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A Kidnapped Santa Claus Baum, Lyman Frank
A Kidnapped Santa Claus Baum, Lyman Frank Published: 1904 Categorie(s): Fiction, Fantasy, Short Stories Source: http://en.wikisource.org/wiki/ 1 About Baum: Lyman Frank Baum (May 15, 1856–May 6, 1919) was an American author, actor, and independent filmmaker best known as the creator, along with illustrator W. W. Denslow, of one of the most popular books ever written in American children's literature, The Wonderful Wizard of Oz, better known today as simply The Wizard of Oz. He wrote thirteen se- quels, nine other fantasy novels, and a plethora of other works, and made numerous attempts to bring his works to the stage and screen. Source: Wikipedia Also available on Feedbooks for Baum: • The Wonderful Wizard of Oz (1900) • The Marvelous Land of Oz (1904) • Dorothy and the Wizard in Oz (1908) • American Fairy Tales (1901) • The Emerald City of Oz (1910) • Ozma of Oz (1907) • The Lost Princess of Oz (1917) • Glinda of Oz (1920) • The Road to Oz (1909) • Tik-Tok of Oz (1914) Copyright: This work is available for countries where copy- right is Life+70 and in the USA. Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 A Kidnapped Santa Claus Santa Claus lives in the Laughing Valley, where stands the big, rambling castle in which his toys are manufactured. His work- men, selected from the ryls, knooks, pixies and fairies, live with him, and every one is as busy as can be from one year's end to another. -
The Dakota Fairy Tales of L. Frank Baum
Copyright © 2000 by the South Dakota State Historical Society. All Rights Reserved. The Dakota Fairy Tales of La Frank Baum Mark I. West L, Frank Baum lived in Aberdeen, South Dakota, from Sep- tember 1888 until April 1891. During this period, he ran a store called Baum's Bazaar for a little over a year, and when that enterprise failed, he tried his hand at publishing a weekly newspaper named the Aberdeen Saturday Pioneer. Baum man- aged to keep the paper going until March 1891, but in the end, it, too, proved to be a financial failure. Feeling defeated, Baum left Aberdeen that April and moved to Chicago, where he even- tually achieved fame as a children's author. Even though Baum had little success as an Aberdeen businessman, the experiences he gained while living on the Dakota prairie provided him with material and insights that he would later draw upon in his sto- ries. The literary critics and biographers who have studied Baum are not in complete agreement as to how his Dakota years influenced his writings. Some critics argue that the opening scenes in The Wonderful Wizard of Oz (1900), which Baum places in Kansas, are really set in South Dakota. Michael Patrick Hearn takes this position in The Annotated Wizard ofOz, stat- ing that these scenes "are largely Baum's recollections of the great gray prairie of the Dakota Territory (now South Dakota)."' The historian Nancy Tystad Koupal takes a somewhat different 1. Hearn, Introduction, Notes, and Bibliography to Tbe Annotated Wizard of Oz York: Clarkson N. -
L. Frank Baum and the Technology of Love
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1978 L. Frank Baum and the Technology of Love Robert Bruce Goble Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Goble, Robert Bruce, "L. Frank Baum and the Technology of Love" (1978). Masters Theses. 3220. https://thekeep.eiu.edu/theses/3220 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Inly ate27b 1978 · Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because Date Author pdm L. FrankBa.um and the Technology of Love (TITLE) BY Robert. Bruce Goble THESIS SUBMIITED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE Iuly ;l.�1 1q7{ DATE ADVISER L. -
To the Baum Bugle Supplement for Volumes 46-49 (2002-2005)
