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Inaugural Speeches in the NSW Parliament Briefing Paper No 4/2013 by Gareth Griffith
Inaugural speeches in the NSW Parliament Briefing Paper No 4/2013 by Gareth Griffith ACKNOWLEDGEMENT The author would like to thank officers from both Houses for their comments on a draft of this paper, in particular Stephanie Hesford and Jonathan Elliott from the Legislative Assembly and Stephen Frappell and Samuel Griffith from the Legislative Council. Thanks, too, to Lenny Roth and Greig Tillotson for their comments and advice. Any errors are the author’s responsibility. ISSN 1325-5142 ISBN 978 0 7313 1900 8 May 2013 © 2013 Except to the extent of the uses permitted under the Copyright Act 1968, no part of this document may be reproduced or transmitted in any form or by any means including information storage and retrieval systems, without the prior consent from the Manager, NSW Parliamentary Research Service, other than by Members of the New South Wales Parliament in the course of their official duties. Inaugural speeches in the NSW Parliament by Gareth Griffith NSW PARLIAMENTARY LIBRARY RESEARCH SERVICE Gareth Griffith (BSc (Econ) (Hons), LLB (Hons), PhD), Manager, Politics & Government/Law .......................................... (02) 9230 2356 Lenny Roth (BCom, LLB), Acting Senior Research Officer, Law ............................................ (02) 9230 3085 Lynsey Blayden (BA, LLB (Hons)), Research Officer, Law ................................................................. (02) 9230 3085 Talina Drabsch (BA, LLB (Hons)), Research Officer, Social Issues/Law ........................................... (02) 9230 2484 Jack Finegan (BA (Hons), MSc), Research Officer, Environment/Planning..................................... (02) 9230 2906 Daniel Montoya (BEnvSc (Hons), PhD), Research Officer, Environment/Planning ..................................... (02) 9230 2003 John Wilkinson (MA, PhD), Research Officer, Economics ...................................................... (02) 9230 2006 Should Members or their staff require further information about this publication please contact the author. -
Edmund Barton and the 1897 Federal Convention
The Art of Consensus: Edmund Barton and the 1897 Federal Convention The Art of Consensus: Edmund Barton and the 1897 Federal Convention* Geoffrey Bolton dmund Barton first entered my life at the Port Hotel, Derby on the evening of Saturday, E13 September 1952. As a very young postgraduate I was spending three months in the Kimberley district of Western Australia researching the history of the pastoral industry. Being at a loose end that evening I went to the bar to see if I could find some old-timer with an interesting store of yarns. I soon found my old-timer. He was a leathery, weather-beaten station cook, seventy-three years of age; Russel Ward would have been proud of him. I sipped my beer, and he drained his creme-de-menthe from five-ounce glasses, and presently he said: ‘Do you know what was the greatest moment of my life?’ ‘No’, I said, ‘but I’d like to hear’; I expected to hear some epic of droving, or possibly an anecdote of Gallipoli or the Somme. But he answered: ‘When I was eighteen years old I was kitchen-boy at Petty’s Hotel in Sydney when the federal convention was on. And every evening Edmund Barton would bring some of the delegates around to have dinner and talk about things. I seen them all: Deakin, Reid, Forrest, I seen them all. But the prince of them all was Edmund Barton.’ It struck me then as remarkable that such an archetypal bushie, should be so admiring of an essentially urban, middle-class lawyer such as Barton. -
The Making of White Australia
The making of White Australia: Ruling class agendas, 1876-1888 Philip Gavin Griffiths A thesis submitted for the degree of Doctor of Philosophy of The Australian National University December 2006 I declare that the material contained in this thesis is entirely my own work, except where due and accurate acknowledgement of another source has been made. Philip Gavin Griffiths Page v Contents Acknowledgements ix Abbreviations xiii Abstract xv Chapter 1 Introduction 1 A review of the literature 4 A ruling class policy? 27 Methodology 35 Summary of thesis argument 41 Organisation of the thesis 47 A note on words and comparisons 50 Chapter 2 Class analysis and colonial Australia 53 Marxism and class analysis 54 An Australian ruling class? 