DOCSLIB.ORG

Archives Available on Patrick Moutal's Site Sorted by Artist Name Audio =Mp3 Audio 01/04/2012 =Mp4 Video

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Archives Available on Patrick Moutal's Site Sorted by Artist Name Audio =Mp3 Audio 01/04/2012 =Mp4 Video Audio (mp3) and Video (mp4) archives available on Patrick Moutal's Site Sorted by Artist Name Audio = mp3 01/04/2012 Video = mp4 mp3 mp4 All Records Rag Artist Chanson Comic Jazz Pensées Pop Nb Artist Rag Name 1 Abdul Halim Jaffar Khan Patdeep Sitar mp3 2 Abdul Halim Jaffar Khan Shyam Kedar Sitar mp3 3 Abdul Haziz Khan Adana Vichitra Veena mp3 4 Abdul Haziz Khan Bhairavi Vichitra Veena mp3 5 Abdul Haziz Khan Darbari Vichitra Veena mp3 6 Abdul Haziz Khan Desh Vichitra Veena mp3 7 Abdul Haziz Khan Jogiya Asavari Vichitra Veena mp3 8 Abdul Haziz Khan Piloo Vichitra Veena mp3 9 Abdul Haziz Khan Vasant Vichitra Veena mp3 10 Abdul Karim Khan Bahar Vocal mp3 11 Abdul Karim Khan Bhairavi Vocal mp3 12 Abdul Karim Khan Bhairavi Vocal mp3 13 Abdul Karim Khan Bhupali Vocal mp3 14 Abdul Karim Khan Darbari Rudra Veena mp3 15 Abdul Karim Khan Desh Vocal mp3 16 Abdul Karim Khan Ghazal Vocal mp3 17 Abdul Karim Khan Hindol Vocal mp3 18 Abdul Karim Khan Jaunpuri Vocal mp3 19 Abdul Karim Khan Jhinjhoti Vocal mp3 20 Abdul Karim Khan Jogiya Vocal mp3 21 Abdul Karim Khan Kafi Vocal mp3 22 Abdul Karim Khan Kafi Vocal mp3 23 Abdul Karim Khan Khamaj Vocal mp3 24 Abdul Karim Khan Khamaj Vocal mp3 25 Abdul Karim Khan Lalit Vocal mp3 26 Abdul Karim Khan Malkauns Vocal mp3 27 Abdul Karim Khan Marwa Vocal mp3 28 Abdul Karim Khan Miya Ki Malhar Vocal mp3 29 Abdul Karim Khan Piloo Rudra Veena mp3 30 Abdul Karim Khan Shankara Vocal mp3 31 Abdul Karim Khan Sohini Vocal mp3 32 Abdul Karim Khan Sughrai Vocal mp3 33 Abdul Karim Khan Tilang Vocal mp3 34 Abdul Karim Khan Unknown Vocal mp3 35 Abdul Karim Khan Vasant Vocal mp3 36 Abdul Karim Khan Vindravani Sarang Vocal mp3 37 Abdul Karim Khan Vindravani Sarang tarana Vocal mp3 38 Abdul Karim Khan Zila Vocal mp3 39 Acchan Bai Desh Vocal mp3 40 Ahmedjan Thirakwa Ektal Tabla mp3 Audio (mp3) and Video (mp4) archives available on Patrick Moutal's Site Sorted by Artist Name Audio = mp3 01/04/2012 Video = mp4 mp3 mp4 All Records Rag Artist Chanson Comic Jazz Pensées Pop Nb Artist Rag Name 41 Ahmedjan Thirakwa Teental Tabla mp3 42 Ahmedjan Thirakwa Teental Khayda Tabla mp3 43 Ahmedjan Thirakwa Teental purab Tabla mp3 44 Ajit Singh Chandrakauns Vichitra Veena mp4 45 Ali Akbar Khan Chandranandan Sarod mp3 46 Ali Akbar Khan Darbari alap Sarod mp3 47 Ali Akbar Khan Darbari jod Sarod mp3 48 Ali Akbar Khan