DOCSLIB.ORG

Image Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Image Collection Hebden Bridge Local History Society Archive catalogue IMAGE COLLECTION PHOTOGRAPHS, PRINTS, SKETCHES, POSTCARDS Some are stored in a loose leaf file (labelled F) PH1 Sepia photograph mounted on card - Redacre Wood, Harry Stansfield PH2(1)Hebden Bridge Station - Lithograph - A. F. Tait (2)WhiteleysViaduct ,Charlestown curved lithograph A. F. Tait (3)Hollin Hey Mytholmroyd - mounted on card (4) Dog Bottom Mytholmroyd Lee (5) Copy of painted drawing of old Market Halifax c. 1800, lithograph, John Horner PH3FThe Sportsman, Keb Cote print from old negative R. C. Cross PH4Hebden Bridge Fustian Society Directors PH5F five photograph on 2 sheets re-erection of Te Deum stone 26th May 1956 PH6 Two views Architects drawings Westfield Mill, Mytholmroyd (1) From Burnley Road (2) From Rochdale canal PH7 (a) Photograph of Westfield Mill presented by Jack Uttley PH8FHebdenBridge 2waterboard men in Lees Yard PH9F 2 photos of Hebden Bridge Electricity Works generators c. 1930 PH10F Laying of foundation stones, Nazebottom Baptist Church.12 photos on 4 sheets. PH11 RCC These photographs were in the collection of the late Mr. R. C. Cross, honorary member of the Local History Society. Presented to Hebden Bridge Local and Scientific Society, Local History Section by Mrs. Alice E. Smith of Grange-Over-Sands, November 1987. 1. Akroyd, Wadsworth, Hebden Bridge 1951 2. Barkisland Hall, Halifax (porch) c. 1950 3. Chellow Dene, near Bradford (Frank Butterfield) c. 1950 4. Plasterwork inside High Bentley, Shelf, c. 1950 5. Holdsworth House, near Halifax 1948 6. Elland New Hall, Elland 7. High Sunderland, Halifax (porch) (demolished) 8. Kildwick Hall near Skipton (gateway) c. 1946 9. Plasterwork Lower Bentley Royd, Sowerby [1641] 10. Old Edge, Colden, Hebden Bridge (porch) (1676) 11. Lumb Hall, Drighlington 20.8.1948 12. Old Royd, Todmorden 13. St. Peter's Church, Sowerby, interior plasterwork 13.9.1952 14. The Slack, Heptonstall, (1809) 25.3.1950 15. Todmorden Hall, fireplace chimneypiece, 9.8.1953 16. Upper Foot Farm, Luddendenfoot, near Halifax 17. Upper Hopton Hall, near Huddersfield, 29.5.1954 18. Windybank, Littleborough, 1957 19. Wood Lane Hall, Sowerby. 20 10 photos of Timber framed buildings by R.C. Cross IMAGE COLLECTION Page 1 of 44 Hebden Bridge Local History Society Archive catalogue PH12 (PH HBS) Photographs presented by Miss Smith @1. Interior Mytholmroyd Church.Photographer B. Dakin. @2. Altar.Photographer M. C. Dakin. @3. Heptonstall Old Church.Photographer H. B. Smith. @4. Heptonstall Old Church through the porch.Photographer H. B. Smith. @5. Heptonstall Old Church with old Mally. Photographer H. B. Smith. @6. Heptonstall Old Church from tower of new Church.Photographer H. B. Smith. @7. Piscina June 20th 1912 F22 10s 5.0 pm. Photographer H. B. Smith. @8. Mytholm Lane and Church.Photographer H. B. Smith. @9. Mytholm.Photographer H. B. Smith. 10. Mytholm. Photographer H. B. Smith. 