University of São Paulo
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Media Player Codec Pack Version 4.1 Media Player Codec Pack
download media player codec pack version 4.1 Media Player Codec Pack. Description: In Microsoft Windows 10 it is not possible to set all file associations using an installer. Microsoft chose to block changes of file associations with the introduction of their Zune players. Third party codecs are also blocked in some instances, preventing some files from playing in the Zune players. A simple workaround for this problem is to switch playback of video and music files to Windows Media Player manually. In start menu click on the "Settings". In the "Windows Settings" window click on "System". On the "System" pane click on "Default apps". On the "Choose default applications" pane click on "Films & TV" under "Video Player". On the "Choose an application" pop up menu click on "Windows Media Player" to set Windows Media Player as the default player for video files. Footnote: The same method can be used to apply file associations for music, by simply clicking on "Groove Music" under "Media Player" instead of changing Video Player in step 4. Media Player Codec Pack Plus. Codec's Explained: A codec is a piece of software on either a device or computer capable of encoding and/or decoding video and/or audio data from files, streams and broadcasts. The word Codec is a portmanteau of ' co mpressor- dec ompressor' Compression types that you will be able to play include: x264 | x265 | h.265 | HEVC | 10bit x265 | 10bit x264 | AVCHD | AVC DivX | XviD | MP4 | MPEG4 | MPEG2 and many more. File types you will be able to play include: .bdmv | .evo | .hevc | .mkv | .avi | .flv | .webm | .mp4 | .m4v | .m4a | .ts | .ogm .ac3 | .dts | .alac | .flac | .ape | .aac | .ogg | .ofr | .mpc | .3gp and many more. -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
Rate-Distortion-Complexity Optimization of Video Encoders with Applications to Sign Language Video Compression
Rate-Distortion-Complexity Optimization of Video Encoders with Applications to Sign Language Video Compression Rahul Vanam A dissertation submitted in partial ful¯llment of the requirements for the degree of Doctor of Philosophy University of Washington 2010 Program Authorized to O®er Degree: Electrical Engineering University of Washington Graduate School This is to certify that I have examined this copy of a doctoral dissertation by Rahul Vanam and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the ¯nal examining committee have been made. Co-Chairs of the Supervisory Committee: Eve A. Riskin Richard E. Ladner Reading Committee: Eve A. Riskin Richard E. Ladner Maya R. Gupta Date: In presenting this dissertation in partial ful¯llment of the requirements for the doctoral degree at the University of Washington, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of this dissertation is allowable only for scholarly purposes, consistent with \fair use" as prescribed in the U.S. Copyright Law. Requests for copying or reproduction of this dissertation may be referred to Proquest Information and Learning, 300 North Zeeb Road, Ann Arbor, MI 48106-1346, 1-800-521-0600, to whom the author has granted \the right to reproduce and sell (a) copies of the manuscript in microform and/or (b) printed copies of the manuscript made from microform." Signature Date University of Washington Abstract Rate-Distortion-Complexity Optimization of Video Encoders with Applications to Sign Language Video Compression Rahul Vanam Co-Chairs of the Supervisory Committee: Professor Eve A. -
Supported Codecs and Formats Codecs
Supported Codecs and Formats Codecs: D..... = Decoding supported .E.... = Encoding supported ..V... = Video codec ..A... = Audio codec ..S... = Subtitle codec ...I.. = Intra frame-only codec ....L. = Lossy compression .....S = Lossless compression ------- D.VI.. 012v Uncompressed 4:2:2 10-bit D.V.L. 4xm 4X Movie D.VI.S 8bps QuickTime 8BPS video .EVIL. a64_multi Multicolor charset for Commodore 64 (encoders: a64multi ) .EVIL. a64_multi5 Multicolor charset for Commodore 64, extended with 5th color (colram) (encoders: a64multi5 ) D.V..S aasc Autodesk RLE D.VIL. aic Apple Intermediate Codec DEVIL. amv AMV Video D.V.L. anm Deluxe Paint Animation D.V.L. ansi ASCII/ANSI art DEVIL. asv1 ASUS V1 DEVIL. asv2 ASUS V2 D.VIL. aura Auravision AURA D.VIL. aura2 Auravision Aura 2 D.V... avrn Avid AVI Codec DEVI.. avrp Avid 1:1 10-bit RGB Packer D.V.L. avs AVS (Audio Video Standard) video DEVI.. avui Avid Meridien Uncompressed DEVI.. ayuv Uncompressed packed MS 4:4:4:4 D.V.L. bethsoftvid Bethesda VID video D.V.L. bfi Brute Force & Ignorance D.V.L. binkvideo Bink video D.VI.. bintext Binary text DEVI.S bmp BMP (Windows and OS/2 bitmap) D.V..S bmv_video Discworld II BMV video D.VI.S brender_pix BRender PIX image D.V.L. c93 Interplay C93 D.V.L. cavs Chinese AVS (Audio Video Standard) (AVS1-P2, JiZhun profile) D.V.L. cdgraphics CD Graphics video D.VIL. cdxl Commodore CDXL video D.V.L. cinepak Cinepak DEVIL. cljr Cirrus Logic AccuPak D.VI.S cllc Canopus Lossless Codec D.V.L. -