Marwa alap Sarod mp3 49 Ali Akbar Khan Marwa vil drut Sarod mp3 50 Ali Akbar Khan Medhavi Sarod mp3 51 Ali Akbar Khan Misra Mand Sarod mp4 52 Ali Akbar Khan Nat Bhairav Sarod mp4 53 Ali Akbar Khan Piloo Sarod mp3 54 Ali Akbar Khan Shree Sarod mp3 55 Ali Akbar Khan Suha Sughrai (Dhamar) Sarod mp4 56 Ali Akbar Khan Vindravani Sarang Sarod mp4 57 Ali Akbar Khan Yaman Kalyan Sarod mp3 58 Ali Akbar Khan Zila Kafi Sarod mp4 59 Ali Akbar Khan & Ravi Shankar Ahir Bhairav Sarod & Sitar mp3 60 Ali Akbar Khan & Ravi Shankar Madhumad Sarang Sarod & Sitar mp3 61 Ali Akbar Khan & Ravi Shankar Sindhu Bhairavi Sarod & Sitar mp3 62 Alla Rakha Rupak Tabla mp3 63 Alla Rakha Solo Jhaptal Tabla mp4 64 Alla Rakha Teental Tabla mp3 65 Allaudin Khan Alhaiya Bilaval Sarod mp3 66 Allaudin Khan Bhairavi Sarod mp3 67 Allaudin Khan Bihag Violin mp3 68 Allaudin Khan Chayanath Sarod mp3 69 Allaudin Khan Docu 1969 Sarod mp4 70 Allaudin Khan Documentary 23'48 Sarod mp4 71 Allaudin Khan Gara Sarod mp3 72 Allaudin Khan Jaijaiwanti Sarod mp3 73 Allaudin Khan Lalit Sarod mp3 74 Allaudin Khan Prabha Kali Sarod mp3 75 Allaudin Khan Puriya Dhanashree Sarod mp3 76 Allaudin Khan Sindhura Violin mp3 77 Allaudin Khan Vasant Sarod mp3 78 Allaudin Khan Yamini Bilaval Sarod mp3 79 Allaudin Khan Zila Kafi Sarod mp3 80 Amarnath Misra Bhairavi alap Sitar mp3 Audio (mp3) and Video (mp4) archives available on Patrick Moutal's Site Sorted by Artist Name Audio = mp3 01/04/2012 Video = mp4 mp3 mp4 All Records Rag Artist Chanson Comic Jazz Pensées Pop Nb Artist Rag Name 81 Amarnath Misra Bhairavi dhun kaharwa Sitar mp3 82 Amarnath Misra Madhuvanti - drut excerpt Sitar mp4 83 Amarnath Misra Misra Khamaj alap Sitar mp3 84 Amarnath Misra Misra Khamaj dadra Sitar mp3 85 Amir Hussain Khan Jhaptal Tabla mp3 86 Amir Hussain Khan Rupak Tabla mp3 87 Amir Hussain Khan Teental Tabla mp3 88 Amir Khan Adana Vocal mp3 89 Amir Khan Chandrakauns Vocal mp3 90 Amir Khan Documentary Vocal mp4 91 Amir Khan Malkauns tarana Vocal mp4 92 Amir Khan Marwa Vocal mp3 93 Amir Khan Rageshree Vocal mp4 94 Amir Khan Ramdasi Malhar Vocal mp3 95 Amir Khan Yaman Vocal mp3 96 Amjad Ali Khan Gavati Sarod mp4 97 Amjad Ali Khan Gujri Todi Sarod mp4 98 Amjad Ali Khan Kirwani Sarod mp4 99 Amjad Ali Khan Miya Ki Malhar 1 Sarod mp3 100 Amjad Ali Khan Miya Ki Malhar 2 Sarod mp3 101 Amjad Ali Khan Saraswati Sarod mp4 102 Amjad Ali Khan Shree, alap Sarod mp3 103 Amjad Ali Khan Shree, Jhaptal, drut Teental Sarod mp3 104 Amjad Ali Khan Sings Yaman Vocal mp4 105 Anjanibai Lolekar Adana Vocal mp3 106 Anjanibai Lolekar Bageshree Vocal mp3 107 Anjanibai Lolekar Shankara Vocal