Master Thesis

Total Page:16

File Type:pdf, Size:1020Kb

Master Thesis A BARBIE DOLLS 2013 CASE Master’s Thesis Audrey E. Martins MIS CLASS 3 Table of contents Aknowledgment……………………………………………………Page . 4 Introduction …………………………………………..……………Page. 5 Part 1 - History & Presentation………………………………………...Page. 9 1.1 Presentation of the company & sectors…………………...……Page. 9 1.2 Target of Mattel and Barbie……………………………….……..Page. 10 1.3 Relevant Data on the product and enterprise……………….…Page. 11 1.4 Presentation of the market, China & the U.S…………………Page. 12 1.5 Why is this hypothesis relevant?..............................................Page. 17 1.6 The product………………………………………………………..Page. 21 Part 2 - Field study…………………………………………….……..…..Page. 26 2.1 Introducing gender…………………………………………….…Page. 26 2.2 What important/relevant authors have to say?.......................Page. 27 2.3 Gender sexual roles in sociology……………………………...Page. 32 2.4 Influence of gender on packaging and color neutral ideas……………………………………………………………………Page. 33 1 2.5 Subculture definitions and why is it relevant to consider……………………………………………………………..…….Page. 40 2.6. Presentation of the product…………………………..……...……Page. 42 2.7 Why did this product failed in China when it is successful in the U.S?..................................................................................................Page. 45 Part 3 - Results……………………………………………………….…..Page. 50 3.1 Comparison with competitors..................................................Page. 59 3.2 Market & Strategy...................................................................Page. 65 3.3 Recommendations, What can we do to improve the sales?.. Page. 68 3.4 How to innovate and make the sales soar?..........................Page. 72 Conclusion…………………………………………………………....…...Page. 78 Bibliography…………………………………………………….….……...Page. 80 Appendixes………………………………………………….…………….Page. 84 A - SWOT………………………………………………….…………..…..Page. 85 B - Products………………………………………………….……………Page. 86 C – Real life size………………………………………………….………Page. 87 This work is copyrighted and cannot be USED nor QUOTED without WRITTEN consent from AUDREY MARTINS. Copyright @2012 2 Abstract: Barbie dolls are one of the power products for girls worldwide. Mattel’s Barbie is a known brand and its product’s face is among one of the most famous image in the world. However, we have to keep in mind the fact that no two countries work the same way nor do they have a similar culture. In the case of this study, it was forgotten that products should sometimes look differently and be advertised differently for it to work and have important sales. Gender is the main component of this study, not only for the packaging side but for the product aspect as well, a product should always reflect the culture of the country it is sold in. We will here compare two countries and cultures – China & the U.S.A will be compared in terms of gender, culture and Barbie sales, we want to understand why a famous product failed to be as successful in China as it is in the U.S. Barbie est l’une des marques pour filles la plus connue dans le monde. Barbie, possédé par le groupe Mattel est reconnue et la tête de son produit phare fait partie des images les plus célèbre. Cependant, nous nous devons de garder à l’esprit le fait que deux sociétés ne fonctionne pas de la même manière, elles ne possèdent pas non plus une même culture. Dans le cas de cette étude, cette variable a été oubliée, le fait que deux produits devraient parfois avoir l’avoir différent et ressortir différemment de manière à ce qu’ils fonctionnent et que leurs ventes soient conséquentes. Le genre fait partie des variables les plus importantes de cette étude, pas seulement pour l’aspect de l’emballage mais le produit même, ce doit de refléter la culture dans laquelle le produit est vendu. Nous allons comparer ici deux Pays et cultures – la Chine et les Etats-Unis à la fois le genre, la culture et les ventes mêmes de ces poupées, nous souhaitons comprendre pourquoi un produit reconnue aux États-Unis n’a pas réussi à atteindre ce même niveau de succès en Chine. 