8 7/8” 6” 8” 2582 10" Short Full 10” 8 1/2” 4” 8 7/8” 2862 Top Hat PAR 64 10” 10” 8” 8” 2453 S4 10°, SL 10° 12” 12” 10” 10” 2462 12" Full Top Hat 12" 10” 10” 10 3/4” 2870 (Altman and L&E) S4 5° 14” 14” 12” 12” 2461 12" Short Full 12" 10 3/8” 5” 10 3/4” 2872 Short PAR 64 10” 10” 3” 8” 2445 SL 5° 16” 16” 14” 14” 2468 Top Hat (Altman and L&E) 125mm 125mm 125mm 100mm 100mm 2442 14" Full Top Hat 14" 12" 12" 13 3/8" 2880 D-60 8 7/8” 8 7/8” 6” 8” 2580 185mm 185mm 185mm 150mm 150mm 2444 14" Short Full 14" 12 3/4" 6" 13 3/8" 2882 S4 10°, SL 10° 12” 12” 10” 10” 2452 245mm 245mm 245mm 205mm 205mm 2446 Top Hat Short S4 10°, SL 12” 12” 5” 10” 2448 10° S4 5° 14” 14” 12” 12” 2451 * Source Four, Strand SL, Shakespeare and Pacific ellipsoidals (19-50˚) SL 5° 16” 16” 14” 14” 2458 ** These accessories can also be used with S4 PARNel, Ordering Note: 125mm 125mm 125mm 100mm 100mm 2402 Stackers are also available in white (no flocking on S4 Zoom fixtures, S4 14˚ and ETC D-40. 185mm 185mm 185mm 150mm 150mm 2404 inside) at no additional charge. Add a “W” to the Note: 245mm 245mm 245mm 205mm 205mm 2406 catalogue number when ordering. Also available in We do not recommend the use of 5” long accessories in 50˚ white outside/black inside, and white outside/black Selador 11” 10 5/8” 5 1/16” 4 3/4” 2550 lens tubes. We do not recommend the use of any accessories flocked inside. Call for pricing. Available in white, see page 32 for information in 70˚ or 90˚ lens tubes. Extreme loss of light will occur.

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COLOUR FRAMES MAINFRAMES® HOLDERS FOR GLASS GOBOS

S4 “A”(iris slot) S4 “B” S4 86mm OD S4 86mm OD S4 “B” (iris slot S4 Jr. “M” S4 Jr. “M” SL “B” DESCRIPTION glass* Glass Iris Slot (gobo slot) / (iris slot) B B C C C

A A A

• Fabricated from durable cold rolled steel • Lightweight, flameproof, black fiberboard with hemmed edges colour frames A • Tough black powdercoat finish • Simple, safe, and inexpensive 4 11/16” 3 3/4” 3 11/16” 4 11/16” 4 11/16” 2 11/16” 3 1/8” 4 3/16” B 3 3/16” 2 3/4” 2 3/4” 2 3/4” 2 3/4” 2 5/32” 1 5/8” 2 3/4” • Round style S4PAR units are available for • Secures with a single heavy-duty staple GLASS OD architectural use 100mm 82mm 86mm 86mm 82mm 66mm 48mm 82mm • Available in a wide range of sizes CATALOGUE 2171 2170 2173 2178 2172 2175 2166 2146 NUMBER

