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ZELLWOOD: RE-IMAGING a CAREEER in FILMMAKING By

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University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 Re-imaging A Career In Filmmaking Jason Sutton University of Central Florida Part of the Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Sutton, Jason, "Re-imaging A Career In Filmmaking" (2013). Electronic Theses and Dissertations, 2004-2019. 2790. https://stars.library.ucf.edu/etd/2790 ZELLWOOD: RE-IMAGING A CAREEER IN FILMMAKING by JASON SUTTON B.S University of Massachusetts 2005 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Department of Film, Entrepreneurial Digital Cinema at the University of Central Florida Orlando, Florida Fall Term 2013 Major Professor: Robert Jones ABSTRACT The purpose of this project was to learn every aspect of the film business, and to do so within the guidelines of an ultra-low budget digital format. This meant creating a project that could be written, produced, and directed all for fewer than fifty thousand dollars. All of the money had to be raised by me as well. The process began day one in the classroom, learning every step of the way. It began by turning an idea into a feature length film script. This was done over the course of a year. The next step began putting together every piece of preproduction. Preproduction involved casting, location scouting, and fund raising. Fund raising proved to be the most difficult aspect to the entire process. For “Zellwood” we were unable to reach the ultimate goal of fifty thousand dollars, and had to readjust on the fly to make the project work on a budget that would be half the size. This is not uncommon in the industry, but it is an extremely difficult hurdle to handle. In order to do this the script had to be scaled down in order to accommodate the new numbers. The actual filming of “Zellwood” proved to be both the most invigorating aspect as well as one of the most disappointing. The thrill of watching my words and acts come to life was amazing. Each day having to compromise my vision in order to get the entire script filmed on an extremely tight schedule was difficult. The compromise meant sacrificing a bit of quality. Once the filming was finished similar issues would arise in postproduction. Financial and time constraints would once again cause compromises along the way. The promotion and eventual selling and distribution of the film continues be incredibly difficult. The film has been sold and paid for in six foreign territories so far, and a deal for domestic distribution has been signed. Finding a distributor involved ii contacting other filmmakers and trying to find someone trustworthy in the industry. Hopefully we are currently in business with one now. In conclusion I have left this project as a much wiser student and filmmaker. Making a film under these circumstances can be done, and can be done successfully, but making a film with far more resources would be the only way I would attempt to do so again. I have learned the hard way that this is a business first and foremost. I believe that this process is an excellent way to learn the business. iii TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................................... v PRESS KIT .................................................................................................................................... 1 CHAPTER 1: INTRODUCTION ................................................................................................ 9 Artist Statement .............................................................................................................. 9 Methodology ................................................................................................................... 9 Findings......................................................................................................................... 16 Conclusion .................................................................................................................... 17 CHAPTER 2: FILM COMPONENTS ..................................................................................... 19 Screen Grabs ................................................................................................................. 19 Film Synopsis................................................................................................................ 38 Script ............................................................................................................................. 39 Shot List ...................................................................................................................... 125 Budget ......................................................................................................................... 137 CHAPTER 3: LEGAL .............................................................................................................. 161 Marketing and Distribution ......................................................................................... 161 Executive Summary .................................................................................................... 162 Contracts ..................................................................................................................... 164 iv LIST OF FIGURES Figure 1:Actor Close Up ................................................................................................... 19 Figure 2:Actor Medium Shot ............................................................................................ 20 Figure 3:Close Up ............................................................................................................. 20 Figure 4:Close Up ............................................................................................................. 21 Figure 5:Two Shot ............................................................................................................ 21 Figure 6:Close Up ............................................................................................................. 22 Figure 7:Medium Shot ...................................................................................................... 22 Figure 8:Actor ................................................................................................................... 23 Figure 9:Close Up ............................................................................................................. 23 Figure 10:Two Shot .......................................................................................................... 24 Figure 11:Close Up ........................................................................................................... 24 Figure 12:Medium Shot .................................................................................................... 25 Figure 13:Medium Shot .................................................................................................... 25 Figure 14:Silhouette Shot ................................................................................................. 26 Figure 15:Medium Shot .................................................................................................... 26 Figure 16:Two Shot .......................................................................................................... 27 Figure 17:Medium Shot .................................................................................................... 27 Figure 18:Close up ............................................................................................................ 28 Figure 19:Medium Shot .................................................................................................... 28 Figure 20:Close Up ........................................................................................................... 29 Figure 21:Medium Shot .................................................................................................... 29 Figure 22:Two Shot .......................................................................................................... 30 Figure 23:Two Shot .......................................................................................................... 30 Figure 24:Two Shot .......................................................................................................... 31 Figure 25:Close Up ........................................................................................................... 31 Figure 26:Close Up ........................................................................................................... 32 Figure 27:Close Up ........................................................................................................... 32 Figure 28:Close Up ........................................................................................................... 33 Figure 29:Two Shot .......................................................................................................... 33 Figure 30:Action Shot ......................................................................................................
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