Kunsthaus Graz English Liu Xiaodong The Process of Painting 06.06. – 02.09.2012 Space01 Kunsthaus Graz, Universalmuseum Joanneum, Lendkai 1, 8020 Graz, T +43–(0)316/8017–9200, Tue–Sun 10am – 5pm
[email protected], www.museum-joanneum.at This text is published on the occasion of the exhibition Liu Xiaodong The Process of Painting Kunsthaus Graz Universalmuseum Joanneum June 6 until September 2, 2012 Liu Xiaodong is one of China’s most renowned contemporary painters. His paintings are large-sized, realistic, clear and very direct in their expression. The subjects he chooses sometimes relate to natural or created catastrophes or even to private matters. They also often refer to the question of change. For his exhibition at the Kunsthaus Graz, Liu Xiaodong stayed in Eisenerz for a month, where he lived amongst the resident s and studied the town. Liu Xiaodong has portrayed two great moments in the history of this communi ty in various aspects of his work: as paintings, film, photography and as a diary. The Process of Painting Out of Beichuan, Into Taihu Liu Xiaodong revitalised the tradi- Beichuan in China had long been tional Chinese easel painting a lovely, peaceful place until an technique and has thus become earthquake flattened it in May one of its major representatives. 2008, burying 70,000 people He understands the essence of oil underneath the ruins. Ever since, painting as a comprehensive pro- Beichuan has become a ghost cess of perception and observa- town whose reconstruction was tion, creating a style which one impossible. Instead, it was practi- could describe as New Realism.