Optimization Methods for Data Compression
OPTIMIZATION METHODS FOR DATA COMPRESSION A Dissertation Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Computer Science James A. Storer Advisor In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Giovanni Motta May 2002 This dissertation, directed and approved by Giovanni Motta's Committee, has been accepted and approved by the Graduate Faculty of Brandeis University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY _________________________ Dean of Arts and Sciences Dissertation Committee __________________________ James A. Storer ____________________________ Martin Cohn ____________________________ Jordan Pollack ____________________________ Bruno Carpentieri ii To My Parents. iii ACKNOWLEDGEMENTS I wish to thank: Bruno Carpentieri, Martin Cohn, Antonella Di Lillo, Jordan Pollack, Francesco Rizzo, James Storer for their support and collaboration. I also thank Jeanne DeBaie, Myrna Fox, Julio Santana for making my life at Brandeis easier and enjoyable. iv ABSTRACT Optimization Methods for Data Compression A dissertation presented to the Faculty of the Graduate School of Arts and Sciences of Brandeis University, Waltham, Massachusetts by Giovanni Motta Many data compression algorithms use ad–hoc techniques to compress data efficiently. Only in very few cases, can data compressors be proved to achieve optimality on a specific information source, and even in these cases, algorithms often use sub–optimal procedures in their execution. It is appropriate to ask whether the replacement of a sub–optimal strategy by an optimal one in the execution of a given algorithm results in a substantial improvement of its performance. Because of the differences between algorithms the answer to this question is domain dependent and our investigation is based on a case–by–case analysis of the effects of using an optimization procedure in a data compression algorithm. -
Data Compression II (Codecs and Container Formats)
Data Compression II (Codecs and Container Formats) 7. Data Compression II - Copyright © Denis Hamelin - Ryerson University Codecs A codec is a device or program capable of performing encoding and decoding on a digital data stream or signal. The word codec may be a combination of any of the following: 'compressor-decompressor', 'coder-decoder', or 'compression/decompression algorithm'. 7. Data Compression II - Copyright © Denis Hamelin - Ryerson University Codecs (Usage) Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media applications. An audio compressor converts analogue audio signals into digital signals for transmission or storage. A receiving device then converts the digital signals back to analogue using an audio decompressor, for playback. 7. Data Compression II - Copyright © Denis Hamelin - Ryerson University Codecs Most codecs are lossy, allowing the compressed data to be made smaller in size. There are also lossless codecs, but for most purposes the slight increase in quality might not be worth the increase in data size, which is often considerable. Codecs are often designed to emphasise certain aspects of the media to be encoded (motion vs. color for example). 7. Data Compression II - Copyright © Denis Hamelin - Ryerson University Codec Compatibility There are hundreds or even thousands of codecs ranging from those downloadable for free to ones costing hundreds of dollars or more. This can create compatibility and obsolescence issues. By contrast, lossless PCM audio (44.1 kHz, 16 bit stereo, as represented on an audio CD or in a .wav or .aiff file) offers more of a persistent standard across multiple platforms and over time. -
Sakura-Con Opening Ceremonies Video Contest Attention All AMV
