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Fundraiser Catalogue As a Pdf Click Here
RE- Auction Catalogue Published by the Contemporary Art Society Tuesday 11 March 2014 Tobacco Dock, 50 Porters Walk Pennington Street E1W 2SF Previewed on 5 March 2014 at the Institute of Contemporary Arts, London The Contemporary Art Society is a national charity that encourages an appreciation and understanding of contemporary art in the UK. With the help of our members and supporters we raise funds to purchase works by new artists Contents which we give to museums and public galleries where they are enjoyed by a national audience; we broker significant and rare works of art by Committee List important artists of the twentieth century for Welcome public collections through our networks of Director’s Introduction patrons and private collectors; we establish relationships to commission artworks and promote contemporary art in public spaces; and we devise programmes of displays, artist Live Auction Lots Silent Auction Lots talks and educational events. Since 1910 we have donated over 8,000 works to museums and public Caroline Achaintre Laure Prouvost – Special Edition galleries – from Bacon, Freud, Hepworth and Alice Channer David Austen Moore in their day through to the influential Roger Hiorns Charles Avery artists of our own times – championing new talent, supporting curators, and encouraging Michael Landy Becky Beasley philanthropy and collecting in the UK. Daniel Silver Marcus Coates Caragh Thuring Claudia Comte All funds raised will benefit the charitable Catherine Yass Angela de la Cruz mission of the Contemporary Art Society to -
Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance Sarah Lucie The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3828 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ACTING OBJECTS STAGING NEW MATERIALISM, POSTHUMANISM AND THE ECOCRITICAL CRISIS IN CONTEMPORARY PERFORMANCE by SARAH LUCIE A dissertation submitted to the Graduate Faculty in Theatre and Performance in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 SARAH LUCIE All rights reserved ii Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance by Sarah Lucie This manuscript has been read and accepted by the Graduate Faculty in Theatre and Performance in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________________________________________________________________ Date Peter Eckersall Chair of Examining Committee __________________________________________________________________________ Date Peter Eckersall Executive Officer Supervisory Committee: Erika Lin Edward Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Acting Objects: Staging New Materialism, Posthumanism and the Ecocritical Crisis in Contemporary Performance by Sarah Lucie Advisor: Peter Eckersall I investigate the material relationship between human and nonhuman objects in performance, asking what their shifting relations reveal about our contemporary condition. -
David Shrigley
