“I don’t think there’s anything that communicates better than art.

It’s quicker than language and clearer than philosophy.” – Frederick R. Weisman

Frederick R. Weisman was a pioneering Los Angeles art collector whose rise

1 5 as an important patron of the arts Edward Ruscha, Malibu=Sliding Glass Doors, 1976, pastel on paper, 23 /8 x 29 /8 in. paralleled the emergence of the contemporary art scene in Southern Artwork included by: Peter Alexander, John Altoon, Charles Arnoldi, California. Featured are works ranging Larry Bell, Billy Al Bengston, Kelly Berg, Tony Berlant, Mary Corse, from the 1960s to the present, Ronald Davis, Laddie John Dill, Tim Ebner, Ned Evans, Sam Francis, including diverse movements such as Joe Goode, David Hockney, Jay Mark Johnson, Gegam Kacherian, California Pop, Hard-Edge Abstraction, Craig Kauffman, Peter Lodato, John McCracken, John McLaughlin, Finish Fetish, and Light and Space. John Millei, Andy Moses, Ed Moses, Ed Ruscha, Alexis Smith, De Wain Valentine, Alison Van Pelt, Velizar Mihich Vasa, Tom Wudl In celebration of Pacific Standard Time and many others. — A Getty Initiative Exhibition curated by Billie Milam Weisman, Foundation Director

March 4 - May 20, 2012 Funding provided by the Frederick R. Weisman Art Foundation, David Amico, Industrial Strength, 2001, oil, acrylic and Conte crayon on canvas, 96 x 72 in. Los Angeles Exhibit Sponsor Frederick R. Weisman Opening Reception Family Day / Saturday, May 5 11am-3pm free Art Foundation Saturday, March 3 4-6pm $5 suggested donation members free carnegie art museum supported in part by the Carnegie Art Museum Cornerstones 424 South C Street • Oxnard, CA 93030 • (805) 385-8157 / 8158 • www.carnegieam.org Sam Francis, Untitled, 1983, monotype, 78 x 30 in.