11. Calderside, Mytholm. Photographer H. B. Smith. @12. Eaves Bottom Mill Dam and Goit.Photographer H. B. Smith. @13. Quarry Road, Eaves. Photographer H. B. Smith. @14. Milking Bridge.Photographer H. B. Smith. @15. Reflections in the Rochdale Canal at WhiteleyArches.Photographer H. B. Smith. @16. HawdenHall.Photographer H. B. Smith. @17. HawdenHall.Photographer H. B. Smith. @18. Laneside, Wood Hey.Photographer H. B. Smith. @19. "Winters".Photographer H. B. Smith. @20. Mankinholes Cross. Photographer H. B. Smith. @21. Kirklees Priory. Photographer H. B. Smith. @22. Corn Stocks.Photographer H. B. Smith. PH13 (in small cardboard box) Studio portraits. Studio name and address a) Brooks, Patmos, Todmorden. b) J. Brooks, Patmos, Todmorden (late of Townley) c) James Brooks, Todmorden. (Wellington Road on back) d) James Brooks, Todmorden. (Wellington Road on back) e) J. Brooks Wellington Road, Todmorden. f) E. Clapham, Ferney Lee, Todmorden. (advert in Almanack HB8 1899 p72) g) E. Clapham, Ferney Lee, Todmorden. h) Hy. Crabtree, Osborne Studio, Hebden Bridge. i) Eddison Ltd., Leeds, Bradford, Dewsbury, Halifax, Huddersfield, Barnsley, Manchester, Blackpool. All addresses shown including 4 Silver Street, Halifax. j) T. Gibson, Crown Street, Hebden Bridge. k) Thomas Gibson, Crown Street, Hebden Bridge.. l) E. Greaves, Top of Silver Street, Halifax.* m) Greenwood, Birchcliffe, Hebden Bridge. n) A. Greenwood, Lees Road, Hebden Bridge. o) A. Greenwood, Lees Road, Hebden Bridge. p) Taylor, Leeds, Rochdale, Wakefield, (includes addresses) 26 King Cross Street, IMAGE COLLECTION Page 2 of 44 Hebden Bridge Local History Society Archive catalogue Halifax q) Taylor Photographer, 17, Hanover Lane, Leeds and 67A King Cross Road, Halifax r) Y. Walton, Hebden Bridge s) C. Westerman, Hebden Bridge t) C. Westerman, West End Studio, Hebden Bridge u) C. Westerman, West End Studio Hebden Bridge v) C. Westerman, West End Studio Hebden Bridge w) C. Westerman, West End Studio Hebden Bridge x) C. Westerman, Electric and Daylight Studios, Hebden Bridge y) Westermans, Day and Electric Light Studios, Hebden Bridge z) C. Westerman, Electric and Daylight Studios (near Tram Terminus,) Hebden Bridge. aa) C. Westerman, Artist Photographer, West End Studio, Hebden Bridge, close to tram terminus. * E. Greaves advertises its new premises on p42 Todmorden and Hebden Bridge Almanack 1880. (See THB3) Man (head) with moustache. Man (head) with moustache. Man (head)-beard and moustache. Woman standing by chair. Woman standing by chair. Man (head). Man (head). Child sat on grass. Man and two girls seated. Woman standing by chair. Two children. Man (head). Boy (head). Boy (head). Girl seated. Man and Woman. (Greenwood in pencil on back). Man and Woman. (Sutcliffe in pencil on back). Boy. Woman. Baby. Child. Boy and dog. Woman (head). Man (head) with moustache. Girl seated. Girl by chair. Woman (head) With Best Wishes. E. Clapham has an advert in 1909 Tod. & HB Almanack p34 PH14 Local History outings 1988 - 16 colour prints Terry Tissington PH15 sketches from calendar 1969 Halifax drawings by J. L. Berbiers IMAGE COLLECTION Page 3 of 44 Hebden Bridge Local History Society Archive catalogue PH16 Sketches from calendar 1979 Halifax drawings by Kay Tomlinson PH17 Presented by exors of the late Mrs. Alice Longstaff. 1. Aerial view Luddenden Foot 2. Aerial view Mytholmroyd 3. Section of machine room in sewing shop. 4. Section of pressing department. 5. View interior of a factory, sawing a log. 6. First Hebden Bridge rover scout crew 1939.Framed. Members named. 7. Hebden Bridge Brass Band 1901 winners RippondenRyburn Challenge Cup. 8. Oriel College freshmen May 1919 members named. 