The Burden of Isis Being the Laments of Isis Fand Nephthys

Total Page:16

File Type:pdf, Size:1020Kb

The Burden of Isis Being the Laments of Isis Fand Nephthys WISDOM OF TH E EAST T H E BU RD EN O F I S I S BEING TH E LAMENTS OF I S I S f AN D N EP H T H Y S TRANS LATED FRO M TH E EGY PTIAN WITH AN INTRODUCTION BY JAMES TEACKLE D ENNI S LOND ON R REE W O M RR ALB M LE T . J HN U AY, E A S T , SHARER OF D I N E Y P T AY S G , 18 LOVI N GLY D EDI CATED CON TEN TS INTROD UCTION OF ISIS NEPHTHY S HY MN TO OSI RIS -SOKAR EDI TORI AL NOTE HE Object of the Edit o rs of thi s series is a h e very definite one . T y desire above all hi t ngs that , in their humble way , these books shall be the ambassadors o f good- will and understanding between East and West— the old world of Thought and the new of Action . In o wn this endeavour , and in their sphere , they are but followers of the highest example in the h e e land . T y are confident that a de per know ledge o f the great ideals and lofty philosophy of Oriental thought may help to a revival of that true spirit o fCharity which neither despises nor fears the nations of another creed and colour . Finally , in thanking press and public for the very cordial reception given to the E Wisdom of the ast Series , they wish to state that no pains have been spared to secure the best specialists fo r the treatment o fthe various subjects at hand . R M R-B L . C AN E YNG . K D S . A . APA IA . ORTHBROOK OCI E Y N S T , 185 PI CCAD I LLY , W. TH E BU RD EN OF I SI S INTRODUCTION OF all the Egyptian religious beliefs that existed from the Prehi storic period down into Roman o ne times , the oldest and the most held in venera tion was that connected with the worshi p of H i . Os ris , Isis and orus These three , though primarily only local gods , at an early period became prominent deities o f all Egypt ; and the cult of Isis , more particularly , remained a li o f favourite always , rival ng even that Osiris in later times . During the many thousand years o fEgyptian nl history , not o y did many changes occur in n the ceremonies con ected with these cults , but also the legends and origin of the Osirian faith received many additions and interpolations ; and thus the old faith lost much of its purity . Th e simplest form in which it is preserved to us states that Osiris was the son of Seb and Nut Earth and Heaven ; of whom were 9 10 INTRODUCTION Sutekh born also Isis , Nephthys and Set , or , a s he is also called . Osiris married his sister Isis , while Set chose e hth h a N p ys . It is probably due to t is fe ture of the legend that the Pharaohs often married c a . their sisters , and o c sionally also their daughters Osiris was the first divine ruler of Egypt whence he came is not told ; but when he came to that n country , he found it su k in barbarism and t ignorance , with no law but that of streng h , and poverty everywhere . He went through i n the land settling quarrels , organ zi g govern ment , teaching polite manners and customs , dictating laws and civilizing the people . Set , his brother , became jealous of the renown h e u o of Osiris , and at d him beca se of the go d he had done and resolved upon his destruction . t Assis ed by the evil spirits , or demons (the ! enemies or foes of the chants) , Set con structed a large chest exactly the size and shape of the body of his brother Osiris ; and at a ff feast given by the latter , he o ered to present hl the chest , which was ric y adorned , to the one whose body it best fitted . No one was i successful until Os ris entered the chest , when o f Set closed it , and with the help the evil spirits bore it from the banquet hall and cast it into the Nile . Thereupon Isis fled to the Delta , u taking with her Hor s , her son , whom she left be r to ca ed for in Buto , according to some THE LEGEND OF OSIRIS 11 Teh u ti legends ; others say he was left with , i o f n . or Thoth , god lear ng Isis then took a boat and searched the Nile for the body of her sh e husband , which ultimately found in the ul Delta . Before it co d be interred , however , it di was stolen by Set , who then vided the body into fourteen portions , and scattered them over A the whole of Egypt . gain the bereaved Isis commenced a search for the pieces o f her hus ’ h r band s body , and found t i teen the fourteenth piece , the phallus , she was unable to find , it having been eaten by fish . Wherever a fragment of the body of Osiris to was found , a temple was there erected his memory and as the head (or according to some authorities , the heart) was found at Abydos , s that city was con idered as especially sacred , and was the centre of his worship . o f Horus , son Osiris and Isis , avenged his ’ father s death by ultimately slaying Set ; while i ul u Osir s , mirac ously res rrected by Horus in un the regions of the dead , ruled over the der b . world and its inha itants Such , briefly , is the f legend o Osiris . But the cult could never have become national in character without changing o f in many ways . Every city and town any prominence in Egypt h a d its o wn especial local ! e deity , who received sp cial worship , even while a i other deities were dm tted to exist , though considered subordi nate to hi m : and at an 12 INTRODUCTION early date the priesthood of Osiris began sys tem a ti ca lly to identify th e leading characteristics of these various local gods with those of Osiris . - Hence in course of time we find Osiris Sokar , an identification of the local god Sokar with the - hi great deity of Abydos ; Osiris Apis , w ch in Greek times became Serapis , where the attributes of Osiris had become identified with those of a hi Memp te deity ; and in later times , Osiris became a solar deity , and is addressed by epithets and titles which seem to show an identification i o d . with Ra , the sun g By th s means , Abydos became the great early religious centre of Egypt . But these identifications of various deities were not confined to Osiris . Horus became mutated , - -Ra and gained new attributes as Horus , he became the midday sun ; and under the priest o f hood Heliopolis , he became Tum , the setting sun , even losing his name . Isis , also , received new qualifications , being often identified with Hathor (whom the Greeks in turn identified with Aphro dite) but the chi ef places where Hathor was worshipped were at Dend ereh and at Der el - o f Bahri , in the western portion Thebes ; whil e the worship of Isis centred around Abydos and Busiris , the latter being frequently mentioned in the liturgies and in later times also she was worshipped at Philae and her worshi p was so l popu ar , that long after Egypt had ceased to be b - a nation , and her gods had become a yword , EGYPTIAN TRINITIES 13 there were no less than three great temples erected f to her cult within the walls of Rome itsel . It is this merging of the attributes Of one o f ni god into those another , and their u fication into Osiris , to which the chants refer when speaki ng of th e attributes o f the deities . The eating o f the fourteenth fragment o f the body o f Osiris by fish is paralleled by a similar ” o f legend in the story Anpu and Bata , often ” o f Two . called . the Tale the Brothers The triad was not an unusual combination in the Egyptian belief ; for besides that of Osiris , Kh o ns u Isis and Horus , we find Amen , Mut and at Thebes ; and other lesser triads ; so that when Christianity reached Egypt , the trinitarian idea found ready adherents ; and this may partly account for the strides whi ch Christianity made in Egypt almost before it had obtained a foothold elsewhere . The resurrection of Osiris and his rul ing over the spirits o f the deceas ed is nearly a parallel to the story of the Cretan i K ng Minos , and possesses some points in common with the Christian belief ; whi le the worshi p of Isis paved the way for the worship of the V irgin Mary many centuries later , though this latter was repudiated by the Egyptian Christians o f the first four centuries , probably as being too reminiscent of paganism . (Budge , Paradise f o I . the Fathers , , II ) l The position o fSet is curious . Whi e he was 14 INTRODUCTION considered an evil deity , yet he had many temples hi and wors ppers in early times , strangely t o enough , in addition the Horus name , some Pharaohs had a Set name and the name of wa s Set used by several later Pharaohs , such as M r n ta h -a a - h i - Set I .
Recommended publications
  • The Presence of Myth in the Pyramid Texts
    The Presence of Myth in the qnamid Texts A thesis submitted in conformity with the nquirements for the degree of Doctor of Philosophy Graduate Department of Near and Middk Eastern Civilizations University of Toronto National CiBrary Bibiioth ue nationale u*m of Canada du Cana% The author has granteci a non- L'auteur a accordé une licence non exclusive ticence allowing the exclusive pennettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, Ioan, distri'btûe or sen reproduire, prêter, disbn'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/& de reproduction sur papier ou sur fomiat électronique. The author retains ownership ofthe L'auteur conserve la propriété du copyright in this thesis. Neither the choit d'auteur qni protège cette thèse. thesis nor substantid exûacts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être miphés reproduced without the author's ou autrement reproduits sans son permission. autorisation. THE PRESENCE OF MYTH IN THE PYRAMID TEXTS Doctor of Philosophy 200 1 Jeder Elisabeth Hellum Graduate Department of Near and Middle Eastern Civilizations University of Toronto The Pyramid Texts, written on the waUs of the entrance corridors, antechambers, and funerary chambers of the royal pyramids of the late Fiifth and entire Skth Dynasties, are filied with mythic statements and allusions, without using prose or poetic narrative. They hctioned as a holistic group, each distinct from the other, yet each working within the group to create a situation paraHehg the mythic, celestial worid of the afterlife.