NEW DRAWINGS — DAVID SHRIGLEY Thursday, November 2 – Friday, December 22, 2017 Venue: Yumiko Chiba Associates viewing room Shinjuku Park Grace Shinjuku Bldg. #206, 4-32-6 Nishi-Shinjuku, Shinjuku-ku, Tokyo 160-0023 Gallery Hours: 12:00 – 19:00 *Closed on Sundays, Mondays, and national holidays Copyright David Shrigley. Courtesy of David Shrigley and Stephen Friedman Gallery, London. Opening Reception: Thursday, November 2, 2017, 17:00 – 19:00 Venue: Yumiko Chiba Associates viewing room shinjuku Talk Event: Tuesday, October 31, 2017, 18:00 – 20:00 (The door opens at 17:30.) Venue: The Lecture Hall in the Central Building in the Ueno Campus of Tokyo University of the Arts Speakers: David Shrigley and Ken Kagami Moderator: Kenjin Miwa (Curator of The National Museum of Modern Art, Tokyo) *Consecutive interpretation available during the session. Admission: Free Seating Capacity: 180 (Served on a first-come-first-served basis, reservation not required.) In Association With: British Council Support: MITO ARTS FOUNDATION, Tokyo University of the Arts Photography Center, Stephen Friedman Gallery (London) Yumiko Chiba Associates viewing room shinjuku is pleased to present New Drawings, a solo show of David Shrigley from Thursday, November 2, 2017. Born in Macclesfield in Northern England in 1968, David Shrigley graduated from the Glasgow School of Art, Scotland's only public self-governing art school. He is currently based in London, and is actively engaged in various projects there. In 2012, while still in his mid-career, David Shrigley had his retrospective show titled Brain Activity held at Hayward Gallery in London, which led him to be nominated for the renowned Turner Prize awarded to artists living in England in 2013. -
America's Japan and Japan's Performing Arts Barbara Thornbury
America's Japan and Japan's Performing Arts Barbara Thornbury Published by University of Michigan Press Thornbury, B.. America's Japan and Japan's Performing Arts: Cultural Mobility and Exchange in New York, 1952-2011. Ann Arbor: University of Michigan Press, 2013. Project MUSE., https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/22764 Access provided by University of Michigan @ Ann Arbor (18 Mar 2017 21:32 GMT) Introduction It may not be their, but it is certainly our Japan.1 Q: Can you tell us a little more about what Americans perceive as Japan- ness? A: For instance, it could be things like the stage set is extremely elaborately designed and constructed. Q: Is it a kind of fetishism? A: Well, you could say so.2 Eiko and Koma are quintessentially Japanese, and also longtime New York residents.3 This book is a study of the images and myths that have defined and shaped the reception of Japan- related theater, music, and dance in the United States since the postwar 1950s. In the mid- 1980s, at the height of fierce trade tensions between the United States and Japan, Clyde Haberman reported in the New York Times, “Japanese contend that the trouble is not their lingering restrictions so much as American laziness in attempting to penetrate this country’s markets. Learn our language, Prime Minister Ya suhiro Nakasone has said many times. Study our culture. ‘Americans don’t try hard enough’ is a favorite catch phrase.” Haberman contended, “The accusation infuriates many American executives, who feel that they could watch Kabuki plays all day and still get nowhere.”4 The executives’ angry sarcasm was rooted in a paradoxical fact. -
Cambridge University Press 978-1-108-42646-6 — Bertolt Brecht in Context Edited by Stephen Brockmann Index More Information