9. Portrait of an elderly lady. 10. Birchcliffe Chapel, group of men and boys. PH18 photo Mytholmroyd Wesleyan Chapel Officers and teachers 4.3.1922 PH19F Progress at Gorple Halifax Courier 8.9.1928 PH20F aerial photo of Hebden Bridge Halifax Courier 24.1.1948 PH21PH22 group of mothers and children Halifax and District Food office promotion for orange juice and cod liver oil 1951 PH23 glass mounted group of children, possibly May Queen PH24 1914-18 War postcards in registered envelope, dated 15.7.1918 PH25 Calderdale Sketch book 24 sketches 1973 J. L. Berbiers PH26 Calderdale Calendar sketches 1980 Geoffrey Coning PH27 Halifax Courier Supplement reproduction sketch Luddenden Church PH28 Photostat copies Sketches and notes "Ancient Halls In and About Halifax" Arthur Comfort 1912-13 (see G145 for book) PH291 to 5 photos used in "The History of Hebden Bridge" and "The Hebden Bridge History Trail" for each A 35mm negatives B proof positive. PH29/1 negatives PH29/2 8 1/2 x 6 1/2 1. Old Bridge, Old Gate 1973 2. 1786 Toll House 3. Head on canal viaduct 1797 4. Tait's railway pictures 1845 5. Tait'sHebden Bridge station. 7. The Birchcliffe Centre 1982 8. Mytholm Church. 9. Neptune canal area 1885 10. Laying foundation stone for secondary school. 11. Main Coop building. 12. Coop. Keighley Road branch. 13. Balmoralstreet 1970 (2 copies) 14. Site of White Horse Inn 1974. 15. Foundation stone, St John's Church. 16. Lock keeper's house Stubbing. 17. crossed out repeat of number 13. 18. West End. 19. Hole in the Wall, and Buttress 1973. IMAGE COLLECTION Page 4 of 44 Hebden Bridge Local History Society Archive catalogue 20. Town Centre HB 21. Machpelah entrance to HB 1973. PH29/3 8 12 x5 12 1. Neptune Bridge and wharf, about 1890. 2. Station and East End. 3. Boundary Stone, Bridge Gate. 4. View from Fairfield. 5. Weir, near Station Road? 6. Another view from Fairfield. 7. St. James Church. 8. Old Bridge, one arch built up. PH29/4 7x5 1.Entrance to Secondary School. 2. * Machinists at work, Browns? 3. Queen's Terrace, Heptonstall Road. 4. Neptune Bridge, widened and rebuilt. 5. StubbingsEstate, developed from 1880. 6. Fustian Cutter at work. 7. Neptune bridge before widening, 1974. 8a,b,c,d. Charlestown Train Crash 1912 PH29/5 1. Commercial Street. 2. Blackpit/Central Street. 3. Hebble End Bridge. 4. Stubbings hillside 1991. 5. Queens Terrace. 6. Hebble End 1991. 7. Site of White Horse Inn. 8. Secondary School (Riverside). 9. Calder in Flood (Aqueduct) 10. Machpelah. 11. Machpelah (colour print) 12. Garden Street (colour print) PH30Hebden Bridge Band 1897-8? PH31 Print from slide in TM collection (74) Cragg Vale Paper Mill (in background) Redmans PH32 Group of people sitting down to a meal Commercial Travellers Association (seePH33) PH33 Officials and guests at the Commercial Travellers - Association luncheon held in the New Civic Hall Hebden Bridge. M. S. Ward, D. S. Ramsey, A. E. Dearden, N. Mather, B. C. Borkwood, T. Crane, L. Wilson, Albert Cockcroft, Coun. E. Hubbard, Mrs. Hubbard, J. Penwell, J. H. Briggs @PH34Hebden Bridge (the bridge) @PH35 Hebden Bridge stone reads "repaired by help John Grewod sessions 1602" PH36 View of Todmorden PH37Luddenden Foot Junior and Mixed Infants School IMAGE COLLECTION Page 5 of 44 Hebden Bridge Local History Society Archive catalogue PH38(a)(b) 2 photos of The Octagon Chapel, Heptonstall.
