DOCSLIB.ORG

Cash Box/Album Reviews

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cash Box/Album Reviews cash box/album reviews pop picks I'M JESSI COLTER - Jessi Colter - Capitol THE PSYCHOMODO - Steve Harley and ST -11363 - Producers: Ken Mansfield, Waylon Cockney Rebel - EMI ST -11330 - Producers: Jennings Steve Harley, Alan Parsons Jessi Colter is not only gorgeous, but extreme- Steve Harley and Cockney Rebel are even ly talented. She displays the pose and pro- more explosive on this their second LP than they fessionalism of a seasoned veteran on her bright were on the first. The band of English rockers new Capitol album and the product radiates with goes far afield occasionally, but only in an at- her charm and confidence on every track. "You tempt to refine and define their sound to a Ain't Never Been Loved (Like I'm Gonna Love universal pitch. Highlighted by such cuts as You)" is a spectacular success, due to Jessi's "Sweet Dreams." "Tumbling Down." "Singular possessive vocals which give the lyrics a sharp Band" and the scintillating title track, the record poignance and irresistable quality. As at home moves with intensity and purpose and in every with a funky tune as with a sweet ballad, Jessi de- way lives up to the band's reputation as a great ports herself gracefully throughout the entire LP live act. and her future looks bright as a result. THE END Nico Island ILPS 9311 MYOPIA - Tom Fogerty - Fantasy F-9469 - - - - Producer: Russ Gary Producer: John Cale of the A charter member of Credence Clearwater Formerly known as the chanteuse has a solo Revival. Tom Fogerty. like this brother John, em- Velvet Underground, Nico developed musical style over the years that is as immediate- barked on a solo career and this LP is the result ly identifiable as Alice Coltrane's. A moody of a great deal of hard work and creative effort. on harmonium, her Germanic - Definitely progressive in nature, Tom's LP is wizard the accented vocals add a large dose of Continental hewn out of a number of musical textures and she touches. Augmented moods that lend themselves to almost any astute flavoring to everything by Phil Manzanera. Eno and John Cale, Nico's ear. We particularly fancy "Give Me Another Tro- fills the gap that's evolved jan Song," "Theme From Four -D" and "There Island debut superbly her a few years back. Was a Time." since "Desertshore" of Included is a lengthy studio version of the Door's "The End," which moves from the arcane into a strong rhythmic statement. FEAR - John Cale - Island ILPS 9301 ROCK BOTTOM - Robert Wyatt - Virgin VR Spring forth from the Velvet Underground pre- 13-122 - Producer: Nick Mason vious to their demise, Cale has catalogued an im- Former Soft Machine mainstay Robert Waytt's pressive array of music in the seventies, re- first solo effort to be released stateside should surfacing recently on Island's "June 1. 1974," well enough expand the cultish following he's with the self -produced "Fear" verifying his posi- developed since the mid -sixties. Wyatt's esoteric tion as a talent symbolic of the synthesis of the use of focal overdubbing provides a magnetic avante and the standard. Aided by fellow aura. as English luminaries like Hugh Hopper, Academy members Phil Manzanera, Archie Leg- Mike Oldfield, Richard Sinclair and Fred Frith gett. Fred Smith and Eno, this Ip easily ranks as supply able musicianship. All cuts are great for Cale's most accessible sessions to date. Cale's FM programming, with "A Last Straw" and the violin meanderings mix well with Phil's guitar jazzy "Little Red Riding Hood Hit The Road" be- work on 'Barracuda" and the jam on "Gun." We ing favorites. also like "The Man Who Couldn't Afford To Orgy. BABE RUTH - Babe Ruth - Harvest ST -11367 - YOU - Gong - Virgin VR 13-113 - Producer: Producer: Steve Rowland Simon Heyworth and Gong The Sultan of Swat himself would be proud to Gong is a conglomeration of Anglo -European hear his namesake play because they have clout innovators with a long list of import credits, but and excellent pitching. All kidding aside the this is their first US release. Led by Daevid Allen. quintet is a finely tuned unit whose music runs the group specializes in spacialities, involving the gamut from good time pop