ri Hos- od1,8 Prix de 1985 13erne concours international pour jeunes danseurs

ages de 15 a 18 ans (garcons 19 ans), n'ayant pas encore entrepris de carriere professionnelle.

sanne 0 poof p % de 1:"?7 a 50autte Theatr suisse

1000,-sa,e22\

Eliminatoires a Lausanne et New-York. Demi-finales et finale a New-York. De lai d'inscription: 31 decembre 1984.

NEW YORK Categoric "Prix de Lausanne": 4 bourses dune annee dans une des meil- leures ecoles de danse du monde, plus FrS. 8'000 ($ 3'800.-) pour les frais d'entretien.

Categorie "Prix Fondation Johnson": 3 prix, soil FrS. 4'000.-, 3'000.- et 2'000.- 1'900.-, 1'400.- et s' ($ 950.-1, pour des eleves d'ecoles subventionnees et gratuites, et desirant y continuer leurs etudes.

Plus de FrS. 120'000.- ($ 50'000.-) en bourses, prix divers en especes, participation aux frais d'entretien, de voyage et de sejour.

Reglement du concours Wettbewerbsbestimmungen Rules for the competition Pernament notocypca IA Is , Bulletin d'inscription Anmeldeformular Enrolment form Anises's Ann perintpapte o-c9

Prix de Lausanne 1985 Lausanne 19.1.85 - 20.1.85 New York 24.1.85 - 17.1.85 Comment prendre part Wie beteiligt man sich au Prix de Lausanne am Prix de Lausanne

Art. 1 Dates et adresse Daten und Adresse

Art. 4 Choix de la categorie Wahl der Kategorie

Art. 6 Conditions de participation Teilnahmebedingungen

Art. 7 Delai d'inscription Anmeldeschluss

Art. 21 Choix du lieu pour les Ortswahl fur die eliminatoires Ausscheidungen

Art. 14 Papiers necessaires pour Notwendige Reise- Lausanne dokumente fur Anmeldung in Lausanne

Art. 8, 9 Variations a preparer Variationen, die vorbe- reitet werden mussen

Art. 8 Partition et enregistrement Notwendige Partitur und a apporter Bandaufnahme

Art. 23 Tenue exigee pour les Verlangte Kleidung fur eliminatoires die Ausscheidungen

Art. 12 Dimensions de la scene Masse der Bane

Art. 21 - 27 Deroulement du concours Verlauf des Wettbewerbs

Art. 8b, 25, 27, 32 Choregraphie personnelle Personliche Choreographic

Art. 29, 31e, 33 Les Suisses et le concours Die Schweizer und der Wettbewerb

Art. 28 - 32 Prix attribues Verliehene Preise O

The "Prix de Lausanne" 1985 1985 Lausanne - Qualifying exams the 19th and 20th of January, 26th and 27th of January, 1985 New York - Qualifying exams, semi-finals and finals on the 24th, 25th, Rules for the competition