DESCRIPTION DESCRIPTION A B C CATALOGUE DESCRIPTION A B C CATALOGUE SL 86mm OD Selecon Pacific Selecon Acclaim SL “B” S4 “B” S4 “B” 360Q/ Strand “B” (also NUMBER NUMBER glass* 86mm OD glass* Axial Shakespeare holds metal) D-22 5.55” 5.55” 3” 2593 “Inkie” 3 3/4” 3 3/4” 3” 2352 S4, SL, SH, PC* 6 1/4” 6 1/4” 5” 2350 “Mini Strip” (2 hole style) 4 11/16” 3 5/16” ––––– 2358 S4, SL, SH, PC*, 6 1/4” 6 1/4” 5” 2350A “Mini Strip” 4 11/16” 3 5/16” ––––– 2359 Aluminum (rect. opening) 6” Ellipsoidal 7 1/2” 7 1/2” 6” 2300 Zip Strip 4 3/4” 4 3/8” ––––– 2360 S4 PAR** 7 1/2” 7 1/2” 6 3/4” 2487 R40 5 3/4” 6 3/4” 5” 2362 4 3/16” 4 1/2” 3 3/4” 3 5/16” 3 1/2” 4 3/16” 4 11/16” 3 11/16” A S4 PAR** (Round) 7 1/2” 7 1/2” 6 3/4” 2497 S4, SL, SH, PC* 6 1/4” 6 1/4” 5” 2364 2 3/4” 2 27/32” 2 1/8” 2 3/4” 3” 2 3/4” 3 3/16” 2 3/4” B MiniStrip (rect opening) 4 11/16" 3 5/16" 2319 6” Ellipsoidal 7 1/2” 7 1/2” 6” 2366 86mm 86mm 66mm 82mm 82mm GLASS OD R40 5 3/4" 6 3/4" 5" 2320 Source Four™ PAR** 7 1/2” 7 1/2” 6 3/4” 2367 2147 2115 2105 2130 2140 2041 2051 2061 CATALOGUE City Ground Cyc 8 3/4” 13” ––– 2321 PAR 64 10” 10” 8” 2376 NUMBER PAR 64 10” 10” 8” 2322 10° Source Four™ 12” 12” 10” 2382 S4 10°, SL 10° 12” 12” 10” 2328 5° Source Four™ 14” 14” 12” 2383 S4 5° 14” 14” 12” 2329 100 mm 100mm 100mm 80mm 2385 City Sky Cyc 15 1/2” 15 7/8” ––– 2330 125mm 125mm 125mm 100mm 2387 HOLDERS FOR METAL GOBOS

City Far Cyc 14 3/4” 15 1/2” ––– 2338 150mm 150mm 150mm 125mm 2389 • Large heat resistant ring pulls

SL5° 16” 16” 14” 2348 185mm 185mm 185mm 150mm 2391 • Aluminum construction acts as a heat sink to 125mm 125mm 125mm 100mm 2302 230mm 230mm 230mm 165mm 2393 minimize pattern warpage 185mm 185mm 185mm 150mm 2304 245mm 245mm 245mm 205mm 2395 DESCRIPTION 245mm 245mm 245mm 205mm 2306 S4 “A” S4 “B”” S4 Jr. “M” SL “B” Selecon 360Q/ Colortran Selecon SL”B” S4 “A” S4 “B” Pacific “B” Shakespeare Style (5/50 Acclaim Series Axial

* Source Four, Strand SL, Shakespeare and Pacific A ellipsoidals (19-50˚) 3 11/16” 3 11/16” 2 11/16” 4 3/16” 4 1/2” 3 5/16” 4” 3 3/4” 4 3/16” 3 11/16” 3 11/16” 3 3/16” 2 3/4” 2 5/32” 2 3/4” 2 3/4” 2 3/4” 3 1/16” 2 1/8” 2 3/4” 3 3/16” 2 3/4” B ** These accessories can also be used with S4 PARNel, 2150 2160 2165 2144 2114 2120 2190 2106 2040 2050 2060 CATALOGUE 14” Zoom Fixtures, S4 14” and, ETC D-40 NUMBER

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B D

B A C EGG CRATE LOUVERS CONCENTRIC RINGS IMAGE MULTIPLEXER™ DROP IN IRIS A B D

B B A C D A C

Egg Crate Louvers serve a similar function to a Top • Offers full control of stray beams and spill C Hat, but do so in only 1/2” of depth. A 45 degree cut-off • Fabricated from light gauge steel withB hemmedC • Offers precise, smooth control of beam size is obtained by using cells that are 1/2” x 1/2”, by 1/2” edges The Image Multiplexer expands and multiplies gobo deep. Egg Crate Louvers drop in and give a sleek A images from standard stage lighting instruments. It is a • Specially made leaves are tempered and heat appearance to the lighting fixture while providing good • Comparable function to a full 6 inch Top Hat lens accessory which drops into the colour frame slot. resistant to over 1000°F beam control. • Black powdercoat finish • CTI Irises carry a limited lifetime warranty DESCRIPTION A B C D CATALOGUE (See website for details) NUMBER DESCRIPTION A B C CATALOGUE S4 PAR 7 1/2” 7 1/2” 2” 6 3/4” 2484 6 1/4” 2 1/2” NUMBER DESCRIPTION A B C D CATALOGUE 185mm 185mm 185mm 51mm 171mm 2494 NUMBER S4 PAR * 7 1/2” 7 1/2” 1/2" 2485 PAR 64 10" 10" 2" 8" 2493 Source Four Iris 4 25/32” 5 7/16” 1/2” 3” 2180 185mm 185mm 185mm 13mm 2486 Source Four Jr. Iris 3 1/8” 4 9/32” 1/2” 2 5/16” 2185 S4 Ellipsoidal 6 1/4" 6 1/4" 1/2" 2499 DESCRIPTION CATALOGUE NUMBER Strand SL Iris 4 3/16” 5 3/16” 1/2” 3” 2186 D-22 5.55” 4.69” 5/16" 2592 Image Multiplexer 1450 Selecon Pacific Iris 4 31/64” 5 63/64 1/2” 3” 2187 D-60 8 7/8” 8 7/8” 5/8” 2585 COLOUR EXTENDERS C A *Fits D-40 B D DONUTS B BARNDOORS A C D B C

