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Remember your last party? Where did everyone end up? 2 A Thursday, January 10,1965 Daily Nexus

EMERSON STRING SHARON ISBIN, guitar QUARTET Saturday, February 9 Lotte Lehmann Concert Hall Thursday, January 17 An accomplished artist, Sharon Isbin has already An all-Beethoven program will be presented by won three competitions, toured four continents these virtuosi who have earned a solid reputation and won an Arts Endowment Solo Recitalist based on warmth of sound, immaculate Grant. She is “able to draw an unusual range of intonation and expressive vitality. “At the point of perfection.” Washington Post color and dynamics. . . to ornament with the utmost delicacy.” Boston Herald American Single Tickets: $9.00I$7.S0I$6.00 UCSB Students: S7.00ISS.S0IU.00 Single Tickets: S7.50IS6.00 UCSB Students: S5.50IS4.00 NORTH CAROLINA LOS ANGELES CHAMBER DANCE THEATER ORCHESTRA with Wednesday, January 23 and THE JUILLIARD STRING Thursday, January 24 QUARTET Two different shows display the diversity of this Thursday, February 14 troupe’s eclectic repertoire of ballet and modern dance. January 23: works by Balanchine, Aiello, Gerard Schwarz conducts the orchestra in a Wiener and Nebrada. January 24: works by special Valentine’s Day concert featuring works Balanchine, Douglas and Tomasson. by Handel, Bach and Falla. The incomparable Juilliard Quartet joins the orchestra in Single Tickets: S10.00IS8.00IS6.00 Schoenberg’s Concerto for String Quartet and UCSB Students: S8.00IS6.00IS4.00 Orchestra. Single Tickets: S12.00IS10.00IS8.00 TWENTIETH CENTURY UCSB Students: $10.00IS8.00IS6.00 CONSORT Wednesday, January 30 THE HILLIARD ENSEMBLE Lotte Lehmann Concert Hall Wednesday, February 20 “New music for everyone” — popular and “Ancient Voices” is the program for one of entertaining, challenging and stimulating. The England’s leading vocal ensembles. It ranges program ranges from 20th century classics to from medieval and Renaissance songs to contemporary works. “Beautifully played, in a contemporary works inspired by the past. “A . clear, logical program.” Forecast Magazine finely tuned group of expert singers. . . the Single Tickets: S7.50IS6.00 audience was enraptured.” Cleveland Plain UCSB Students: S5.50IS4.00 Dealer. Single Tickets: S8.00IS6.50IS5.00 UCSB Students: S6.00IS4.50IS3.00 DELL’ARTE PLAYERS COMPANY TRISHA BROWN in “MALPRACTICE, DANCE COMPANY or LOVE’S Wednesday, March 6 THE BEST DOCTOR” The company presents one of Brown's newest Wednesday, February 6 works, “Set and Reset,” created with collaborators Laurie Anderson and Robert This 17th century commedia dell’arte based Rauschenberg, as well as other selections from on works by Moliere is a laced the repertoire. “.Stunning dancing, stunning with a dose of on the medical profession. environment, stunning artistry all around.” “The company can hold its own . . . with any Washington Post world-class theater you care to name.” San Francisco Examiner Single Tickets: S10.00IS8.00IS6.00 UCSB Students: S8.00IS6.00IS4.00 Single Tickets: S8.00IS6.50IS5.00 UCSB Students: S6.00IU.50IS3.00 COMPAGNIE PHILIPPE GENTY THE CHIEFTAINS Friday, March 8 Tuesday, February 12 Mummenschanz plus the Muppets and much, The best-known Irish traditional music Compagnie Philippe Genty much more, this French company Is back “by ensemble, The Chieftains bring the wealth of popular demand" — we’ve never had so many Irish music, accumulated over the centuries, to requests for an encore performance. If you audiences worldwide. Truly a band for all missed them in 1983, here’s your chance to musical tastes, these six musicians present an experience this sophisticated marionette theater, astounding show. Tickets/Charge By Phone: 961-3535. designed for adults and older children. Single Tickets: S12.00IS10.00IS8.00 All performances at 8 PM in UCSB Campbell Hall unless otherwise indicated. Single Tickets: S9.00IS7.50IS6.00 UCSB Students: S10.00IS8.00IS6.00 • _ Presented by UCSB Arts & Lectures 1985. UCSB Students: S7.00IS5.50IS4.00

NEW VOICES, NEW VISIONS FAMILY FILMS ON SUNDAYS NEW GERMAN CINEMA

Films by Contemporary Women Directors Sundays/2:00 PM/Campbell Hall Tuesdays/7:30 PM/lsla Vista Theater #1