3 Acknowledgement: I would like to start my thank yous by appreciating the wonderful work the Universite d’Evry Val d’Essonnes as well as the University of Connecticut (UCONN) did in teaching me tons of materials so I can study a culture and look around in order to keep an open-mind and be amazed every day. Thank you to the wonderful sociology instructors and professors I had and was lucky enough to meet along the way for teaching me how a society thinks and how we can always change what we want by understanding it better and fighting in what we believe in. I would like to thank my wonderful family, my mom & dad for always pushing me to reach higher & for being behind me 200%. Thank you for teaching me to never give up when I set my mind to achieve something and to always try to be the best in what I love. Thank you to my little sister Ali for making me laugh and being such an inspiration every day. Thank you to Alex my wonderful big brother for being the best role model anyone could ask for, you showed me the way and how to always fight for what you believe in. Thank you so much for all you have done for me and for always believing in me. I love you all so much. I would also like to thank my best friends, Laurine TORRENT, Marine LECOMTE, Diamir DESCALLY, Bethaney JUEN & Grant HUNTER for always being there for me, making me laugh and believing in me – I am so thankful every day to have friends like you five and I love you with all my heart. Lastly, I would like to thank my fellow marketing (MIS CLASS 3) students (especially Maylis, Marion, Andrea, Anne-Sophie, etc.) for being a wonderful team in class projects all year long. Thanks also INSEEC and its professors who taught me how to make a product work – I will always keep in mind what you taught me and will try my very best to make INSEEC proud in my future endeavors by being the best I can be. 4 Introduction: Throughout this thesis, we will study the brand Barbie. However, since it is mostly known as a girlie brand, I decided to emphasize the gender roles and colors of this brand and to compare these gender roles in two different countries. The problematic of this thesis is as follow: A Barbie Case of Mattel’s Barbie sales in the U.S & China – Why did it fail in China and why should we take into account the different gendered roles in these two societies? We will see here how one mistake, not taking one component into the equation can determine if a product is more likely to fail or to succeed. In this case study I chose to study two countries. Firstly, I chose the U.S because it is the country of origin of this brand, as well as one of the countries where it is the most developed and it sells most of its products. I picked China because even though the brand and product succeeded in the U.S it wasn’t the case in China. If we consider what could explain this failure, we can come up with a variety of reasons. However, I found that gender roles were the main components. Gender, as we know it, allows us to comprehend a society and its beings through a stereotyped perspective. By not taking such a variable into account we are sure to fail in understanding the needs and habits of our customers. Gender will impact the product itself, as well as the packaging (what colors? What writing? What materials? Etc.) and advertising (should we show little girls playing dress-up with their Barbie dolls or going to school? Putting make-up on, taking care of families? Playing alongside a guy friend or a brother or with other girlfriends?). These questions are some of the ones we should always keep in mind whenever we want to launch and sell a new product in a new market. However, we will show how this variable of cultural gender role was forgotten and it participated in Barbie failing to reach its sales quota in China. Not only were cultural differences 5 forgotten, they also tried to sell an American product (full of cultural values) in a market that had different habits. I chose to write my master’s thesis about this particular brand and subject having studied sociology for 5 years and being especially interested in gender studies. Growing up I loved Barbie dolls and the color pink, however having a brother I was also used to play with boys’ oriented toys, so I wondered from a very young age how come it was appropriate for me to play house with dolls and dress-up and like pink when it wasn’t seen as appropriate for me to fight, play tag or play with cars and plastic guns. It’s why I decided to study this brand and see how forgetting this variable as well as the subculture and cultures of a society can explain the failure in China’s market. I also wanted to study Gendered toys – by gendered toys, I mean toys that are targeted not only to a specific age, but also to a gender, and to one extent a biological sex. Numerous sociologists have debated that gender and biological sex do NOT have to be related, for example a woman can have a masculine gender and be attributed social traits whereas a man can have a feminine gender. However, since femininity and feminine traits such as pink, girly, frivolous, weak, caring, etc. and masculine traits the likes of physical strength, blue/green, virility, etc. are most commonly attributed to women and to men, we can say that these so called gendered toys are also targeting a particular biological sex, or more likely, a particular gender.