Sakura-Con Opening Ceremonies Video Contest Attention all AMV creators and video editors! Enjoy making videos? Why not try your hand at making a video for the 2015 Opening Ceremonies? We want the opening video to start Sakura-Con off right, and we want you to help! What’s in it for us? We play your video in front of everyone at Opening Ceremonies, and you get to show off your work in front of everyone, while also receiving two complimentary memberships for Sakura-Con 2015. It’s a win-win for everyone! Online-Submission forms will be available shortly, and the contest will close on January 19th, 2015. Please read all of the rules for complete details. Rules: 1. Sakura-Con Opening Ceremonies Video Contest is open to all entrants. All entrants under 18 years of age will need to provide parent/guardian contact information with their entry. 2. Videos should be roughly 4 minutes in length, no more than 5 minutes in length, and at least 2 minutes in length. Videos shorter than 2 minutes may be considered, but priority will be given to videos closer to the 4 minute mark. 3. Please do not include any bumpers or slates for your entries, and keep your intros and exits free of any text that does not relate to the video itself. This means no intro or exit text overlays, bugs, watermarks or similar graphics. 4. All videos are required to be in at least a resolution of 640x480. However, preference will be given to those with 720p or higher resolution. -
Rdvideo: a New Lossless Video Codec on GPU
RDVideo: A New Lossless Video Codec on GPU Piercarlo Dondi1, Luca Lombardi1,andLuigiCinque2 1Department of Computer Engineering and Systems Science, University of Pavia, Via Ferrata 1, 27100 Pavia, Italy 2Department of Computer Science, University of Roma ”La Sapienza”, Via Salaria 113, Roma, Italy {piercarlo.dondi,luca.lombardi}@unipv.it, [email protected] Abstract. In this paper we present RDVideo, a new lossless video codec based on Relative Distance Algorithm. The peculiar characteristics of our method make it particularly suitable for compressing screen video recordings. In this field its compression ratio is similar and often greater to that of the other algorithms of the same category. Additionally its high degree of parallelism allowed us to develop an efficient implementa- tion on graphic hardware, using the Nvidia CUDA architecture, able to significantly reduce the computational time. Keywords: Lossless Video Coding, Screen Recording, GPGPU. 1 Introduction Recording screen activity is an important operation that can be useful in dif- ferent fields, from remote descktop applications to usability tests. In the first case is essential to reduce the amount of trasferred data, it is not strictly nec- essary a high quality video compression: a lossy compression and a small set of informations (e.g. the list of pressed keys or of started programs) are generally sufficient[1]. On the contrary, in the second case, it is generally useful to have a complete recording of the screen in order to study the user interaction. There are many screen recording system on market [2] that implement differ- ent features, but all of them use traditional codec for compress the output. -
Lossless Video Codecs Comparison '2007
Lossless Video Codecs Comparison ‘2007 March 2007 CS MSU Graphics&Media Lab Video Group http://www.compression.ru/video/ [email protected] CS MSU GRAPHICS&MEDIA LAB 2 © MSU Video Group, 2007 http://www.compression.ru/video/ [email protected] MSU Lossless Video Codecs Comparison ‘2007 Project head: Dr. Dmitriy Vatolin Testing, analysis: Iwan Seleznev Verification: Dr. Maxim Smirnov http://www.compression.ru/video/ CS MSU GRAPHICS&MEDIA LAB 3 Contents 1 List of Figures.............................................................................................................5 2 Overview ....................................................................................................................8 2.1 Purpose ........................................................................................................................... 8 2.2 Comparison Rules........................................................................................................... 8 2.3 List of Tested Lossless Codecs ...................................................................................... 9 2.4 Short Test Set Description ............................................................................................ 10 3 Experiments .............................................................................................................11 3.1 Measurements............................................................................................................... 11 3.2 Environment ................................................................................................................. -
Divx Codec for Windows Media Player 11 Xp