A. Generalities

Art. 1 Art. 3 Dates and place Jury de Lausanne The "Prix de Lausanne 1985", an Inter- The Jury for the "Prix national competition for young dancers, 1985" consists of internationally of the dance is organized by the "Fondation en fa- recognized personalities members and veur de l'Art choregraphique" whose world. A list of the Jury the grading main office is in Lausanne Switzerland. documentation explaining may be The first series of qualifying exams system of the competition will take place in Lausanne Switzerland obtained from the secretariat. on January 19th and 20th, 1985 at the Theatre de Beaulieu. The second Art. 4 series of qualifying exams will take Aim of the "Prix de Lausanne" place in New York on January 24th The aim of the "Prix de Lausanne" is upon and 25th, 1985 as well as the semi- to help young dancers to embark finals and finals on January 26th and a professional career. Two categories 27th at the Brooklyn Academy of are taken into consideration. Music. All correspondence should be addressed to: a) "Prix de Lausanne" The category "Prix de Lausanne", is Theatre de Beaulieu intended for candidates who would Case postale 80 like to benefit from a scholarship to 1000 Lausanne 22, Switzerland perfect their training during one year Tel. 21 / 45 11 11 at one of the 9 prominent dance schools mentioned in art. 31. Art. 2 Organization Committee b) The Organization Committee for 1985 The category "Johnson Foundation candidates is made up of members of the Council Prize", is intended for for the Foundation, and include: enrolled in state subsidized institution Philippe Braunschweig, President and who do not want to leave their Georgette Kleinert, Vice-President school. The candidates for the be Raoul de Preux, Vice-President "Johnson Foundation Prize" will Franz Blankart, Ambassador subject to the same tests as the other Francoise Bobst candidates and judged in the same way. Antoine Flofliger The particularities of this Prize are 31 and 33. Claude Michlig explained in articles 24, 26, Marc-Antoine Muret Jacques Treyvaud Art. 5 Art. 7 The other prizes ("Prix de Lausanne Application Deadline Gold Medal", "Professional Level The only candidates eligible to partici- Prize", "Choreographic Encourage- pate in the competition are those ment Prize", two "Migros Scholar- who have returned their completed ships", "Best Swiss Candidate Prize", application forms no later than "Roberta Pew-Bandy/Astral - USA December 31, 1984. The mailing date Award", etc.) are considered as special will be considered as proof. The appli- awards and will be granted only if cation forms will be supplied by the the Jury sees fit. (see art. 29, 31 and secretariat of the competition and 32). must be returned to the following address: Art. 6 "Prix de Lausanne" Conditions for Participation Theatre de Beaulieu The competition is open to talented Case postale 80 dance students of all nationalities. 1000 Lausanne 22 Switzerland Girls must be born between January 1, 1967 and January 17, 1970. Boys must be born between January 1, 1966 and January 17, 1970. (the day before the beginning of the compe- tition). The candidates for the "Prix de Lausanne" must commit themselves, in case of winning, to pursue all courses at the school to which they have won a scholarship for one full year. All candidates who were or are under contract with a company, or have had professional experience as a dancer or choreographer will be eliminated without question. Art. 8 Boys must choose one of the following: Variations All the applicants must prepare and Giselle: present two variations: - first variation of the Vendangeurs, extract from 1st act (with coda) - one variation from the traditional re- - Prince Albrecht, variation, 2nd act, pertoire of a 1 to 2 minute duration tempo 63 = dotted crochet and chosen from the variations listed below. Sleeping Beauty: - one free variation, with a maximum - Prince Desire's variation, 3rd act duration of 90 seconds using - Blue Bird variation, tempo 60 = contemporary music. dotted minim a) Required variations from the clas- Nutcracker: sical repertoire. - de Deux variation Girls must choose one of the following: (Tarantella), tempo 138 = dotted crochet Giselle: - variation of Giselle, 1st act, tempo Don Quichotte: 41 or 42 = dotted crochet - variation - variation of the Villager (girl), 1st act (coda of the ), : tempo 116 = crochet - variation

Sleeping Beauty: For the variations from the traditional Aurora's variation, 3rd act, - repertoire, each candidate must bring a tempo 112 = quaver legible and in good condition pianoforte Lilac Fairy variation, prologue - score, in format A4 (11,7 x 8,3 inches) 138 = crochet extract, tempo which will be played by the official pianist of the competition. The clas- Swan Lake: sical variations must conform to the ori- - variations, 1st act ginal versions of the repertoire used by (from the ) today's great ballet companies. The candidates must indicate the version Coppelia: chosen and the name of the teacher with Swanilda's variation, 1st act, - whom he/she has been rehearsing it. tempo 152 or 160 = crochet - Swanilda's variation, 3rd act, tempo 126 = quaver The above mentioned tempos must be strictly adhered to. Le Corsaire: - variation b) Free variation: Art. 9 Only solo variations will be accepted. The candidate must indicate the author of the choreography. If the author is Art. 10 the candidate himself/herself then he/ Numerical Order she will automatically be considered The numerical order of the candidates as a candidate for the "Choreographic is determined in advance by the Orga- Encouragement Prize". nization Committee according to his or her size. For the finals, the order For the free variation, the candidate of appearance is decided by a drawing should bring only a recording on tape. of lots. It is mandatory that the style of the free variation differs from that of the clas- Art. 11 sical variation. Access to the stage The teachers and parents accompa- The recordings on tape must be in nying the candidates will not have accordance with the following: access to the stage or the wings while diameter of the spool 15 - to 18 cm the tests and rehearsals are in progress. 7.2 inches) on (6 to professional They will be, however, admitted to the quality tape. auditorium on Sunday, January 20th in 2 track stereo - recording 19 cm/s Lausanne and from Friday, January (7 1/2 inches per second) or full 25th in New York for the performan- track mono recording, preferably ces on stage. recorded by professionals. - 100 cm (40 inches) of white (or Teachers of the finalists will not be colored) leader must be attached to allowed to rehearse with their students the beginning and end of the music. on the day of the finals. - the title of the work with reference to the record used (trademark and Art. 12 number) and the name of the Dimensions of the stage candidate must be written on the The dimensions of the stage at the spool. Theatre de Beaulieu are as follows: only one - recording per spool is 14 x 13 m (45.9 x 42.6 feet), inclina- allowed. tion 3,6%. - recordings on cassettes are not acceptable. The dimensions of the stage at the Brooklyn Academy of Music are as The duration of each recording will be follows: 13.5 x 14.5 m (44 x 47 feet) controlled systematically. Any tapes inclination 0%. that exceed the time limit for the free variation (90 seconds) or any unsuitable choice in variations that would not conform to the standards listed will lead to the elimination of the candidate. Art. 13 Art. 15 Travel and Accommodation Reapplication All travel and accommodation costs in A prize-winner of the "Prix de Lausanne, for those participating in Lausanne", the "Johnson Foundation the eliminations in Lausanne, or in Prize", the "Professional Level Prize" New York for those taking part in or the "Best Swiss Candidate Prize" the eliminations in New york, are at is not eligible to enter the competition the expense of the candidate. Only a second time. candidates selected as semi-finalists in Lausanne or New York will be reim- Art. 16 bursed for their expenses (see art. 28). The Organization Committee cannot accept more than six candidates coming Art. 14 from the same school. Required Documents The candidates registered for the elimi- Art. 17 nations in Lausanne as well as their Photographs and Television Contracts chaparones must have a valid passport During the competition, photographs with a visa for the United States. The cannot be taken without authorization candidates must also have written from the Organization Committee. authorization from their parents or Only the Organization Committee may legal guardians certified by local autho- decide on contracts with television rities confirming the right to go to stations or individuals concerned. New York. The Department of State Candidates have no right to accept of the United States has determined fees for recordings made during the that a "tourist visa (B-2)" is the appro- competition. priate classification for participants in the second series and their chaparones. Art. 18 This visa must be applied for in advance Right of appeal at the United States Embassy or Only the Council of the Foundation Consulate in the candidate's country has the right to final decisions on any of residence. Forms for visa appliance derogations concerning the rules of may be obtained from the secretariat the competition. of the "Prix de Lausanne". Art. 19 The Foundation will not be in a posi- The decision of the Jury concerning tion to intervene for anyone not pos- the selection of candidates, elimination sessing a valid visa or passport. procedures in the qualifying tests, semi-finals and finals, as well as the distribution of prizes is final.