mp3 108 Annapurna Devi Manjh Khamaj Sitar mp3 109 Azambai of Kolhapur Gaud Sarang Vocal mp3 110 Azambai of Kolhapur Nand Vocal mp3 111 Azmat Hussain Durga Vocal mp3 112 Azmat Hussain Purvi Vocal mp3 113 Azmat Hussain Thumree (Panghat) Vocal mp3 114 Azmat Hussain Yaman Vocal mp3 115 B. K. R. Chowdhury Vasant alap Sitar mp3 116 B. K. R. Chowdhury Vasant jhala Sitar mp3 117 B. R. Deodhar Hindol Bahar Vocal mp3 118 B. R. Deodhar Sindhura Vocal mp3 119 B.R. Deodhar Jaijaiwanti Vocal mp3 120 Bade Ghulam Ali Khan Bageshree Vocal mp4 Audio (mp3) and Video (mp4) archives available on Patrick Moutal's Site Sorted by Artist Name Audio = mp3 01/04/2012 Video = mp4 mp3 mp4 All Records Rag Artist Chanson Comic Jazz Pensées Pop Nb Artist Rag Name 121 Bade Ghulam Ali Khan Bhairavi Vocal mp3 122 Bade Ghulam Ali Khan Bhupali concert Vocal mp3 123 Bade Ghulam Ali Khan Dhun Vocal mp3 124 Bade Ghulam Ali Khan Interview Vocal mp3 125 Bade Ghulam Ali Khan Jaijaiwanti Vocal mp3 126 Bade Ghulam Ali Khan Kalingada Vocal mp3 127 Bade Ghulam Ali Khan Kedar Vocal mp3 128 Bade Ghulam Ali Khan Lalit Vocal mp3 129 Bade Ghulam Ali Khan Marwa 1 VE Vocal mp3 130 Bade Ghulam Ali Khan Marwa 2 DT Vocal mp3 131 Bade Ghulam Ali Khan Pahadi Vocal mp3 132 Bade Ghulam Ali Khan Thumree Vocal mp3 133 Bade Ghulam Ali Khan Todi excerpt Vocal mp4 134 Bade Ghulam Ali Khan (concert Bageshree (registered) Vocal mp3 135 Badi Moti Bai Purvi Vocal mp3 136 Bal Gandharva Jogiya Kalingada Vocal mp3 137 Balabai Kale Bihag tarana Vocal mp3 138 Balabai Kale Malkauns tarana Vocal mp3 139 Balaram Pathak Bhairavi Sitar mp3 140 Balaram Pathak Chaiti Dhun Sitar mp3 141 Balaram Pathak Charukeshi Sitar mp3 142 Balaram Pathak Piloo Sitar mp3 143 Balaram Pathak Purvi Kalyan excerpt Sitar mp4 144 Balaram Singh Bhairavi Harmonium mp3 145 Balaram Singh Bhairavi Bhajan Vocal mp3 146 Bande Khan Bhatiyar Vocal mp3 147 Bande Khan Purvi Vocal mp3 148 Barkat Ali Khan Bhairavi Vocal mp3 149 Barkat Ali Khan Khamaj 1 Vocal mp3 150 Barkat Ali Khan Khamaj 2 Vocal mp3 151 Barkat Ali Khan Piloo Vocal mp3 152 Basavraj Rajguru Ahir Bhairav Vocal mp3 153 Basavraj Rajguru Hans Kalyan Vocal mp3 154 Basavraj Rajguru Madhyamad Sarang Vocal mp3 155 Basavraj Rajguru Malkauns Vocal mp3 156 Basavraj Rajguru Megh Vocal mp3 157 Begum Akhtar Bihag dadra Vocal mp3 158 Begum Akhtar Documentary Vocal mp4 159 Begum Akhtar Ghazal 01 Vocal mp3 160 Begum Akhtar Ghazal 02 Vocal mp3 Audio (mp3) and Video (mp4) archives available on Patrick Moutal's Site Sorted by Artist Name Audio = mp3 01/04/2012 Video = mp4 mp3 mp4 All Records Rag Artist Chanson Comic Jazz Pensées Pop Nb Artist