Sundays/7:30 PM/Campbell Hall Jan. 13 The Jungle Book (1967, 78 min.) Jan. 15 Alice in the Cities (Wenders, 1974,110 min.) Jan. 20 The Black Stallion (1979,118 min.) Jan. 22 Knife in the Head (Hauff, 1978,108 min.) Jan. 13 Marianne and Juliane (von Trotta, 1981,106 min.) Jan. 27 The Muppet Movie (1979, 98 min.) Jan. 2 9 1 Stroszek (Herzog, 1977,108 min.) Jan. 20 Sugar Cane Alley (Palcy, 1983,103 min.) Feb. 3 Robin Hood (1973, 83 min.) Feb. 5 The Lost Honor of Katharina Blum Jan. 27 The Golden Eighties (Akerman, 1983, 75 min.) Feb. 10 Old Yeller (1957, 83 min.) (Schlondorff & von Trotta, 1975,102 min.) Feb. 3 Hester Street (Silver, 1975,91 min.) Feb. 17 The Rescuers (1977, 88 min.) Feb. 12 In a Year of Thirteen Moons (Fassbinder, 1979,129 min.) Feb. 10 Women (Meszaros, 1977, 94 min.) Feb: 24 My Friend Flicka (1943, 90 min.) Feb. 19 The Death of Maria Malibran (Schroeter, 1972,113 min.) Feb. 17 Bom in Flames (Borden, 1983,100 min.) Feb. 26 Ludwig: Requiem for a Virgin King (Syberberg, 1972,140 min.) Feb. 24 The Gold Diggers (Potter, 1983, 90 min.) Single Tickets: $1.00 tor children 12 and under I $2.00 for adults. Available at the door only, beginning Single Tickets: General Public $3.00/UCSB Students $2.50. Single Tickets: General Public $3.00/UCSB Students $2.50. at 1:00 PM. Available at the door only, beginning at 6:30 PM. Available at the door only, beginning at 6:30 PM. Series Tickets: General Public $11.00 IUCSB Students $9.00. Series Tickets: General Public $11.00/UCSB Students $9.00. Available in advance at the Arts & Lectures Ticket Office Available in advance at the Arts & Lectures Ticket Office (961-3535) and in the Isla Vista Theater on the evening of Jan. 15. (961-3535) and in Campbell Hall on the evening of Jan. 13. Daily Nexus Thursday, January 10,1985 3A Bukowski's Cruise Missile Cotton Club: Color,------of Love & Des a r Reading Charles Bukowski’s poetry is to partake in a very personal comic strip. There are short and almost random lines ------Choreography & Coppola delivered in an easy dialogue which Francis Ford Coppola’s latest endeavor, screenplay. This becomes obvious when typically lead to a perfect . Its The Cotton Club, is an exquisitely polished, acknowledging the overt gangster element imagery and feeling are full and packed into explosive romp through depression-era and eerily reoccuring appearance of a tiny phrases making hard and stark Harlem. Reminiscent of an old M.G.M. horse’s head. Though some object to the BMP* scratches of urban degeneracy into the extravaganza in energy and narrative graphic scenes of violence, I found them so imagination. His formula hasn’t changed quantity, Coppola has become the modern choreographed that their horror faded into much in his 24 years as a published writer auteur. He has masterfully created the feel an explosion of color. It is, after all, a film and yet, as every subsequent volume is of a classic musical with the flavor and self- about servitude, as Coppola noted in a churned out his fans are always satisfied. reflexivity of the 1980’s. recent interview. Blacks answer to the Even the dogmatic poetry critics, forever - whites. Women answer to the men. Men nagging about his lack of discipline, admit Dynamically edited and fluidly answer to the gangsters. The gangsters there is a profound humbleness in his work choreographed, the golden beauty of this answer to each other and the law. The worth looking into. H R i * film more than compensates for the director answers to the producers. And Like a loyal shaggy dog story, Bukowski - Charles Bukowski traditionally thin and scattered narrative. ultimately, we all answer to death. keeps coming with slobbery slippers in his As the genre demands, the story exists at Taking into consideration that films, even mouth. Readers are only too happy to take horses, and jockeys. He doesn’t just beat the the will of music and dance. But don’t ex­ those based on fact, are subjective in­ the slippers from his now graying muzzle, system, he with it and walks away pect the characters to be modern-day Fred terpretation, Coppola makes use of an ef­ give him an affectionate pat on the head, with the triple crown. Astaires and Ginger Rogers. The numbers fective play between fact and fiction. True- and then ignore him for awhile until he The general bathos does become weary in The Cotton Club are all grounded in the to-life characters like the infamous Dutch drags something else off the street. after a bit of indulgence. (Ernie reads it.) nightclub reality of the fiction. Sparkling Schultz (James Remar) interact with the Bukowski appeals with his far-reaching tap by Gregory and Maurice Hines, the That isn’t to say Bukowski hasn’t aged fictional Dixie Dwyer (Richard Gere) and humanity in a completely anti-pretentious sensual swooning of Lonette McKee, gracefully. Death themes surface more Vera Cicero (Diane Lane) to create an facade — the way Gary Larson’s animals combine with talented cameo im­ often nowadays and the frankness is a ambiance of fantasy as fact and reality as come across in The Far Side. A lot of it is personations of such greats as Gloria knockover. He still resists formal larger than life. The film has created funny. Meanwhile, there is this thick book Swanson, Duke Ellington, Charlie Chaplin, judgments. The subtle phrasings and am­ characters who are a classier and more he’s just published called War All The Time. and Fanny Brice, to add to the film ’s playful biguities still twirl away in the mind. His sophisticated representation of life than life It’s all here raised another degree: vic­ charm. One highlight is the stunning im­ beguiling, sometimes drunken spirit still itself. tims of victims of assholes, drinking and personation of a Cab Calloway performance flies around like a cruise missile of love and If you like dynamic music and dance, womanizing, the writer’s public image, and that leaves the audience wondering if he despair. Sentiments still reign with the smooth and powerful cinematography, and those inevitable horse races. Shining hot was ressurrected to perform it. It’s in­ sediment. War All The Time is another a fantasy plot interacting at all levels with and red in War All The Time is a series of vigorating to see such a vast array of black widely grinning and flossing wonder. reality, then The Cotton Club is definitely a long pieces under the general title of talent on screen. It left me wishing to see This book is probably available at the visual and auditory treat that you ought not “ Horsemeat.” Misplaced motives, general more exposure of this overflowing resource. Campus Bookstore and at Earthling Books miss. bewilderment of some people along with a in Santa Barbara. A point of interest and explanation; Mario — Susanne Van Cleave noble solace combine with betting windows, — Hugh Haggerty Puzo collaborated with Coppola on the Y o u r

STHRTRBC \fearfor ★ FESTIVAL* A 2 HOUR TREK-A-THON STAR TREK BLOOPERS ALL 3 OUTRAGEOUS REELS IN COLOR NEVER SHOWN ON TV OFFICIAL STAR TREK QUIZ 2ND PLOT TV OPENING BEHIND SCENES PREVIEWS A M O RE!

• CHEM No. 1179 • This Fri. A Sat. ■ January 11-12 Shows: 7:30 A 9:30 PM $15 off Siladium College Ring! Admission: $3.00 UCSB Sponsored by UCSB Model United Nations É M M i ■ ■ H ifis time to purchase P L A T F O R M b e d s your college ring, think about choosing the finest— a 14K gold r r v r T m v r f o l d i n g b e d s W Ê Ê k OLriJ.UI\! SLEEPER SOEAS college ring from ArtCarved. Designed and handcrafted for FURNITURE FUTONS lasting value, an ArtCarved 14K MANY STYLES ACCESSORIES gold college ring is now more THICKNESSES COMFORTERS affordable than ever. For a lim­ COLORS/STYLES PILLOWS ited time only, you can save $25 BASKETS on the style of your choice. Stop & MORE by to see the entire ArtCarved collection and custom options. Remember, it’s your year for gold!