    [Show full text]
  • Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods
    Ancient Egyptian Religion I: General Concepts and the Heliopolitan Gods Shawn C. Knight Spring 2009 (This document last revised March 18, 2009) 1 The nature of Egyptian religion (intro) The Egyptian idea of \deity" is a difficult one to pin down. The most frequently used word for deity, ' 4 ntr (or nTr), resembles the English word god in that it can be used as either a common noun, referring to one of numerous divine beings, or as a proper noun, referring to the Supreme Being. Much more problematic than the word used, however, are the details of what the gods do and even who they are. Gods become conflated with one another; most notably, there are (at least) two gods named Horus, designated \Elder" and \Younger", and they share a number of traits, often being confused (deliberately or mistakenly). The gods usurp one another's roles, or delegate their roles to others, with astounding frequency. It is Set's role to protect the sun god from the serpent of chaos|except when Horus has that function. The Supreme Being is Re-Atum, except when he is Amun-Re, except when he is simply Re or simply Atum or . Adding still further to the complication is the local character of Egyptian religion. Every nome had a patron god, and while some of the gods patronized more than one nome, there was plenty of variety. We have already considered this to some degree: we have noted Thebes, for example, as having Amun for a patron, and observed that the military rise of the Thebans in the Middle and New Kingdoms were responsible for the enrichment and empowerment of Amun's cult.
    [Show full text]
  • The Secret Name of Ra
    Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent.
    [Show full text]
  • Osiris, Seth, Isis and Nephthys Many Years Ago, There Were Four Children
    Osiris, Seth, Isis and Nephthys Many years ago, there were four children. Nut had given birth to Isis. She is an outstandingly and a beautiful woman who was also very kind. Nut had given birth to Osiris too. He was an brilliant king that’s what everyone thought. Nut had even given birth to a mean and horrible man called Seth no one liked him and there was another girl called Nephthys she was a beautiful woman like Isis too they were both pretty. Another thing, they all lived in a beautiful palace which everyone loved and wanted but was sold to them. They loved their palace and Seth would have always been jealous if the house was someone else’s. Seth was already jealous with Osiris, because Osiris was king. A burst of fury has filled Seth as he heard that it is not him who became the king of Egypt. Immediately, Seth decided to persuade with his gruesome plan. First, he got Osiris to do something so he got him to the swimming pool. Osiris thought it was a good thing so he did. After that, Seth quickly went and got the box then got a bottle of poison and put it on the chains. After a while, he got snakes and put snakes in there too. After that, Seth said to Osiris if you fit in the box you can take it. So Osiris got in the box and Seth quickly got the key out of his pocket and locked it up. Before anyone came out he put the carved, beautiful and gold box on his hand and threw it in the river Nile so no one could see.
    [Show full text]
  • Ancient Egyptian Dieties
    Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess.
    [Show full text]
  • Statuette of a Snake-Legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA
    INSTITUT DES CULTURES MÉDITERRANÉENNES ET ORIENTALES DE L’ACADÉMIE POLONAISE DES SCIENCES ÉTUDES et TRAVAUX XXV 2012 ALEKSANDRA MAJEWSKA Statuette of a Snake-legged Anubis in the National Museum, Warsaw 214 ALEKSANDRA MAJEWSKA Among the images of Egyptian gods on display in the gallery of Ancient Egyptian Art at the National Museum in Warsaw there is an exceptional fi gurine of bronze with a jackal’s head, torso of a man and serpentine coils instead of legs. It is undoubtedly a representa- tion of Anubis, but suffi ciently unique to merit a broader commentary than the brief notes published on its subject so far.1 The iconographic and stylistic distinctness with regard to canonical representations of Anubis in Egyptian art indicate a background in the artistic production of an age in which a native tradition coexisted with Graeco-Roman culture. The Anubis statuette from the Warsaw National Museum is of composite form.2 It is made up of three independent elements: jackal’s head, male upper body and serpentine coils (Figs 1–4). The relatively small head features a long narrow snout. Set in deep sockets, the large slanting eyes with marked pupils look attentively to the front. Curly wisps of fur encircle the snout and neck, joining the tripartite wig to form a hairdo that skillfully softens the animality of the head. Preserved between the fl eshy ears of natural shape is the base of the broken crown. The harmoniously built male torso is characterized by ample pectoral muscles passing into a narrowed waist and softly modeled, slightly rounded abdominal muscles with a distinctly sunk navel.