Rag Name 161 Begum Akhtar Ghazal 03 Vocal mp3 162 Begum Akhtar Ghazal 04 Vocal mp3 163 Begum Akhtar Ghazal 05 Vocal mp3 164 Begum Akhtar Ghazal 06 Vocal mp3 165 Begum Akhtar Ghazal 07 Vocal mp3 166 Begum Akhtar Ghazal 08 Vocal mp3 167 Begum Akhtar Ghazal 09 Vocal mp3 168 Begum Akhtar Ghazal 1 Vocal mp4 169 Begum Akhtar Ghazal 10 Vocal mp3 170 Begum Akhtar Ghazal 11 Vocal mp3 171 Begum Akhtar Ghazal 12 Vocal mp3 172 Begum Akhtar Ghazal 2 Vocal mp4 173 Begum Akhtar Hori Vocal mp3 174 Begum Akhtar Kajri Vocal mp3 175 Begum Akhtar Khamaj dadra Vocal mp3 176 Begum Akhtar Misra Khamaj thumree Vocal mp3 177 Begum Akhtar Piloo dadra Vocal mp3 178 Begum Akhtar Sawan Vocal mp3 179 Bhimsen Joshi Bhairavi Vocal mp3 180 Bhimsen Joshi Bhatiyar in Khamaj That (registered Vocal mp4 181 Bhimsen Joshi Chaya Vocal mp3 182 Bhimsen Joshi Darbari Vocal mp4 183 Bhimsen Joshi Deshkar Vocal mp4 184 Bhimsen Joshi Kafi Vocal mp3 185 Bhimsen Joshi Marwa dt Vocal mp3 186 Bhimsen Joshi Marwa ve Vocal mp3 187 Bhimsen Joshi Miya Ki Todi Vocal mp3 188 Bhimsen Joshi Puriya Vocal mp3 189 Bhimsen Joshi Ramkali Vocal mp3 190 Bhimsen Joshi Shahana Bahar (registered user) Vocal mp4 191 Bhimsen Joshi Shuddh Piloo Vocal mp4 192 Bhimsen Joshi Sur Malhar Vocal mp3 193 Bhimsen Joshi Yaman Kalyan (registered user) Vocal mp4 194 Bhimsen Joshi Jaijaiwanti Vocal mp3 195 Birju Maharaj Introductory speech Danse mp4 196 Birju Maharaj Kathak - short excerpt Danse mp4 197 Birju Maharaj Kathak dance Danse mp4 198 Bismillah Khan Bhairavi Shahnai mp3 199 Bismillah Khan Bihag Shahnai mp4 200 Bismillah Khan Bilaval Shahnai mp3 Audio (mp3) and Video (mp4) archives available on Patrick Moutal's Site Sorted by Artist Name Audio = mp3 01/04/2012 Video = mp4 mp3 mp4 All Records Rag Artist Chanson Comic Jazz Pensées Pop Nb Artist Rag Name 201 Bismillah Khan Gujri Todi Shahnai mp3 202 Bismillah Khan Multani (musiques du Ganges) Shahnai mp4 203 Brij Bhushan Kabra Interview & Bhairavi Guitar mp4 204 Buddhaditya Mukherjee Misra Kafi tappa Sitar mp3 205 Buddhaditya Mukherjee Yaman Kalyan Sitar mp3 206 Budhaditya Mukherjee Misra Piloo Sitar mp4 207 Budhaditya Mukherjee Rageshree Sitar mp4 208 Bundu Khan Bhairav Sarangi mp3 209 Bundu Khan Bhairavi 1 Sarangi mp3 210 Bundu Khan Bhairavi 2 Sarangi mp3 211 Bundu Khan Bhupali Sarangi mp3 212 Bundu Khan Darbari 1 Sarangi mp3 213 Bundu Khan Darbari 2 Sarangi mp3 214 Bundu Khan Kedar Sarangi mp3 215 Bundu Khan Malkauns Sarangi mp3 216 Bundu Khan Miya Ki Malhar Sarangi mp3 217 Bundu Khan Piloo rag mala Sarangi mp3 218 Bundu Khan Rag Mala Sarangi mp3 219 Bundu Khan Ramkali rag mala Sarangi mp3 220 C.
