CLA SSIFI C ATI ON
Total Page:16
File Type:pdf, Size:1020Kb
Load more
										Recommended publications
									
								- 
												
												31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy - 
											
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. - 
												
												BRIEF CHRONICLE Artistic Director the Official Newsmagazine of Writers’ Theatre Kathryn M
ISSUE twEnty-nInE MAY 2010 1 A STREETCAR NAMED DESIRE: On Stage Table of ConTenTs Dear Friends .................................................................................................... 3 “DroppeD overboarD… on Stage: A Streetcar Named Desire ...................................................................... 5 The Man. The Play. The Legend. ........................................................ 6 Director's Sidebar .................................................................................... 10 into an ocean Acting Cromer ............................................................................................. 12 Setting the Scene ..................................................................................... 13 Why Here? Why Now? ............................................................................ 14 Announcing the 2010/11 Season ................................................. 16 baCksTage: as blue as Event Wrap Up – Behind-the-Scenes Brunch ........................... 20 Event Wrap Up – Literary Luncheon ............................................ 22 Sponsor Salute ........................................................................................... 24 Tales of a True Fourth Grade Nothing .......................................... 26 Performance Calendar .......................................................................... 29 my first lover’s eyes!” - blanChe, A Streetcar named desire 2 A STREETCAR NAMED DESIRE: On Stage A STREETCAR NAMED DESIRE: On Stage 1 Michael halberstam tHe - 
												
												J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. - 
												
												2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. - 
												
												Click Here to Download The
$10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. 4 x 2” ad www.forevervets.com Expires 3/31/2020 Your Community Voice for 50 Years PONTEYour Community Voice VED for 50 YearsRA RRecorecorPONTE VEDRA dderer entertainment EEXXTRATRA! ! Featuring TV listings, streaming information, sports schedules, puzzles and more! June 25 - July 1, 2020 has a new home at INSIDE: THE LINKS! Sports listings, 1361 S. 13th Ave., Ste. 140 sports quizzes Jacksonville Beach and more Pages 18-19 Offering: · Hydrafacials · RF Microneedling · Body Contouring · B12 Complex / Lipolean Injections ‘Hamilton’ – Disney+ streams Broadway hit Get Skinny with it! “Hamilton” begins streaming Friday on Disney+. (904) 999-0977 1 x 5” ad www.SkinnyJax.com Kathleen Floryan PONTE VEDRA IS A HOT MARKET! REALTOR® Broker Associate BUYER CLOSED THIS IN 5 DAYS! 315 Park Forest Dr. Ponte Vedra, Fl 32081 Price $720,000 Beds 4/Bath 3 Built 2020 Sq Ft. 3,291 904-687-5146 [email protected] Call me to help www.kathleenfloryan.com you buy or sell. 4 x 3” ad BY GEORGE DICKIE Disney+ brings a Broadway smash to What’s Available NOW On streaming with the T American television has a proud mistreated peasant who finds her tradition of bringing award- prince, though she admitted later to winning stage productions to the nerves playing opposite decorated small screen. - 
												
												What Could Be Better Than a Red 1949 Cosmo Convertible?
Volume 21 Issue 8 Our 20th year August 1, 2021 What could be better than a red 1949 Cosmo Convertible? Why, not much, says Nels Woods, happy owner of this big red beast. My beloved 1949 Lincoln Cosmopolitan convertible has been in my possession for one year now. The story starts, that is, three years prior in 2018. I was a freshman student attending McPherson College for their automotive restoration program. I was 19 at the time and chasing a Welcome to the dream in the field I love, automotive restoration. I felt as if automobiles were more than just a vehicle. Classic cars are history, an essential part of not only American culture but others as well. Northstar News, the My friends and I decided to take a fall trip to the great state of Texas. My grandmother lives in monthly publication of Texas, so I am never opposed to visiting. We arrived and had our fun; then, it was time to visit the Northstar Region grandma. She had mentioned a friend of hers with a classic car collection. I didn't think much of it, but I was curious as to what this collection was. My grandmother drove me over to her friend of the Lincoln and Joseph Hill's house, but his friends knew him as "Mac." Continental Owners The 87-year-old Texan answered the door with a smile, excited to see a young fella inspired Club. We value your by old cars. I had recently been working on my ‘1949 Studebaker 2R-15 pickup truck at the col- lege, which Mac loved to see progress. - 
												