CLASS RINGS

Today thru Friday, UCSB BOOKSTORE January11th 9:00 AM -4:00 PM In the University Center jj V SANTABARBARA 1930 DE LA VINA a Date Time Place SANTA BARBARA/i 1 FU TO N (near mission) ¡ || Deposit Required. MasterCard or Visa Accepted IIlllllllllllIIbCOMPANY fH t ill 9:0 0 (HHIIIill'tlHIliniiilHIi p I« á llllilllllb 687-4874 « illiP T l| 0 1984 ArtCarved Class Rings 4A Thursday, January 10,1985 Daily Nexus

BOWLING Not Ourselves: OPEN 24 HRS uerade Comes to UCSB Relax, Unwind - Hava Fun! Dedicated t o . the spirits of earth... of sky ... of Let Loose- Go Bowling! water ... of thunder ... to the Billiards and Videos ancestors themselves ...,” the University’s current OPEN LANES exhibition of African masks Weekends, Day, Late Nite was made public Tuesday evening. “ I Am Not Myself: The Art of African ORCHID BOW L • 967-0128 Masquerade” opened with 5925 Call« R e a (n e a r Fairviaw, Golata the pouring of libations and the ringing of bells. Mysterious masked figures roved the entire campus. In the University Art Museum a sweeping selection of masks, curated exercise strong exhibit by UCSB’s Dr. Herbert Cole, controls. Most masks can be and videos are invaluable takes some bold steps in its now reside. Worked in described as “ ancestral” in tools. attempt to present the nearly every combination of the loose, communal sense of Masquerading is essen­ masquerade to a western fiber imaginable, the masks the word. At its most basic tially a “ happening” , a audience. In all humility, Dr. range from light and witty to level, the masquerade is spectacle. A mask may Cole acknowledged the heavy, disconcertingly-po- conceptual; ideas about life function alone as a sculp­ liberties which have been werful images. Animals given life of their own. ture, or a performance be taken with the masks, and abound — some are Context is crucial to an isolated in terms of a dance apoligized for any wounded straightforward, like the understanding of the but, in the process, its sensibilities in the process. A highly naturalistic Bidjogo masquerade, and for this particular vitality will be primary goal should be to ox worked with wood, glass, see the masks worn, natural wood, and horn. however silly or in- Others, such as the Bamana comprehenssible to the Komo mask, with its jutting, unsuspecting eye this may architectural jaw and seem. That is the most stylized horns, represent fundamental reason for “ a n im a ln e s s ” in a which they were created. non-specific, but univer­ “ I Am Not Myself” attests sally recognizable fashion. to all that we, as humans, Various human “ types” are might be when we are “ not to be found as well. The ourselves.” The masks elegant red Pende Mbuya glorify those transforming mask epitomizes feminine qualities which are indeed beauty. larger than life, lampoon all The masquerade is an petty pretension, and em­ integral part of many body that middle ground African cultures. Shrouded where such tensions meet in mystery and punctuated and are resolved. From this by humor, masquerading broad panorama of images, “ DON’T BE serves astonishingly diverse some very real, insightful selves emerge. functions. It can The Ancient Mother Odogo as represented by SHORTCHANGED!” simultaneously provide — Lynnette Coster popular and this Nigerian .______and Paul Scolari

Your slogan for the A.S. SLOGAN Holistic Ascention of Cy Twombly CONTEST is due January 18. Santa Barbara’s Con­ Twombly has often been Remember, 5 participants will win temporary Arts Forum compared to the French regularly assails the viewing masters Poussin and David prizes just for submitting their public with rare and who, like himself, frequently fascinating visual events: allude to the mythology and thoughts. this month’s exhibit is a literature of ancient Greece varied showing of works on and Rome. Of course, paper by artist Cy Twombly, Twombly’s allusions look Include your name, address, and with a roughly chronological nothing like those of Poussin organization of works or David, though the three phone number with your entry and spanning from 1957 to 1982. have in common a Twombly, who was born in restrained palette and that turn it into the A.S. Office on the 3rd Virginia in 1929 but since monumental classical floor of the UCen. 1957 has made Rome his reserve. Twombly’s home, has had the good references to the ancient fortune to have studied at cultures are scrawled in his New York’s Art Students intimable calligraphy or are League, and later, at the reflected in his sometimes urging of friend Robert tactile qualities; seething able to read most of the Mediterranean palette of Rauschenberg, Twombly masses of rich impasto that writing that proliferates in sea-blue, clay-red and gold. rubbed shoulders with such contrast with smooth, broad Twombly’s work, or un­ These allusions may be eminent artists as Ben expanses of clean paper (as derstanding his rather appreciated in even greater Shahn, Robert Motherwell, with one of the most recent technical notations. In a detail if one is familiar with and Franz Kline at the works, “ Untitled, 1981” ), or commentary for a Twombly classical themes. For famed Black Mountain the tactile surface unique to exhibition at the Whitney example, the two-part College. He has had over 100 Twombly’s collages, as in Museum of American Art drawing “ Venus and one-man shows throughout the untitled collages com­ (1979), Roland Barthes notes Adonis” (1978) has, among the world, and particularly prising the “Mushroom “ ... (his work’s) general other symbolic forms, a in Europe, his unique style Series.” Those who seek the character cannot really be crudely drawn and colored had exerted much influence. kind of hedonistic decomposed; it cannot be blood-red anenome, the Surprisingly, the CAF’s gratification of tactile reduced to a sum of localized flower which bloomed upon exhibit is only the fourth one- surfaces will certainly be details.” One is best off by the fall of Adonis’ blood, who man show of Twombly’s in satisfied. Also, a number of contemplating the effect of expired in a hideous en­ California. The thirty or so works have compositions so work as a whole, by allowing counter with a wild boar. works exhibited have been perfectly conceived that all I its peculiar cleanliness to loaned by a private Los could think was “ but work its spell, rather than On Jan. 10 at 8 p.m. the Angeles collector; Santa naturally.” “Gladings beating one’s head against exhibit’s curator, David Barbara is very lucky indeed (Loves Infinite Causes)” is the elegant fram es in Trowbridge, will present a TECHNOLOGY FORCE. to have this rare opportunity one such work, as well as frustration. In the stillness of lecture, “ Cy Twombly: The to view his art. several others. a more holistic con­ World Beyond Speech” at But those who are not However, the impulse to templation, one’s mind is the CAF, which is located at If you’re an engineering major, you’ll want to be familiar with Twombly’s art be immediately gratified is afforded the chance to freely 7 West De la Guerra. The part of today’s Air Force. We’re working on may initially doubt their own one which Twombly appears associate with the work. exhibit itself ends Jan. 20, developments that make science fiction obsolete. to abhor in his audience. I You’ll have an opportunity for a challenging and good luck. Twombly’s art Twombly’s flow of thought is and as Twombly is an rewarding career at the forefront of technology. Talk does not extend itself to would imagine that he would reflected in his pencil’s American artist of in­ to: capture viewers’ awe; prefer one to sit before a fluidity of movement across ternational reknown, it SSgt Medrano rather, it nestles atop its own single piece of his and the paper: the tensions should not be missed. Again Mediterranean hilltop and meditate for hours. This is between his spontaneous I quote Roland Barthes, who 805/683-3567 waits for viewers to ascend nearly what one must do to approach and his best sums up the experience 805/543-0700 . to its vantage point. It is a ascend his hilltop, for he remarkable control become of Twombly’s art: “ It is like difficult art, on the whole, gives nothing away easily. manifest. The sparse color a caress, whose value finally with only a few elements We are denied the and sudden passages of lies in the way it is FORCE having immediate appeal. satisfaction of admiring fine impasto become un­ remembered.” Twombly creates lucious draftsmanship, or of being speakably sensual. — Joan McGuire A 9 reat way of Iife. Daily Nexus Thursday, January 10,1985 5 A New Voices, New Visions Opens With 'Marianne & Julianne'