to progressive the listener in the continuing epic of Zero's rock. Jenny Haan. Alan Schacklock. Ed travels to and from the Plant Gong. Steve Spevock, Dave Hewitt and Steve Gurl have com- Hillage's searing guitarisms and Hi T. bined arrangement and dynamics into a skillful Moonweed's intriguing synthesizer work ride set of well conceived material and the effort is well with Bloomido Glad de Brass' woodwind ef- further enhanced by adroit production. We like forts. Gong's primary attention to Space is nicely "Dancer" a lot. supported by the intricate arrangements. com- plimented by well -directed talent. making this a special Ip. Best bets are the synthesized "A Sprinkling Of Clouds" and "Perfect Mistery." THEE IMAGE - Thee Image - Manticore MA6-504S1 - Producers: Thee Image STAR'S END - David Bedford - Virgin Another bright star shoots across the horizon VR -13-114 - Producers: David Bedford, Mike with the dazzling display of musical brilliance by Oldfield Thee Image, a trio of capable lads. who are smart The production collaboration between David and talented. Mike Pinera. Duane Hitchings, and Bedford and Mike "Tubular Bells" Oldfield pays Donny Vosburgh put all the elements in groper off handsomely on Bedford's debut for Virgin. In perspective and the result is an integrated sound parts reminiscent of the first Oldfield LP as well that is highlighted by a clever arrangement as his follow up. "Hergest Ridge," David's "Star's scheme and complimentary production tech- End" is more elaborately orchestrated and al- niques. We especially like the tracks 'Good lows the listener to place himself in a vortex of Things", "So Hard To Say" and "It Happens All sound that takes on wildly different colors as the The Time." piece progresses. "Star's End" is the only title on the LP and it points the way to a bright future. HAVE YOU HEARD THIS STORY? Swamp BARRY MILES AND SILVERLIGHT London PS - - Dogg Island ILPS 9299 651 - Producer: Tony Camillo - Six albums later Swamp Dogg is still wonder- No relation to Buddy Miles. or even Miles ing why he isn't a superstar. but thanks to Island's Davis. Barry and Silverlight should get plenty of Chris Blackwell, the Dogg might get his shot mileage from their London debut outing. A of this time with a funky display of in -tune commen- sensitive of the intensity of today's blending tary supported by some gettin' down musi- mainstream jazz and some beautifully moody cianship. Dogg sings of mental introspection tracks, Miles has a potential biggie on his hands. ("The Mind Does The Dancing"), daily pains ("Dr. The band. oasically a quartet. is augmented by M.L.G." and "My Hang -Ups Ain't Hung Up No the intelligent use of background vocalists and More"), love pains ("Did I Come Back Too Soon" on "Sweet Love And Devotion" by the and "I Wanna Lifetime Of Loving You"), of Jesus Somerville Strings. We especially like 'Buck He Was No in the Rogers" and"The Top Belle." ("When One") and of life state of States ("God Ain't Blessing America"). A very strong effort. January 25. 1975 23 www.americanradiohistory.com.
Load more

Recommended publications
  • Steve Harley Lee Nelson
    SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM SEPT – DEC 2014 BAKA BEYOND LUNASA THE INNER VISION ORCHESTRA STEVE HARLEY GEORGIE FAME LEE NELSON TOYAH WILLCOX CURVED AIR SHAKATAK ROPETACKLECENTRE.CO.UK SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this autumn and winter. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first- class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious pre-show suppers from 6pm before most of our Thursday events. Advance With support from booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme or visit page 58 for the full list of pre-show meals. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 SEPT 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 SEPT 2014 SARA SPADE & THE NOISY BOYS Sara Spade & The Noisy Boys: World War One Centenary Concert She’s back! After a sell-out Ropetackle show in January, Sara Spade & The Noisy Boys return with flapper classics like ‘Five Foot Two, Eyes of Blue’ and other popular Charlestons, plus favourite Great War-era songs including Pack up your Troubles in your Old Kit Bag and Long Way to Tipperary.