Load more

Recommended publications
  • Art Gallery of New South Wales Annual Report 2012 – 13
    ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2012 – 13 1 CONTENTS 4 Vision and strategic direction 2010 – 15 5 President’s foreword 9 Director’s statement 13 At a glance 15 Access 15 Exhibitions and audience programs 19 Future exhibitions 21 Publishing 23 Engaging 23 Digital engagement 23 Community 30 Education 35 Outreach Regional NSW 40 Stewarding 40 Building and environmental management 42 Corporate Governance 58 Collecting 58 Major collection acquisitions 67 Other collection activity 70 Appendices 123 General Access Information 131 Financial statements 2 ART GALLERY OF NSW ANNUAL REPORT 12-13 The Hon George Souris MP Minister for Tourism, Major Events, Hospitality and Racing, and Minister for the Arts Parliament House Macquarie Street SYDNEY NSW 2000 Dear Minister It is our pleasure to forward to you for presentation to the NSW Parliament the annual report for the Art Gallery of NSW for the year ended 30 June 2013. This report has been prepared in accordance with the provisions of the Annual Report (Statutory Bodies) Act 1984 and the Annual Reports (Statutory Bodies) Regulations 2010. Yours sincerely Steven Lowy Michael Brand President Director Art Gallery of NSW Trust 21 October 2013 3 VISION AND STRATEGIC DIRECTION 2010 – 2015 Vision The Gallery is dedicated to serving the widest possible audience, both nationally and internationally, as a centre of excellence for the collection, preservation, documentation, . interpretation and display of Australian and international art. The Gallery is also dedicated to providing a forum for scholarship, art education and the exchange of ideas. Strategic Directions Access To continue to improve access to our collection, resources and expertise through exhibitions, publishing, programs, new technologies and partnerships.
    [Show full text]
  • F HE LONDON GAZETH3E, OCTOBER 20, 1.865. 4953 Whom Full Particulars, Together with Inventories of VT OTICE Is Hereby Given/That the Partttftsbip Hereto
    f HE LONDON GAZETH3E, OCTOBER 20, 1.865. 4953 whom full particulars, together with inventories of VT OTICE is hereby given/that the Partttftsbip hereto- . •i.% - fore subsisting between 'us the undersigned,''Frederick I their stores and fittings, may be obtained, *? Oetzmann and Thomas" Luis Plumb,' as Piano Forte Manu- " KEANGSOO," .1,0.15 tonnage,.Tvoqd,.paddle,; facturers, at .No.~ 151; Regent-street, in the county of Mid- 300 horse-power, makers of engines B&y and dlesex, under the style or firm of Oetzmann and Plumb, was this day dissolved, as and frpm the 29th .day of September • Co., built by White, of Cowes. last, by mutual consent. All debts due and owing by or " KWANGTUNG," 525 tonnage, iron,-peddle, to the;;said late, .partnership will be paid jrnd-received by the 150 horse-power, makers of '„ engines »Lairdj( said Frederick Oetzhiann, by whom the business will in future Brothers, built by Laird, Brothers. « be carried on.—Dated this" 18th day of October, 1865. " AMOY," 301 tonnage, wood, screw, 80 horse- Frederick Oetzmann, power, maker of engines Maudslay, purcHased -. "Thomas Luis Plumb. ^ of Admiralty. OTICE is hereby given, that the Partnership 'here- N tofore subsisting between us the undersigned, Maria ' Fattorini and John Fattorini, at Harrogate; in the county of The Silk stone Coke Company (Limited). York, as Watchmakers, Jewellers, and Silversmiths, under th$ style or firm Fattprini 'and Sons, was this day dissolved .. OTICE is hereby given, that a Resolution •.by mutual consent; and that the said business will in future was passed at an Extraordinary General be carried on by the aforesaid Maria Fattorini and Antonio Meeting of the above Company, held on the SOth Fattorini.—As witness our" hands this 26th day of June, 1865.
    [Show full text]
  • Japonisme in Britain - a Source of Inspiration: J
    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
    [Show full text]
  • The River Basin Districts Typology, Standards and Groundwater Threshold Values (Water Framework Directive) (England and Wales) Directions 2010
    The River Basin Districts Typology, Standards and Groundwater threshold values (Water Framework Directive) (England and Wales) Directions 2010 The Secretary of State and the Welsh Ministers, with the agreement of the Secretary of State to the extent that there is any effect in England or those parts of Wales that are within the catchment areas of the rivers Dee, Wye and Severn, in exercise of the powers conferred by section 40(2) and section 122(2) of the Environment Act 1995(a) and now vested in them(b), and having consulted the Environment Agency, hereby give the following Directions to the Environment Agency in connection with the implementation of— (a) Directive 2000/60/EC of the European Parliament and of the Council establishing a framework for Community action in the field of water policy(c); and (b) Directive 2008/105/EC of the European Parliament and of the Council on environmental quality standards in the field of water policy(d). Citation, commencement and extent 1.—(1) These Directions may be cited as the River Basin Districts Typology, Standards and Groundwater threshold values (Water Framework Directive) (England and Wales) Directions 2010 and shall come into force on 4 August 2010. Interpretation 2.—(1) In these Directions— ―the Agency‖ means the Environment Agency; ―the Groundwater Directive‖ means Directive 2006/118/EC of the European Parliament and of the Council on the protection of groundwater against pollution and deterioration(e); ―mixing zones‖ has the same meaning as in the Priority Substances Directive; ―the Priority Substances Directive‖ means Directive 2008/105/EC of the European Parliament and of the Council on environmental quality standards in the field of water policy(f); ―threshold value‖ has the same meaning as in the Groundwater Directive; and ―the Directive‖ means Directive 2000/60/EC of the European Parliament and of the Council of 23rd October 2000 establishing a framework for Community action in the field of water policy.