Art. 20 It is the rules in the French language that have primary juridiction. B. Schedule of the competition Eliminations

Art. 21 Art. 23 Special "Prix de Lausanne" 1985 First day of eliminations: Saturday the Exceptionally in 1985, the candidates 19th of January in Lausanne or of the competition will have the possi- Thursday the 24th of January in New bility to choose where they would like York. to undertake the eliminations. Two possibilities are offered: either the The first two qualifying tests (a clas- 19th and 20th of January, 1985 in sical lesson and a contemporary Lausanne or the 24th and 25th of lesson) will take place on Saturday January, 1985 in New York. The the 19th of January in Lausanne and candidates must choose where they on Thursday the 24th of January in want to present themselves at the New York behind closed doors. On time they send in their application these days, teachers and parents forms. In principle, the choice should accompanying the candidates will be made in relation to the candidates not have access to the rooms of the place of residence (Europe, Africa and Theatre de Beaulieu and of the the Near East in Lausanne - North Brooklyn Academy of Music, in which and South America and Far East in these lessons take place. New York). The two elimination sessions take place in exactly the same First Qualifying Test: The candidates way, with the same teachers and the will be divided into two groups of same Jury. girls and one group of boys for a classical lesson. After the exercises at Art. 22 the , the Jury will eliminate the Registration weaker candidates, in order to reduce The candidates who have chosen to the number of each group to a maxi- participate in Lausanne must arrive mum of 25 candidates to continue with at the Theatre de Beaulieu in Lausanne center work. The last part of the lesson on Friday afternoon the 18th of will be consecrated to the study of an January, 1985 at 2.00 p.m. to comple- enchainement. Its interpretation will te their registration. be judged immediately by the Jury. Before teaching this enchainment, the The candidates who have chosen to Jury will have the right to eliminate participate in New York must arrive the candidates considered lacking the at the Brooklyn Academy of Music in technique necessary to learn such an New York on Wednesday afternoon enchainment. the 23rd of January, 1985 at 2.00 p.m. to complete their registration. Second Qualifying Test: The candida- tes who have not been eliminated du- The candidates cannot change their ring the classical lesson will take part choice of location after the 31st of in a lesson of contemporary technique December, 1984, nor apply for both that will also be judged by the Jury. sessions of eliminations. Semi-finals