Cambridge University Press 978-1-108-42646-6 — Bertolt Brecht in Context Edited by Stephen Brockmann Index More Information Index Academy of the Arts, xvii, xx, 34, 98, 99, 100, Augsburg, xiii, xviii, 11, 17, 18, 20, 21, 22, 23, 24, 101, 102 25, 27, 36, 41, 42, 43, 45, 50, 51, 52, 55, 65, 66, Adams, John, works by 131, 151, 183, 191, 202, 327, 328 Dr. Atomic, 218 Austria, xix, xxviii, 89, 156, 218, 340 Adorno, Theodor W., 76–77, 127, 128, 196, 283, 304 Babylon Berlin, 42, 193 African National Congress, 208 Bach, Johann Sebastian, 53, 196 Agami, Danielle, 220 Bach, Johann Sebastian, works by agitprop, 40, 60, 160, 161, 164, 196, St. Matthew Passion, 53 209, 263 Bachmann, Ingeborg, 156 AIDS, 215 Bacon, Francis, works by A-I-Z, 135, 138 The New Organon, 27 Akiho, Andy, 219 Baden-Baden, 193, 197 Alberts, Jürgen, works by Baden-Baden Music Festival, xviii, 54, 159, 195 Hitler in Hollywood: Looking for the Ideal Badiou, Alain, works by Script, 275 Five Lessons on Wagner, 194 Allert de Lange (publishing house), 94 Bai Juyi, 184, 185 Allfree, Claire, 318 Banholzer, Paula, xviii, 22, 23 Altefrohne, Silke, 286 Bänkelsang, 22 Althusser, Louis, 128 Bantu People’s Theatre, 210 Amette, Jacques-Pierre, works by Barnett, David, 220, 293 Brecht’s Mistress, 276 Barthes, Roland, 128, 129, 331 Amin, Idi, 207 Baum, Kurt, 210 Amsterdam, 89 Bausch, Pina, xvi, 163 andcompany&Co., 288 Bautzen Festival, 307 André, Naomi, 221, 222 Bavaria, xviii, 22, 24, 275 anti-fascism, 10, 44, 45, 91, 92, 151, 160, 204, 228, Baxter Theatre, 215 242, 259 Bayreuth Festival, 53, 54, 218, 219 anti-Semitism, 71 BBC, 206 Archer, Robyn, xxvi Beaton, Alistair, 323 Arendt, Hannah, 278 Bebel, August, 203 Aristotle, 8, 28, 152, 270 Becher, Johannes R., 63, 71, 92, 102, 197 Armstrong, Louis, 6 Becher, Johannes R., works by Arons, Wendy, xxvii Winter Battle, 63, 83 Arribas, Sonia, 167 Beckett, Samuel, 163, 228 Artaud, Antonin, xxv, 163, 228, 253 Beckmann, Max, 34 Ashcroft, Peggy, 205, 206 Bel, Jérôme, 286 Auden, W. -
Corvi-Mora 1A Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112
Corvi-Mora 1a Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112 LYNETTE YIADOM-BOAKYE Born in 1977, London Lives and works in London 1996-1997 Central St Martins School of Art and Design 1997-2000 Falmouth College of Art 2000-2003 Royal Academy Schools Solo Exhibitions 2017 “Under-Song For A Cipher”, New Museum of Contemporary Art, New York 2016 “A Passion To A Principle”, Kunsthalle Basel, Basel “Sorrow For A Cipher”, Corvi-Mora, London 2015 "Capsule 03: Lynette Yiadom-Boakye", Haus der Kunst, Munich “Verses After Dusk”, Serpentine Gallery, London (cat) 2014 Jack Shainman Gallery, New York 32 Edgewood Gallery, Yale School of Art, Connecticut 2013 “Verses”, Pinchuk Art Centre, Kiev “The Love Without”, Corvi-Mora, London “Salt 7: Lynette Yiadom-Boakye”, Utah Museum of Fine Art, Utah 2012 “All Manner Of Needs”, Jack Shainman Gallery, New York “Extracts and Verses”, Chisenhale Gallery, London 2011 “Notes and Letters”, Corvi-Mora, London 2010 "Any Number of Preoccupations", Studio Museum Harlem, New York “Essays and Documents”, Jack Shainman Gallery, New York “Essays and Letters”, Stevenson, Cape Town 2009 “FOREX: Pleased to Meet You”, Stevenson, Cape Town “Manifesto”, Faye Fleming & Partner, Geneva 2007 Gasworks, London “Series”, Arquebuse, Geneva 2004 “How To Live”, Prowler Project Space, London Selected Group Exhibitions 2017-2018 “I Am You”, curated by José Esparza Chong Cuy, MCA Chicago, Illinois 2017 “WHEN THE HEAVENS MEET THE EARTH: Selected works from Robert Devereux’s Sina Jing Collection of Contemporary Art", The Heong Gallery, Downing College, Cambridge 2016 “British Art Show 8", Southampton Art Gallery, Southampton “BIG”, Big Hodges Gallery, New York "British Art Show 8", Norwich Castle Museum and Art Gallery, Norwich (cat) "The Female Gaze, Part Two: Women Look at Men", Cheim & Read, New York "Making & Unmaking: An exhibition curated by Duro Olowu", Camden Arts Centre, London (cat) "You go to my Head", Galerie Templon, Brussels Twenty2 Limited trading as Corvi-Mora is a Limited Company incorporated in the United Kingdom. -