61 Challenges to Marxism 76 A Marxist theory of racism 87 Chapter 3 Chinese people as a strategic threat 97 Gold as a lever for colonisation 105 The Queensland anti-Chinese laws of 1876-77 110 The ‘dangers’ of a relatively unsettled colonial settler state 126 The Queensland ruling class galvanised behind restrictive legislation 131 Conclusion 135 Page vi Chapter 4 The spectre of slavery, or, who will do ‘our’ work in the tropics? 137 The political economy of anti-slavery 142 Indentured labour: The new slavery? 149 The controversy over Pacific Islander ‘slavery’ 152 A racially-divided working class: The real spectre of slavery 166 Chinese people as carriers of slavery 171 The ruling class dilemma: Who will do ‘our’ work in the tropics? 176 A divided continent? Parkes proposes to unite the south 183 Conclusion -
Paolo Giorza and Music at Sydney's 1879 International Exhibition
‘Pleasure of a High Order:’ Paolo Giorza and Music at Sydney’s 1879 International Exhibition Roslyn Maguire As Sydney’s mighty Exhibition building took shape, looking to the harbour from an elevated site above the Botanic Gardens, anxiety and excitement mounted. This was to be the first International Exhibition held outside Europe or America and musical entertainment was to be its greatest attraction.1 An average of three thousand people would attend each week day and as recent studies have shown, Sydney’s International Exhibition helped initiate reforms to education, town planning, technologies, photography, manufacturing and patronage of the arts, music and literature.2 Although under construction since January 1879, it was mid May before the Exhibition’s influential Executive Commissioner Patrick Jennings3 announced the appointment of his friend, Milanese composer Paolo Giorza4 as musical director: [H]is credentials are of such a nature both as a conductor, composer and artist, that I could not justly pass them over. I think that he should also be authorised to compose a march and cantata for the opening ceremony … Signor Giorza offers to give his exclusive services as composer and director and performer on the organ and to organise a competent orchestra of local artists for promenade concerts, and to conduct the same.5 The extent of Jennings’s personal interest in Exhibition music is evident in this report publicising Giorza’s appointment. It amounts to one of the colony’s most interesting cultural documents for the ideas, attitudes and objectives it reveals, including consideration of whether an ‘Australian School of Music, as distinguished from any of the well-defined schools’ existed. -
Bruce Smith and Anglo-Australian Liberalism
The Historical Journal (2021), 1–21 doi:10.1017/S0018246X21000522 ARTICLE Bruce Smith and Anglo-Australian Liberalism Alastair Paynter School of Humanities (History), University of Southampton, Southampton, UK Email: [email protected] Abstract Bruce Smith (1851–1937) was the most prominent Australian exponent of classical or ‘old’ liberalism in the late nineteenth and early twentieth century. Although his polit- ical career was not particularly successful, he was notable as the foremost defender of individualism as the authentic liberal creed, exemplified by his 1887 work Liberty and liberalism. He consistently attacked new liberalism, with its acceptance of extensive state interference, and socialism, as inimical to individual liberty and national prosper- ity. Although he is now recognized as an important figure in the Australian liberal pan- theon, there has been relatively little attention to his thought outside Australia itself, despite his extensive connections to Britain. The general trajectory of Australian liber- alism from ‘individualism’ to ‘collectivism’ was mirrored in Britain from the 1880s, especially during Prime Minister William Gladstone’s second and third administrations, when the radicals within the Liberal party grew in influence and the aristocratic whig moderates waned. Smith maintained close links with the British Liberty and Property Defence League, which dedicated itself to fighting against collectivism, as well as with his personal hero, the philosopher Herbert Spencer, from whom his own politics derived much influence. This article considers Smith’s thought through the prism of Anglo-Australian politics. As a political culture, Australia did not make much impression on British minds until relatively late in the nineteenth century. -
Papers of Sir Edmund Barton Ms51