Second day of eliminations: Sunday Art. 24 the 20th of January in Lausanne or The number of semi-finalists is limited Friday the 25th of January in New to 30 candidates, with a maximum of York. 10, or 1/3, in the category "Johnson Foundation Prize". The Jury will select, The third qualifying test will take place therefore, a maximum of 15 semi-fina- on Sunday the 20th of January in lists at the end of the eliminations in Lausanne and on Friday the 25th of Lausanne and a maximum of 15 semi- January in New York. The candidates finalists at the end of the eliminations must present, on stage, their classical in New York. variation, dressed as indicated below. The same evening, the Jury will decide The semi-finalists selected in Lausanne on the semi-finalists. will leave for New York on Monday the 21st of January, all expenses paid, For the classical lesson and the presen- to join with the semi-finalists selected tation of the classical variation the in New York (see art. 28). candidates are required to dress as follows: On Saturday afternoon, January 26 th, 1985 at the Brooklyn Academy of For the girls: a without sleeves Music, all the semi-finalists will perform and , demi-pointes and pointes. one after the other, on stage, their two variations, classical and free, in For the boys: a white T-shirt and tights full costume. Each member of the or an academic leotard. Jury will give grades for each variation.

For the lesson of contemporary dance, Art. 25 the candidates must bring tights "Choreographic Encouragement Prize" without feet. The candidates accepted for the semi- finals and who will present a personal choreography will be judged during the semi-finals on the choreographic value of their variation.

The Jury may designate a maximum of 3 candidates for the "Choreographic Encouragement Prize" who will in turn present their work in the finals. Only choreographies of exceptional quality will be selected. The Jury has the right not to select any candidates for the "Choreographic Encouragement Prize" for the finals. Finals C. Awards and Prizes

Art. 26 Art. 28 The number of finalists is limited to Awards for semi-finalists 15 candidates, out of which no more All the candidates accepted for the than 5, or 1/3, may be in the category semi-finals of the competition will "Johnson Foundation Prize". have their accommodation expenses refunded (the sum determined by the Art. 27 Foundation corresponds to the price Plan for the finals of a three bedded room). Concerning The finals will take place on Sunday travel expenses, a maximum amount of afternoon, January 27th, 1985 at the 250 SF (two hundred and fifty Swiss Academy of Music in New Brooklyn francs) will be given to candidates York. participating in Lausanne (amount candidates selected for the finals All based on second class train fare to and on must take part in the lesson given from the candidates domicile to stage before the public. All finalists Lausanne), and a maximum of $ 125 in the order determined by a drawing (one hundred and twenty-five U.S. lots will present their classical varia- of dollars) will be given to candidates in full costume. tion and free variation participating in New York (amount based on second class train fare to The candidates selected to present a and from the candidates domicile to personal choreography in the finals New York). Each candidate will recei- Encouragement for the "Choreographic ve a certificate stating that he/she has Prize" will perform this free variation reached the semi-finals of the competi- after the variations of the other candi- tion. dates. The Jury has the right not to award the "Choreographic Encouragement Prize". The candidates whose personal choreography was chosen to be presen- ted in the finals of the "Prix de Lausanne" but who were eliminated after the semi-finals will not be consi- dered as finalists in the competition and, subsequently, have no right to awards reserved for the finalists. They will receive, however, a certificate confirming that they have been selected to present their personal choreography in the finals of the "Prix de Lausanne". rr Exceptional reward for the semi- Other companions will be able to join finalists selected in Lausanne the voyage with the group, on a non Exceptionally, the semi-finals and the official basis and at their own expense finals of the "Prix de Lausanne" 1985 (details concerning prices may be will be held in New York and the semi- obtained from the secretariat of the finalists selected in Lausanne will "Prix de Lausanne"). The organizers benefit from a voyage to New York will take charge, to the best of their free-of-charge (depart from Geneva for possibilities, of the voyage of the non New York on Monday evening the official companions, but without 21st of January and the return flight assuming any responsibility for them. will leave New York on Monday evening the 28th of January, arriving Art. 29 in Geneva on Tuesday morning the Swiss Candidates and the "Migros 29th of January). The organizers of Scholarship" the "Prix de Lausanne" will take The two best Swiss candidates who charge of the voyage and stay of the have reached the semi-finals and have semi-finalists in New York, but without not won a "Prix de Lausanne" in the assuming any responsibility for the finals will receive a "Migros Scholar- semi-finalists. ship" consisting of a scholarship in the amount of 900 SF (nine-hundred Swiss The semi-finalists selected in Lausanne francs) per month to allow them to may ask to be accompanied by one pursue their dance training in a school official chaparone, who can only be agreed to by the Federation of Migros their regular teacher. In a situation Cooperatives. where several candidates come from the same school, only one represen- The Swiss candidates will be judged in tative from this school be will accepted exactly the same way as the other can- as the official chaparone. Travel ex- didates. penses and accommodations for this official chaparone will be at the ex- pense of the Foundation. The organi- zers will take charge of the voyage and stay of the official chaparones in New York, but without assuming any responsibility for the chaparones. -Emir -