B • Saves both time and aggravation by preventing gel B burnout A A C • Fabricated from durable cold rolled steel with hemmed edges A C • Gel materials are placed in slot at front of unit-forward • Used to help bring templates into perfect sharpness B C of the fixture’s focal plane • Fabricated from light gauge steel • Available in white, see page 32 for information • A Durable black powdercoat finish DESCRIPTION A B C D CATALOGUE NUMBER DESCRIPTION A B C CATALOGUE Barndoors provide adjustable beam control. Movable S4, SL, SH, PC* 6 1/4” 6 1/4” 5” 5” 2470 NUMBER doors can be set to cut off stray beams where needed, Short S4, SL, SH, PC* 6 1/4” 6 1/4” 3” 5” 2471 S4, SL, SH, PC* 6 1/4” 6 1/4” 3 3/16” 2250 such as off of scenery or projection screens. (3 3/16" center hole) 6” Ellipsoidal 7 1/2” 7 1/2” 6” 6” 2410 S4, SL, SH, PC* 6 1/4” 6 1/4” 2 1/2" 2260 Short 6” Ellipsoidal 7 1/2” 7 1/2” 3” 6” 2430 (2 1/2" center hole) ** DESCRIPTION A B C CATALOGUE S4 PAR** 7 1/2” 7 1/2” 6” 6 3/4” 2483 6” Ellipsoidal, 7 1/2” 7 1/2” 3” 2200 NUMBER Short S4 PAR** 7 1/2” 7 1/2” 3” 6 3/4” 2483A S4 Zoom S4 PAR/Parnel * 7 1/2” 7 1/2” 6 3/4” 2488 PAR 64 10” 10” 5” 8” 2473 S4 10°, SL 10° 12” 12” 6” 2252 S4 PAR/Parnel (short) 7 1/2” 7 1/2” 6 3/4” 2488S (Altman and L&E) S4 5° 14” 14” 7” 2251 D-60 8 7/8” 8 7/8” 8” 2588 125mm 125mm 125mm 76mm 100mm 2474 SL 5° 16” 16” 7” 2258 D-22 5.55” 5.55” 4.95” 2599 185mm 185mm 185mm 127mm 150mm 2476 125mm 125mm 125mm 81mm 2208 S4 Fresnal 8 Leaf 7 1/2” 7 1/2” 6 3/4” 2568 245mm 245mm 245mm 127mm 205mm 2478 185mm 185mm 185mm 81mm 2210

185mm 185mm 185mm 171mm 2489 * Source Four, Strand SL, Shakespeare, and Pacific ellipsoidals (19-50˚) Selador 11” 10 5/8” 5 1/16” 3/4” 2554 ** These accessories can also be used with S4 PARNel, S4 Zoom fixtures, and S4 14˚. Effects made using Image Multiplexer. *Fits D-40 Note: We do not recommend the use of 5” long accessories in Images courtesy of Lori Friedlander. 50˚ lens tubes. We do not recommend the use of any accessories in 70˚ or 90˚ lens tubes. Extreme loss of light will occur.

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BEAM BENDER BLACKTAK™ LIGHT MASK FOIL MARTIN® ACCESSORIES DESCRIPTION CATALOGUE DESCRIPTION CATALOGUE NUMBER NUMBER

B MAC 700 Profile Tophat 2757 MAC 700 Wash Top Hat 2758

A

MAC 2000 Top Hat 2760 MAC 2000 Wash Top Hat 2762

• Attaches easily to any 6 1/4” Source Four®*, Strand • Uses include: masking light spill, creating shadows, (fits PERFORMANCE and PROFILE) SL™, Shakespeare™, or Selecon Pacific™ ellipsoidal forming Barndoors, adapting gobos, and as a high temp tape • Ideal for shooting around scenery or other obstruction • High temperature adhesive is heat resistant and won’t melt MAC 2000 Sound Baffle 2770 MAC TW1 Top Hat 2780 • Adjustable mirror for controlling angle and spread (Per pair, one pair required per fixture) of beam • Can be repositioned without leaving residue