Recommended publications
  • Barbie® Photo Fashion™ Doll Snaps Her Way to the Top of Hot Holiday Toy Lists
    October 8, 2012 Barbie® Photo Fashion™ Doll Snaps Her Way to the Top of Hot Holiday Toy Lists A Fashion Doll and a Digital Camera in One, Barbie® Photo Fashion™ Doll Captures the World through a Whole New Lens EL SEGUNDO, Calif.--(BUSINESS WIRE)-- Barbie® doll has unveiled the newest innovation fashion doll — and it is already topping holiday wish lists. Combining technology and fashion like never-before, the 11.5-inch doll is also a 0.3 megapixel digital camera that makes it easy for girls to point, shoot and style their own photo-to-fashion statement as the snapped images are instantly displayed on Barbie doll's LCD shirt screen. Barbie® Photo Fashion™ doll was recently named one of the "Most Wanted Toys of 2012" at toy and influencer industry event Time to Play in New York City on September 28th. In addition, Parenting magazine named the doll "Best in Play 2012" and one of the most innovative toys in Mattel's portfolio. Furthermore, Barbie® Photo Fashion™ doll received The Oppenheim Toy Portfolio Platinum award for most innovative, engaging new product of the year as well as recognition on retailer Target's annual "Top 20 Toy List" for holiday 2012. "As the world's most popular fashion doll, Barbie has always been at the forefront of fashion and imaginative play for girls," said Cathy Cline, vice president of Barbie® marketing. "And Barbie Photo Fashion doll lets girls do what they love most -- capture, create and customize their world through the lens of their favorite doll." The digital camera features 4 MB of memory and stores up to 200 photos that can be downloaded to make room for more photo-taking fun.
    [Show full text]
  • Newsletter Still Doesn't Have Any Reporting on Direct Queries and Submissions To: Recent Developments in U.S
    N ewsletter NoVEMbER, 1991 VolUME 5 NuMbER 5 SpEciAl JournaL Issue In This Issue................................................................ 2 The Speed of DAnksess ancI "CrazecJ V ets on tHe oorstep rama e o s e PublJshER's S tatement, by Ka U TaL .............................5 D D ," by DAvId J. D R ...............40 REMF Books, by DAvid WHLs o n .............................. 45 A nnouncements, Notices, & Re p o r t s ......................... 4 eter C ortez In DarIen, by ALan FarreU ........................... 22 PoETRy, by P D ssy............................................4 4 FIctIon: Hie Romance of Vietnam, VoIces fROM tHe Past: TTie SearcTi foR Hanoi HannaK by RENNy ChRlsTophER...................................... 24 by Don NortTi ...................................................44 A FiREbAlL In tBe Nlqlrr, by WHUam M. KiNq...........25 H ollyw ood CoNfidENTlAl: 1, b y FREd GARdNER........ 50 Topics foR VJetnamese-U.S. C ooperation, PoETRy, by DennIs FRiTziNqER................................... 57 by Tran Qoock VuoNq....................................... 27 Ths A ll CWnese M ercenary BAskETbAll Tournament, Science FIctIon: This TIme It's War, by PauI OLim a r t ................................................ 57 by ALascIaIr SpARk.............................................29 (Not Much of a) War Story, by Norman LanquIst ...59 M y Last War, by Ernest Spen cer ............................50 Poetry, by Norman LanquIs t ...................................60 M etaphor ancI War, by GEORqE LAkoff....................52 A notBer
    [Show full text]
  • Feb. Date for CIP Vote
    FLORIDA ATLANTIC STATE UNIVERSITY OPENS IN BOCA RATON IN 1964 Largest Circulation Boca Raton News Bldg. Of Any Newspaper 34 IE. Second St, In Boca Raton Area BOCA RATON NEWS Phone 395-5121 VOL. 7 NO. 44 Boca Raton, Palm Beach County, Florida, Thursday, September 27, 1962 16 Pages PRICE TEN CENTS Feb. Date for CIP Vote Commission Will Study Dickinson Speaks Here-Sees FAU Organization of-Ballot A referendum on Boca In the past the City Becoming 'Cambridge of America' Raton's proposed Capital Commissioners have indi- Former State Senator He said the Council is Improvement Program will cated a desire to provide Fred O. "Bud" Dickinson, now working on the three- be held next February. as many categories as chairman of the Florida acre Florida exhibit to be The City Commission, possible on the ballot. In Council of 100, was guest set up at the New York at its regular . meeting this way, voters would be speaker at the Rotary Club World's Fair in a choice Tuesday, set the second able to express different yesterday. location. He told how tele- Tuesday in February as opinions on many of the vision shows such as the date for a referendum individual projects pro- "The glory of Florida is Arthur Godfrey's were in- on the program. The date posed. State laws require not what happened yester- duced to come to Florida coincides with the date of certain divisions on the day, but what is happening and how the show "Today" the primary election for ballot, today and the even great- is televised from the RCA City Commission candi- The City's Board of er and brighter happenings Building in New York dates.