    [Show full text]
  • Cogjm.Vol-5 Num-10.Pdf (411.8Kb)
    SOME CURES FOR THE TEXT BOOK BLUES extbooks cost a lot of money and this is State of nothing new. The textbook industry is a T racket and we, the students, are the ones getting screwed. Well, we here at The Red Pill have compiled a number of ways for you to get free Disunion or cheaper text books next semester. AGAINST PRISONS Use your contacts. Borrow textbooks PERCENT OF from friends that have already taken the class. INCREASE IN COST PERCENT OF MAY 2007 VOL. 5 NO. 10 If the book is a different edition, don’t let that of textbook production INCREASE IN dissuade you from using the book; most of the since 1998: THE PRICES OF time very little in the textbook has changed, 5.4 TEXTBOOKS they just want to increase their sales by making that publishers set old editions arbitrarily obsolete. PERCENT INCREASE since 1998: GANG VIOLENCE ROCKS If you have a class like Shakespeare, IN COLORADO 35.1 BUENA VISTA PRISON 18th Century Literature, or American History, POPULATION where most of the works are now in the public from 1980-2003: PERCENT domain, just head over to the computer lab and 59 INCREASE IN search for PDFs of the books on the web and COLORADO PRISON ne of Colorado’s largest prisons, out for chow and showers. There have been 5 then print them out on the school’s dime. www. NUMBER OF BLACK POPULATION Buena Vista Correctional Facility, or 6 other incidents. Just the other day there pdfplanet.com has thousands of public domain MALES PER 100,000 from 1980-2003: has been rocked by gang violence.
    [Show full text]
  • 1 the RING of the DOVE by IBN HAZAM
    THE RING OF THE DOVE By IBN HAZAM (994-1064) A TREATISE ON THE ART AND PRACTICE OF ARAB LOVE Translated by A.J. ARBERRY, LITT.D., F.B.A LUZAC & COMPANY, LTD. 46 GREAT RUSSELL STREET, LONDON, W.C. 1 -------------------------------------------------------------------------------- CONTENTS -------------------------------------------------------------------------------- Preface Author's Preface Preliminary Excursus The Signs Of Love On Falling In Love While Asleep On Falling In Love Through A Description On Falling In Love At First Sight On Falling In Love After Long Association On Falling In Love With A Quality And Thereafter Not Approving Any Other Different Of Allusion By Words Of Hinting With The Eyes Of Correspondence Of The Messenger Of Concealing The Secret Of Divulging The Secret Of Compliance Of Opposition Of The Reproacher Of The Helpful Brother Of The Spy Of The Slanderer Of Union Of Breaking Off Of Fidelity Of Betrayal Of Separation Of Contentment Of Wasting Away Of Forgetting Of Death 1 Of The Vileness Of Sinning Of The Virtue Of Continence PREFACE THE Arabs carrying Islam westwards to the Atlantic Ocean first set foot on Spanish soil during July 710 the leader of the raid, which was to prove the forerunner of long Moslem occupation of the Iberian Peninsula, was named Tarif, and the promontory on which he landed commemorates his exploit by being called to this day Tarifa. The main invasion followed a year later; Tariq Ibn Ziyad, a Berber by birth, brought over from the African side of the narrows a comparatively small army which sufficed to overthrow Roderick the Visigoth and to supplant the Cross by the Crescent; he gave his name to that famous Rock of Gibraltar (Jabal Tariq, the Mountain of Tariq), which has been disputed by so many conquerors down the ages, and over which the British flag has fluttered since the early years of the eighteenth century.