    [Show full text]
  • The Eye of Horus: the Connection Between Art, Medicine, and Mythology in Ancient Egypt
    Open Access Review Article DOI: 10.7759/cureus.4731 The Eye of Horus: The Connection Between Art, Medicine, and Mythology in Ancient Egypt Karim ReFaey 1 , Gabriella C. Quinones 2 , William Clifton 1 , Shashwat Tripathi 3 , Alfredo Quiñones- Hinojosa 1 1. Neurosurgery, Mayo Clinic, Jacksonville, USA 2. Art, University of Miami, Miami, USA 3. Neurosurgery, University of Texas at Austin, Austin, USA Corresponding author: Karim ReFaey, [email protected] Abstract Ancient Egyptian civilization is one of the oldest cultures in human history. Ancient Egyptians are well- known for pioneering the fields of art, medicine, and the documentation of discoveries as mythological tales. The Egyptians mastered the integration of anatomy and mythology into artistic symbols and figures. The mythology of Isis, Osiris, and Horus is arguably one of the most recognized mythologies in ancient Egypt. The Eye of Horus was used as a sign of prosperity and protection, derived from the myth of Isis and Osiris. This symbol has an astonishing connection between neuroanatomical structure and function. Artistically, the Eye is comprised of six different parts. From the mythological standpoint, each part of the Eye is considered to be an individual symbol. Additionally, parts of the Eye represent terms in the series 1/2, 1/4, 1/8, 1/16, and 1/32; when this image is superimposed upon a sagittal image of the human brain, it appears that each part corresponds to the anatomic location of a particular human sensorium. In this manuscript, we highlight the possible scientific speculation of the ingenuity of ancient Egyptians’ remarkable insight into human anatomy and physiology.
    [Show full text]
  • Ancient Egyptian Religion Gods and Goddesses Visit Twinkl.Com
    Ancient Egyptian Religion Gods and Goddesses visit twinkl.com There were more than 2000 gods in ancient Egypt. 5. Ma’at - Ma’at was the goddess of truth, justice 1. 2. 3. Most took human form but some had the heads of and harmony and the wife of Thoth. A pharaoh had animals. Here is a selection of the more important to promise to follow Ma’at and be a fair and honest gods that Egyptians would have worshipped. leader. 1. Ra - Ra was God of the sun and the lord of the gods. 6. Isis - Isis is the mother of Horus and the queen He is shown to have the body of a human and the of the goddesses. Sometimes she is shown to have a head of a falcon. Above his head sits a sun disc with a throne on her head and other times she has a sun disk sacred cobra twisted round it. It is said that Ra sailed similar to Hathor. the heavens in a boat called ‘Barque of Millions of 7. Osiris - Osiris is the God of the dead and husband Years’. At the end of every day many thought Ra had of Isis. He is shown wearing the white linen wrapping died as he sailed through the night in the Underworld 4. from a mummy. He wears a white crown with large 6. leaving the moon to light the night sky until he was feathers. Although he was the God of the underworld, born again at dawn. Egyptians still liked him for helping people pass on to 5.
    [Show full text]
  • Gathered Ancient Images of Set, by Joan Ann Lansberry the God Set (Aka Seth) Has Been Much of a Puzzle to Egyptologists
    Gathered Ancient Images of Set, by Joan Ann Lansberry The god Set (aka Seth) has been much of a puzzle to Egyptologists. If we go with the attitude of later Egyptians, we find Set blamed for every misfortune that can befall humanity. However, if we go with the attitude of earlier times, in particular the Ramesside period, when Egypt was at its peak in prosperity, we find a completely different picture. For we find a god who was very much adored. Most of the surviving imagery is from that period, although even in Ptolemaic and Roman times we occasionally find a piece that was a part of worship and magical rites. It's my goal to find all his imagery and bring it together, thereby shedding new light on the Dark god. Let’s begin with the earliest images. Chicago’s Oriental Institute recorded a rock carving at Gebel Tjauti along the Theban Desert Road: John Coleman Darnell and Deborah Darnell believe it to be ‘the earliest certain depiction of this beast from the vicinity of Seth's cult center at Ombos.” (http://oi.uchicago.edu/research/pubs/ar/96-97/desert_road.html) H. Te Velde gives another example in his Seth, God of Confusion, (page 12). The 'Scorpion King' mace head, (Ashmolean Museum, Oxford; # AN1896-1908.E3632), features distinct Set animals on the top of tall standards. This piece was created about 3100 BCE, in the period immediately preceding the unification of Upper and Lower Egypt. 1 King Scorpion’s tomb at Abydos had a couple of ivory labels featuring Set animals.