Marianne & Juliane is the gripping film that ap­ dark and intricate story of proaches the victimization of an unresolved relationship the individual, whether by are between two sisters in post- Nazi concentration camp, Nazi Germany and is in­ boarding school, or political spired by the lives of the prison. Sharp editing, with a 1/2 Price!! Ensslin sisters, Gudrun and concern for the historical Christiane. Both women had explanation of their plight, ¿ Daring oar Janaary been deeply scarred by their also serves to heighten the \ experience in the horrific film ’s intensity. The jux­ ¿ HA PPY HOURS - 9 to 10 AM war and react to their taposition of a disturbing y Yon can bay a Personal Ad youthful experiences in painting of a crucified Jesus Y for only 1/2 the price. opposing manners, later to from the women’s guilt- be reunited in a tragic and in drenched past is likened to N* dhplay *r Cm u m k Ii I a O . conclusion. Directed by “ Marianne & Juliane. ” the equally disturbing Offer geedIhrw gklunry, IMSealy. , the footage of concentration All ads are subject to camp corpses, a sort of film is potent not only in its outside organization. Juliane her own needs, however trite Daily Nexus approval. harsh and often shocking (Jutta Lampe) however, is a they’ve become. Julianne forewarning metaphorical Ò visuals, but also by contrast strong, independent soon forsakes her lover, her ancestor to unjustified as a touching and desparate character whose self-esteem job and her own demands; suffering; a testament to the drama between the two is a product of a strong sense ‘ she denies herself for intoleration of the individual women, who are once again of personal value and the Marianne’s sake. The by a cruel society. victims of the same society need for further fortification sudden shifts escalate to an that had sent them running against her turbulent past. ultimate tragedy; whether Marianne & Juliane is the to bomb shelters in their The young Juliane, who suicide is truly the most first film in Arts & Lectures’ childhood. dared to dance the fox trot selfish act, or murder the current series New Voices, The combination of upper- alone while overfed and most severe symptom of a New Visions: Films by class guilt- and extreme undersunned faces glared at terminally ill society is the Contemporary Women personalities define the her rebellion, becomes a truly afflicting agnosticism Directors. The series will sisters’ relationships not writer for a major feminist that, ironically, will never open on Sunday, Jan. 13 at only to one another but also publication. die. 7:30 p.m. in UCSB’s Camp­ to their society. Both feel the Due to the strong sibling Von Trotta’s severely bell Hall. Series tickets are need to react as children. bind, the roles are soon stark scenery and engulfing available at an almost 50. Marianne (Barbara switched when : Marianne emotional encounters bet­ savings by contacting the Sukowa) takes an external ends up in prison and ween the sisters is con­ Arts & Lectures Ticket approach with her desire to desparately depends upon trasted to their carnivorous Office (961-3535); individual “ help” as a child which Julianne, who becomes society while ironic usage of tickets are available at the later, in an extended need to obsessed with comforting flashbacks tells a story that door 30 minutes prior to help the Third World, resorts her suddenly self-concerned goes beyond one single screening. to terrorism; her sense of sister. Solitary confinement relationship. Marianne & self worth comes from forces Marianne to realize Juliane is a powerful and — Shirley Tatum

