PBS Series Delves Into History of Recorded Music
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Surround Sound Auteurs and the Fragmenting of Genre
Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock. -
Psaudio Copper
Issue 77 JANUARY 28TH, 2019 Welcome to Copper #77! I hope you had a better view of the much-hyped lunar-eclipse than I did---the combination of clouds and sleep made it a non-event for me. Full moon or no, we're all Bozos on this bus---in the front seat is Larry Schenbeck, who brings us music to counterbalance the blah weather; Dan Schwartz brings us Burritos for lunch; Richard Murison brings us a non-Python Life of Brian; Jay Jay French chats with Giles Martin about the remastered White Album; Roy Hall tells us about an interesting day; Anne E. Johnson looks at lesser-known cuts from Steely Dan's long career; Christian James Hand deconstructs the timeless "Piano Man"; Woody Woodward is back with a piece on seminal blues guitarist Blind Blake; and I consider comfort music, and continue with a Vintage Whine look at Fairchild. Our reviewer friend Vade Forrester brings us his list of guidelines for reviewers. Industry News will return when there's something to write about other than Sears. Copper#77 wraps up with a look at the unthinkable from Charles Rodrigues, and an extraordinary Parting Shot taken in London by new contributor Rich Isaacs. Enjoy, and we’ll see you soon! Cheers, Leebs. Stay Warm TOO MUCH TCHAIKOVSKY Written by Lawrence Schenbeck It’s cold, it’s gray, it’s wet. Time for comfort food: Dvořák and German lieder and tuneful chamber music. No atonal scratching and heaving for a while! No earnest searches after our deepest, darkest emotions. What we need—musically, mind you—is something akin to a Canadian sitcom. -
Peter Asher Music Producer and Performer
PETER ASHER MUSIC PRODUCER AND PERFORMER 1964, one half of Peter & Gordon, who amassed nine Top 20 records. 1968, head of A&R for the Beatles’ record company, Apple Records, where he found, signed and produced James Taylor. 1971, founded Peter Asher Management, representing James Taylor, Linda Ronstadt, Joni Mitchell, Carole King, Randy Newman and more for several decades. As a producer, Mr. Asher has worked with such diverse artists as James Taylor, 10,000 Maniacs, Diana Ross, Neil Diamond, Ringo Starr, Linda Ronstadt, Hans Zimmer, Ed Sheeran, Miguel and Cher, among many others. He has produced thirteen Grammy Award-winning recordings, and in 1977 and 1989 won the Grammy for "Producer of the Year". Recent projects include the production of “So Familiar” the follow-up album (released October 2015) to the highly successful (and Grammy-winning) “Love Has Come for You” (Steve Martin & Edie Brickell), which has also generated a PBS special and a stage musical, “Bright Star”, of which Peter is the music supervisor. “Bright Star”, directed by Walter Bobbie, opened on Broadway in March of 2016 and the Broadway Cast Album (produced by Peter) was released in May. Peter also directed the highly acclaimed Hans Zimmer live concerts (“Hans Zimmer Revealed”), which took place in London on October 10th and 11th .2014 and toured Europe extensively in the spring of 2016. In the New Year’s Honours list for 2015, Peter Asher was awarded a CBE (“Commander of the Most Excellent Order of the British Empire”) by Her Majesty Queen Elizabeth. The official investiture took place at Buckingham Palace on February the 24th. -
SOUNDBREAKING La Grande Aventure De La Musique Enregistrée
Présente De l’arrivée de l’électricité en passant par la naissance des studios , du multipiste, du 33 et du 45 tours, du CD, puis du mp3 et du streaming. Du métier de producteur, aux expérimentations vocales les plus folles en passant par le sample. La première anthologie de la création musicale sous toutes ses formes. SOUNDBREAKING La grande aventure de la musique enregistrée 2016 - 6 x 52 min Série documentaire réalisée par Maro Chermayeff et Christine Le Goff Écrite par Maro Chermayeff et Romain Pieri EN COFFRET 2 DVD LE 7 MARS 2017 “Dans les coulisses Diffusion en février 2017 sur ARTE des plus grands studios d’enregistrement avec Soundbreaking” DVD 1 1 - LA FEE ELECTRICITE The New York Times 2 - LA MAGIE DU STUDIO 3 - PROFESSION PRODUCTEUR Durée des épisodes : 6 x 52 min DVD 2 Versions : 4 - TROUVER SA VOIX Version française 5 - DU 78 TOURS AU FICHIER MP3 6 - GENERATIONS SAMPLE Prix public estimé 24,95€ Passionnante aventure artistique et technologique, la mise au point de l’enregistrement de la musique s’est Plus de 150 légendes de la musique déroulée sur près d’un siècle. Amplification des pour la première fois réunies instruments acoustiques, naissance du synthétiseur, avènement du multipiste, rendu de la voix, rôle du Avec Ben Harper, George Benson, producteur, révolution numérique… sur une bande-son Jean-Michel Jarre, Giorgio Moroder, Jeff Beck, B.B King, Roger Daltrey, d’anthologie, la série documentaire Soundbreaking Brian Eno, Roger Waters, Paul retrace cette fabuleuse saga, des débuts de McCartney, Ringo Starr, Annie l’enregistrement à l’ère numérique, avec la participation Lennox, Catherine Ringer, David des plus grands musiciens et producteurs de notre Gilmour, Bon Iver, George Martin, époque. -