    [Show full text]
  • Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
    Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan)
    [Show full text]
  • Government Art Collection Annual Report 2008-2009
    Annual Report and Acquisitions 2008 – 2009 Contents 3 Foreword – Julia Somerville, Chairman of the Advisory Committee 4 Director’s Report – Penny Johnson 15 Advisory Committee members and GAC staff 16 Acquisitions 28 Annex 1 – List of works lent to public exhibitions 34 Annex 2 – List of long-term loans outside Government Our aim is to improve the quality of life for all through cultural and sporting activities, support the pursuit of excellence, and champion the tourism, creative and leisure industries. 2 Foreword Looking back over the past year, what stands out is the extraordinary growth in public interest in the Government Art Collection (GAC). We’ve been featured on radio and in the newspapers. And the public continues to flock through the doors of our headquarters when we have open house days. Visitors enjoying an Open House Tour at the GAC’s premises We continue to make our resources stretch as far as they can. The Director’s report highlights some of the exciting and important works which we have been able to acquire over the last year. This continues the GAC’s track record of making acquisitions by British artists of the highest calibre, fulfilling its role in promoting British art by displaying it in Government buildings in the UK and abroad. The Collection plays a vital part in Britain’s representation abroad: both as a reminder of our historical past and an illustration of our contemporary preoccupations. Our activities are an integral part of the UK’s diplomatic mission. We are pleased that we are increasingly playing a strategic role when new embassies are being planned.
    [Show full text]
  • Water Framework Directive) (England and Wales) Directions 2009
    The River Basin Districts Typology, Standards and Groundwater threshold values (Water Framework Directive) (England and Wales) Directions 2009 The Secretary of State and the Welsh Ministers, with the agreement of the Secretary of State to the extent that there is any effect in England or those parts of Wales that are within the catchment areas of the rivers Dee, Wye and Severn, in exercise of the powers conferred by section 40(2) of the Environment Act 1995(a) and now vested in them(b), and having consulted the Environment Agency, hereby give the following Directions to the Environment Agency for the implementation of Directive 2000/60/EC of the European Parliament and of the Council establishing a framework for Community action in the field of water policy(c): Citation and commencement and extent 1.—(1) These Directions may be cited as the River Basin Districts Typology, Standards and Groundwater threshold values (Water Framework Directive) (England and Wales) Direction 2009 and shall come into force on 22nd December 2009. Interpretation 2.—(1) In these Directions— ―the Agency‖ means the Environment Agency; ―the Groundwater Directive‖ means Directive 2006/118/EC of the European Parliament and of the Council on the protection of groundwater against pollution and deterioration(d); ―the Priority Substances Directive‖ means Directive 2008/105/EC of the European Parliament and of the Council on environmental quality standards in the field of water policy(e); ―threshold value‖ has the same meaning as in the Groundwater Directive; and ―the Directive‖ means Directive 2000/60/EC of the European Parliament and of the Council of 23rd October 2000 establishing a framework for Community action in the field of water policy.