NATIONAL LIBRARY OF AUSTRALIA PAPERS OF SIR EDMUND BARTON MS51 Manuscript Collection 1968-70, 1996 and last amended 2001 PAPERS OF EDMUND BARTON MS51 TABLE OF CONTENTS Overview 3 Biographical Note 6 Related Material 8 Microfilms 9 Series Description 10 Series 1: Correspondence 1827-1921 10 Series 2: Diaries, 1869, 1902-03 39 Series 3: Personal documents 1828-1939, 1844 39 Series 4: Commissions, patents 1891-1903 40 Series 5: Speeches, articles 1898-1901 40 Series 6: Papers relating to the Federation Campaign 1890-1901 41 Series 7: Other political papers 1892-1911 43 Series 8: Notes, extracts 1835-1903 44 Series 9: Newspaper cuttings 1894-1917 45 Series 10: Programs, menus, pamphlets 1883-1910 45 Series 11: High Court of Australia 1903-1905 46 Series 12: Photographs (now in Pictorial Section) 46 Series 13: Objects 47 Name Index of Correspondence 48 Box List 61 2 PAPERS OF EDMUND BARTON MS51 Overview This is a Guide to the Papers of Sir Edmund Barton held in the Manuscript Collection of the National Library of Australia. As well as using this guide to browse the content of the collection, you will also find links to online copies of collection items. Scope and Content The collection consists of correspondence, personal papers, press cuttings, photographs and papers relating to the Federation campaign and the first Parliament of the Commonwealth. Correspondence 1827-1896 relates mainly to the business and family affairs of William Barton, and to Edmund's early legal and political work. Correspondence 1898-1905 concerns the Federation campaign, the London conference 1900 and Barton's Prime Ministership, 1901-1903. -
3 Dunstan Woolner
Thomas Woolner’s “Bad Times for Sculpture”: Framing Victorian Sculpture in Vocabularies of Neglect Angela Dunstan In 1890, one of the Victorian era’s most successful sculptors, Thomas Woolner, bemoaned what he perceived to be the declining cultural value of his profession, writing that “people do not care for sculpture very much” (Letter to Henry Parkes 8 December 1890). Perhaps little has changed.1 As Jason Edwards recently observed, “In spite of the sustained re-investigation of Victorian culture in recent decades nineteenth century British sculpture continues to be neglected” (201). This article will revisit this history of neglect, considering the second half of the nineteenth century as a key era for sculpture; a time of fluctuating cultural, aesthetic and economic value for the art. Drawing on the case study of Pre-Raphaelite sculptor, Thomas Woolner, I will show how he pragmatically cast and recast his profession as both high art and a popular art form in order to defend the dignity and technical complexity of sculpture whilst maintaining a living by it. Towards the end of the nineteenth century, capitalising on cultural developments as varied as British imperialism, growing opportunities for travel and the phenomenon of celebrity became increasingly imperative to a sculptor’s success. By necessity, Woolner’s generation of sculptors had to modify their methods to remain competitive in a mass market rapidly crowded by replicas, statuettes and the ephemera which were invading everyday life and becoming characteristic of modernity. Woolner’s rhetorical moulding of sculpture as an art appealing both to the elite and to the popular markets makes a useful case study in the plasticity of Victorian sculptors themselves as they responded to the changes in the aesthetic and economic value of their art, adapting their methods and adopting new approaches in ways which would reframe the cultural value of the profession by the end of the nineteenth century. -
Sir Joseph Carruthers in the History of Australian Liberalism
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2016 Sir Joseph Carruthers in the history of Australian liberalism Zachary Kevin Kearney Gorman University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Gorman, Zachary Kevin Kearney, Sir Joseph Carruthers in the history of Australian liberalism, Doctor of Philosophy thesis, School of Humanities and Social Inquiry, University of Wollongong, 2016. -
Earle Page and the Imagining of Australia