• Especially useful for dance designers needing DESCRIPTION CATALOGUE maximum light output at floor level NUMBER MAC TW1 Color Frame 2782 MAC TW1 Louver 2783 Blacktak™ 2" x 75' 3600 DESCRIPTION A B CATALOGUE NUMBER Blacktak™ 24" x 15' 3624 Beam Bender 6 1/4" 12" 7" 1400 MAC Atomic 3000 Strobe Barndoor 2785 MAC III Follow Spot Handle 2790 ADAPTER SOURCE FOUR PAR CROSS BAFFLE TOP HAT

MAC Aura Top Hat 2792 MAC Aura Egg Crate 2793 C A

® B VARI-LITE ACCESSORIES 6 1/4” to 7 1/2” unit allows use of 7 1/2” accessories Provides 45° cut off in architectural installations DESCRIPTION CATALOGUE DESCRIPTION CATALOGUE (colour wheels, scrollers, etc.) with Source Four™ NUMBER NUMBER fixtures. DESCRIPTION A B C CATALOGUE VL5 Full Concentric Ring 2645 VL2000,VL2500 Top Hat 2650 NUMBER DESCRIPTION CATALOGUE NUMBER S4 PAR Cross Baffle Top Hat 7 1/2” 3” 6 3/4” 2495 6 1/4” to 7 1/2” Adapter 1251

VL2000,VL2500 Wide Top Hat 2650 WIDE VL3000, VL3500 Spot Top Hat 2652

VL3000, VL3500 Wash Top Hat 2653 VLX Top Hat 2660 Philadelphia International Festival of the Arts 2011 Styling a Second Empire: A Light & Sound Experience Lighting by: The Lighting Practice, Student Artists from the University of the Arts, PRG, Vincent Lighting, Philips, Matt Klasmeier, Jonathan Hoyle, Starlite Productions, Nate Grand, Gordon Group Electric, Metropolitan Acoustics and more VLX Louver 2661 VL500/1000 Floor Stand 2698 Wireless data by SHoW DMX Photograph: James Abbott

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SOURCE FOUR FOLLOW SPOT YOKE FOLLOW SPOT PAN BEARING FOLLOW SPOT HANDLE

• Use this to make any lighting fixture into a follow spot • Allows operator to easily control fixture movement • Large pan bearing for smooth action • Source Four handle attaches to the rear of the fixture DESCRIPTION CATALOGUE by means of a clamp screw Create your own follow spot with pan and tilt movement NUMBER as smooth as the world’s best follow spots and the DESCRIPTION CATALOGUE Pan Bearing 1510EU tungsten colour temperature that many designers prefer. NUMBER Source Four Follow Spot Handle 1360 • Our #1501 is specifically designed to mount Source Fours® without springs or counterweights and was FOLLOW SPOT MANUAL COLOUR CHANGER designed for the Broadway and West End show and tours of Wicked FOLLOW SPOT YOKE HANDLE • Fits Source Four 5º to 50º (not Zoom units)

• Perfectly adjusts balance without counterweights

• Pan and tilt bearings for smooth action • A six frame manual colour changer

• • Yoke handle screws into existing 5/16” side mounting Many accessories available • 12” x 12” size fits S4 10° and Strand SL 10° hole, or can be attached to the lens tube of a 5° or DESCRIPTION CATALOGUE • 14” x 14” size fits S4 5° 10° S4 NUMBER FOLLOW SPOT DROP IN BOOMERANG Follow Spot Yoke for Source Four, 1501 DESCRIPTION CATALOGUE DESCRIPTION CATALOGUE NUMBER NUMBER Includes pan bearing and stand adaptor Manual Colour Changer 12” X 12” 1530 Follow Spot Yoke Handle 1520 FOLLOW SPOT DROP IN IRIS Manual Colour Changer 14” X 14” 1535

SHoW DMX Neo® controlling four universes of lighting on London’s Tower Bridge Lighting design: Adam Bassett Lighting • Holds six colours Supplier: Neg Earth • Reversible for either right or left handed operation

• Fits Source Four, Strand SL, Shakespeare or, Selecon Pacific ellipsoidals • Offers precise, smooth control of beam size • Boomerang handle perfectly balances Drop-in • Specially made leaves are tempered and heat Boomerang (Not required with 1501 Follow resistant to over 1000°F Spot Yoke)