Art. 30 b) Awards for the finalists four "Prix de Lausanne" comprising: All finalists will receive a certificate. The finalists who have not won a prize - a scholarship for one year of tuition- will receive an amount of $ 250 (two free study at one of the following hundred and fifty U.S. dollars). schools:

In addition, the finalists will have the - Academie de Danse Classique summer courses opportunity to attend Princesse Grace, Monte Carlo, at the following schools: Monaco - Ballettschule der Hamburgischen Staatsoper, Hamburg, Germany Academie de Danse Classique - Centre de Danse International, Princesse Grace, Monte Carlo, - Cannes, France Monaco Ecole de Danse de l'Opera, Paris, Boston School of Ballet, Boston, - - France USA Mudra International, Brussels, Internationale Sommerakademie des - - Belgium Tanzes, Koln, Germany - School, London, Great-Britain Priority will be given to the finalists San Francisco School of Ballet, who did not win any prize. - San Francisco, USA - The School of American Ballet, Art. 31 New York, USA Prizes granted to the finalists - Stadelijk Instituut voor Ballet, The Jury will have the option to award, Antwerpen, Belgium depending on the performance quality of the finalists, the following prizes: - a medal a) - an amount of 8'000 SF (eight one "Prix de Lausanne Gold Medal" thousand Swiss francs/about 3'800 This prize will be awarded to a finalist U.S. dollars*) to cover the cost of who has shown exceptional qualities living for one year of study. for his/her overall performance. This award consists of a gold medal and 5'000 SF (five thousand Swiss francs) about 2'350 U.S. dollars*). The Jury decides of the eventual attribution of this special prize. The courses (9 to 10 school months) d) start in Autumn 1985 and end in Sum- one or two "Professional Level Prizes" mer 1986. The grants cannot be used The Jury can award a medal and an for the year. following The cash awards amount of 2'000 SF (two thousand will be sent to the schools which will Swiss francs/about 950 U.S. dollars') place the funds at the students dispo- to one or two talented finalists who sition when the need arises. If the have, in their opinion, sufficient back- prize-winner for some unforseen cir- ground to begin a professional career. cumstances cannot attend the school

or prematurely terminates his/her el course of study for any reason, the one "Best Swiss Candidate Prize" scholarship and its alloted sum will be In order that the Swiss candidates handed back to the In Foundation. be judged in the same way as all the this case, the Organization Committee other candidates, it has been decided may give the scholarship and corres- that if a Swiss finalist has enough ponding unused sum to the finalist points to win a "Prix de Lausanne", with the highest grades after the four the "Migros Scholarship" he/she has "Prix de Lausanne" laureates. received at the semi-finals will be awarded to the third best Swiss c) semi-finalist. The finalist will then three "Johnson Foundation Prizes" receive an additional "Prix de These prizes can be awarded to the Lausanne". Consequently, five "Prix three best candidates in the category de Lausanne" would be awarded with "Johnson Foundation Prize". They are the additional prize being offered by comprised of a medal and an amount Rolex Watches. If no Swiss candidate of SF 4'000 (four thousand Swiss has the necessary points for a "Prix francs/about 1'900 U.S. dollars') for the de Lausanne", the best Swiss candidate first prize, a medal and 3'000 SF (three will receive the "Best Swiss Candidate thousand Swiss francs/about 1'400 Prize" consisting of a medal and an U.S. dollars') for the second prize and a amount of 500 SF (five hundred Swiss medal and 2'000 SF (two thousand francs) which will be added to the Swiss francs/about 950 U.S. dollars") "Migros Scholarship". for the third prize. f) The Jury can award a prize of 4'000 FF (four thousand French francs) donated by the Fondation de la Danse in Paris to an especially deserving finalist. g) Art. 34 The "Roberta Pew-Bandy/Astral - Distribution of the Prizes USA Award" for the most promising The Jury is free to award or not to American dancer. A medal and a award the prizes described in articles 2'000 U.S. $ (two thousand U.S. 31 and 32. Their decisions depend on dollars') cash prize is to be awarded to the performance quality of the finalists. the American dancer who places the In the event that other prizes would be highest in the standings of the finalists put at the disposition of the Founda- participating in the competition. This tion, the Council of the Foundation prize may therefore be accumulated would decide about their attribution. with other prizes. If no American reaches the finals of the competition, then this prize will not be awarded. *Exchange: estimation end of May 1984 Art. 32 "Choreographic Encouragement Prize" At the end of the finals, the Jury may award to one of the selected candidates a "Choreographic Encouragement Prize". This prize includes a medal and an amount of 2'000 SF (two thousand Swiss francs/about 950 U.S. dollars').