    [Show full text]
  • Kevin Ayers Joy of a Toy Mp3, Flac, Wma
    Kevin Ayers Joy Of A Toy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Joy Of A Toy Country: Japan Released: 2013 Style: Psychedelic Rock, Prog Rock MP3 version RAR size: 1807 mb FLAC version RAR size: 1163 mb WMA version RAR size: 1563 mb Rating: 4.6 Votes: 194 Other Formats: VOC ASF XM AA DXD VOX AAC Tracklist Hide Credits 1 Joy Of A Toy Continued 2 Town Feeling 3 The Clarietta Rag 4 Girl On A Swing Song For Insane Times 5 Backing Band – The Soft Machine*Featuring – Hugh Hopper, Mike Ratledge Stop This Train (Again Doing It) 6 Drums – Rob Tait 7 Eleanor's Cake (Which Ate Her) 8 The Lady Rachel Oleh Oleh Bandu Bandong 9 Drums – Rob Tait 10 All This Crazy Gift Of Time Companies, etc. Manufactured By – Warner Music Japan Inc. Credits Arranged By, Piano – David Bedford Drums – Robert Wyatt (tracks: 1 to 5, 7, 8, 10) Producer – Kevin Ayers, Peter Jenner Notes Jewel Case 13-3-20 (03-6-9) (Y) Barcode and Other Identifiers Barcode: 4943674177578 Other versions Title Category Artist Label Category Country Year (Format) Joy Of A Toy SHVL 763, 1E 062 Kevin Harvest, SHVL 763, 1E 062 (LP, Album, UK 1969 ○ 04210 Ayers Harvest ○ 04210 Gat) Joy Of A Toy Kevin MR-SSS 513 (LP, Album, Vinilisssimo MR-SSS 513 Spain 2012 Ayers RE, Gat) Joy Of A Toy Kevin SHVL 763 (LP, Album, Harvest SHVL 763 France 1970 Ayers Gat) Joy Of A Toy Kevin 07243-582776-2-3 (CD, Album, EMI, Harvest 07243-582776-2-3 Europe Unknown Ayers RE, RM) 4 Men With Joy Of A Toy Kevin Beards, 4 4M229, 4m229 (LP, Album, 4M229, 4m229 US 2012 Ayers Men With RE) Beards Related Music albums to Joy Of A Toy by Kevin Ayers Soft Machine - BBC Radio | 1967 - 1971 Kevin Ayers - Bananamour Kevin Ayers - The Confessions Of Dr.
    [Show full text]
  • Vestiges of Midsummer Ritual in Motets for John the Baptist
    Early Music History (2011) Volume 30. Cambridge University Press doi:10.1017/S0261127911000027 M A A Email: [email protected] FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST The thirteenth-century motet repertory has been understood on a wide spectrum, with recent scholarship amplifying the relationship between the liturgical tenors and the commentary in the upper voices. This study examines a family of motets based on the tenors IOHANNE and MULIERUM from the feast of the Nativity of John the Baptist (24 June). Several texts within this motet family make references to well-known traditions associated with the pagan festival of Midsummer, the celebration of the summer solstice. Allusions to popular solstitial practices including the lighting of bonfires and the public criticism of authority, in addition to the cultural awareness of the sun’s power on this day, conspicuously surface in these motets, particularly when viewed through the lens of the tenor. The study suggests the further obfuscation of sacred and secular poles in the motet through attentiveness to images of popular, pre-Christian rituals that survive in these polyphonic works. In the northern French village of Jumièges from the late Middle Ages to the middle of the nineteenth century, a peculiar fraternal ritual took place. Each year on the evening of the twenty-third of June, the Brotherhood of the Green Wolf chose its new chief. Arrayed in a brimless green hat in the shape of a cone, the elected master led the men to a priest and choir; Portions of this study were read at the Medieval and Renaissance Conference at the Institut für Musikwissenschaft, University of Vienna, 8–11 August 2007 and at the University of Chicago’s Medieval Workshop on 19 May 2006.
    [Show full text]
  • I a HUMDRUM AHA!: JOHN CLARE's MUNDANE SUBLIME by Dana Odwazny Pell a Thesis Submitted to the Faculty of the Dorothy F. Schm
    A HUMDRUM AHA!: JOHN CLARE’S MUNDANE SUBLIME by Dana Odwazny Pell A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, Florida August 2012 i A HUMDRUM AHA!: JOHN CLARE’Sii MUNDANE SUBLIM ACKNOWLEDGEMENTS I wish to share my sincere appreciation and love to my friends, family, and husband for their support throughout this project. Their encouragement kept me writing even when my focus waned. I would also like to express my continued gratitude for my academic springboard, Betsy Cohen. Miles might separate us, but we have come a long way together. In addition, I am indebted to the Florida Atlantic English department faculty, especially Dr. Golden, Dr. Berlatsky, Dr. Adams, and Dr. McGuirk. Each of you has inspired and humbled me. iii ABSTRACT Author: Dana Odwazny Pell Title: A Humdrum Aha!: John Clare’s Mundane Sublime Institution: Florida Atlantic University Thesis Advisor: Dr. Don Adams Degree: Master of Arts Year: 2012 Following the work of Sara Houghton-Walker and Edward Strickland, this thesis theorizes the “mundane sublime” as encountered in romanticist John Clare’s poetry. Instead of being oriented upward, as with Longinus’s elevatory sublime, Clare’s mundane sublime brings the subject downward to earth. While the sublime of the Burkean tradition begins with terror, I claim that the mundane sublime emerges out of love for that which is commonplace. Still revelatory, it may be further characterized by an engagement with ecosystems, eternity, divinity, and nature as a whole.