    [Show full text]
  • Heritage Marketing
    Heritage Marketing Shashi Misiura AMSTERDAM • BOSTON • HE DELBERG • LONDON • NEW YORK • OXFORD PARIS • SAN D EGO • SAN FRANCISCO • SINGAPORE • SYDNEY • T OKYO Butterworth-Heinemann is an imprint of Elsevier Butterworth-Heinemann is an imprint of Elsevier Linacre House, Jordan Hill, Oxford OX2 8DP 30 Corporate Drive, Suite 400, Burlington, MA 01803 First published 2006 Copyright © 2006, Elsevier Ltd. All rights reserved No part of this publication may be reproduced in any material form (including photo- copying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1T 4LP. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publisher Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, e-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://www.elsevier.com), by selecting ‘Customer Support’ and then ‘Obtaining Permissions’ British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in
    [Show full text]
  • Fifty Years After She First Hit Toy Shops, 'Sindy' Doll Seeks
    Strictly embargoed until 00.01hrs on Monday 2 July 2012 FIFTY YEARS AFTER SHE FIRST HIT TOY SHOPS, ‘SINDY’ DOLL SEEKS A LONG TERM PARTNER Global brand owners expected to show interest in iconic British doll Exeter, 2 July 2012 – After nearly 50 years, the British owner of the Sindy doll brand is looking for a long-term partner to help develop the core range of dolls. For generations of young girls Sindy has been a friend, confidante and cherished toy. The Sindy doll was launched in 1963, and for decades dominated the fashion doll market in Britain. Sindy has repeatedly been the best-selling toy, both in the UK and in overseas markets. Now, Sindy’s Exeter-based owner, Pedigree Toys, is to license or share equity in the iconic brand as part of a strategic shift towards its publishing and third party licensing businesses. Jerry Reynolds, CEO of Pedigree Group Ltd, commented: “Few brands have the emotive power and name recognition of Sindy. Millions of women in Britain grew up playing with her, and have fond memories of their days as ‘Sindy girls’. 1 “Over the years Sindy’s outfits have reflected changing fashions, and her hemlines rose and fell accordingly. But she has never lost her image as the demure girl next door – an enduring image that continues to appeal to young girls around the world. “The core of the Sindy brand remains the development and marketing of fashion dolls. As a business, Pedigree has moved away from toy manufacturing to focus on publishing and third party licensing.