Is PM Planning to Quit? INSIDE Clark Refusing to Confirm Or Deny
NZTONIGHT WORLD MOVIES DISCOVERY Relief for Africa’s Quantum London beckons Agnew’s family ‘world war’ of dollars PAGE 2 PAGE 8 PAGE 13 PAGE 18 TGIFEDITION.TV Auckland Hamilton Wellington Christchurch Queenstown Dunedin Sat: 19°/11° Sun: 18°/12° Sat: 17°/8° Sun: 23°/10° Sat: 16°/9° Sun: 14°/10° Sat: 22°/3° Sun: 19°/9° Sat: 15°/3° Sun: 24°/7° Sat: 14°/8° Sun: 17°/9° FREE MOVIE TICKETS WITH TGIF SUBSCRIPTIONS, SUBSCRIBE TODAY, ONLY $3 PER MONTH SEE PAGE 20 FOR DETAILS www.tgifedition.com EDITION ISSN 1172-4153 | Volume 1 | Issue 13 | | 31 October 2008 on the IS PM planninG to Quit? INSIDE Clark refusing to confirm or deny By Ian Wishart get a Helen Clark-led Labour government for the observers are speculat- The Prime Minister is evading questions about next three years. An urgent confirmation would be ing Clark is simply try- whether she’ll stay on as leader, even if Labour wins appreciated.” ing to stitch up enough the election next week. Instead, the Prime Minister’s chief press secretary of a Labour victory to During the first leader’s debate Helen Clark told Kathryn Street told TGIF Clark would not be com- ensure the left wing of Summer viewers she was “seeking a mandate” for a fourth menting on the issue at all. the party is stronger Forecast term as leader, but wasn’t pressed on whether that And it’s not just TGIF Edition that’s noticed. than the Phil Goff- Page 4 meant she might not serve a full term. -
MTV Games and Harmonix Unveil Next 15 Songs Featured in the Beatles(TM): Rock Band (TM)
MTV Games and Harmonix Unveil Next 15 Songs Featured in The Beatles(TM): Rock Band (TM) One of the Most Anticipated Music Video Game of 2009 to Include "Twist And Shout," "Sgt. Pepper's Lonely Hearts Club Band," "Revolution," "Yellow Submarine" and More NEW YORK, July 21 -- MTV Games and Harmonix, the world's leading developer of music-based games and a part of Viacom's MTV Networks (NYSE: VIA, VIA.B), today revealed 15 more of the 45 on-disc tracks that will be featured in The Beatles™: Rock Band™. A gameplay trailer featuring eight of the 15 newly announced songs can be viewed by visiting www.thebeatlesrockband.com. Following the world premiere of The Beatles: Rock Band at the Microsoft press briefing at the 2009 E3 Media & Business Summit last month, the newly announced 15 songs represent a cross-section of hits and favorites that span The Beatles' storied career from Can't Buy Me Love and Paperback Writer to With A Little Help From My Friends and Yellow Submarine, bringing the total number of announced songs to 25. The 15 new songs for The Beatles: Rock Band and the venues they are featured in are: -- Twist And Shout / Cavern Club -- Do You Want To Know A Secret / Cavern Club -- Can't Buy Me Love / Ed Sullivan Theater -- I Wanna Be Your Man / Ed Sullivan Theater -- Eight Days A Week / Shea Stadium -- Paperback Writer / Budokan -- And Your Bird Can Sing / Budokan -- Yellow Submarine / Abbey Road Dreamscape -- Sgt. Pepper's Lonely Hearts Club Band* / Abbey Road Dreamscape -- With a Little Help from My Friends* / Abbey Road Dreamscape -- Within You Without You / Tomorrow Never Knows / Abbey Road Dreamscape -- Revolution / Abbey Road Dreamscape -- Birthday / Abbey Road Dreamscape -- Dig A Pony / Rooftop Concert -- I've Got A Feeling / Rooftop Concert Additional on-disc songs will be announced at a later date. -
Stephen Bruel Thesis