    [Show full text]
  • The Best Years of Our Lives- Definitive Edition Steve Harleys Hit-Album Mit Massenweise Bonusmaterial Dreifach-CD Mit Live-DVD
    The Best Years Of Our Lives‐ Definitive Edition Steve Harleys Hit‐Album mit massenweise Bonusmaterial Dreifach‐CD mit Live‐DVD ‐ VÖ: 13.06.2014 Er war kein einfacher Mensch, aber ein genialer Songwriter und Live‐Performer. 1975 wurde das großartige Album The Best Years Of Our Lives von STEVE HARLEY & COCKNEY REBEL veröffentlicht und wurde zum bestverkauften Album Harleys. Nun erscheint das erfolgreichste Album des Enfant terrible des Glamrock in der Definitive Edition mit vier Special Recordings, einer kompletten CD mit bisher unveröffentlichten Song‐ Versionen und einem Live‐Konzert im Londoner Hammersmith Odeon aus dem Jahr 1975, das als Live‐CD (Audio) und DVD (Video) mit unterschiedlichen Tracklistings das exklusive Paket ergänzt. Nach The Human Menagerie (1973) und The Psychomodo (1974), die noch unter dem Namen Cockney Rebel erschienen, war The Best Years Of Our Lives das dritte Album Harleys. Bis auf Drummer Stuart Elliott hatte Harley aufgrund bandinterner Querelen den Rest der Band komplett ausgetauscht und firmierte nun unter STEVE HARLEY & COCKNEY REBEL – ein Vorgang, den er mit dem Song Make Me Smile (Come Up And See Me) verarbeitete, der mit über 1 Million verkaufter Singles sein größter Hit wurde und in der Folge von Suzi Quatro, Duran Duran und Ersaure gecovert wurde. Produziert wurde Best Years Of Our Lives von niemand geringerem als der späteren Prog‐Rock‐Ikone Alan Parsons, auf dessen Album „I Robot“ Harley 1976 im Gegenzug einige Background‐Vocals übernahm. COCKNEY REBEL galten neben T. Rex, Gary Glitter, Mott The Hoople und Roxy Music als Hauptmotoren der Glamrock‐Szene, obwohl sie, ähnlich wie die New York Dolls, musikalisch und in der Attitüde bereits die später virulente New Wave vorbereiteten.
    [Show full text]
  • Dan Blaze's Karaoke Song List
    Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest
    [Show full text]
  • Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
    Artistic Director NEVILLE CREED President SIR ROGER NORRINGTON Patron HRH PRINCESS ALEXANDRA Concerts with the London Philharmonic Orchestra For Seasons 1946-47 To 2006-07 Last updated April 2007 From 1946-47 until April 1951, unless stated otherwise, all concerts were given in the Royal Albert Hall. From May 1951 onwards, unless stated otherwise, all concerts were given in The Royal Festival Hall. 1946-47 May 15 Victor De Sabata, The London Philharmonic Orchestra (First Appearance), Isobel Baillie, Eugenia Zareska, Parry Jones, Harold Williams, Beethoven: Symphony 8 ; Symphony 9 (Choral) May 29 Karl Rankl, Members Of The London Philharmonic Orchestra, Kirsten Flagstad, Joan Cross, Norman Walker Wagner: The Valkyrie Act 3 - Complete; Funeral March And Closing Scene - Gotterdammerung 1947-48 October 12 (Royal Opera House) Ernest Ansermet, The London Philharmonic Orchestra, Clara Haskil Haydn: Symphony 92 (Oxford); Mozart: Piano Concerto 9; Vaughan Williams: Fantasia On A Theme Of Thomas Tallis; Stravinsky: Symphony Of Psalms November 13 Bruno Walter, The London Philharmonic Orchestra, Isobel Baillie, Kathleen Ferrier, Heddle Nash, William Parsons Bruckner: Te Deum; Beethoven: Symphony 9 (Choral) December 11 Frederic Jackson, The London Philharmonic Orchestra, Ceinwen Rowlands, Mary Jarred, Henry Wendon, William Parsons, Handel: Messiah Jackson Conducted Messiah Annually From 1947 To 1964. His Other Performances Have Been Omitted. February 5 Sir Adrian Boult, The London Philharmonic Orchestra, Joan Hammond, Mary Chafer, Eugenia Zareska,
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co.