Windham Hilfe Alive A rts fir with the Sound of Jazz Entertainment In the last three or four years a group of a more traditional combo of piano, bass and S ta ff Box musicians and their record company have drums. Cossu has a fluid playing style that dodged the public tendency to put a label on when combined with a gentle flute or horn everything, including all types of music. has a soothing effect familiar to the stan­ Editors The people of Windham Hill have created a dard Windham Hill sound. style all their own, and as a result have Michael Hedges’ newest album Aerial Shirley Tatum puzzled music lovers and critics alike. On Boundaries is some of the most unique Susanne Van Cleave Thursday, Jan. 17, Windham Hill pianist acoustic guitar work available on any label. Scott Cossu and guitarist Michael Hedges Hedges has a cutting sound that is clear and will bring this enigma to Santa Barbara’s crisp but gentle and easy to absorb. He is Victoria Street Theater. These artists have such a versatile musician that it will be Contributors their own special styles of what might be truly interesting to see him perform such Paul Michael called modern folk or light jazz, but they can feats of magic with a simple acoustic guitar. more simply be labeled as just part of the For those familiar with the Windham Hill Chavez Windham Hill sound. Pianist Cossu offers a sound, this concert should offer nothing less Lynnette Coster light, unsophisticated sound and will play than the excellence and melodic richness with a small ensemble the night of the that other artists such as George Winston Valerie De Lapp concert. Hedges delivers a crisp but subtle have shown in the past. One should expect a guitar sound that allows listeners to hear light atmosphere perfect for relaxing and Hugh Haggerty music never thought attainable from a enjoying. Cossu and Hedges in the intimacy Joan McGuire simple acoustic guitar. Both musicians have of the Victoria Street Theater will be an current albums which have that simple but experience of contemplative and calming Paul Scolari appealing sound. music, music that will entertain and let you Cossu’s latest album Islands is a forget your troubles. Tickets are available carefully-assembled collection of in­ at the Arlington Ticket Agency and Morning strumental pieces with such unique com­ Glory Music in Isla Vista. A ris& ia- binations as piano, flute and cello, as well as — Paul Michael Chavez lertalnmeni is searching tor Attractions explosively cre­ New German Cinema, a film series from The University Art Museum at U.C.S.B. is ative, relen­ Arts and Lectures featuring seven recent housing two new photo shows: Seattle films from West Germany, will show Subtext by Paul Berger and selected photos tlessly innovative Tuesdays at 7:30 beginning Jan. 15. Films from the Jay Keystone Collection. These will be sreened in the Isla Vista T/gl. exhibitions will continue through February hflvMnais it Series tickets are available. Single ticket 10. Also new to the museum are Yusaf LOS prices are $3.00 general and $2.50 for Karsh’s renowned portrait of Georgia write leamres, U.C.S.B. students. O’Keefe, Jacques-Henri Lartigue’s Women LOBOS Watching Races, and two series of four reviews, and Also offered by Arts and Lectures, prints each by Andre Kertesz and Henri Saturday January 12th 8 p.m. Cinema Africa, a series of 12 films will be Cartier-Bresson. Museum hours are various oner Arlington Theatre Santa Barbara presented on Monday and Thursday Tuesday through Saturday 10 a.m. to 4 p.m. evenings for five weeks beginning January Tickets $13.75 FS #© *?*? and Sundays 1—5 p.m.. liens t i cosmic AT LEOPOLD RECORDS, PICCADILLY SQUARE. AND JAILHOUSE RECORDS. TICKETMASTER CHARGE (805) 583-8700 TICKETS ALSO AVAILABLE AT-THE 10 in the Isla Vista Theatre %2. Films will be ARLINGTON THEATRE BOX OFFICE. m ORNINGLORY MUSIC IN ISLA VISTA. CHEAP THRILLS IN SANTA MARIA. SAN LUIS OBISPO, ATASCADERO & LOMPOC. JAILHOUSE RECORDS IN VENTURA. McCABES subtitled or in translation. All films will be Repertory-West Dance Company will be Importance. For MUSIC IN SANTA PAULA & OJAI. VANDENBERG AF B AND PORT HUENEME NAVAL BASE free of charge. at the U.C.S.B. Main Theatre January 17,18, and 19 performing five works which more MomaKot Astra Gallery’s January show theme is collectively explore the breadth and ver­ Innovations. The show will feature Woody satility of the company. Tickets are $7.00 or applications Wooden’s Hand Colored Absurdities, Bet- general and $5.00 for U.C.S.B students and tina Barrett’s Great Blue Whale Skeleton are available through Arts and Lectures. come kg me series, David Croutch’s Data from Rolling Stone Magazine, as well as Dave Reeves’ Arts and Lectures Family Films On Nexus onice Native American. Astra is located at 814 Sundays will begin this Sunday at 2:00 in State St., Studio 36 El Paseo. This all U.C.S.B. ’s Campbell Hall with a screening loeaied under member show will continue through of Walt Disney’s version of Rudyard VIOLENT FEMMES January 31. Kipling’s The Jungle Book snrke Tower special guests LONG RYDERS Art As Advocation, an exhibit featuring Currently at the Victoria Street Theatre, n and ask lor * Saturday January 19th 8 p.m. work samples from 10 Santa Barbara artists is John Sayle’s The Brother From Another Campbell Hall • UCSB will open January 11 and continue through Planet, a film about a black ex­ Shirley or . February 10 at The Art Corner Gallery traterrestrial’s voyage through Harlem. PRODUCED IN ASSOCIATION WITH A.S. PROGRAM BOARD located at 3025 De La Vina. Artists’ Showtimes are 7:00 p.m. and 9:10. This film Susanne. * TICKETS $12.00 UCSB STUDENT $13 0 0 GENERAL PUBLIC ASSOCIATED TICKET OFFICE • MORNING GLORY M U S K • ARLINGTON THEATRE BOX OFFICE reception is this Friday from 5—8 p.m.. will be showing through January 24. I 6A Thursday,-January 10,1986 Daily Nexus Eddie Murphy: He's Got a Great Laugh 2 30 minutes f He’s America’s new hero: brash, obnoxious, foul- an unidentifiable accent, Serge insists on serving espresso mouthed, and hilarious. He’s Eddie Murphy in Beverly “ with a ley-man tweest.” Bronson Pinchot as the swishy Hills Cop. Murphy is back, bigger than life, real cool, and in Serge steals every scene with Murphy, which is a good * a n d .m m m | the driver’s seat. thing (his laugh isn’t that great). The action begins with a fab car chase and demolition Murphy tries his luck as one of nature’s bachelors in a ¡gg¡¡ pi through Detroit, reminiscent of a high-priced scene from scene where he describes himself as “ the fellow Victor met 2 delicious! ! Dukes of Hazzard. Murphy plays Axel Foley, a street the other night” in order to get into a private club where smart, loudmouth, wise-ass Detroit cop, who goes Maitland is dining. The humor is apparent, but only Mur­ “ vacationing” to Beverly Hills in order to investigate the phy could have pulled off the quick-witted, smart-alec murder of his best friend. The comedy begins there and Foley with the grace and expertise that he did. never ends. Picture Murphy cruising down Rodeo Drive in The film ends with submachine gun fun and frolic, but J Pizza Hafi s i a cruddy, beat-up, old Chevy Nova, mingling with the Murphy comes out okay. He’s our hero, right? A definite go- Porsches, Ferraris, and beautiful women all the while with see. Even if gays and violence aren’t exactly your style, a big grin on his face. Murphy is. I D e i i v e r s a The plot unravels, and Murphy makes everybody laugh. — Valerie De Lapp He loves Beverly Hills and ends up staying at one of the most expensive hotels in the area (the Beverly Wilshire, for j t o c i -cjo4 .© f those that know B.H.), posing as a reporter for Rolling 'Importance of Being Ernest' 4 . f : M ■ u m Dally (TOGO) Stone on assignment to interview Michael Jackson. After W Thick »r Thin "•« and Free ■ limited investigation Murphy stumbles onto Victor Comes to ETP------Maitland, an art dealer gone smuggler. Murphy does an excellent job of making the entire The Importance of Being named Ernest, and neither Beverly Hills PD look like fools. He manages to outwit the Earnest, a brilliantly witty qualifies, at least, not yet. two officers that are assigned to tail him by charming a gay and satirical comedy by One of the finest and bus boy into giving him three bananas which Murphy puts Oscar Wilde, begins at the funniest ever He’s not just into the tailpipe of their car. This is real silly, but silliness Ensemble Theatre Project written, The Importance of at its best. Judge Reinhold and John Ashton are Rosewood on January 9 and plays Being Earnest begins with a another and Taggart, two Laurel-and-Hardy-like cops that even­ through February 16. preview pérformance tually team up with Murphy to bust Maitland. This comic classic tonight, and plays every out-of- Steven Berkoff is Maitland: suave, cold, very calm, very features the amorous Thursday, Friday and M towner... rich, and very evil. Maitland is a constant reminder of the misadventures of two Saturday evening at 8 p.m., seriousness of the film, and his appearances leave the English gentlemen and their with Sunday matinees on audience with a slight chill. earnest attempts to win the January 20 and 27 at 2 p.m. OK, it’s an Eddie Murphy film, so yes, there are a lot of hearts of the women they Call the Ensemble Theatre four letter words, but it’s funny, real funny. Murphy also love. Both face a particular box office at 962-8606 for laughs a lot, and he’s got a great laugh. One scene puts social obstacle: their chosen ticket information and Murphy in an art gallery where Serge works. Speaking in loves can only cherish a man reservations.