Divx codec for windows media player 11 xp Media Player Codec Pack for Microsoft Windows, 10, , 8, 7, Vista, XP, , x | h | HEVC | 10bit x | x | h | AVCHD | AVC | DivX | XviD. Get that codec for Windows Media Player 11 - Here is the wmp 11 codec used AVI codec's in use today (by the Internet community) are DivX and XVID. DivX Codec is part of the DivX for Windows package and can be installed on top of My original files were OK to play on Divx player, Mediaplayer or other capable Submitted by billnelles on Fri, 04/11/ - This process would, I suspect work totally fine on Windows XP 64bit as well as I. Windows Media Codec Pack is the freeware codec pack for all version of Windows. It allows for "Provides video and DVD decoding in any standard player.". This package can be used as an alternative to automatically downloading Windows Media Codecs, or to correct problems experienced with. Windows DivX codec v (Windows XP, Windows Vista, Windows 7) After you've finished the installation of the DivX® codec, your media player should be Windows DivX codec v alpha. This is the original version of the DivX® codec. Media Player Codec Pack Kostenlose Codecs für Windows Media Center und Neben vielen anderen unterstützt Media Player Codec Pack die Formate DivX , DivX h, XviD , ffdshow, "Media Player bei Windows Vista". Media Player Codec Pack latest version: Use This Free Codec Pack To Play More Media Files It will install into Microsoft Windows Media Player 10 11 and XP Codec Pack latest version: A compact, clean and easy-to-install codec pack. -
Project Submittal Guide
precomposed authoring & packaging solutions Project Submittal Guide Please use the following guide to verify you have included all the necessary files in order for us to author your project. Precomposed will not be responsible for any additional costs associated with the submittal of incomplete or incorrect content. Please refer here for a list of Frequently Asked Questions. Quick Submittal Checklist • Completed Project_Info_Form.pdf • All video/audio files that will be used in your project • All videos or still images to be used in the motion menu Drop Zones (usually a single 50 second clip) • Music to be used throughout the menus (unless we have a premade song on file for your company) • Still images to be used with the Cover & Label template (if we will be creating these for your project) • Cover and Label artwork (if you will be designing the cover and label yourself) Methods for Submitting Content Assets can be submitted by mail and/or uploaded to our FTP server. For many projects, the main video files will be too large to upload in a reasonable amount of time, and should be mailed on a portable drive. Mailing Information Precomposed Media LLC 12792 Valley View St, Ste 205 Garden Grove, CA 92845 It is best to mail drives that do not require power, as this will reduce the cost of shipping, and is easier for us to use. We can also use bare internal SATA drives (typically used in docking stations). FTP Information host: ftp.precomposed.com port: 21 username: [email protected] password: precomposed If you will be uploading assets to our FTP server, please use an FTP Client program. -
Digital Conversion and Selected Analysis of Dive Video from Fifteen Dive Seasons
Digital Conversion and Selected Analysis of Dive Video from Fifteen Dive Seasons Robert S. Carney Harry H. Roberts Department of Oceanography & Coastal Studies Louisiana State University LSU Deep Program: 510 Rocks • Big Groups – LSU has participated Chemo I,II & III as well as Lophelia I and II. • Small Groups – H.H. Roberts of LSU has also carried out diving programs specifically targeting geological reconnaissance. • Minimal biological sampling • Major coring and substrate sampling 2 Vehicles • JSL • ALVIN • Pisces 3 144 Dives 1988 – 2002 3,341 5 min video clips 4 Recording Evolution • Very Good Sony U- Matic Analog • Good – Fair VHS • Very Good Hi 8 • Very Good + DVCAM • Very Good – MiniDV Digital DVD • Very Good Codec – Fair Choice • Very Good Disk - Fair 5 Processing .AVI Sony U- Matic 1,000 Analog DVD’s VHS .MPG 1 Hi 8 300 TByte DVCAM DVD’s MiniDV Digital DVD Disk 6 Database Aspect • 25 Category Database • Geo-reference – Position – Depth – Lease Block • Quality • Transect or Fixed Location • Equipment Use • Seep Components – 4 fields • Comments – Comma Delimited 7 Spatial 8 WinFF & Ffmpeg … open source software • Grabs Video – Supports many devices – User control of video bitrate and frame rate • Converts – Supports many codecs – User control of video bitrate and frame rate – WHUXGA 7680 * 4800 pixels • Displays 9 Lossy versus Lossless CODECS • Commercial and consumer video depend on compression – Dvcam is a lossy within-frame compression – AVI is usually a lossy within-frame compression – MPEG is usually a lossy among-frame compression