• Fits easily into most standard theatrical ellipsoidals C A A D B

B D

DESCRIPTION A B C D CATALOGUE C NUMBER DESCRIPTION A B C D CATALOGUE Drop-in Boomerang 6 1/4” 11” 11” 4” 5 1/2” 1410 NUMBER Drop-In Boomerang 7 ½” 13 3/4” 13” 5” 6 1/2” 1411 Source Four Iris 4 25/32” 5 7/16” 1/2” 3” 2180 Boomerang Handle 1415

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COLOR KINETICS® ACCESSORY HOLDERS COLOR KINETICS® TOP HATS COLOR KINETICS® EGG CRATE LOUVERS COLOR KINETICS® GLASS SPREAD LENSES

A C A C B B

Accessory Holders attach to the side of the lighting fixture (using the fixture’s pre-tapped holes) to allow Control light spill and decrease viewing angle to lens. Controls light spill and provides 45 degree cutoff. C Glass Spread Lenses are available to spread the beam the user to insert a range of accessories. They provide A a secure mounting platform, prevent accessories from DESCRIPTION A B C CATALOGUE from the standard beamspread of 22° out to 36°, 40°, or falling out if the unit is tipped or hung upside down, B NUMBER 50° (the 36°/ 50° lens projects 36° when inserted with block any stray spill light from the fixture, and can often Egg Crate Louver for 12" 4 5/8" 1/2" 120-000015-03 the ribs on the lens facing out, and 50° with the ribs accommodate more than one accessory. They are DESCRIPTION A B C CATALOGUE ColorBlast 12, White * facing in). Glass Spread Lenses drop into Accessory NUMBER required for mounting any additional accessories to Egg Crate Louver for 12" 4 5/8" 1/2" 120-000015-04 Holders and can be used in conjunction with Top Hats, Top Hat, 12 1/2" 5 3/8" 3" 120-000005-03 ColorBlaze or ColorBlast fixtures. ColorBlast 12, Black * Half Top Hats, or Egg Crate Louvers. ColorBlast 12, White * C Egg Crate Louver for 5 5/8" 4 5/8" 1/2" 120-000016-03 A Top Hat, 12 1/2" 5 3/8" 3" 120-000005-04 ColorBlast 6, White * DESCRIPTION A B C CATALOGUE ColorBlast 12, Black * NUMBER B Egg Crate Louver for 5 5/8" 4 5/8" 1/2" 120-000016-04 Top Hat, 5 5/8" 4 5/8" 3" 120-000006-03 ColorBlast 6, Black * Glass Spread Lens for ColorBlaze 17” 6 5/8” 1/8” 120-000023-00 ColorBlast 6, White * 72, 36°(ribs out) /50°(ribs in) DESCRIPTION A B C CATALOGUE Egg Crate Louver for Blast 12 11 7/8” 4” 5/8” 6346W NUMBER horizontal spread only (set of 4) Top Hat, 4 5/8” 4 5/8” 3" 120-000006-04 TR, White Accessory Holder, 68" 1/2" 1/2" 120-000001-00 ColorBlast 6, Black * Glass Spread Lens for ColorBlaze 17” 6 5/8” 1/8” 120-000023-01 Egg Crate Louver for Blast 12 11 7/8” 4” 5/8” 6346 ColorBlaze 72, White 72, 40° horizontal/vertical spread Top Hat, 24 3/4” 18” 12” 120-000092-00 TR, Black Accessory Holder, 68" 1/2" 1/2" 120-000001-01 ColorReach TR (set of 4) Egg Crate Louver for 24 3/4” 18” 2 1/4” 120-000091-00 ColorBlaze 72, Black Glass Spread Lens for ColorBlaze 14 7/8” 6 5/8” 1/8” 120-000024-00 ColorReach Pro Series Accessory Holder, 68" 1/2" 1/2" 120-000001-02 ® 48, 36°(ribs out) /50°(ribs in) ColorBlaze 72, White COLOR KINETICS HALF TOP HATS horizontal spread only (set of 3) Pro Series Accessory Holder, 68" 