Index to the Baum Bugle Supplement for Volumes 46-49 (2002-2005) Adams, Ryan Author "Return to The Marvelous Land of Oz Producer In Search of Dorothy (review): One Hundred Years Later": "Answering Bell" (Music Video): 2005:49:1:32-33 2004:48:3:26-36 2002:46:1:3 Apocrypha Baum, Dr. Henry "Harry" Clay (brother Adventures in Oz (2006) (see Oz apocrypha): 2003:47:1:8-21 of LFB) Collection of Shanower's five graphic Apollo Victoria Theater Photograph: 2002:46:1:6 Oz novels.: 2005:49:2:5 Production of Wicked (September Baum, Lyman Frank Albanian Editions of Oz Books (see 2006): 2005:49:3:4 Astrological chart: 2002:46:2:15 Foreign Editions of Oz Books) "Are You a Good Ruler or a Bad Author Albright, Jane Ruler?": 2004:48:1:24-28 Aunt Jane's Nieces (IWOC Edition "Three Faces of Oz: Interviews" Arlen, Harold 2003) (review): 2003:47:3:27-30 (Robert Sabuda, "Prince of Pop- National Public Radio centennial Carodej Ze Zeme Oz (The ups"): 2002:46:1:18-24 program. Wonderful Wizard of Oz - Czech) Tribute to Fred M. Meyer: "Come Rain or Come Shine" (review): 2005:49:2:32-33 2004:48:3:16 Musical Celebration of Harold Carodejna Zeme Oz (The All Things Oz: 2002:46:2:4 Arlen: 2005:49:1:5 Marvelous Land of Oz - Czech) All Things Oz: The Wonder, Wit, and Arne Nixon Center for Study of (review): 2005:49:2:32-33 Wisdom of The Wizard of Oz Children's Literature (Fresno, CA): Charobnak Iz Oza (The Wizard of (review): 2004:48:1:29-30 2002:46:3:3 Oz - Serbian) (review): Allen, Zachary Ashanti 2005:49:2:33 Convention Report: Chesterton Actress The Complete Life and -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
A Research Guide for L. Frank Baum
The Wizard Behind Oz and Other Stories: A Research Guide for L. Frank Baum By: Karla Lyles October 2006 2 Introduction: In 1900 Lyman Frank Baum published The Wonderful Wizard of Oz, a phenomenal literary success that inspired posthumous writings to continue the Oz series into more than 40 books (including the originals). Although Baum published several additional series of books (most pseudonymously written) and other individual writings, he is best known for The Wonderful Wizard of Oz. A considerable number of books, articles, dissertations, and electronic resources containing information about the Oz masterpiece are available, supplying a wealth of information for the curious Baum fan or avid Baum researcher. To locate information about Baum and his writings I consulted several search engines, including ABELL, British Library Catalogue, Copac, DLB, MLAIB, Wilson, and WorldCat, as well as referred to footnotes in printed materials I obtained. I have provided references to the databases I located each of the materials in within the brackets at the end of the citation entries, allowing the reader to consult those databases if he/she so chooses to pursue further research. For those individuals who may be unfamiliar with the acronyms of some of the databases, ABELL is the Annual Bibliography of English Language and Literature, DLB is the Dictionary of Literary Biography, and MLAIB is the MLA International Bibliography. I also relied substantially on the services of Interlibrary Loan to secure materials that are not available in Evans Library at Texas A & M University, and I recommend the use of Interlibrary Loan in conducting research to allow for the acquisition of materials that would otherwise remain unobtainable. -
“THE WIZARD of OZ” Lyrics by E. Y. HARBURG Music by HAROLD
“THE WIZARD OF OZ” For the Wicked Witch. Lyrics by E. Y. HARBURG Who began to twitch, and was reduced to just a stitch Of what was once the Wicked Witch. Music by HAROLD ARLEN Munchkin #1 We thank you very sweetly, for doing it so neatly. Munchkin #2 SOMEWHERE OVER THE RAINBOW You've killed her so completely, (Academy Award Best Song, 1939) That we thank you very sweetly. Glinda Somewhere over the rainbow, way up high, Let the joyous news be spread, There's a land that I heard of The Wicked Old Witch at last is dead! Once in a lullaby. Somewhere over the rainbow, skies are blue, DING DONG! THE WITCH IS DEAD And the dreams that you dare to dream Really do come true. Munchkins Someday I'll wish upon a star Ding Dong! The Witch is dead. And wake up where the clouds are far Which old Witch? The Wicked Witch! Behind me. Ding Dong! The Wicked Witch is dead. Where troubles melt like lemon drops, Wake up - sleepy head, rub your eyes, get out of bed. Away above the chimney tops Wake up, the Wicked Witch is dead. That's where you'll find me. She's gone where the goblins go, Somewhere over the rainbow, bluebirds fly. Below - below - below. Birds fly over the rainbow. Yo-ho, let's open up and sing and ring the bells out. Why then, oh why can't I? Ding Dong the merry-oh, sing it high, sing it low. If happy little bluebirds fly beyond the rainbow, Let them know Why, oh why can't I? The Wicked Witch is dead! Mayor MUNCHKIN LAND As Mayor of the Munchkin City, In the County of the Land of Oz, Glinda I welcome you most regally. -