Art. 33 Accumulation The prizes given ("Prix de Lausanne", -o "Prix de Lausanne Gold Medal", "Johnson Foundation Prize", "Profes- sional Level Prize") cannot be accumu- lated. The only exception to this rule are with the "Choreographic En- s couragement Prize" and the "Roberta Pew-Bandy/Astral - USA Award". Moreover, the "Migros Scholarship" can be accumulated with a "Best Swiss Candidate Prize". Bulletin d'inscription joindre 1 photo passeport Anmeldeformular beilegen bitte 1 Passtoto Enrolment form one passport photograph to be AHKeTa Ana perwcwaymm attached flea.... over ttototPtcpso sacnognsore promo

Prix de Lausanne 1985

Lausanne 19.1.85 - 20.1.85 New York 24.1.85 - 27.1.85

Nom, Name, name, tPanumust

copie du certificat de naissance, obligatoire) Prenom, Vorname, christian name, LIMB Age: (joindre Alter: (bitte Geburtsschein beilegen, obligatorisch) Age: (a copy of birth certificate must be attached) o po>kneuvw) Boapac-r: (06si3arenbuo npuricutorrb Kormo cuMerenbcma

Nationalite, Nationalitat, nationality, sex, lion Grandeur, Grosse, Height, Pocr Sexe, Geschlecht, rpaxygaricTso

Adresse complete, voile Adresse, full address, Appec 2 dernieres ecoles de danse suivies re- Nombre d'annees gulierement, adresse, professeurs Anzahl der Jahre die zwei zuletzt and regelmassig be- Number of years suchten Tanzschulen, Adresse, Profes- K011144eCTBO ner perynApHbix 3aHHTHC soren Last two schools of dancing attended regularly, Address, professors Nombre d'heures hebdomadaires 2 nocneRHHe xopeorpaqmHecKine Anzahl wochentlicher Stunden wkonbi, noceu4aeMble perynApHo, Number of hours weekly KonkiHecTao Hacos B udder° aRpec, cipammninsi npenmaaa-rens

Experience de la scene Concours de danse auxquels j'ai participe BOhnenerfahrung Tanzwettbewerbe an denen ich teilgenommen habe

Stage experience Dancing contests in which I have taken part CLABH114eCKVICI Or IblTb B Kama 6aneTribix KoHKypcax nporiviman(a) yHacTme

Classement obtenu Erzielte Wertung Result (rating) obtained 3aHsTrue (B KoHKypcax) mecra

Titre de la variation classique choisie (partition de piano seule valable) Titel der gewahlten klassischen Varia- tion (nur Klavierpartitur ist galtig) Title of the classical variation presented Professeur avec lequel elle a ete repetee (only piano score will be valid) Version choisie Lehrer mit dem Sie ausarbeitet wurde Ha3aa Hme 6paHHoH KnaccHmecKoR Gewahlte Version Teacher with whom it has been trained Bap /MI.1M (OOCTBIATBIlbHa TOTIbK0 Choosen version cbamvinveo npenoRoaaTens, C KOTOpbIM cpop-renbsHHaR nap-rkrrypa) eblepaHHaR Beaus oHa 6bina noAroToeneHa

Titre de la variation individuelle Musique presentee Musik (bande magnetique seule valable) Music Titel der gewahlten individuellen Varia- Myabi Ka tion (nur Bandaufnahme ist gultig) Title of the free variation presented (only tape recording will be valid) Nana Hine npeAcraensemok Choregraphe HHAHakwyanbrioci aapmamvi Choreograph (RefiCTE41,11-eflbHa TOTIbK0 Choreographer Marl-11410430HHBA aanvicb) Xopeorpacbkm

-04.1 11/4 I -771, r Tr, J'ai pris connaissance du reglement auquel je souscris et accepterai les decisions du jury. Ich habe von den Bedingungen Kenntnis genommen, bin damit einverstanden und werde die Entscheidungen der Jury akzeptieren.

I have read the rules, agree to them and shall accept the Jury's decisions. A oaHaKoramncs C HaCTOALLIMM14 npaemnamm, cornaceH C Ell4M14 14 06F13yMb 110,14414HATbCil peweHmsm )Kays.

Categorie, a choix - Kategorie, zur Wahl - Category, to be chosen - KaTeropmn no ebi6opy.