1/2" 1/2" 120-000001-03 Glass Spread Lens for ColorBlaze 14 7/8” 6 5/8” 1/8” 120-000024-01 ColorBlaze 72, Black ® COLOR KINETICS BARNDOORS 48, 40° horizontal/vertical spread Accessory Holder, 46" 1/2" 1/2" 120-000002-00 (set of 3) ColorBlaze 48, White A C Glass Spread Lens for ColorBlast 12 1/2" 5 1/4" 1/8" 120-000025-00 Accessory Holder, 46" 1/2" 1/2" 120-000002-01 12, 36°(ribs out) /50°(ribs in) ColorBlaze 48, Black horizontal spread only. * Pro Series Accessory Holder, 46" 1/2" 1/2" 120-000002-02 B Glass Spread Lens for ColorBlast 12 1/2" 5 1/4" 1/8" 120-000025-01 ColorBlaze 48, White 12, 40° horizontal/vertical spread. * Pro Series Accessory Holder, 46" 1/2" 1/2" 120-000002-03 Control light spill and decrease viewing angle to lens. ColorBlaze 48, Black Glass Spread Lens for ColorBlast 6 1/4" 5 1/4" 1/8" 120-000026-00 6, 36°(ribs out) /50°(ribs in) Accessory Holder, 12 3/4" 5 1/2" 1/2" 120-000003-03 C A ColorBlast 12, White horizontal spread only. * Glass Spread Lens for ColorBlast 6 1/4" 5 1/4" 1/8" 120-000026-01 Accessory Holder, 12 3/4" 5 1/2" 1/2" 120-000003-04 B Barndoors provide adjustable beam control. Movable ColorBlast 12, Black 6, 40° horizontal/vertical spread. * doors can be set to cut off stray beams where needed, Accessory Holder, 6 1/2" 5 1/2" 1/2" 120-000004-03 DESCRIPTION A B C CATALOGUE such as off of scenery or projection screens. ColorBlast 6, White NUMBER Accessory Holder, 6 1/2" 5 1/2" 1/2" 120-000004-04 Half Top Hat, 11 3/4” 4 5/8” 3” 120-000009-03 * Also fits AC Lighting Color Force / Studio Force ColorBlast 6, Black ColorBlast 12, tapering DESCRIPTION A B C CATALOGUE NUMBER Accessory Holder, 12 3/4” 6 3/4” 1” 6223W White * to 1/2” ColorBlast 12, Powercore, White Barndoor, ColorBlast 12, White * 16 1/2" 6 1/4" 1” 120-000019-03 Half Top Hat, 11 3/4” 4 5/8” 3” 120-000009-04 Accessory Holder, 12 3/4” 6 3/4” 1” 6223 ColorBlast 12, tapering Barndoor, ColorBlast 12, Black * 16 1/2" 6 1/4" 1” 120-000019-04 ColorBlast 12, Powercore Black Black * to 1/2” Barndoor, ColorBlast 6, 10 1/4" 6 1/4" 1” 120-000020-03 Accessory Holder, ColorBlast 12, 12 3/4” 6 3/4” 1” 6224W White * Powercore, Sideload, White Half Top Hat, 5 5/8" 4 5/8" 3” 120-000010-03 ColorBlast 6, tapering Barndoor, ColorBlast 6, 10 1/4" 6 1/4" 1” 120-000020-04 Accessory Holder, ColorBlast 12, 12 3/4” 6 3/4” 1” 6224 White * to 1/2”" Black * Powercore, Sideload, Black Half Top Hat, 5 5/8” 4 5/8” 3” 120-000010-04 Barndoor, Blast 12 TR, 13 3/16” 4” 2 7/16” 6340W Accessory Holder, ColorReach 26” 18 1/2” 1 7/16” 120-000090-00 White TR, w/Yoke, Black ColorBlast 6, tapering Black * to 1/2”" Barndoor, Blast 12 TR, 13 3/16” 4” 2 7/16” 6340 Accessory Holder, ColorReach 26” 18 1/2” 1 7/16” 120-000090-01 Black TR, w/Yoke & Data Enabler Tray, Half Top Hat, 24 3/4” 18” 12” 120-000093-00 Black ColorReach TR Barndoor, ColorReach TR 24 3/4” 18” 1” 120-000094-00

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COLOR KINETICS® HOLOGRAPHIC LENSES COLOR KINETICS® DIFFUSION FRAMES Rowan University Department of Theatre and Dance