Load more

Recommended publications
  • This Article Has Been Made Available to SAWF by Dr. Veena Nayak. Dr. Nayak Has Translated It from the Original Marathi Article Written by Ramkrishna Baakre
    This article has been made available to SAWF by Dr. Veena Nayak. Dr. Nayak has translated it from the original Marathi article written by Ramkrishna Baakre. From: Veena Nayak Subject: Dr. Vasantrao Deshpande - Part Two (Long!) Newsgroups: rec.music.indian.classical, rec.music.indian.misc Date: 2000/03/12 Presenting the second in a three-part series on this vocalist par excellence. It has been translated from a Marathi article by Ramkrishna Baakre. Baakre is also the author of 'Buzurg', a compilation of sketches of some of the grand old masters of music. In Part One, we got a glimpse of Vasantrao's childhood years and his early musical training. The article below takes up from the point where the first one ended (although there is some overlap). It discusses his influences and associations, his musical career and more importantly, reveals the generous and graceful spirit that lay behind the talent. The original article is rather desultory. I have, therefore, taken editorial liberties in the translation and rearranged some parts to smoothen the flow of ideas. I am very grateful to Aruna Donde and Ajay Nerurkar for their invaluable suggestions and corrections. Veena THE MUSICAL 'BRAHMAKAMAL' - Ramkrishna Baakre (translated by Dr. Veena Nayak) It was 1941. Despite the onset of November, winter had not made even a passing visit to Pune. In fact, during the evenings, one got the impression of a lazy October still lingering around. Pune has been described in many ways by many people, but to me it is the city of people with the habit of going for strolls in the morning and evening.
    [Show full text]
  • Gangubai Hangal's Primary Guru in Music Was Sawai Gandharva. She Has Also Acknowledged the Inspiration and Influence of Her
    Gangubai Hangal's primary guru in music was Sawai Gandharva. She has also acknowledged the inspiration and influence of her mother Ambabai and Zohrabai Agrewali on her musical development. Her singing embodies an extraordinary grasp of the essence of raga, keen sensitivity of swara, and an acute feeling for aesthetic design. She lives in Hubli and ********* Excerpts of an interview from C.S. Lakshmi's The Singer and the Song - Conversations with Women Musicians Vol 1 (2000). On her Padma Bhushan award: Gangubai: It is normally announced to the D.C. (District Collector) here. Then they come to ask to check who the person is, whether they want to receive the award or not. "You have got it, do you want to accept it?" My uncle was sitting outside, I wasn't there. "What is it? If it is Padma Bhushan she will take it," he said. "If you come tomorrow she will be back." I came back. He said, "Look, you have got the Padma Bhushan." They came and took my signature from the Tehsildar's office. After they took it, I thought, 'These are announced on January 26th, maybe on the 25th night. I must listen to the radio before I sleep. Both of us must sit together before the radio, listen to the announcement and then sleep'. We sat for a long time. Nothing was announced. So I said, "Look, they asked me for my signature just like that. It's not there. Nothing has come." It did not occur to me that nobody's name was announced.