Je m'inscris pour le "Prix de Lausanne" et je m'engage, en cas de succes, a suivre les tours de l'ecole pour laquelle j'aurai obtenu une bourse. Ich melde mich fur den "Prix de Lausanne" an und verpflichte mich im Erfolgsfall an den Kursen der Schule, fur die ich ein Stipendium gewonnen habe, teilzunehmen. a scholar- I enrol for the "Prix de Lausanne" and undertake, in the event of success, to attend the school for which ship has been awarded to me. A aanmcblealocb Ha floaaHcKyio npemmlo H cornaceH noceuiaTb, B cnyvae ycnexa, Kypcbi TON WKOTIbl, B Ko 'mope nonyHy craneHpkno

Je m'inscris pour le "Prix Fondation Johnson" en declarant ne pas vouloir quitter l'ecole que je suis actuellement. Ich melde mich fur den "Preis der Johnson Stiftung" an, da ich in der Schule, die ich zur Zeit besuche, bleiben werde. I to leave the school I attend actually. I enrol for the "Johnson Foundation Prize", as do not want A 3a1114Cb1Ba10Cb Ha ,41pemato Ooripa RWOHCOHa, 06bABTIFICI, LITO He HamepeH OCTa1314Tb Luau, KOTOpy}O nocewpio B paHHblf4momeHT

Je m'inscris pour le "Prix d'encouragement a la choregraphie" et certifie avoir tree et regle moi-meme ma chore- graphic personnelle. Ich melde mich fur den "Ermutigungspreis fur Choreographie" an und erklare, dass die vorgefuhrte Choreographie meine alleinige und personliche Arbeit darstellt. I have created and set the choreography I enrol for the "Choreographic encouragement Prize" and certify that by myself. A aanincbmaiocb Ha floouipkrenbHylo ['Vernal° aa Xopeorpac0kno H mama°, LITO npeperaeneHHan xopeorpacipinn coHwHeHa H noctaeneHa MH01.0 naHHo

Lieu pour les eliminatoires, a choix - Ortswahl kir die Ausscheidungen - Choice of location for the eliminations - Macro yHacTinn B OT60p0,1HbIX Typax no ebi6opy.

Je m'inscris a la session d'eliminatoires a Lausanne, les 19 et 20 janvier 1985, et serai au Theatre de Beaulieu a Lausanne, le vendredi 18 janvier a 14 h, pour l'enregistrement de mon inscription. Ich melde mich fur die Ausscheidungen in Lausanne, am 19. und 20. Januar 1985 und werde mich am Freitag 18. Januar, urn 14 Uhr, im Theatre de Beaulieu, fur die Eintragung meiner Anmeldung, befinden.

I enrol for the eliminations in Lausanne, on 19th and 20th January, 1985 and shall be at the Theatre de Beaulieu in Lausanne on Friday, 18th January 1985 at 2.00 p.m. to complete my registration. Fl ...wawa. Ha critopoLmbie Typo B floaaHHe, 19 a 20 salmon 1985 rope r1FITH141.1y 14 14 6ypy B reeve 50flbe, B Sows.. B 18 nHeapn, B qacoe, Ann peracTpaqma.

Je m'inscris a la session d'eliminatoires a New York, les 24 et 25 janvier 1985, et serai a la Brooklyn Academy of Music a New York, le mercredi 23 janvier a 14 h, pour l'enregistrement de mon inscription. Ich melde mich far die Ausscheidungen in New York, am 24. und 25. Januar 1985 und werde mich am Mittwoch, 23. Januar, urn 14 Uhr, in der Brooklyn Academy of Music, fur die Eintragung meiner Anmeldung, befinden. at Academy I enrol for the eliminations in New York on 24th and 25th January, 1985 and shall be the Brooklyn of Music in New York on Wednesday 23rd January, 1985 at 2.00 p.m. to complete my registration. A aanincblealocb Ha oToopoLiHve typo B H610 Novice. 24 a 25 wimps 1985 rOria a 6yRy B SpyKnvH AKBABM1,1 043 M10314K, B Hb10 Mope, B cpeqy 23 serape, B 14 vamp Ann perm-I-pawl& Signature Unterschrift Signature Place Lieu tel. Suisse Case Theatre nisoem Please noAniiicb CH-1000 "Prix l'Art Fondation Bitte Priere 21 et postale and Choregraphique mit de complete de / / date. 3arl0f1/11ab Schweiz de 45 0114a Lausanne" remplir du date. Schreibmaschine of Lausanne en Beaulieu 11 father des 80 Ore Ort faveur Mil Metro 11 this Vaters saauue,p / und a "{ammyiO ou Switzerland Apyroro la or form 22 de du machine Datum. legal II oder representant Ana. awe!), aa:poN using oder representative ynormomovermoro gesetzlichen ou Ha either in en Druckschrift neHarHoi caractere legal a typewriter Stellvertreters Signature. lloArtmcb, mateHHHe d'imprimerie nono ausfilllen or Unterschrift. N block BOWEITNTb und et capitals an renvoyer nachstehende no Signature. and Hpokecnemioummy a send l'adresse it Adresse to -91 ci-dessous the sayans address Acipecy senden asuep below ap salope saJounap z

Printed in Switzerland PRIX DE LAUSANNE 1985 ELIMINATIONS / FRIDAY, JANUARY 25, 1985 at 12 NOON

ADDITIONS & CORRECTIONS TO THE PROGRAM

IMRE DOZSA replaces Heinz Spoerli as a juror.