“ Don’t miss the “ Rob Reiner’s This Is Spinal Tap is one of the ‘Blues’ brother... brightest, funniest a miracle of sound, action and high American film spirits you cannot afford to miss. An extraordinary movie!’ parodies to come Archer W instvn, New York Post along since Airplane!" FROM AROTHFR PLAACT THE BLUES BROTHERS -Vincent Canby, NY a new film by John Say/es Times J O H N BELUSHI DAN AYKROYD — N O W P L A Y IN G — Friday, Jan. 11 Thur«. Jan. 10 Spona. by NIGHTLY AT 7 & 9:10 6,8,410 PM -•2" SUNDAY AT 5, 7 & 9:10 82 at 6,8:30,11 PM Nat. Soc. of Prof. Midnight -•1." VICTORIA STREET THEATER 81 at 1 AM S & ì S S * Engin, and Campbell Hall 33 W. Victoria St. — 965-1886 Campbell Hall______Tau Beta Pi Sponsored by Primo Hall

CALENDAR OF EVENTS Denver, Santa Fe — and North Carolina. Par­ PERFORMANCES LARGER THAN LIFE M i tially a result of the success of the North Caro­ “MARIANNE AND lina School of the Arts, the North Carolina JUUANE” film Dance Theater has emerged from Winston- Directed by Margarethe von Salem to dazzle audiences and critics in West­ Trotta. Sunday, January 13 in ern Europe and the Eastern United States. This Campbell Hall at 7:30 PM. January the 16-member company makes its “ALICE IN THE CITIES” film West Coast debut, with two performances in Directed by Wim Wenders. Campbell Hall on Wednesday and Thursday, Tuesday, January 15 in the Isla January 23 and 24. Vista Theater #1 at 7:30 PM. The company’s repertoire is so diverse that two different programs are necessary to “WORKING WITH BECKETT’ demonstrate their range of artistic expres­ lecture sion; both evening shows include classical Actress Billie Whitelaw discusses and contemporary ballet and modern dance, playwright Samuel Beckett. and each program will feature a separate Thursday, January 17 in Girvetz work by George Balanchine. 1004 at 3:30 PM. Free. EMERSON STRING QUARTET TWENTIETH CENTURY CONSORT concert “New music for everyone” is the motto of An all-Beethoven program on the Twentieth Century Consort, performing on Thursday, January 17 in Wednesday, January 30 in Lotte Lehmann Campbell Hall at 8:00 PM. Concert Hall. “INTEGRATING ARMS Blending percussion, clarinet, piano, vio­ CONTROL IN EUROPE” lin and soprano, the Smithsonian Institution’s lecture resident contemporary ensemble draws from Jonathan Dean, in the an extensive repertoire that includes works Perspectives on Global Peace by almost 50 modern composers. Among the and Security series. music to be performed at UCSB is a version of Wednesday, January 23 in Igor Stravinsky’s “L’Histoire du Soldat” for Broida 1610 at 7:30 PM. Free. piano, clarinet and violin. NORTH CAROUNA DANCE FILM & LECTURE SERIES THEATER performance Continuing from Fall quarter are two lec­ Two different programs of ture series: “Perspectives on Global Peace and classical and contemporary Security,” a series that investigates the pros­ ballet. Wednesday, January 23 pects for peace in the age of nuclear bombs & Thursday, January 24 in Campbell Hall at 8:00 PM. North Carolina Dance Theater and superpower politics; and “Issues of Diver­ sity: Awareness and Change.” “THE MUPPET MOVIE” film This month, Arts & Lectures serves up a violin roles — creates unusual strength born A&L presents three film series this Win­ Sunday, January 27 in Campbell soup-to-nuts feast of performing arts, impor­ of interdependence and gives the quartet a ter. Beginning on Sunday, January 13, are the Hall at 2:00 PM. tant new movies, and lectures by national and unified sound. The Dallas Tlmes-Heraldcalled “Family Films On Sundays” matinee series at international leaders. the Emerson “a body of equals, forging a TWENTIETH CENTURY 2:00 p.m. in Campbell Hall, and the “New Voi­ CONSORT concert The quarter opens in Campbell Hall with musical chain that has no weak links.” ces, New Visions: Films by Contemporary Works by modern masters and the Emerson String Quartet in an irresistible On the program for the Emerson concert Women Directors” series at 7:30p.m. in Camp­ contemporary composers. program of favorites: three works by Bee­ on Thursday, January 17 are Beethoven’s bell Hall. On Tuesday, January 15, the “New Wednesday, January 30 in thoven. The Emerson comes to Santa Barbara Quartet in F Major, Op. 59, No.1; the Quartet in German Cinema” series begins in the Isla Vista Lotte Lehmann Concert Hall from its home in New York City, where it F minor, Op. 95, “Serioso”; and the Quartet in E Theater at 7:30 p.m. Series tickets offer almost at 8:00 PM. serves as the resident quartet of the Chamber minor, Op. 59, No. 2. 50 percent off the price of single tickets, and Music Society of Lincoln Center. (However, are available for the “New German” and “New ALSO COMING SOON . . . the Emerson String Quartet was not present at NORTH CAROUNA DANCE THEATER Voices” series. films by Chantal Akerman and the Chamber Music Society’s concert at UCSB A lot of arts-talk these days concerns the For tickets or information about any Arts Werner Herzog ... “A Celebra­ last October.) growth of regional arts centers around the & Lectures event, or to pick up free brochures tion of Buckminster Fuller” . . . The Emerson’s unique “musical chairs” United States. Now, in addition to New York, that detail our Winter schedules, stop by the and much more! approach to assigning parts — the two violin­ Los Angeles and San Francisco, performers Arts & Lectures Ticket Office in Building 402, Any questions? ists take turns playing the first and second and promoters are checking out Seattle, adjacent to Campbell Hall on University Road. Call 961-3535. Daily Nexus Thursday, January 10,1985 7A Movie Review i H j l l g : METROPOLITAN CORPORATION Matrimonial Mess-up in 'Micki & Maude' SANTA BARBARA ARLINGTON I I CENTER 1317 State Street 966-9382 e^ Th« hit of th« Olympic fioy Scheider a || — — . ■ wetiTwi WHive I TH€ V€ftR Arlington 1/12 X and Lot Lobos Santa Barbara Ticket Agency 1/20 fir 1/22 k o d o W€MflK€ 963-4408 S B. Symphony Sunday 1/27 7:30 pm CONTACT 1/24"Y + T" Arlington Cantorinter 2010 [pel