No Fear, No Shame, No Confusion
No Fear, No Shame, the belief that nature is the ideal or authentic refuge, Liz Magor questions the desire and sometimes compulsion for No Confusion. emotional and physical comfort, and the fragility of the human body and identity. The works gathered in this exhibition, some of which have been created especially for Liz Magor with the occasion, are shown together for the first time and Jean Marie Appriou, Andrea Büttner constitute a precise selection of sculptures from the past twenty years. Amongst them, her famous One Bedroom and Laure Prouvost. Apartment (1996), her ambiguous cast objects from the past decade, and her latest works on textile using found blankets, which through alterations, she has bestowed with 12 October 2013 attributes releasing parts of their history and temperament. — 2 February 2014. Re-using, duplicating and transforming objects coming from a daily life that is already done consuming them, Liz Opening 11 October 2013. Magor addresses their status and inconsistency, and reveals their anxiety. Triangle France is pleased to announce the first European If anxiety and confusion are recurrent emotions addressed solo exhibition by Canadian artist Liz Magor. Gathering a by Liz Magor’s work, feelings of shame and embarrassment rigorous selection of her works from the past 20 years as are at the core of the conceptual and formal work Andrea well as new works, No Fear, No Shame, No Confusion is Büttner has developed for the past ten years. Ranging from an unprecedented presentation of Liz Magor’s work in traditional media like woodcuts to video and performance. Europe since her participation in documenta 8 in Kassel Her work is concerned with systems of judgment, values (1987). -
Enacting Culture – Japanese Theater in Historical and Modern Contexts
Monographien Herausgegeben vom Deutschen Institut für Japanstudien Band 51, 2012 Barbara Geilhorn / Eike Grossmann Miura Hiroko / Peter Eckersall (eds) Enacting Culture – Japanese Theater in Historical and Modern Contexts Monographien aus dem Deutschen Institut für Japanstudien Band 51 2012 Monographien Band 51 Herausgegeben vom Deutschen Institut für Japanstudien der Max Weber Stiftung — Deutsche Geisteswissenschaftliche Institute im Ausland Direktor: Prof. Dr. Florian Coulmas Anschrift: Jōchi Kioizaka Bldg. 2F 7-1, Kioichō Chiyoda-ku Tōkyō 102-0094, Japan Tel.: (03) 3222-5077 Fax: (03) 3222-5420 E-Mail: [email protected] Homepage: http://www.dijtokyo.org Umschlagillustration: Kurokawa Nō: Aufführung von Atsumori durch die Bewohner von Kurokawa während des Events Nō auf Wasser (Suien no nō) im Juli 2005. Photo: Eike Grossmann Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISBN 978-3-86205-039-0 © IUDICIUM Verlag GmbH München 2012 Alle Rechte vorbehalten Druck: Kessler Druck + Medien, Bobingen Printed in Germany ISBN 978-3-86205-039-0 www.iudicium.de Table of Contents 目次 TABLE OF CONTENTS 目次 Barbara GEILHORN and Eike GROSSMANN Preface ( 序 ) . 9 Barbara GEILHORN and Eike GROSSMANN Introduction ( はじめに ). 13 1. THEORETICAL WRITINGS AND COLLECTIONS OF PLAYS 演劇論 と 謡本 ・ 台本 YAMANAKA Reiko 世阿弥時代の能の演技 (Performing Nō in Zeami’s Time) . 27 Andreas REGELSBERGER Poetics of Voice and Puppet: Secondary Texts on the Art of Ningyō Jōruri ( 声と人形の美学 — 人形浄瑠璃におけ る芸道論 ) . 37 Bonaventura RUPERTI 「世阿弥の能楽論と ルネ ッ サン スの演劇論 — 演劇の本質、 戯曲 と 舞台化、 俳優 と い う テーマを中心に」 (Dramatization, Staging, Actor – A Comparison of Zeami’s Theories on Nō and Renaissance Theater Theories) . -