DUR 18/06/2016 : CUERPO E : 2 : Página 1
2 EL SIGLO DE DURANGO | SÁBADO 18 DE JUNIO DE 2016 | ETCÉTERA Argumento. ‘Wicked’ Trata de la histo- ria de Glinda y Elphaba, la Bruja Buena y Mala respectivamen- se estrenará te, antes de los sucesos en ‘El en el 2019 mago de Oz’. La película será una Gregory Maguire de 1995 “Wicked: HISTORIA adaptación del famoso The Life and Times of the Wicked La producción original de Wicked musical, ganador del Witch of the West” (”Wicked: Me- se estrenó el 30 de octubre de 2003 morias de una bruja mala”). en el Gershwin Theatre de Broad- premio Tony. La historia imagina el mundo way, después de un periodo de AGENCIAS de “El mago de Oz” antes de la lle- prueba en el Curran Theatre de Ciudad de México gada de Dorothy,y presenta a dos San Francisco, California, en ma- brujas, Glinda y Elphaba, que cre- yo de ese mismo año. El reparto La muy esperada adaptación ci- cen hasta convertirse en la Bruja original incluyó a Idina Menzel co- nematográfica del musical gana- Buena y la Bruja Mala del Oeste. mo Elphaba, a Kristin Chenoweth dor del Tony “Wicked” se estrena- El musical se estrenó en 2003 y como Glinda, a Joel Grey como el rá en diciembre de 2019, anunció se calcula que ha sido visto por 50 Mago; entre otros. Dicha produc- el jueves Universal Pictures. millones de personas. También ción ganó tres Premios Tony y seis Aún no se ha seleccionado al lanzó al estrellato a actrices como Premios Drama Desk. A su vez, el elenco, pero el compositor y le- Kristin Chenoweth e Idina Menzel. -
504.836.0000 9Th Super Star Studded Drag Extravaganza Raises $3,257 for Gay Easter Parade 7Th Spring Fever: a Star Studded Benef
Counseling and Psychotherapy Couples, individuals, communication skills, coming out, relationship issues, grief and substance abuse. Gay therapist for Lesbian and Gay Issues. We care. We understand. A Counseling Cooperative 504.836.0000 3001 Fifth St. Metairie, LA 70002 David Wagner, PhD, LPC, NCC, CHT the "official" dish ...from 4 Vignone and Paul Chiriaco. EGM X Marcy Marcell, EGM XI Tittie The Grand Easter Basket auction Toulouse, KCQ XIII Raven Kennedy, The Board of Directors of the Gay worth over $1,000 in prizes raised $550 KCQ XVI Tami Tarmac, EGM VI Lisa Easter Parade includes Electra City, from Elizabeth Bouvier. It included an Beaumann, Queen Amon-Ra XLV Tom “Rona” Conners, Tony Leggio, Ambush full page black and white ad Countess C. Alice, Miss LSGRA Eliza- Opal Masters, Rip and Marsha Naquin- worth $445; Oz VIP Pass with admit- beth Bouvier, Miss Elysian Fields Bar- Delain, and Tittie Toulouse. tance throughout 2010 worth $200; bara Ella, Bronze Sponsor Starr Past Grand Marshals include Silver Demitasse Set of 6 donated by Daniels, and Bronze Sponsor Jay Coo- EGMs I Rip and Marsha Naquin-Delain, Tom "Rona" Conners; Fleur de Lis per and Gizelle Bouvier. EGMs II Larry Bagneris and the late Pitcher & Saucer, and 4 hand painted Miss Do Moreland, EGMs III Timm Holt Wine Glasses donated by Rip and 7th Spring Fever: A Star and Teryl-Lynn Foxx, EGMs IV George Marsha Naquin-Delain; bottle Bailey's Studded Benefit Raises Simons and Electra City, EGMs V Brett Caramel Irish Cream & Parrot Bay $2,200 for Gay Easter Messmer and Princesse Stephaney, Coconut Rum donated by 700 Club; EGMs VI James Swire and Lisa bottle Grey Goose Pear Vodka, Patron Parade, Food For Friends Beaumann, EGMs VII Doc Reed and Citronge, Patron XO Cafe Liqueur and he 8th annual Spring Fever: Opal Masters. -
Money and Politics in the Land of Oz
SUBSCRIBE NOW AND RECEIVE CRISIS AND LEVIATHAN* FREE! “The Independent Review does not accept “The Independent Review is pronouncements of government officials nor the excellent.” conventional wisdom at face value.” —GARY BECKER, Noble Laureate —JOHN R. MACARTHUR, Publisher, Harper’s in Economic Sciences Subscribe to The Independent Review and receive a free book of your choice* such as the 25th Anniversary Edition of Crisis and Leviathan: Critical Episodes in the Growth of American Government, by Founding Editor Robert Higgs. This quarterly journal, guided by co-editors Christopher J. Coyne, and Michael C. Munger, and Robert M. Whaples offers leading-edge insights on today’s most critical