    [Show full text]
  • Current Affairs November - 2018
    MPSC integrated batchES 2018-19 CURRENT AFFAIRS NOVEMBER - 2018 COMPILED BY CHETAN PATIL CURRENT AFFAIRS NOVEMBER – 2018 MPSC INTEGRATED BATCHES 2018-19 INTERNATIONAL, INDIA AND MAHARASHTRA J&K all set for President’s rule: dissolves state assembly • Context: If the state assembly is not dissolved in two months, Jammu and Kashmir may come under President’s rule in January. What’s the issue? • Since J&K has a separate Constitution, Governor’s rule is imposed under Section 92 for six months after an approval by the President. • In case the Assembly is not dissolved within six months, President’s rule under Article 356 is extended to the State. Governor’s rule expires in the State on January 19. Governor’s rule in J&K: • The imposition of governor’s rule in J&K is slightly different than that in otherstates. In other states, the president’s rule is imposed under the Article 356 of Constitution of India. • In J&K, governor’s rule is mentioned under Article 370 section 92 – ‘ Provisions in case of failure of constitutional machinery in the State.’ Article 370 section 92: Provisions in case of failure of constitutional machinery in the State: • If at any time, the Governor is satisfied that a situation has arisen in which the Government of the State cannot be carried on in accordance with the provisions of this Constitution, the Governor may by Proclamation: • Assume to himself all or any of the functions of the Government of the State and all or any of the powers vested in or exercisable by anybody or authority in the State.
    [Show full text]
  • (Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl
    MINISTRY OF HOME AFFAIRS (Public Section) Padma Awards Directory (1954-2009) Year-Wise List Sl. Prefix First Name Last Name Award State Field Remarks 1954 1 Dr. Sarvapalli Radhakrishnan BR TN Public Affairs Expired 2 Shri Chakravarti Rajagopalachari BR TN Public Affairs Expired 3 Dr. Chandrasekhara Raman BR TN Science & Eng. Expired Venkata 4 Shri Nand Lal Bose PV WB Art Expired 5 Dr. Satyendra Nath Bose PV WB Litt. & Edu. 6 Dr. Zakir Hussain PV AP Public Affairs Expired 7 Shri B.G. Kher PV MAH Public Affairs Expired 8 Shri V.K. Krishna Menon PV KER Public Affairs Expired 9 Shri Jigme Dorji Wangchuk PV BHU Public Affairs 10 Dr. Homi Jehangir Bhabha PB MAH Science & Eng. Expired 11 Dr. Shanti Swarup Bhatnagar PB UP Science & Eng. Expired 12 Shri Mahadeva Iyer Ganapati PB OR Civil Service 13 Dr. J.C. Ghosh PB WB Science & Eng. Expired 14 Shri Maithilisharan Gupta PB UP Litt. & Edu. Expired 15 Shri Radha Krishan Gupta PB DEL Civil Service Expired 16 Shri R.R. Handa PB PUN Civil Service Expired 17 Shri Amar Nath Jha PB UP Litt. & Edu. Expired 18 Shri Malihabadi Josh PB DEL Litt. & Edu. 19 Dr. Ajudhia Nath Khosla PB DEL Science & Eng. Expired 20 Shri K.S. Krishnan PB TN Science & Eng. Expired 21 Shri Moulana Hussain Madni PB PUN Litt. & Edu. Ahmed 22 Shri V.L. Mehta PB GUJ Public Affairs Expired 23 Shri Vallathol Narayana Menon PB KER Litt. & Edu. Expired Wednesday, July 22, 2009 Page 1 of 133 Sl. Prefix First Name Last Name Award State Field Remarks 24 Dr.
    [Show full text]
  • Secondary Indian Culture and Heritage
    Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture.
    [Show full text]
  • The Journal the Music Academy
    ISSN. 0970-3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LX 1989 *ra im rfra era faw ifa s i r ? ii ''I dwell not,in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by: T. S. PARTHASARATHY The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription — Inland Rs. 20 : Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor, Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type­ written (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS Pages The 62nd Madras Music Conference - Official Report 1-64 The Bhakta and External Worship (Sri Tyagaraja’s Utsava Sampradaya Songs) Dr. William J. Jackson 65-91 Rhythmic Analysis of Some Selected Tiruppugazh Songs Prof. Trichy Sankaran (Canada) 92-102 Saugita Lakshana Prachina Paddhati 7. S. Parthasarathy & P. K. Rajagopa/a Iyer 103-124 Indian Music on the March 7. S.
