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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Birger Sjöberg Lyrics
Birger Sjöberg lyrics The Butterfly at Haga (Fjärilen på Haga) The Canals on Mars (Om Kanalerna på Mars) The Dove Queen (Duvdrottningen) Frida Cleans House (Frida i Vårstädningen) The Green-Eyed Monster (Svartsjukans Demon) Little Paree (Lilla Paris) The Time When First I Saw You (Den Första Gång) Spanish Moonlight (I Spaniens Månsken) The Coming of Ghostly Death (Bleka Dödens Minut) The Dying Tone (Förklingande ton) Frida’s Spring-Cleaning ((Frida i Vårstädningen)) The Butterfly at Haga Translated by Helen Asbury I'm thinking of a song that I was humming while waves were strumming with their sun-spangled spray at our white boat. The headland lay in flow'r to us was coming the summer's warmth to where we lay afloat. This little song, in notes like faint wings beating told of the butterfly o'er Haga fleeting. We drifted on the water, clear and flowing; the oars were sewing silver eye-lets ere they dove in wavelets cool. And dreams of eighteenth century were blowing across my thoughts like ripples on a pool till I forgave its vain and foolish measure for Haga's sake and Haga's Rose of Pleasure. I watched the bubbles dance as they came flying, and on them lying as on cusions, tiny water-gods were seen. But Frida sat and smiled, her needle plying just looking bright and rosy and serene. She didn't see the shapes about us washing like naiads in the lake of Haga plashing. I saw joyful time, through thought's blue hazing. The Poet's phrasing of the "speech of friendly lutes" I could command. -
A Level Music
A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music. -
Trip Hazzard 1.7 Contents
Trip Hazzard 1.7 Contents Contents............................................ 1 I Got You (I Feel Good) ................... 18 Dakota .............................................. 2 Venus .............................................. 19 Human .............................................. 3 Ooh La La ....................................... 20 Inside Out .......................................... 4 Boot Scootin Boogie ........................ 21 Have A Nice Day ............................... 5 Redneck Woman ............................. 22 One Way or Another .......................... 6 Trashy Women ................................ 23 Sunday Girl ....................................... 7 Sweet Dreams (are made of this) .... 24 Shakin All Over ................................. 8 Strict Machine.................................. 25 Tainted Love ..................................... 9 Hanging on the Telephone .............. 26 Under the Moon of Love ...................10 Denis ............................................... 27 Mr Rock N Roll .................................11 Stupid Girl ....................................... 28 If You Were A Sailboat .....................12 Molly's Chambers ............................ 29 Thinking Out Loud ............................13 Sharp Dressed Man ......................... 30 Run ..................................................14 Fire .................................................. 31 Play that funky music white boy ........15 Mustang Sally .................................. 32 Maneater -
Song List 2012
SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat. -
Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
Here, for Free Download
CHOICE MICHELLE WEST Copyright © 2015 by Michelle Sagara All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the author, except for the use of brief quotations in a book review. Created with Vellum INTRODUCTION I wrote this quite a while ago (there’s a bit of lag time between the writing and the publishing). At the time, it was very difficult because I felt that I couldn’t accept the invitation to submit if I couldn’t write a story that had the same tone or feel as a Mercedes Lackey Valdemar story—which is what it is. It’s a story with my characters set in the Valdemar universe. The Valdemar universe is very large, and it covers a number of books in different time periods - but there were fewer books when I wrote this one. I noticed, when proofing, that I had used “Torvan” as a guard name - and no, I didn’t do that deliberately; at the time, Hunter’s Death was new, and, well. Some of us are terrible at names. Also, David Fruitman is a real person who does not live in Valdemar. I was not asked to do this, and didn’t offer it as a charity auction or reward—it just amused me to do it. Luckily he wasn’t offended. CHOICE hen Kelsey saw the white horse enter the pasture runs, she stopped breathing for a W moment and squinted into the distance. -
Management of Large Mammalian Carnivores in North America