    [Show full text]
  • Ghouls, Dolls, and Girlhoods: Fashion and Horror at Monster High
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks Ghouls, Dolls, and Girlhoods: Fashion and Horror at Monster High Karen E. Wohlwend In Generation Z: Zombies, Popular Culture, and Educating Youth Edited by Victoria Carrington, Jennifer Rowsell, Esther Priyadharshini, Rebecca Westrup This is a preprint; the definitive version is in press at http://www.springer.com/us/ Wohlwend, K. E. (In press). Ghouls, dolls, and girlhoods: Fashion and horror at Monster High. In V. Carrington, J. Rowsell, E. Priyadharshini & R. Westrup (Eds.), Generation Z: Zombies, popular culture, and educating youth. New York: Springer. Girls, Ghouls, and Girlhoods: Horror and Fashion at Monster High Introduction How does a zombie doll in a popular horror franchise for tween girls serve as a productive site of contestation among overlapping visions of girlhood? In this chapter, I examine Ghoulia Yelps, a zombie character in the popular Monster High fashion doll franchise, not only as a toy in a global flow of licensed consumer goods but also as a site of identity construction and digital media production where facile notions of girlhoods are both enacted and reimagined (Forman- Brunell, 2012). Monster High is reconceptualized here as the site of converging cultural imaginaries (Medina & Wohlwend, 2014) in which children play in and out of gendered futures around fashion, adolescence, diversity, and schooling. Critical analysis of tween girls’ digital play with a zombie doll on social media reveals the resonances, slippages, and paradoxes among identity texts produced about, for, and by girls. After describing the scope of the Monster High franchise and how it materializes expectations for characters, consumers, and players, I next examine how these dolls and identity texts circulate three dominant imaginaries of girlhood.
    [Show full text]
  • Barbie® Doll's Friends and Relatives Since 1980
    BARBIE® DOLL’S FRIENDS AND RELATIVES SINCE 1980 1980 1987 Beauty Secrets Christie #1295 Jewel Secrets Ken #1719 Kissing Christie #2955 Jewel Secrets Ken (African American) #3232 Scott (Skippers Boyfriend) #1019 Jewel Secrets Whitney #3179 Sport and Shave Ken #1294 Jewel Secrets Skipper #3133 Sun Lovin’ Malibu Christie #7745 Revised Rocker Dana #3158 Sun Lovin’ Malibu P.J. #1187 Revised Rocker Dee Dee #3160 Sun Lovin’ Malibu Skipper #1019 Revised Rocker Derek #3137 Super Teen Skipper #2756 Revised Rocker Diva #3159 Revised Rocker Ken #3131 1981 Golden Dream Christie #3249 1988 Roller Skating Ken #1881 California Dream Christie #4443 California Dream Ken #4441 1982 California Dream Midge #4442 Star Ken #3553 California Dream Teresa #5503 Fashions Jeans Ken #5316 Cheerleader Teen Skipper #5893 Pink and Pretty Christie #3555 Island Fun Christie #4092 Sunsational Malibu Christie #7745 Island Fun Miko #4065 Sunsational Malibu P.J. #1187 Island Fun Skipper #4064 Sunsational Malibu Ken #1088 Island Fun Steven #4093 Sunsational Malibu Ken (African American) #3849 Island Fun Teresa #4117 Sunsational Malibu Skipper #1069 Party Teen Skipper #5899 Western Ken #3600 Perfume Giving Ken #4554 Perfume Giving Ken (African American) #4555 1983 Perfume Giving Whitney #4557 Barbie & Friends Pack #4431 Sensation Becky #4977 Dream Date Ken #4077 Sensation Belinda #4976 Dream Date P.J. #5869 Sensation Bobsy #4967 Horse Lovin’ Ken #3600 Teen Sweetheart Skipper #4855 Horse Lovin’ Skipper #5029 Workout Teen Skipper #3899 Todd (Ken’s Handsome Friend) #4253 Tracy (Barbie’s Beautiful Friend) #4103 1989 Animal Lovin’ Ken #1351 1984 Animal Lovin’ Nikki #1352 Crystal Ken #4898 Beach Blast Christie #3253 Great Shape Ken #7318 Beach Blast Ken #3238 Great Shape Skipper #7414 Beach Blast Miko #3244 Sun Gold Malibu Ken #1088 Beach Blast Skipper #3242 Sun Gold Malibu P.J.