    [Show full text]
  • An Egyptian Priestess Reborn
    An Egyptian Priestess Reborn: Scenes from the 21st Dynasty Coffin of Iwesemhesetmwt by Carolyn Graves-Brown 2013 This booklet is dedicated to Kate Bosse-Griffiths who cared for and researched the coffin as honorary curator of the Wellcome Collection at Swansea until 1993. The outline drawings are based on those made by Emyr Davies prior to 1984 . Contents Introduction ......................................................................................... 1 Right Side of Coffin The Sycamore Goddess .............................................................. 2 The Weighing of the Heart.......................................................... 3 I am Pure, I am Pure!.................................................................. 4 The Procession to the Throne of Osiris...................................... 5 The Enthroned Osiris................................................................. 6 Osiris on the Mound.................................................................. 7 Two Animal-headed Deities....................................................... 8 Left Side of Coffin The Celestial Cow....................................................................... 9 Three Gods in a Snake................................................................ 10 Presentation Before Osiris......................................................... 11 The Falcon................................................................................... 12 The Separation of Heaven and Earth.............................................13 The Chantress
    [Show full text]
  • The Apis Cult from the New Kingdom to the Ptolemaic Period
    Institutionen för arkeologi och antik historia The Apis cult from the New Kingdom to the Ptolemaic Period Ida Kingo Fig. 1. Apis bull statuette. BA thesis 15 credits in Egyptology Spring term 2020 Supervisor: Andreas Dorn Abstract Kingo, I. 2020. The Apis cult from the New Kingdom to the Ptolemaic Period. Kingo, I. 2020. Apiskulten från det Nya Riket till den Ptolemaiska perioden. In this thesis the main goal is to present a general overview of the development of the cult of Apis in a chronological perspective from the New Kingdom until the end of the Ptolemaic Period, as this has not been done in a condensed form with the different aspects of the cult and the venerated animal present. Classical theories, such as those used in archaeology, is not very applicable for this thesis, instead it will address and connect several aspects such as time, geographical space, religion and ideology of kingship to the Apis cult. The Apis cult is interesting because it was one of the more important animal cults in ancient Egypt. The time period chosen is the c. 1500 years between the New Kingdom and the Ptolemaic Period, because it was during this time that the cult experienced the most developments and had its golden era. The Apis cult ties together several important aspects of the ancient Egyptian society; the political, religious, ideology of kingship and the cultural sphere. The cult of Apis was one strongly connected to the ruling power, one such example is during the Persian conquer by king Cambyses II in c. 526 B.C.E., when his role as the regent in Egypt was not seen as entirely legitimate by the Egyptians until he had participated in the burial ceremonies of the Apis bull.
    [Show full text]
  • Open Alk Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF CLASSICS AND ANCIENT MEDITERRANEAN STUDIES ISIAC WORSHIP IN THE ANCIENT MEDITERRANEAN: THE IMPLICATIONS OF LANGUAGE AND CULTURAL BARRIERS ON RELIGIOUS TRANSMISSION ANNA LEAH BOLES KINCAID SPRING 2014 A thesis submitted in partial fulfillment of the requirements for baccalaureate degrees in Classics and Ancient Mediterranean Studies and Anthropology with honors in Classics and Ancient Mediterranean Studies Reviewed and approved* by the following: Donald Redford Professor of Classics and Ancient Mediterranean Studies Thesis Supervisor Mary Lou Munn Professor of Classics and Ancient Mediterranean Studies Honors Adviser * Signatures are on file in the Schreyer Honors College i ABSTRACT Religious syncretism across the boarders of nations begs the question of causation and origins. In the case of the Ancient Egyptian goddess Isis, her cult adapted to be relevant in an increasingly globalized Mediterranean through either language or cultural necessities, be it a conscious alteration or not. The shift of language from the Egyptian hymns to Isis at Philae and the Greek hymns of Isidorus in the Fayum are a central part to the argument of causation. Through analyzing the hymns, language differences and inaccurate translations become less and less of a driving force of her change. The barriers between the Oriental and Near Eastern religion of the Egyptians and the Graeco-Roman World lead to the metamorphosis of Isis’ portrayal allowing her to endure through the centuries. ii
    [Show full text]