Metal frames to allow insertion of diffusion material to increase beamspread or to decrease visibility of individual LEDs when viewed directly. Polycarbonate Holographic Lenses are available in a Kill Me Now Stairs To The Roof Guys and Dolls variety of symmetrical and asymmetrical beamspreads DESCRIPTION CATALOGUE to fit most lighting needs. These lenses will fit directly NUMBER (no extra accessory holder needed) into ColorBlast ColorBlaze 72, White (Set of 3) 120-000030-00 12 TR and iW Blast TR , and with the PN 6319 Lens ColorBlaze 72, Black (Set of 3) 120-000030-01 Adapter they can be used in ColorBlast 12, and ColorBlaze 48, White (Set of 2) 120-000031-00 ColorBlast 12 Powercore (accessory holder required). ColorBlaze 48, Black (Set of 2) 120-000031-01 ColorBlast 12, White. * 120-000032-03 DESCRIPTION CATALOGUE ColorBlast 12, Black. * 120-000032-04 NUMBER ColorBlast 6, White. * 120-000033-03 Blast 12 TR 10° Lens. * 6310 ColorBlast 6, Black. * 120-000033-04 Blast 12 TR 20° Lens. * 6311 ColorReach TR Diffusion Frame, PN 120-000095-00 Blast 12 TR 30° Lens. * 6312 Blast 12 TR 40° Lens. * 6313 Blast 12 TR 60° Lens. * 6314 Blast 12 TR 30° x 1° Lens. * 6315 Blast 12 TR 30° x 5° Lens. * 6316 ® Blast TR 40° x .2° Lens. * 6317 COLOR KINETICS REPLACEMENT GLASS Blast 12 TR 60° x 10° Lens. * 6318 A C

Lens Adapter. * 6319 B Blast 12 Symmetric Lens Kit (five lenses). 6320 Blast 12 Asymmetric Lens Kit (four lenses). 6321

Factory replacement glasses for CK Fixtures * Also fits AC Lighting Color Force / Studio Force Who Will Carry The Word DESCRIPTION A B C CATALOGUE NUMBER “I am the Resident Lighting designer for Rowan University. space. Again, limited power, so we had lots of small dimmers Replacement Glass for 12 1/2” 5 1/4” 1/8” 6210 ColorBlast 12, Frosted This past season I used SHoW Babys on every show. and MR16 Birdies around the space. On the first show,Stairs To The Roof, I used four SHoW Babys The fourth show was Guys And Dolls. With a limited setup time Replacement Glass for 6 1/4” 5 1/4” 1/8” 6214 ColorBlast 6, Frosted to run Wybron Cygnus LED units over the stage. and booms everywhere - we used 11 SHoW Baby units, one at each boom, to control the LED Cygnus sidelights. CTI Install New Glass in 12 1/2” 5 1/4” 1/8” 6220 On the second show, Kill Me Now, we were in a ballroom with ColorBlast 12, Frosted limited power (only six circuits) so the show needed to be The fifth show, No Vacancy, was the big dance show of the Replacement Glass for 12 1/2” 5 1/4” 1/8” 6212 almost all LED. We also had to pack up and break down three week. With a limited crew and only 12 hours of load in time, ColorBlast 12, Clear times during the tech and run, so wireless DMX was the right the SHoW Baby was again the answer. We used 14 of them Replacement Glass for 6 1/4” 5 1/4” 1/8” 6216 choice. I used four units again on this show to run the FOH this time, 10 to run the Cygnus LED booms and rotators and ColorBlast 6, Clear and to the backstage area. Six circuits and 684 channels of another three over the stage to run the moving lights.” CTI Install New Glass in 12 1/2” 5 1/4” 6222 control, all run on SHoW Babys. 1/8” Robert A. Thorpe, Lighting Designer ColorBlast 12, Clear The third show, Who Will Carry The Word, took place in an Rowan University Adhesive for CK replacement glass 6205 art studio. We used six SHoW Baby units to get around this Dept. of Theatre and Dance 12 Fl OZ

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C-CLIP TRUSS PROTECTOR™ 10” BOOM BASE MOVING LIGHT HANGERS™

• 6 Lb fixture base for use on floor or table

• 1/2” tapped centre hole for fixture mounting

• Black finish • Patented flexible Tee Slot System • Allows for fast and easy replacement of • Designed to protect expensive truss and lighting • Includes bolt and washer • Allows the user to hang and register a moving moving lights battens from damage caused by fixture clamps light to a predictable position • No refocusing of moving lights required • Provides a sacrificial barrier which absorbs DESCRIPTION CATALOGUE indentations, snaps onto 2” members and is easy to NUMBER DESCRIPTION USEAGE CATALOGUE remove 10” Boom Base 4300 NUMBER DESCRIPTION CATALOGUE Tee Slot Hang from scenery 130 NUMBER C-Clip Truss Protector™ 2” (50mm) White 1370 C-Clip Truss Protector™ 2” (50mm) Black 1371 Tee Slot for Unistrut® Hang from Unistrut 137