‘NOW IS THE PSYCHOLOGICAL MOMENT’ EARLE PAGE AND THE IMAGINING OF AUSTRALIA ‘NOW IS THE PSYCHOLOGICAL MOMENT’ EARLE PAGE AND THE IMAGINING OF AUSTRALIA STEPHEN WILKS Ah, but a man’s reach should exceed his grasp, Or what’s a heaven for? Robert Browning, ‘Andrea del Sarto’ The man who makes no mistakes does not usually make anything. Edward John Phelps Earle Page as seen by L.F. Reynolds in Table Talk, 21 October 1926. Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760463670 ISBN (online): 9781760463687 WorldCat (print): 1198529303 WorldCat (online): 1198529152 DOI: 10.22459/NPM.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode This publication was awarded a College of Arts and Social Sciences PhD Publication Prize in 2018. The prize contributes to the cost of professional copyediting. Cover design and layout by ANU Press. Cover photograph: Earle Page strikes a pose in early Canberra. Mildenhall Collection, NAA, A3560, 6053, undated. This edition © 2020 ANU Press CONTENTS Illustrations . ix Acknowledgements . xi Abbreviations . xiii Prologue: ‘How Many Germans Did You Kill, Doc?’ . xv Introduction: ‘A Dreamer of Dreams’ . 1 1 . Family, Community and Methodism: The Forging of Page’s World View . .. 17 2 . ‘We Were Determined to Use Our Opportunities to the Full’: Page’s Rise to National Prominence . -
Thesis August
Chapter 1 Introduction Section 1.1: ‘A fit place for women’? Section 1.2: Problems of sex, gender and parliament Section 1.3: Gender and the Parliament, 1995-1999 Section 1.4: Expectations on female MPs Section 1.5: Outline of the thesis Section 1.1: ‘A fit place for women’? The Sydney Morning Herald of 27 August 1925 reported the first speech given by a female Member of Parliament (hereafter MP) in New South Wales. In the Legislative Assembly on the previous day, Millicent Preston-Stanley, Nationalist Party Member for the Eastern Suburbs, created history. According to the Herald: ‘Miss Stanley proceeded to illumine the House with a few little shafts of humour. “For many years”, she said, “I have in this House looked down upon honourable members from above. And I have wondered how so many old women have managed to get here - not only to get here, but to stay here”. The Herald continued: ‘The House figuratively rocked with laughter. Miss Stanley hastened to explain herself. “I am referring”, she said amidst further laughter, “not to the physical age of the old gentlemen in question, but to their mental age, and to that obvious vacuity of mind which characterises the old gentlemen to whom I have referred”. Members obviously could not afford to manifest any deep sense of injury because of a woman’s banter. They laughed instead’. Preston-Stanley’s speech marks an important point in gender politics. It introduced female participation in the Twenty-seventh Parliament. It stands chronologically midway between the introduction of responsible government in the 1850s and the Fifty-first Parliament elected in March 1995. -
LORD CARRINGTON Papers, 1860-1928 Reels M917-32
AUSTRALIAN JOINT COPYING PROJECT LORD CARRINGTON Papers, 1860-1928 Reels M917-32 Brigadier A.A. Llewellyn Palmer The Manor House Great Somerford Chippenham, Wiltshire National Library of Australia State Library of New South Wales Filmed: 1972 CONTENTS Page 3 Biographical note 4 Selected speeches, letters and recollections 6 Australian correspondence, 1885-1918 8 Australian papers, 1877-91 9 Newspaper cuttings and printed works, 1882-1915 11 General correspondence, 1885-1928 14 Portraits 14 Miscellaneous papers, 1860-1914 17 Diaries of Lady Carrington, 1881-1913 19 Diaries of Lord Carrington, 1888-93 2 BIOGRAPHICAL NOTE Charles Robert Carrington (1843-1928), 3rd Baron Carrington (succeeded 1868), 1st Earl Carrington (created 1895), 1st Marquess of Lincolnshire (created 1912), was born in London. He was educated at Eton and Trinity College, Cambridge. As a schoolboy, he was introduced to the Prince of Wales and they were to be close friends for over fifty years. Carrington was the Liberal member for High Wycombe in Buckinghamshire in 1865-68. He became a captain in the Royal House Guards in 1869 and in 1875-76 was aide-de-camp to the Prince of Wales on his tour of India. In 1881 he was appointed lieutenant-colonel of the Royal Buckinghamshire Infantry. In 1878 he married Cecilia (Lily) Harbord, the daughter of Baron Suffield. In 1885, at the urging of the Prince of Wales, Carrington was appointed governor of New South Wales. With his wife and three daughters, he arrived in Sydney in December 1885 and they remained in the colony for almost five years. The Carringtons were a popular couple and generous hosts, especially during the celebrations of Queen Victoria’s jubilee in 1887 and the New South Wales centenary celebrations in 1888. -
John Lucas and His Contemporaries in the Fourth Parliament, 1860 - 1864
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2018 Independent Voices: John Lucas and his contemporaries in the Fourth Parliament, 1860 - 1864 Kate Nielsen Matthew Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Research Online is the open access institutional