    [Show full text]
  • Three Centuries of British Art
    Three Centuries of British Art Three Centuries of British Art Friday 30th September – Saturday 22nd October 2011 Shepherd & Derom Galleries in association with Nicholas Bagshawe Fine Art, London Campbell Wilson, Aberdeenshire, Scotland Moore-Gwyn Fine Art, London EIGHTEENTH CENTURY cat. 1 Francis Wheatley, ra (1747–1801) Going Milking Oil on Canvas; 14 × 12 inches Francis Wheatley was born in Covent Garden in London in 1747. His artistic training took place first at Shipley’s drawing classes and then at the newly formed Royal Academy Schools. He was a gifted draughtsman and won a number of prizes as a young man from the Society of Artists. His early work consists mainly of portraits and conversation pieces. These recall the work of Johann Zoffany (1733–1810) and Benjamin Wilson (1721–1788), under whom he is thought to have studied. John Hamilton Mortimer (1740–1779), his friend and occasional collaborator, was also a considerable influence on him in his early years. Despite some success at the outset, Wheatley’s fortunes began to suffer due to an excessively extravagant life-style and in 1779 he travelled to Ireland, mainly to escape his creditors. There he survived by painting portraits and local scenes for patrons and by 1784 was back in England. On his return his painting changed direction and he began to produce a type of painting best described as sentimental genre, whose guiding influence was the work of the French artist Jean-Baptiste Greuze (1725–1805). Wheatley’s new work in this style began to attract considerable notice and in the 1790’s he embarked upon his famous series of The Cries of London – scenes of street vendors selling their wares in the capital.
    [Show full text]
  • Bog Records 2018B.Xlsx
    Haematopus 178 records Oystercatcher ostralegusCommon migrant breeder/passage visitor Leeshaw Reservoir 10/01/18 1 Very early for this location marley hall farm 30/01/18 1 first this year Leeshaw Reservoir 18/02/18 8 returning birds Lower Laithe Reservoir 18/02/18 3 returning birds Lindley Wood Reservoir 22/02/18 54 Mach Ghyll reservoir 25/02/18 22 Silsden Keighley Bypass 10/03/18 22 Strid Wood 14/03/18 10 Mainly paired up Silsden Keighley Bypass 17/03/18 28 Silsden Keighley Bypass 19/03/18 20 Thruscross Reservoir 21/03/18 60 Ilkley Tennis Club 24/03/18 2 pair Thruscross Reservoir 01/04/18 67 flock Kex Gill 06/04/18 52 Glovershaw 19/04/18 4 two pairs Dowley Gap/Hirst wood 20/04/18 1 Unusual markings Keighley Moor Reservoir 04/05/18 breeding One on nest (3 eggs) Keighley Moor Reservoir 30/05/18 breeding First sighting of two chicks. Leeshaw Reservoir 15/06/18 3 Pair and juvenile Strid Wood 27/06/18 4 2 adults, 2 young Doe Park Reservoir 03/07/18 1 leucistic Pluvialis apricaria 124 records Golden Plover Resident breeder/passage and winter visitor Middleton Moor 20/01/18 100 Mach Ghyll reservoir 26/01/18 300 Barden Scale 04/02/18 100+ Middleton Moor 04/02/18 715 Mach Ghyll reservoir 17/02/18 200 Leeshaw Reservoir 25/02/18 c150 Moorside Lane Oxenhope 03/03/18 82 Leeshaw Reservoir 06/03/18 c100 Barden Fell 11/03/18 2 A pair piping and in full view in grassy patch at Gledstones.
    [Show full text]
  • Income Tax for 1925–26.) (Hansard, 15 June 1925) Search Help HANSARD 1803–2005 → 1920S → 1925 → June 1925 → 15 June 1925 → Commons Sitting → FINANCE BILL
    11/8/13 CLAUSE 12.—(Income Tax for 1925–26.) (Hansard, 15 June 1925) Search Help HANSARD 1803–2005 → 1920s → 1925 → June 1925 → 15 June 1925 → Commons Sitting → FINANCE BILL. CLAUSE 12.—(Income Tax for 1925–26.) HC Deb 15 June 1925 vol 185 cc69-135 The following Amendment stood on the Order Paper in the name of Mr. LEES-SMITH: "In page 8, line 18, to leave out the words "year 1925–26," and to insert instead thereof the words "six months beginning the sixth day of April, nineteen hundred and twenty-five." The CHAIRMAN The Amendment standing in the name of the hon. Member for Keighley (Mr. Lees-Smith) is one which I do not select. Motion made, and Question proposed, "That the Clause stand part of the Bill." Captain BENN It was quite impossible for us to hear your ruling, Mr. Chairman, and would you kindly tell us what it was? The CHAIRMAN I said that the Amendment to this Clause was one which I should not select. Captain BENN Have you considered an Amendment handed in this morning to reduce the rate of the Income Tax from 4s. to 3s. 9d. in the £? The CHAIRMAN I have not received the Amendment referred to, but in view of the fact that it might very well have been placed on the Paper, it is not one which I should select. Captain BENN What is the right method in order to get Amendments handed in at the Table submitted to you? Do you rule my Amendment out of order? The CHAIRMAN I do not say the Amendment was out of order, but it is one which certainly should have been placed on the Paper.