Nostalgia, authenticity and the culture and practice of remastering music Stephen Bruel MMus, GradDipEd (Music), GradCertJourn, BEcon A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2019 Keywords 1980s, aca-fan, aesthetic, artist, audio, authenticity, band, creativity, cultural heritage, demo, demo recordings, digital convergence, engineer, fandom, guitar-pop, mastering, mixing, music, music nostalgia, personal heritage, production, recording, remastering, scholar-fan, simulacra, simulation, sound, Sydney, systems model, Sunnyboys, technology. 2 Statement of Original Authorship The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made. Signature: QUT Verified Signature Date: April 2019 3 Acknowledgements I would like to express my sincere gratitude to my Principal Supervisor Dr Gavin Carfoot for his continuous support of my PhD study and related research, patience, motivation and immense knowledge. I would also like to thank my External Supervisor Professor Andy Arthurs for his guidance through the early stages of this research and my Assistant Supervisor Dr John Wilstead for his help towards the end. I also acknowledge the support received by the QUT Creative Industries Higher Degrees Research team who guided me successfully through the PhD administration process, and the financial assistance I received through my scholarship. My research project would not have been possible without the participation and enthusiasm shown by all case study participants. -
Joni Mitchell - a Chronology of Appearances V4.7
Joni Mitchell - A Chronology of Appearances v4.7 Compiled by Simon Montgomery, © 2001 Special thanks to Joel Bernstein for his contributions and assistance. This work-in-progress lists all known appearances, drawn from a variety of sources. Unless otherwise noted, appearances took place in the U.S. Appearances in Canada are denoted by city and province. Date format is YYYY.MM.DD Unconfirmed information is highlighted. Latest Update: Feb. 16, 2018 Please send comments, corrections or additions to: [email protected] © Ed Thrasher - March 1968 © All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. August 2001 1962 1962 Waskesiu Lake Waskesiu, SK According to Joni, “I started making music…in Saskatchewan mostly up at northern lakes, up around Lake Waskesiu … it was just self-entertainment with the gang then.” 1962.10.31 The Louis Riel Saskatoon, SK Joni’s first paid performance 1962.11.05 The Louis Riel Saskatoon, SK 1962.11.14 The Louis Riel Saskatoon, SK _____________________________________________________________________________ 1963 1963 The Louis Riel Saskatoon, SK Joni participated in weekly “Hoot Nights” playing her ukulele. 1963.08 For Men Only–CKBI-TV Prince Albert, SK Nineteen-year-old Joni Anderson was booked as a one-time replacement for a late-night moose-hunting show. During the program Joni was interviewed and performed several songs accompanying herself on baritone ukulele. 1963.09.13 The Depression! Calgary, AB According to Joni, she performed at The Depression! over a period of three and a half months, including the Sept. -
The Beatles: Eight Days a Week – the Touring Years
1 THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS Release Dates U.S. Theatrical Release September 16 SVOD September 17 U.K., France and Germany (September 15). Australia and New Zealand (September 16) Japan (September 22) www.thebeatleseightdaysaweek.com #thebeatleseightdaysaweek Official Twitter handle: @thebeatles Facebook: facebook.com/thebeatles YouTube: youtube.com/thebeatles Official Beatles website: www.thebeatles.com PREFACE One of the prospects that drew Ron Howard to this famous story was the opportunity to give a whole new generation of people an insightful glimpse at what happened to launch this extraordinary phenomenon. One generation – the baby boomers - had a chance to grow up with The Beatles, and their children perhaps only know them vicariously through their parents. As the decades have passed The Beatles are still as popular as ever across all these years, even though many of the details of this story have become blurred. We may assume that all Beatles’ fans know the macro-facts about the group. The truth is, however, only a small fraction are familiar with the ins and outs of the story, and of course, each new generation learns about The Beatles first and foremost, from their music. So, this film is a chance to reintroduce a seminal moment in the history of culture, and to use the distance of time, to give us the chance to think about “the how and the why” this happened as it did. So, while this film has a lot of fascinating new material and research, first and foremost, it is a film for those who were “not there”, especially the millennials. -
Sir Paul Mccartney, Ringo Starr, Along with Yoko Ono Lennon and Olivia Harrison Come Together for World Premiere of the Beatles™: Rock Band™