    [Show full text]
  • Move Over, Bratz . . . Here's Proverbs Babe
    Move over, Bratz . here’s Proverbs babe - Times Online Page 1 of 2 THE TIMES THE SUNDAY TIMES TIMES+ The Times The Sunday Times Archive Article Please enjoy this article from The Times & The Sunday Times archives. For full access to our content, please subscribe here From The Sunday Times December 23, 2007 Move over, Bratz . here’s Proverbs babe Will children brought up with Sindy dolls and Action Man really take to Bible figurines, asks Amanda Foreman What if our son starts swinging naked Jesus by his hair? We were presented with this dilemma after One2believe, an evangelical toy company, sent us a selection from its new range of biblical dolls. According to the company’s own press material, its goal is to challenge the dominance of secular toys. With nothing more than double-joints and removable sandals, One2believe wants to rescue the young from the horrors of their toy box. Away with smutty Bratz and slutty Barbie and welcome to modest Mary. The company knows it is up against a ferocious marketing machine. To illustrate the point, the official website has a Thunderbirds-like video of the Samson and Goliath dolls hurling themselves at each other, gladiator style. The website urges shoppers to “join the battle” by downloading posters and handing them out at church. In real life, the tiny company has already experienced its Goliath moment. As of this week Amazon and the retailing giant Wal- Mart have sold out of all their talking Jesus dolls. But, I wondered, is getting the dolls under the Christmas tree only half the struggle? Will children whose aesthetic sense begins and ends with the size of plastic lips be swayed by more wholesome fare? Will they eschew bubble-gum pink polyester for tasteful sackcloth? My three older children, Helena, Theo and Halcyon, aged 5, 3, and 2 respectively, have never been short of dolls.
    [Show full text]
  • Doll Collecting; a Course Designed for the Adult Education Student. PUB DATE Jul 74 NOTE 145P.; Ed.D
    DOCUMENT RESUME ED 099 543 CE 002 628 AUTHOR Berger, Betty M. TITLE Doll Collecting; A Course Designed for the Adult Education Student. PUB DATE Jul 74 NOTE 145p.; Ed.D. Dissertation, Walden University EDRS PRICE MF-$0.75 HC-$6.60 PLUS POSTAGE DESCRIPTORS *Adult Education; *Course Content; Course Descriptions; *Doctoral Theses; Teacher Developed Materials; *Teaching Techniques IDENTIFIERS *Doll Collecting ABSTRACT The author has attempted to organize the many materials to be found on doll collecting into a course which will provide a foundation of know]edge for appreciating and evaluating old dolls. The course has been divided into sessions in which old dolls will be studied by type (images, idols, and early playthings; child, doll, and social realities; wooden dolls; wax dolls; papier mache and composition; china and parian; bisque dolls, cloth dolls; celluloid, metal, leather, and rubber dolls; and doll art in America) in basically the same chronological order in which they achieved popularity in the marketplace (1800-1925). The instructor is urged to employ a variety of teaching strategies in the presentation of the material. A mixture of lecture, slides, show and tell, and much student participation is encouraged. Handouts are provided whichcan be given to students at the end of each session. Brief annotated bibliographies appear at the end of each chapter,as well as a selected bibliography at the end of the course. Thecourse has been designed to introduce the beginning doll collector to the techniques employed in the manufacture of old dolls, to help the novice identify a doll of excellent artistic merit, and to acquaint the collector with some of the better known names in doll making.
    [Show full text]
  • Crissy and More Crissy
    Crissy and More Crissy Copyright, May 2005 By Beth-Ellen Colvin (formerly Gunther) All rights reserved, please write for reprint permission Intellectual property laws apply I am often asked for MORE, MORE, MORE information about Crissy and her family & friends. The fact is, I could write a second volume about her, but my publisher tells me the time is not right for one. Time will tell, right!? Until then, this is what you get. This document will be updated on occasion with new information. Contents More history, more information Page 1 What ARE those catalog outfits?? Page 4 What about after-market clothing? Page 5 Ideal issued clothing Page 5 Accessories, cases, paper products Page 6 eBay rules of the road Page 7 Production information Page 10 Other dolls with Crissy’s body Page 12 Will Crissy ever be reissued??? Page 13 Tips! Page 14 Customizations Page 16 So-called rarities NOT! Page 17 1 More history, more information I am imagining here, that you’ve already read my book. Then, as a well-read collector (grin) you already know that every single detail and fact cannot be included in one volume. In fact, my very own publisher left a lot of my pages out of my book in order to keep the costs down (heavy sigh). Let’s get down to business then. Crissy was made from 1969 to 1974 for the first of the original dolls. This does not include the Magic Hair Crissy of 1977. She is a totally different doll. There were two issues released in 1969, hair to her feet and hair to her bottom.