Management of Large Mammalian Carnivores in North America Technical Review 12-01 August 2012 The Wildlife Society Management of Large Mammalian Carnivores in North America Technical Review 12-01 March 2012 Management of Large Mammalian Carnivores in North America Technical Review 12-01 March 2012 The Wildlife Society Technical Review Committee on the Management of Large Mammalian Carnivores in North America James Peek (Chair) Shane Mahoney Department of Fish and Wildlife Resources Sustainable Development and Strategic Science Branch University of Idaho Department of Environment and Conservation Moscow, Idaho 83844-1136 USA St. John’s, Newfoundland A1B4J6 Canada Bruce Dale Craig Miller Alaska Department of Fish and Game Warnell School of Forestry and Natural Resources 1800 Glenn Highway University of Georgia Palmer, Alaska 99645 USA Athens, Georgia 30602 USA Hank Hristienko Dennis Murray Manitoba Wildlife and Ecosystem Protection Branch Department of Biology Box 24-200 Saulteaux Crescent Trent University Winnipeg, Manitoba R3J 3W3 Canada Peterborough, Ontario K9J7B8 Canada Lee Kantar Linda Olver Maine Department of Inland Fisheries and Wildlife Bureau of Wildlife Management Bangor, Maine 04401-5654 USA Wisconsin Department of Natural Resources Madison, Wisconsin 53707 USA Kerrie Anne Loyd Warnell School of Forestry and Natural Resources Colleen Soulliere University of Georgia Sustainable Development and Strategic Science Branch Athens, Georgia 30602 USA Department of Environment and Conservation St. John’s, Newfoundland A1B4J6 Canada The Wildlife Society 5410 Grosvenor Lane, Suite 200 Bethesda, MD 20814 This report is copyrighted by TWS, but individuals are granted permission to make single copies for noncommercial purposes. To view or download a PDF of this report, or to order hard copies, go to http://wildlife.org/TechnicalReview ISBN: 978-1-937504-10-6 TWS106 Large center photo: Radio-collared gray wolf (Credit: William Campbell/U.S. -
KZSU Chart for the Week Ending 13 May 2007 MAIN
KZSU chart for the week ending 13 May 2007 MAIN # ARTIST ALBUM (LABEL) 1. THES ONE Lifestyle Marketing (Tres) 2. MODEST MOUSE We Were Dead Before The Ship Even Sank (Epic) 3. SISTER VANILLA Little Pop Rock (Chemikal Underground Ltd.) 4. MR GEOFFREY & JD FRANZKE Get A Room (Extreme) 5. MOCHIPET Girls Love Breakcore (Daly City) 6. GOLDFRAPP Ride A White Horse Ep (Mute) 7. COLL Eccentric Soul: Twinight's Lunar Rotation (Numero Group) 8. KK RAMPAGE A Toast In Angel's Blood (Rampage) 9. FUNKSTöRUNG Appendix (!K7) 10. BEATBEAT WHISPER Beatbeat Whisper (Self Release) 11. ALBUM LEAF, THE Into The Blue Again (Sub Pop) 12. GIRLS IN A COMA Girls In A Coma (Self Release) 13. CANSEI DE SER SEXY Css (Sub Pop) 14. COLL Public Safety (Maximum Rock-N-Roll) 15. COLL Messthetics #102: D.I.Y. 78-81 London Ii (Hyped 2 Death) 16. EL-P I'll Sleep When You're Dead (Def Jux) 17. LAAN, ANA Oregano (Random) 18. ZUKIE, TAPPA Escape From Hell (Trojan) 19. BROTHER ALI Undisputed Truth, The (Rhymesayers Ent) 20. WOGGLES, THE Rock And Roll Backlash (Wicked Cool) 21. MANDELL, ELENI Miracle Of Five (Zedtone) 22. ONE AM RADIO, THE This Too Will Pass (Dangerbird) 23. PERSEPHONE'S BEES Notes From The Underworld (Columbia) 24. LADY & BIRD Lady & Bird (Fanatic Promotions) 25. MENOMENA Friend And Foe (Barsuk) 26. VENETIAN SNARES Pink + Green (Sublight) 27. PARTYLINE Zombie Terrorist (Retard Disco) 28. VERT Some Beans & An Octopus (Sonig) 29. HEADS, THE Under The Stress Of A Headlong Dive (Alternative Tentacles) 30. MARLEY, STEPHEN Mind Control (Tuff Gong International) 31. -
On “Strict Machine” by Goldfrapp
On “Strict Machine” by Goldfrapp Sam Jowett Four months, fifteen days in. Honeymoon Phase meant to mellow out. Passion ought to neutralize. But how fucking wrong is that. Chrysalis shredding—not just clothes—but those thoughts. True selves emerge. Polyester veneer of politeness is now scraped clean. Goldfrapp The culprit: a single nail, obsidian sharp. Goldfrapp’s satin clad, ebony-gloved fingers. Needle digs into vinyl. You dig into my skin. “Wonderful Electriccccccc.” The lyric “Strict Machine” sashays over the bridge. We saunter past discarded inhibitions. The chorus awaits, an Black Cherry eruption with a single revelation: 04/2003 I’m in love! Mute I’m in love! I’m in love! “Felt Mountain,” their debut, was the bait. But just like us, hints flirted beneath the cabaret instrument gloss. Even masquerades can only hide appearances for so long. A truth awaited. Not to be whispered, but rather gasped aloud. “Strict Machine” dictates: Dressed in white noise. Little else. This is the inverse of a sophomore slump. Former trip-hop ambience is usurped by electroclash riptide. Siren synths draw us closer. Entrapping me to you. Lyrics our parents warned us about. Trent Reznor wishes he could be this lethal. Dance. It does not ask. It demands. Sitting is heresy. Head thrashing, body sweating. This is not some damn waltz. Hands do not clasp in graceful arcs. Rather, bodies meet perpendicular. Entwine inversely. Arms twist. Disorientation until we can’t tell each other apart. You tell me you can tie cherry stems with your tongue. I tell you I can whisper “Black Cherry” nothings into your ear.