Sir Paul McCartney, Ringo Starr, along with Yoko Ono Lennon and Olivia Harrison Come Together for World Premiere of The Beatles™: Rock Band™ --Unique Experiential Journey Through The Beatles' Career to Feature Introduction of Three-Part Vocal Harmonies, 45 Songs On-Disc and Reveal of First Downloadable Album, Abbey Road --"All You Need Is Love" To Be Released Exclusively as Downloadable Song Through Xbox LIVE on 9/9/09 with Charity Proceeds to Benefit Doctors Without Borders NEW YORK, June 1, 2009 /PRNewswire-FirstCall via COMTEX News Network/ -- Original band members Sir Paul McCartney and Ringo Starr, along with Yoko Ono Lennon and Olivia Harrison, came together today to kick off the 2009 E3 Media & Business Summit with the world premiere of The Beatles: Rock Band. The first-of-its-kind music-based video game offers a revolutionary tour of The Beatles' music, career, and legacy. Presented by Apple Corps, Ltd., and MTV Games' Harmonix Music Systems, a part of Viacom's MTV Networks (NYSE: VIA, VIA.B), The Beatles: Rock Band will be released worldwide on 9/9/09, as will the release of the entire, original, digitally re-mastered Beatles CD catalogue. Unveiled at Microsoft's E3 press conference, the game represents the first time fans will be able to experience The Beatles' musical career for themselves. From the early touring days in 1963 Liverpool to the immortal, final performance on the Apple Corps rooftop, fans can follow in the band's footsteps as they traverse the globe during the height of Beatlemania. Adding to the experience is the introduction of three-part vocal harmonies to game play, allowing gamers to revel in the unparalleled vocal stylings of the Fab Four. -
Beatles Recording Variations
The Usenet Guide to Beatles Recording Variations by Joseph Brennan: [email protected] 435 South Ridgewood Road, South Orange NJ 07079 Current version revised by Frank Daniels: [email protected] www.friktech.com/btls/btls2.htm © 1993,1994,1995,1996,1997,1998,1999,2000,2002 Joseph Brennan Portions © 2010, 2014 by Frank Daniels; version 3 © 2014, 2019, 2021 by Joseph Brennan & Frank Daniels. Introduction • What is Usenet? • Introduction: What's a Variation, and Why Do We Care? • Frank’s Intro • Credits • Notes on US Record Releases • Notes on CD Releases • The Films and the Videos • Format of entries Variations and Conclusions • 1958 to 1961 (including recordings with Tony Sheridan) • 1962 • 1963 (Please Please Me, With the Beatles) • 1964 (A Hard Day's Night, Beatles for Sale) • 1965 (Help!, Rubber Soul) • 1966 (Revolver) • 1967 (Sgt Pepper’s Lonely Hearts Club Band, Magical Mystery Tour & Yellow Submarine) • 1968 (The Beatles and Yellow Submarine) • 1969 and 1970 (Abbey Road, Let It Be) • 1994 and 1995 (Anthology) • The Yellow Submarine Songtrack (1999) • British and German Discographies • Love (2006) and The Mono and Stereo Remasters (2009) • Song Index While researching recording variations, we ended up making lists of the Beatles original vinyl releases in the United Kingdom, the United States, and Germany. Please see Frank Daniels's Across the Universe pages on worldwide releases. The releases of the Beatles' Hamburg Recordings (from 1961 and 1962) are so confusing that there is a special introduction to those eight songs in the Guide. For links and stuff, please go see The Internet Beatles Album. What is Usenet? Usenet is a worldwide Internet, threaded discussion system that operates via news servers all around the world. -
A Labor of Love
Illinois Wesleyan University Magazine, 2002-2017 Volume 25 Issue 4 v.25,no.4:Winter 2016-17 Article 2 Winter 2016 A Labor of Love Scott Moreau '01 Illinois Wesleyan University, [email protected] Follow this and additional works at: https://digitalcommons.iwu.edu/iwumag Recommended Citation Moreau '01, Scott (2016) "A Labor of Love," Illinois Wesleyan University Magazine, 2002-2017: Vol. 25 : Iss. 4 , Article 2. Available at: https://digitalcommons.iwu.edu/iwumag/vol25/iss4/2 This is a PDF version of an article that originally appeared in the printed Illinois Wesleyan University Magazine, a quarterly periodical published by Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the University and/or the author of this document. As head carpenter for The Beatles LOVE, Ben Stephenson ’00 creates astonishing new audience experiences that keep the Las Vegas favorite flying high. Stephenson takes the wheel of one of the show's featured props, a Gold Filigree Volkswagen Beetle, also known as the Smoking Car due to an inside switch that turns on the fog, which rises from the hood. By SCOTT MOREAU '01 As I traversed through the winding walkways of the Mirage Hotel and Casino in Las Vegas to meet an old friend of mine, a vivid memory hit me. It was from the fall of 1997, my first year as a music theatre major at Illinois Wesleyan. I was working strike for the first show of that year, Into the Woods. I have a very clear recollection of two things: my friend Jim throwing up beside the loading dock because of the gallons and gallons of spoiled milk-based paint he was asked to empty, and Ben Stephenson moving around the shop like he was a professional.