upstairs p j — s i r G r an ad a 1 1216 State Street downstairs Where deals were made, lives 5:00,7:30,9:56 963-8740 were traded and the legends of jazz lit up the night. EDDIE MURPHY is on vacation BIEV1ERI_YJ-HLI_S C otton C hub a WALT DISNEY’S Studly Dudley Moore joins the ranks of “ real men” via bigamous 6:30. activity in “Micki & Maude. ” 7:00. 7:30, B R EA K IN ’ 2 H n a c c h io 9:00 " Perhaps it’s only flattery, but Dudley The most disturbing aspect of Micki & 9:30 ELECTRIC Moore almost looks embarrassed in his role Maude is the treatment of women on which It’s Disney’s BOOGALOO as a paternal screw-up in Micki & Maude. this comedy rests. These supposedly all-time Maybe this box office success doesn’t know talented and intelligent woman are total They’re a sick script when he sees one, although I ignoramuses in their blind faith in Rob, classic — back... swear he played the Dormouse in an English trusting his every lie, and never curious as O Alice in Wonderland. Anyways, Blake to where he might be the other half of the [PGl day. Childbirth is an especially distressing FlESTA4 Edward’s newest release is a pathetic film 916 Stale Street that goes beyond ignorant stupidity to a affair for both of the women, and we are 6:30.7:46,10:00 963-0781 J ohnny ip « » i point of disturbing tastelessness. subjected to horrifying screams of pain and JOHN CARPENTER’S Grey-templed and pink-eyed, Dudley agony mixed with grotesque stabs at Moore plays Rob, a third-rate broadcast comedy. “ If there is a God, he’s a sexist if\0>W °USLY journalist who loves kids, or so he claims. In pig,” mutters Maude as she writhes with MICHAEL the beginning of the story a little tot asks pain. Did God direct this movie as well, or ÆBS. KEATON him what he thinks about death, and Rob what? affectionately answers, “ Big mosquitoes And of course, as in all good comedies, come out of your ears.” How nice. His timing is everything. Rob finally decides to 6:00, 8: 00. 10:00 adoration of kids is so obsessive that he begs break the news to his wives of his bigamous STAR MA N iptn escapades as they simultaneously enter his career-bent wife Micki (played by a 965-6188 tittering Ann Reinking) to put off her childbirth, but is too squeamish to follow 'AMADEUS" swept the L.A. Critics Awards judicial position to start a family. Micki them into the hospital rooms. i ? l i f t sacreligously refuses, so Rob turns to Richard Mulligan has been hunted down 2044 Alameda Padre Serra Near Santa Barbara Mission Maude, played by Amy Irving in another and shot with a tranquilizer by Edwards to one of her monotonous classical musician play straight man to Dudley Moore, with ■AmadeuS roles. The seductive cellist and Rob get whom he practices the traditional dump Daily “ ..A stunning motion picture!’ drunk at a Cambodian party, discuss the lines, and continuously wags his head in 8:00 pm - Bob Thomas, Associated Press miseries of life, and become lovers all in one disapproval of his mousy friend’s AN ORION PICTURES RELEASE night. irresponsible behavior. Moore and Mulligan Any decent soap opera would have lack any sort of chemistry whatsoever, and stopped there. But Edwards is just warming respond to one other as one would to a wet "A savory evening in the theatre... II I up. Maude becomes pregnant, so Rob vows dog. Other performances in this film are full of majesty, mockery and mayhem." DRACULA" to divorce Micki and marry Maude. Alas, equally pathetic, particularly the make-out Austin American-Statesman Micki becomes pregnant as well, and is scene between the fat nurse and the bald Arlington Center willing to throw away her career to become doctor, intended to gross out all MARTIN LANDAU a full time mother, just what her husband prepubescents in the audience. Wednesday, Jan. 9 8 pm wanted in the first place. What’s a decent Remember Blake Edwards for Inspector starring in man to do? “ I hate tricking women,” he Closseau, Breakfast at Tiffany’s and Shot- declares, as he deceitfully plays hubby to in-the-Dark. Remember Dudley Moore for both women, and a free-loader at that. The Alice in Wonderland. Remember Richard Micki & rest of the film is Dudley taking nose dives Mulligan for Soap. Forget Amy Irving UNE under couches, running desperately from (although she does offer a thrilling Godzilla one wife to the other, and telling sniveling imitation.) And let’s pretend that Micki & A WORLD little lies to cover himself, refusing to Maude never existed. It is an implausible BEYOND DUDLEY believe that someday the charade will come and completely inane film that should be MOORE to aji end. Ahh, the treacherous life of a put out of its misery. 7:00. 7:00. 9:40 9:30 dreamer indeed. — Shirley Tatum P C 13

GOLETA CLEARANCE! RECORD RENTAL LP’S NOW ON SALE Foiling In II Cinema1!« 8:00 6050 Hollister Ave PROTOCOL LOVE 967-9447 Goldie's 5:30. 7:30. about to 9:30 6 :00. becom e a mutt*--: 9:46 diplomat cassettes, and singles c iIYII a y I p g ] Soundtrack * Soul & more Classical < R o c k * i o n * BIEVIERLY AM ore The IF airvíewí there's no rtskl thwsw« 251 N. Fairview "Come in and browse S 967-0744 HILLS through our extensive of fittesi And remember we pay cash for your collection of good con 7:15. 7:30. dition used IP 's . cass used records, « * • « * * • JS d 9:16 9:30 and " ; $K#e$» and song books MRTT EDDIE DILLON MURPHY NATIONAL # 1 SANTA BARBARA LAMP##N'S m 11 TW IN fìfìNOLD SCHUifìfìZGN€GG€fì JL d r iv e - i n i M o n 907 S. Kellogg Ave. TH€ TERMINATOR d Goleta 964-9400 i NIGHT 70o B R E A K IN ’ 2 6:60 ELECTRIC PATROL BOOGALOO (Ëg]