    [Show full text]
  • A Century of British Painting a Century of British Painting
    A Century of British Painting A Century of British Painting Foreword There’s a passage in Tess of the D’Urbervilles, This year’s exhibition is no exception; where Hardy describes the complete sensory in between Greaves and Spear are works by experience of walking across a field, the thrum Farquharson, Tuke, La Thangue, Hemy, and of insects, motes and sunbeams, the ammoniac Heath, artists whose quiet social realism tang of cows, snail shells crunching underfoot. developed out of the sincere connection It’s a very sensual account, and given that it they held to their part of Britain. Masters at comes from what is still held to be one of the manipulating tone and perspective, these most sentimental novels of the Victorian era, artists never tried to modify the realties of their surprisingly unromantic. Farquharson’s Grey world, only the ‘light’ in which they are seen. Morning immediately struck me as a perfect Following on, are pictures by Bond, Knight, cover illustration for one of Hardy’s novels, Wyllie and other artists who explored realism, which led me to get out my copy of Tess. alongside the possibilities of Impressionism to While I skimmed some favourite passages, his depict rural subjects and the more communal characters began to take on faces painted by narratives of maritime trade: the backbone of La Thangue; as I later learned, when the book the British Empire. Well into the post-WWI was serialised in The Graphic, it was illustrated era, Impressionism would prove the perfect by Hubert von Herkomer. vehicle for depicting city life and genteel The pictures in this catalogue cover privilege; sport and leisure, the development of approximately 100 years.
    [Show full text]
  • (KEIGHLEY and SHIPLEY) to Be Held on 9 December 2015 I
    Report of the Strategic Director of Regeneration and Culture to the meeting of the Area Planning Panel (KEIGHLEY AND SHIPLEY) to be held on 9 December 2015 I Summary Statement - Part One Applications recommended for Approval or Refusal The sites concerned are: Item No. Site Ward 1. 20 Russell Street Keighley West Yorkshire BD21 2JP Keighley Central - 15/03167/FUL [Approve] – page 1 2. Houldsworth Of Yorkshire Cullingworth Mills Bingley Rural Greenside Lane Cullingworth Bingley West Yorkshire BD13 5AB - 15/06203/FUL [Approve] – page 11 3. 1374 Thornton Road Denholme Bradford West Bingley Rural Yorkshire BD13 4HE - 15/03205/HOU [Refuse] – page 20 4. Land At Halifax Road Keighley West Yorkshire - Keighley East 15/03334/FUL [Refuse] – page 26 5. Side Garden In Church Farm Main Street Stanbury Worth Valley Keighley West Yorkshire BD22 0HA - 15/04267/FUL [Refuse] – page 35 6. Mill House 44 Ivy Bank Lane Haworth Keighley West Worth Valley Yorkshire BD22 8PD - 15/04597/TPO [Approve] – page 44 Julian Jackson Portfolio: Assistant Director (Planning, Transportation and Change Programme, Housing and Highways) Planning Report Contact: Mohammed Yousuf Improvement Committee Area: Phone: 01274 434605 Regeneration and Economy Email: [email protected] Report to the Area Planning Panel (Keighley & Shipley) Area Planning Panel (Keighley & Shipley) 15/03167/FUL 9 December 2015 © Crown copyright 2000. All rights reserved (SLA 100019304) LOCATION: 20 Russell Street ITEM NO. : 1 Keighley BD21 2JP - 1 - Report to the Area Planning Panel (Keighley & Shipley) 9 December 2015 Item Number: 1 Ward: KEIGHLEY CENTRAL Recommendation: TO GRANT PLANNING PERMISSION WITH CONDITIONS Application Number: 15/03167/FUL Type of Application/Proposal and Address: Full planning application for change of use from a training centre to create 7 no.
    [Show full text]