    [Show full text]
  • Barbie® Doll to Unveil a "New Face" on Her 50Th Birthday with Unveiling of the 2009 Bathing Suit Barbie® Doll
    Barbie® Doll to Unveil a "New Face" on Her 50th Birthday with Unveiling of the 2009 Bathing Suit Barbie® Doll Life-size Barbie(R) Dream House(R) in Malibu, Calif., to Play Host to Huge Barbie(R) Birthday Bash on March 9th MALIBU, Calif., Mar 04, 2009 (BUSINESS WIRE) -- On Monday, March 9th, 50 years to the day she was first introduced at New York Toy Fair in her now famous black-and-white striped bathing suit, Barbie(R) will reveal an entirely new look with the unveiling of the 2009 Black-and-White Bathing suit doll. Designed as a modern interpretation of the original 1959 doll, the new BathingSuit Barbie(R) doll unveils a brand new face sculpt for Barbie(R) doll. Additionally, the new doll - to be revealed at midnight on Monday, March 9th - will have a throwback price, sold at Barbie(R) doll's 1959 price of $3 for one week (March 9- 14 at participating retailers). Also on Monday, Barbie(R) will celebrate her 50th birthday with a major pink-carpet celebrity birthday bash at a REAL Barbie(R) Malibu Dream House(R) - a 3,500 square foot house in Malibu decorated by famed "Happy Chic" interior designer Jonathan Adler. With features such as skirted, corseted, lace-up "dress" chairs, a chandelier made of Barbie(R) hair, a closet filled with thousands of shoes, a sunburst mirror made from 65 Barbie(R) dolls, and a garage that includes a real Barbie(R) Volkswagen New Beetle car (all pink with a motorized, pop up vanity in the trunk), the house brings to life all the fantasy and fashion of Barbie(R) in a real modern day Dream House(R).
    [Show full text]
  • Barbie As Cultural Compass
    College of the Holy Cross CrossWorks Sociology Student Scholarship Sociology & Anthropology Department 5-2017 Barbie As Cultural Compass: Embodiment, Representation, and Resistance Surrounding the World’s Most Iconized Doll Hannah Tulinski College of the Holy Cross, [email protected] Follow this and additional works at: http://crossworks.holycross.edu/soc_student_scholarship Part of the American Material Culture Commons, Feminist, Gender, and Sexuality Studies Commons, and the Gender and Sexuality Commons Recommended Citation Tulinski, Hannah, "Barbie As Cultural Compass: Embodiment, Representation, and Resistance Surrounding the World’s Most Iconized Doll" (2017). Sociology Student Scholarship. 1. http://crossworks.holycross.edu/soc_student_scholarship/1 This Department Honors Thesis is brought to you for free and open access by the Sociology & Anthropology Department at CrossWorks. It has been accepted for inclusion in Sociology Student Scholarship by an authorized administrator of CrossWorks. “Barbie As Cultural Compass: Embodiment, Representation, and Resistance Surrounding the World’s Most Iconized Doll” Hannah Rose Tulinski Department of Sociology & Anthropology College of the Holy Cross May 2017 Table of Contents Acknowledgements 3 Abstract 4 Chapter 1: Barbie™ 5 Chapter 2: Cultural Objects and the Meaning of Representation 30 Chapter 3: Locating Culture in Discourse 45 Chapter 4: Barbie’s World is Our World 51 Chapter 5: Competing Directions of Cultural Production 74 Chapter 6: Role Threat 89 Role Transformation 104 Discussion 113 References 116 Appendix I: Popular Discourse 122 Appendix II: Scholarly Discourse 129 2 Acknowledgements First, thank you to Professor Selina Gallo-Cruz, who not only advised this thesis project but also who has mentored me throughout my development at College of the Holy Cross.
    [Show full text]