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Violent Femmes Rock UCSB On Saturday, January 19, more ready for action than ferent parts of the world.” 8:00 p.m., catch Violent ever. Brian Ritchie, bass player Femmes with Long Ryders The Milwaukee group and vocalist, says “ you can’t in Campbell Rail. Ticket displays this by their second put too many songs on an prices are $12/UCSB un­ album, Hallowed Ground album that are all the same dergraduates and $13 (Slash). This album is filled key or tempo.” That’s why general. Tickets available at with a Set of songs that are the album, and the bands the A.S. Ticket Office, disarmingly honest, and still sound in . general, has so Morninglory Music in I.V., pulse with a new density. many diverse influences — Arlington Ticket Agency, Hallowed Ground finds the 50s doo-wops, garage band and TicketMaster. Femmes expanding not only simplicity, and elements of lyrically but instrumentally. the 80s added. “ It’s just a ,” insists There is country and gospel By now it is near-common Gordon Gano, the 21-year- on the album as well as free knowledge how the band was old Milwaukeean who writes jazz improvisation. There brisked off the streets for an and sings for this unique are fiddles and banjos and opening spot with the band. Violent Femmes are screaming saxes and Pretenders, and quickly got not an all-female or even a electric guitars. The sound is a quiet but devoted following feminist hardcore band. still unmistakably that of who embraced the gnawing Yes, come of their songs Violent Femmes but it is a starkness of the Violent depict violent incidents and new, improved Femmes. Femmes. Nevertheless, the some mention women. But Victor De Lorenzo, who band’s music had no trouble as Gano says, “ it’s just a plays tranceaphone, drums, finding a place in their fans’ name, a sham, a joke.” so, stompatron, percussion, and hearts. Don’t forget that you don’t try to tie the name of does vocals, says, “ On the can see the Violent Femmes the band to the music. Now first album we went through on January 19 at Campbell that that’s straight the a rock phase. This one still Hall. Opening for them are important thing to know is has rock but it has other Los Angeles’ the Long that the Violent Femmes are genres as well. It’s as if we Ryders. Tickets are on sale striking new ground and flew in the songs from dif­ now!!!

That’s Right Folks, we are bringing Amateur Comedy Night back with prizes you won’t BELIEVE! You heard about it last year right before finals and it’s come before us. Tuesday night January 15th, in the pub, 8:30 p.m. come watch your friends make you laugh and help chose the winner. If you want to join this madness act NOW! TODAY! First Pub Night Brings Combo-Nation Right this minute! Take those heavenly steps up to the A.S. Program Board office on the Program Board brings yet DANCE. ^ 3rd floor of the University Center. Sign up in the office today and come see us tonight from answer to “ Neo” and “ Biff ANOTHER great band to the NTLA combo-Nation is a Shifter.” “ Ronwolf” strokes 6-8 p.m. in Pavilion rm. C for brief tryouts. For those who have already signed up, also Pub. Tonight, 8 p.m. get to six piece band whose main the ivories, drawing out come from 6-8 p.m. to Pavilion C. All information will be clearly presented Thursday, Jan. the Pub and get ready to 10. Be There! goal is to get you dancing rhythm and picking out and keep you dancing. Their melodies. Oscar Fische music is a combination of blows his horn, while Day Caribbean, R&B, Motown, Camp beats the drums and Jazmine Opens Friday One quick comment to all those dormies, Rock, and the indomitable Lester Lester Lester book worms and minors. The Pub is open Ska. They play with energy pounces on the bass. to ALL. Under aged, over aged, YOU ARE and excitement because they Happy Hours WELCOME to come dance, enjoy and get play what they like. Come see, come saw, involved with ALL the entertainment that The front of this band is come dance — this band will Here we go again — Tomorrow night 5 p.m. we begin the two guitarist/singers who make you m ove!!! 1985 edition of “ Friday Happy Hours,” in the Pub. Jazmine, goes on in the Pub. So Be There! a jazzy, pop and easy listening, female twosome will per­ form from 5-7 p.m. ONLY! Don’t miss out — you might have seen Jazmine in other popular spots such as: Gallagher’s, State & A, Cafe 5 Pts., Sante Fe, Peabody’s, Pelican’s Wharf and Sterns Wharf. Currently you can catch Currently UPCOMING them every Sunday at the Bagel Factory from 10 p.m.-12 a.m., every Thursday at Pelican’s Wharf 5-7:30 p.m., Spinnakers Galley Saturday, Jan. 12 7-9 p.m. and Borsodi’s On Exhibition... SNEAK Monday, Jan. 14, but wait, coming in March you can see Currently on exhibition at the UCen Art Gallery is: “ Art them again at Peabody’s every Thursday! Don’t miss out As Social Commentary; An Exhibition of Posters From on this popular, talented combo of Cinder Jean and Kivi Around The World,” until January 26. Gallery hours are PREVIEWS Lore Friday, 5 to 7 p.m. in the Pub. Th.-Friday 10-4, Saturday 12-4. — Killing Helds (jan. 16) Future Art Show... — Vision Quest — Lady Hawke The UCen Bookstore is now accepting works from student artists to be judged and on exhibition from Jan. 29-Feb. + many morel 10th. Students may submit one piece per catagory. Catagories are: painting, drawing, print making, and 3- Dimensional. Prizes will be awarded in each catagory. Submissions are now being accepted in the Bookstore from 9 a.m. to 4 p.m., Mon,-Fri. until Friday January 25. FORD THEATER and A.S. PROGRAM BOARD PRESENT the Any ushers with experience who want to work shows this 1985 Wednesday night series! quarter call or come by to see Peter at the Program Board Jan. 30 — An American Werewolf in London office, by next Monday at 4 p.m. Feb. 6 - Night Shift Feb. 13 — Blues Brothers

WORLD COMMUNITY CONFERENCE COMMITTEE MEETINGS GET Tuesday Nights 5:00 pm READY in the UCen FOR

Cinder Jean Kivi Lore MUSIC WARS. guitar-vocals percussion-vocals