Winter/Spring Season
WINTER/SPRING SEASON Jan 23–24 eighth blackbird Hand Eye __________________________________________ Jan 28–30 Toshiki Okada/chelfitsch God Bless Baseball __________________________________________ Feb 4 and 6–7 Ingri Fiksdal, Ingvild Langgård & Signe Becker Cosmic Body __________________________________________ Feb 11–14 Faye Driscoll Thank You For Coming: Attendance __________________________________________ Feb 18–27 Tim Etchells/Forced Entertainment The Notebook, Speak Bitterness, and (In) Complete Works: Table Top Shakespeare __________________________________________ Mar 5–6 Joffrey Academy of Dance Winning Works __________________________________________ Mar 25–26 eighth blackbird featuring Will Oldham (Bonnie “Prince” Billy) Ghostlight __________________________________________ Mar 31–Apr 3 Blair Thomas & Co. Moby Dick __________________________________________ Apr 7–10 Teatrocinema Historia de Amor (Love Story) __________________________________________ Apr 12 and 14–16 Taylor Mac The History of Popular Music __________________________________________ Apr 28–May 1 Kyle Abraham/ Abraham.In.Motion When the Wolves Came In Museum of Contemporary Art Chicago Apr 7–10, 2016 North American Premiere Drawing and 3D Modelers Vittorio Meschi Max Rosenthal Teatrocinema Animation and Post Production Ilana Raglianti Historia de Amor Sebastián Pinto Light Operator Luis Alcaide (Love Story) Video Operator Lucio González ____________________________________________ Sound Engineer Matías Del Pozo Director Juan Carlos Zagal Props Cristián Mayorga, -
Corvi-Mora 1A Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112
Corvi-Mora 1a Kempsford Road London SE11 4NU Telephone 020 78409111 Facsimile 0207840 9112 LYNETTE YIADOM-BOAKYE Born in 1977, London Lives and works in London 1996-1997 Central St Martins School of Art and Design 1997-2000 Falmouth College of Art 2000-2003 Royal Academy Schools Solo Exhibitions 2017 “Under-Song For A Cipher”, New Museum of Contemporary Art, New York 2016 “A Passion To A Principle”, Kunsthalle Basel, Basel “Sorrow For A Cipher”, Corvi-Mora, London 2015 "Capsule 03: Lynette Yiadom-Boakye", Haus der Kunst, Munich “Verses After Dusk”, Serpentine Gallery, London (cat) 2014 Jack Shainman Gallery, New York 32 Edgewood Gallery, Yale School of Art, Connecticut 2013 “Verses”, Pinchuk Art Centre, Kiev “The Love Without”, Corvi-Mora, London “Salt 7: Lynette Yiadom-Boakye”, Utah Museum of Fine Art, Utah 2012 “All Manner Of Needs”, Jack Shainman Gallery, New York “Extracts and Verses”, Chisenhale Gallery, London 2011 “Notes and Letters”, Corvi-Mora, London 2010 "Any Number of Preoccupations", Studio Museum Harlem, New York “Essays and Documents”, Jack Shainman Gallery, New York “Essays and Letters”, Stevenson, Cape Town 2009 “FOREX: Pleased to Meet You”, Stevenson, Cape Town “Manifesto”, Faye Fleming & Partner, Geneva 2007 Gasworks, London “Series”, Arquebuse, Geneva 2004 “How To Live”, Prowler Project Space, London Selected Group Exhibitions 2017-2018 “I Am You”, curated by José Esparza Chong Cuy, MCA Chicago, Illinois 2017 “WHEN THE HEAVENS MEET THE EARTH: Selected works from Robert Devereux’s Sina Jing Collection of Contemporary Art", The Heong Gallery, Downing College, Cambridge 2016 “British Art Show 8", Southampton Art Gallery, Southampton “BIG”, Big Hodges Gallery, New York "British Art Show 8", Norwich Castle Museum and Art Gallery, Norwich (cat) "The Female Gaze, Part Two: Women Look at Men", Cheim & Read, New York "Making & Unmaking: An exhibition curated by Duro Olowu", Camden Arts Centre, London (cat) "You go to my Head", Galerie Templon, Brussels Twenty2 Limited trading as Corvi-Mora is a Limited Company incorporated in the United Kingdom. -