    [Show full text]
  • Roxy Music to Play a Day on the Green with Original Line up Including the Legendary Bryan Ferry
    Media Release: Thursday 18 th November ROXY MUSIC TO PLAY A DAY ON THE GREEN WITH ORIGINAL LINE UP INCLUDING THE LEGENDARY BRYAN FERRY With support from Nathan Haines Roundhouse Entertainment and Andrew McManus Presents is proud to announce that Roxy Music, consisting of vocalist Bryan Ferry, guitarist Phil Manzanera, saxophonist Andy Mackay and the great Paul Thompson on drums, are coming to New Zealand for one A Day On The Green show only at Villa Maria Estate Winery on Sunday 6 th March. Roxy Music will perform material from their entire catalogue including such hits as, Dance Away , Avalon , Let's Stick Together, Take A Chance With Me , Do the Strand , Angel Eyes , Oh Yeah , In the Midnight Hour , Jealous Guy, Love Is The Drug , More Than This and many more. Distinguished by their visual and musical sophistication and their preoccupation with style and glamour Roxy Music were highly influential, as leading proponents of the more experimental element of glam rock as well as a significant influence on early English punk music. They also provided a model for many new wave acts and the experimental electronic groups of the early 1980s. In 2004, Rolling Stone Magazine ranked Roxy Music on its list of the 100 Greatest Artists of All Time and the band are regarded as one of the most influential art-rock bands in music history. Roxy Music exploded onto the scene in 1972 with their progressive self-titled debut album. The sound challenged the constraints of pop music and was lauded by critics and popular among fans, peaking at #4 on the UK album charts.
    [Show full text]
  • Roxy Music in 1972: Phil Manzanera, Bryan Ferry, Andy Mackay, Brian Eno, Rik Kenton, and Paul Thompson (From Le )
    Roxy Music in 1972: Phil Manzanera, Bryan Ferry, Andy Mackay, Brian Eno, Rik Kenton, and Paul Thompson (from le ) > > Roxy 20494_RNRHF_Text_Rev0_54-120.pdfMusic 9 3/5/19 10:32 AM A THE ICONOCLASTIC BAND’S MUSIC CHANGED DRASTICALLY WHILE BALANCING FINE TASTE WITH MAVERICK STYLE BY JIM FARBER n what universe does the story of Roxy Mu- Since the group formed in 1972, Roxy messed with sic make sense? They began with a sound everyone’s notion of what music should sound like, as fired by cacophonous outbursts and wild well as how a band should present itself. The songs on aectations, only to evolve into one of the their first two albums often landed like punchlines, most finely controlled and heartfelt bands of fired by guitar, synth, and sax solos as exaggerated as all time. On the one hand, they lampooned cartoons. It was a sonic pastiche of the most anarchic, glamour, romance, and style, while on the gleeful, and sublime kind, created by a cast of inspired other epitomizing their highest expressions. And strays. And, amid their early ranks were two players – while they drew on common genres – including Bryan Ferry and Brian Eno – who would come to stand glam, free jazz, and art rock – they suered none of among music’s most creative forces. Given the scope of their clichés. Oh, and somewhere along the way, they the pair’s talents, it’s no surprise Roxy could contain Imade oboe solos a thing. them both for only two years. 20494_RNRHF_Text_Rev0_54-120.pdf 10 3/5/19 10:32 AM 20494_RNRHF_Text_Rev0_54-120.pdf 11 3/5/19 10:32 AM Opposite page: Bryan Ferry in the studio, 1971.
    [Show full text]