issues in economics, healthcare, education, law, history, political science, philosophy, and sociology. Thought-provoking and educational, The Independent Review is blazing the way toward informed debate! Student? Educator? Journalist? Business or civic leader? Engaged citizen? This journal is for YOU! *Order today for more FREE book options Perfect for students or anyone on the go! The Independent Review is available on mobile devices or tablets: iOS devices, Amazon Kindle Fire, or Android through Magzter. INDEPENDENT INSTITUTE, 100 SWAN WAY, OAKLAND, CA 94621 • 800-927-8733 • [email protected] PROMO CODE IRA1703 Money and Politics in the Land of Oz —————— ✦ —————— QUENTIN P. TAYLOR he story of ‘The Wonderful Wizard of Oz’ was written solely to pleas- ure children of today” (Dighe 2002, 42). So wrote L. Frank Baum in “Tthe introduction to his popular children’s story published in 1900. As fertile as his imagination was, Baum could hardly have conceived that his “modern- ized fairly tale” would attain immortality when it was adapted to the silver screen forty years later. -
2019 Garmin Marathon in the Land of OZ File:///C:/Runscore/RSTMP$$$.HTML
2019 Garmin Marathon in the Land of OZ file:///C:/RunScore/RSTMP$$$.HTML 2019 Garmin Marathon in the Land of OZ Olathe, KS 04/13/2019 **************Marathon Awards***************** =================================================================================== ********** FEMALE OVERALL full*********** =================================================================================== 1 517 Kayla Doll 23 F F1924 Overland Park KS 3:03:48 2 102 Margaret Chamas 30 F F3034 Smithville MO 3:17:55 3 385 Sarah Chicchelly 24 F F1924 Cedar Rapids IA 3:22:44 =================================================================================== ********** MALE OVERALL full*********** =================================================================================== 1 178 Byron Critchfield 31 M M3034 Osawatomie KS 2:41:47 2 518 Joshua Clough 32 M M3034 Overland Park KS 2:51:06 3 128 Mark Foster 26 M M2529 Saint Paul MN 2:53:30 =================================================================================== ********** FEMALE OVERALL_MASTERS full*********** =================================================================================== 1 399 Shannon Webb 45 F F4549 Sun Prairie WI 3:38:08 =================================================================================== ********** MALE OVERALL_MASTERS full*********** =================================================================================== 1 260 William Vickery 41 M M4044 Pittsburg KS 2:58:09 =============================================================================== ********** -
Article (Published Version)
Article Writing, Performing, Gendering the Wicked Witch of the West FROHREICH, Kimberly Abstract While the fairy take The Wizard of Oz depicts women in positions of power, I argue that the dichotomy between the good witch(es) and the Wicked Witch, in both L. Frank Baum’s 1900 novel and MGM’s 1939 film, validates one kind of femininity and stigmatizes as masculine, monstrous, and “other” the woman who strays from her gender role. Second-wave feminism as well as postmodernism have re-evaluated the figure of the witch as “other,” leading to the two contemporary texts, Gregory Maguire’s 1995 novel, Wicked, The Life and times of the Wicked Witch of the West, and the 2003 Broadway musical, Wicked, in which the Wicked Witch is no longer portrayed as a villain. However, while Maguire’s novel fundamentally questions identity categories, the Broadway musical merely uses the Wicked Witch character to validate a new kind of femininity, that of the post-feminist model of “girl-power.” In this paper, I explore how the Wicked Witch is or is not portrayed as “other” in these four texts, and how such portrayals either reinforce or challenge the gender binary. Reference FROHREICH, Kimberly. Writing, Performing, Gendering the Wicked Witch of the West. SPELL, 2009, vol. 23, p. 123-145 Available at: http://archive-ouverte.unige.ch/unige:75966 Disclaimer: layout of this document may differ from the published version. 1 / 1 122 Boris Vejdovsky --."The House of Minh." Nove/s. New York: The Library of Amer ica, 1985. 1-348. --. "The Muse's Tragedy." Collected Stories, 1891-1910.