De Oriza Hirata Marion Boudier
Document généré le 2 oct. 2021 11:17 Jeu Revue de théâtre Le « théâtre tranquille » de Oriza Hirata Marion Boudier Jouer autrement Numéro 129 (4), 2008 URI : https://id.erudit.org/iderudit/23519ac Aller au sommaire du numéro Éditeur(s) Cahiers de théâtre Jeu inc. ISSN 0382-0335 (imprimé) 1923-2578 (numérique) Découvrir la revue Citer cet article Boudier, M. (2008). Le « théâtre tranquille » de Oriza Hirata. Jeu, (129), 51–58. Tous droits réservés © Cahiers de théâtre Jeu inc., 2008 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ MARION BOUDIER Le « théâtre tranquille » de Oriza Hi rata epuis qu'à l'âge de seize ans il a réalisé un tour du monde à bicyclette, Oriza DHirata écrit, s'interrogeant sur les différences entre les cultures et les mécanismes des relations humaines. Né à Tokyo en 1962, Hirata est aujourd'hui à la fois auteur, metteur en scène, directeur de la compagnie Seinendan ainsi que du théâtre Komaba Agora, et enseignant à l'Université d'Osaka. Il a bâti un formidable empire théâtral, culturel et pédagogique, et a participé à un important renouveau de l'écriture drama tique au Japon. -
CORVI-MORA LYNETTE YIADOM-BOAKYE Born in 1977
CORVI-MORA LYNETTE YIADOM-BOAKYE Born in 1977, London Lives and works in London 1996-1997 Central St Martins School of Art and Design 1997-2000 Falmouth College of Art 2000-2003 Royal Academy Schools Solo Exhibitions 2021 "Fly In League With The Night" Moderna Museet, Stockholm 2020 "Fly In League With The Night", Tate Britain, London 2019 “The Hilton Als Series: Lynette Yiadom-Boakye”, Yale Center for British Art, New Haven. Traveling to: The Huntington Art Gallery, Los Angeles “A Mind For Moonlight”, Corvi-Mora, London “In Lieu Of A Louder Love”, Jack Shainman Gallery, New York 2017 “Under-Song For A Cipher”, New Museum of Contemporary Art, New York 2016 “A Passion To A Principle”, Kunsthalle Basel, Basel “Sorrow For A Cipher”, Corvi-Mora, London 2015 “Capsule 03: Lynette Yiadom-Boakye”, Haus der Kunst, Munich “Verses After Dusk”, Serpentine Gallery, London (cat) 2014 Jack Shainman Gallery, New York 32 Edgewood Gallery, Yale School of Art, Connecticut 2013 “Verses”, Pinchuk Art Centre, Kiev “The Love Without”, Corvi-Mora, London “Salt 7: Lynette Yiadom-Boakye”, Utah Museum of Fine Art, Utah 2012 “All Manner Of Needs”, Jack Shainman Gallery, New York “Extracts and Verses”, Chisenhale Gallery, London 2011 “Notes and Letters”, Corvi-Mora, London 2010 “Any Number of Preoccupations”, Studio Museum Harlem, New York “Essays and Documents”, Jack Shainman Gallery, New York “Essays and Letters”, Stevenson, Cape Town 2009 “FOREX: Pleased to Meet You”, Stevenson, Cape Town “Manifesto”, Faye Fleming & Partner, Geneva 2007 Gasworks, London “Series”, Arquebuse, Geneva 2004 “How To Live”, Prowler Project Space, London Selected Group Exhibitions 2021 “Wayne Thiebaud Influencer: A New Generation”, Jan Shrem and Maria Manetti Shrem Museum of Art, California 1a Kempsford Road, London, SE11 4NU T: 020 7840 9111 F: 020 7840 9112 Twenty2 Limited trading as Corvi-Mora is a Limited Company incorporated in the United Kingdom.