Tee Slot w/integral Split Coupler Attach Hang from pipe or truss 138

Tee Head with Knob Attach to moving light or conventional fixture 135

The Broadway cast of Matilda The Musical Lighting Design: Hugh Vanstone Single Point Tee Head For single point fixtures such as VL5 or VL6 139 Wireless data by SHoW DMX Neo Photograph: Joan Marcus

Dual round Tee Head w/ Spacer Stiffens the channels on top of VL2000/VL3000 142 Bar for VL2000/VL3000/VL3500

Dual round Tee Head w/Spacer Stiffens the omega clamp on top of MAC 2000 143 Bar for Mac2000/Mac700

Single Point Tee Head For single point fixtures such as Mac 250/300 146 for Martin 250/300

Tee Slot Alignment Tool Perfectly spaces pairs of Tee Slots on 10” Center 190 (not shown)

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TRACK TAMERS™ SAFER SIDEARMS™ • Track Tamers™ separate the lockdown of • Safer Sidearms transfer the load from the lighting the track from the lockdown of the lighting fixture back to the structural pipe fixture • Safer Sidearm Junior augments a standard sidearm, • Easier and faster to hang equipment while the others replace them.

• Rated working load 500lbs (226 kg) (10-1 safety factor)

DESCRIPTION USEAGE CATALOGUE DESCRIPTION CATALOGUE NUMBER NUMBER Track Tamer with Hex Nut (metric) Hang equipment from Unistrut® 520M Better Boom Arm (Uses 48mm tube, not included) 210M

Track Tamer with Knob (metric) Hang equipment from Unistrut® 521M Safer Sidearm Original (uses ½” pipe) 200

Track Tamer with Aluminum Adapt Unistrut® to pipe 523 Safer Sidearm Original w/ 18” of ½” pipe and one sliding tee 202 Split Coupler

Safer Sidearm Original w/ 24” of ½” pipe and two sliding tees 204 Track Tamer with Galvanized Clamp Adapt Unistrut® to pipe 525 and Hex Nut

Safer Sidearm Junior 220

Track Tamer with Hex Nut and 5/8" Hang film or video equipment from Unistrut® 530 Male Pin Pipe end tail down (includes 6’ of 1 ½” pipe) 290

Track Tamer with Knob and 5/8" Hang film or video equipment from Unistrut® 531 Male Pin

Warranty City Theatrical, Inc. warrants to the original purchaser that the Customers requiring repair of their equipment should obtain an equipment offered will be free from defects in workmanship and RMA# from City Theatrical. Equipment should be suitably packaged, material for a period of two years from date of purchase. During the including a note with the owner’s name and address and a description warranty period, units will be repaired or replaced at the option of City of the reason for return. Ship package prepaid and insured. City Theatrical, Inc. Theatrical cannot be responsible for loss or damage in shipment. The warranty does not extend to any parts of the unit that have been UNLESS EXCLUSIONS ARE SPECIFICALLY FORBIDDEN BY LAW, subjected to misuse or accident. Neither does the warranty cover CITY THEATRICAL SHALL NOT BE LIABLE FOR INCIDENTAL any product that has been modified or repaired at other than an OR CONSEQUENTIAL DAMAGES ARISING FROM THE USE OR authorized repair station. The warranty will not apply if procedures FAILURE OF THIS PRODUCT, INCLUDING INJURY TO PERSONS OR described in any Operations Manual are not followed. PROPERTY. This warranty does not include shipping to or from City Theatrical Ltd. Unless otherwise stipulated by law, all warranties, expressed or implied, are limited to the period of this warranty. © 2013 City Theatrical, Inc. All rights reserved

SEE WEBSITE FOR DETAILED PRODUCT INFORMATION/SPECIFICATIONS/VIDEOS WWW.CITYTHEATRICAL.COM OR PHONE +44 (0)20 8949 5051 52 53 City Theatrical worked closely with UK specialist lighting contractor Howard Eaton to realise the demanding wireless DMX requirements for Charlie and the Chocolate Factory. As well as using SHoW DMX Neo® Transceivers and Receivers, the production marked the first use of the new D2 and D4 Dimmers.

Lighting Designer: Paul Pyant Photograph: Helen Maybanks

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