    [Show full text]
  • Hirabai Barodekar: Akeli Mat ]Aiyyo Radhe ]Amuna Ke Teer.
    Hirabai Barodekar: Akeli Mat ]aiyyo Radhe ]amuna ke Teer. .. PRABHAATRRE he Ganesh festival in Pune had a special significance for mein my childhood becauseof THirabai Barodekar' s concerts. For many years it was customary for her to sing near my high school in Rasia Peth before a huge and cclourfully decorated Ganesh idol. It was a unique and rare opportunity for one and all, since Hirabai had reached the pinnacle of her career at that time-she was the foremost female artistin North Indianclassicalmusic. Music lovers from every comer of Pune flooded the Rasta Peth square to hear her sing. Crowds of people filled the roads, doorsteps, windows, balconies and terraces. Even an ant would have found it hard to move in that congested square. Regardless of age. social standing. or occupation , men and children set aside differences and gladly huddled close to each other the whole night . With Hirabai's first note, 'Sa'.the multitude instantly fell silent, Slowly and tenderly her phrases pervaded the atmosphere and enchanted the audience. The headmaster of the school was my father, Naturally I got the choicest place to listen to Hirabai. At that time, I hardly understood anything about music. Neither on the paternal nor the maternal side ofmy family were there any musicians or connoisseurs. My own introduc­ tion to music was qu ite accidental. I thought of it as a hobby, and never dreamt that I would pursue it as a career someday and thereby come dose to Hirabai, At school, wheneve r I had to write an essay on what I wanted to be when I grew up.
    [Show full text]
  • MUSIC (Lkaxhr) 1. the Sound Used for Music Is Technically Known As (A) Anahat Nada (B) Rava (C) Ahat Nada (D) All of the Above
    MUSIC (Lkaxhr) 1. The sound used for music is technically known as (a) Anahat nada (b) Rava (c) Ahat nada (d) All of the above 2. Experiment ‘Sarna Chatushtai’ was done to prove (a) Swara (b) Gram (c) Moorchhana (d) Shruti 3. How many Grams are mentioned by Bharat ? (a) Three (b) Two (c) Four (d) One 4. What are Udatt-Anudatt ? (a) Giti (b) Raga (c) Jati (d) Swara 5. Who defined the Raga for the first time ? (a) Bharat (b) Matang (c) Sharangdeva (d) Narad 6. For which ‘Jhumra Tala’ is used ? (a) Khyal (b) Tappa (c) Dhrupad (d) Thumri 7. Which pair of tala has similar number of Beats and Vibhagas ? (a) Jhaptala – Sultala (b) Adachartala – Deepchandi (c) Kaharva – Dadra (d) Teentala – Jattala 8. What layakari is made when one cycle of Jhaptala is played in to one cycle of Kaharva tala ? (a) Aad (b) Kuaad (c) Biaad (d) Tigun 9. How many leger lines are there in Staff notation ? (a) Five (b) Three (c) Seven (d) Six 10. How many beats are there in Dhruv Tala of Tisra Jati in Carnatak Tala System ? (a) Thirteen (b) Ten (c) Nine (d) Eleven 11. From which matra (beat) Maseetkhani Gat starts ? (a) Seventh (b) Ninth (c) Thirteenth (d) Twelfth Series-A 2 SPU-12 1. ? (a) (b) (c) (d) 2. ‘ ’ ? (a) (b) (c) (d) 3. ? (a) (b) (c) (d) 4. - ? (a) (b) (c) (d) 5. ? (a) (b) (c) (d) 6. ‘ ’ ? (a) (b) (c) (d) 7. ? (a) – (b) – (c) – (d) – 8. ? (a) (b) (c) (d) 9. ? (a) (b) (c) (d) 10.