												Ice Cream Airport and Landing Areas, Carry by Popular Demand We Are Continulbg Tus Special Another Week Dropped Today, Helping Weary Fire Life
FRIDAY, AUGtrST 11, 1961 Averaffe Net Press Run The Weather For tho Weak Ended ForecMt of O. 8. Weather gone 8, 1981 ^ The weekly Friday dances sponsored by the recreation de Tot’s First Drive itsm , ___ ___ _ « I 13,3.30 Clearing, cooler,tonight. Low In About Town partment win be held tonight at Sartor to Train at Chanute mld-60e, Suqday moetly. mmny, the West Side tennis courts from Ends with Crash Member of the Audit cooler, letM humid. High 88 to 86. Mancheider Banmcki, Vateraas 7:30 to 8:30 for youngsters As CAP Cadet^ Then Airman Boreau of Gircalatlon Of WorW War I, will be hoet to a throught 12. and 8:30 to 10:30 Manchester— A City of Village Charm for teen-agers. A three-year-old’s first experi department meeting of the De ence with driving had crashing re partment of Connecticut Sunday Cadet Capt. Richard Sartor of >year the space program has been liiii mghth District Fire Department sults last night The lad only re VOL. LXXX, NO. 266 (TEN PAGES—TV SECHON—SUBURBIA TODAY) lilANCHESTER, CONN., SATURDAY, AUGUST 12, 1961 (Clooaifled Advertteiog on Page 8) PRICE FIVE CENTS at S p.m. at the VPW Poat Home, the Manchester Cadet Squadron of offered. MANCHESTER iilil members who wish to participate Sartor has passed tests on mis-. ceived a bump on the forehead. MAIN STREET Manclieater Green. Barracks and the a v ll Air Patrol will receive auxiliary units throughout the In a parade in Broad Brook will sUes and rocketry conducted by training at the same U.S. - 
												
												Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. - 
												
												Making the World Safe for American Cookbooks
VOLUMEVOLUME XVI, XXVIII, NUMBER NUMBER 4 4FALL FALL 2000 2012 Quarterly Publication of the Culinary Historians of Ann Arbor Making the World Safe for American Cookbooks How the American Century Assimilated French, Italian, Jewish, and Other Cuisines A housewife prepares an Italian dish in her kitchen in this photo from LIFE magazine, December 1954. Among the items on the counter are garlic and a garlic press, salt, black pepper, Ehlers Grade A oregano leaves, and a canister of Kraft grated parmesan cheese. Photo: Eliot Elisofon. REPAST VOLUME XXVIII, NUMBER 4 FALL 2012 MORSELS & TIDBITS Sherry Sundling of Chelsea, MI, a longtime CHAA equipment, and research materials; and non-functional sculpture member, is retiring from catering after 30 years in the and artwork referencing dinnerware. The collection has some business and is selling everything. Anyone who is interested special focus on Chinese dinnerware; museum director Carney, or knows someone who is starting up a restaurant or catering whose grandparents were from Ann Arbor, holds a Ph.D. in company is welcome to contact her at Asian art history, especially ceramics. For more information, [email protected], or to check out her online visit http://www.dinnerwaremuseum.org or contact Dr. Carney at listings on Ann Arbor Craigslist (search there for “catering”). [email protected] or tel. 607-382-1415. Sherry notes enticingly, “It’s just like Christmas in my house and garage!”. Sherry will be speaking to the CHAA about her In conjunction with Julia Child’s birthday centennial earlier catering career on January 20 (see calendar, page 24). this year, the Smithsonian’s National Museum of American History in Washington, D.C., has established a permanent new Margaret Carney announces progress in establishing The exhibit, “Food: Transforming the American Table 1950-2000”. - 
												
												“Red Networks: Women Writers and the Broadcast Blacklist” Morris Fromkin Memorial Lecture 2 October 2008 Carol A. Stabile, D
“Red Networks: Women Writers and the Broadcast Blacklist” Morris Fromkin Memorial Lecture 2 October 2008 Carol A. Stabile, Director, Center for the Study of Women in Society University of Oregon One day last spring, I gave my students crayons and construction paper and asked them to draw pictures of the traditional family. When they had finished, I taped the pictures on the wall and we sat back for a few minutes to study them. We were all struck by how formulaic the pictures were: dad was white, middle-class, and wore a tie (many students had included an old-fashioned briefcase); mom wore a dress and was flanked by her two children; the home that stood behind them was suburban; and the lawn was a modest expanse of Tru-Green emerald. Asked if their own families looked like the version they had drawn, one or two answered in the affirmative, while the majority of students proceeded to describe a wide range of familial arrangements. When I asked them where they had learned about the images of family they had included in their pictures, they told me television, a number of them sheepishly referring to sitcom families ranging from Leave it to Beaver to Everyone Loves Raymond. My students‟ pictures vividly illustrate how we remember family in the US. Indeed, when images of the family and family values are conjured by media and politicians alike, these images recall not the diversity of family and family forms that are part of our history, but the moral and political absolutism of the nuclear family, with its financially autonomous white male breadwinners. - 
												
												Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.