    [Show full text]
  • Support Material (SA-2)
    Support Material SA-II ENGLISH (LANGUAGE AND LITERATURE) CLASS - Xth 1 English Language and Literature (Code No. 184) SYLLABUS SA-II (2016-17) Section wise Weightage in English Language & Literature Section Total Wegh. 90 A Reading Skills 20 B Writing Skills with Grammar 25 C Literature Textbook & Extn. Reading Text 25 D Assessment of Speaking & Listening 20 TOTAL 90 Note : * It is a division of marks assigned to all the four skills of language. The distribution of marks for Formative Assessment carrying 40% weightage may by done by the schools themselves. A variety of activities to assess all the skills of language may be used for Formative Assessment. * The Summative Assessment Question Paper, if developed by the schools themselves, may be for 70 marks to which 20 marks may be added for Assessment of Speaking and Listening skills making the paper of 90 marks. The one third of the 90 marks i.e. 30 should be added each in 2 both Summative Assessments. * Assessment of Speaking and Listening (ASL) will be done formally at the term end examination in Summative-II. Schools can conduct ASL for Summative-I themselves as per the guidelines provided by the CBSE. However, assessment of these skills may also be done under the Formative activities spread over two terms. There will be one written paper of English at the end of each term carrying 70 marks. The time limit will be three hours. Section A : Reading 20 marks 50 periods Q.1.2 This section will have two unseen passages of a total length of 700-750.
    [Show full text]
  • Archives on Patrick Moutal's Site Sorted by Rag 03/01/2014
    832 Audio (mp3) Video (mp4) Archives on Patrick Moutal's Site Sorted by Rag http://www.moutal.eu 03/01/2014 A Tribute - P. Moutal - Diaporama 1 Vilayat Khan Sitar Video Adana 6 Amir Khan Vocal Audio Anjanibai Lolekar Vocal Audio Mirashibua Vocal Audio Roshan Ara Begum Vocal Audio Sawai Gandharva Vocal Audio Vinayak Rao Patwardhan Vocal Audio Ahir Bhairav 8 Balaram Pathak Sitar Alap, Vilambit & Shyamal Bose Audio Basavraj Rajguru Vocal Audio Gangubai Hangal Vocal Vilambit Ektal, Sheshgiri Hangal Audio Hirabai Barodekar Vocal Audio Kishori Amonkar Vocal Vilambit Balkrishna Iyer Audio Kumar Gandharva Vocal Madhya Laya Suresh Talwalkar Audio V. G. Jog Violin Audio Vilayat Khan Sitar Vilambit Teental Mohammad Ahmad Audio Ahir Bhairav Alap 1 Nicolas Delaigue Sitar Audio Ahir Bhairav Jod Jhala 1 Nicolas Delaigue Sitar Audio Ahir Lalit 1 Ravi Shankar Sitar Alla Rakha Audio Alhaiya Bilaval 8 Allaudin Khan Sarod Vilambit & Drut Audio Imrat Khan Surbahar Audio Kumar Gandharva Vocal Madhya Teental Audio Lalmani Misra Vichitra Veena Audio Mogubai Kurdikar Vocal Audio 1 832 Audio (mp3) Video (mp4) Archives on Patrick Moutal's Site Sorted by Rag http://www.moutal.eu 03/01/2014 Ram Narayan Sarangi Alap & Tans Video Shujaat Khan Sitar Alap Audio Vilayat Khan Sitar Vilambit, Drut Kishan Maharaj Audio Anand Bhairavi 1 Lalmani Misra Vichitra Veena Audio Asavari 2 D. V. Paluskar Vocal Audio Vilayat Hussain Khan Vocal Audio Ashtapati Durga 1 Mehbubjan Of Sholapur Vocal Audio Bageshree 13 Anjanibai Lolekar Vocal Audio Bade Ghulam Ali Khan Vocal Audio Bade Ghulam
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full
    [Show full text]
  • MUSIC Hindustani
    The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics.
    [Show full text]