IMRE DOZSA Hungarian dancer, born in 1941. Completed his studies at the school of the Budapest State Opera Ballet. He has danced with the Kirov Ballet. As with the Budapest State Opera Ballet, he danced many of the leading roles in the repertory. In 1974, he worked with Maurice Bgjart who gave him the principal role in THE RITE OF SPRING, FIREBIRD, and COULD THIS BE DEATH? He is currently the director of dance at the Budapest State Opera Ballet.

PIANIST KARL ST. CHARLES Pianist and music director/consultant to such companies as the Joffrey Ballet, , Pennsylvania Ballet, and ABT II, and Pittsburgh Ballet Theatre. He has worked with numerous choreographers, including George Balanchine, Jean-Pierre Bonnefoux, Benjamin Harkarvy, Robert Joffrey, Antony Tudor, and Hans van Manen. As a piano , he has performed with orchestras throughout the United States.

OUTLINE OF EVENTS: Classical enchainement: girls -- boys Classical variations: girls -- boys

No. NAME AGE COUNTRY CLASSICAL VARIATION

8 VINCKIER, Greet 16/6 Belgium

11 FLORENCE, Valerie 16/8 France

17 LE BOLE, Corinne 17/8 France

23 PEKER, Suzan 17/7 W. Germany

24 BUHRER, Ingrid 16/11 S. Africa

26 KANG, Sue Jin 17/9 S. Korea

29 VAN DE VYVER, Ariane 17/11 Belgium

31 ECKHOFF, Stefanie 17/5 W. Germany

40 FERLA, Xavier 16/9 Switzerland

41 DE BLOCK, Bart 16/3 Belgium

(OVER...) 43 RIBAUD, Marc 18/6 France

50 LEVRE, Domenico 17/7 Italy

51 HUYS, Ben 18 Belgium

52 SOLYMOSI, Zoltan 17/1 Hungary

63 RIEGNER, Catherine 15 U.S.A. Sleeping Beauty Lilac Fairy

64 LUDTKE, Kim 18 S. Korea Le Corsaire

65 GRANT, Ann-Marie 16/11 U.S.A. Giselle (Act I)

68 SALGADO, Lissete 15/8 U.S.A. Giselle (Act I)

70 WANG, Shan 16/4 Peoples' Giselle (Act I: Rep. China Peasant variation)

72 TANI, Yoko 17/6 Japan Sleeping Beauty (Act III)

73 AKIYAMA, Tamako 15/6 Japan Sleeping Beauty (Act III)

77 ELLIS, Karin Maria 15/3 U.S.A. Sleeping Beauty (Act III)

78 LI, Ying 16/11 Peoples' Le Corsaire Rep. China

80 MATTINGLY, Jennifer 17/4 U.S.A. Coppelia (Act III)

81 HEFT, Tiffany Dawn 17/3 U.S.A. Le Corsaire

87 YOUNG, Leslie Leong 17/9 U.S.A. Giselle (Act I)

88 McCUNE, Margo 17/9 U.S.A. Le Corsaire

95 MOTA, Edwin 18/11 Mexico Don Quixote

96 STIERLE, Edward 16/10 U.S.A. Don Quixote

97 ANDERSON, Christopher 18/8 U.S.A. Sleeping Beauty (Act III)

98 PAN, Jiabin 17/5 Peoples' Giselle (Act I: Rep. China Peasant Variation)

99 NEAL, Philip H. 16/11 U.S.A. Don Quixote

100 XU, Gang 17/4 - Peoples' Giselle Rep. China (Prince Albrecht) 43 RIBAUD, Marc 18/6 France

50 LEVRE, Domenico 17/7 Italy

51 HUYS, Ben 18 Belgium

52 SOLYMOSI, Zoltan 17/1 Hungary

63 RIEGNER, Catherine 15 U.S.A. Sleeping Beauty Lilac Fairy

64 LUDTKE, Kim 18 S. Korea Le Corsaire

65 GRANT, Ann-Marie 16/11 U.S.A. Giselle (Act I)

68 SALGADO, Lissete 15/8 U.S.A. Giselle (Act I)

70 WANG, Shan 16/4 Peoples' Giselle (Act I: Rep. China Peasant variation)

72 TANI, Yoko 17/6 Japan Sleeping Beauty (Act III)

73 AKIYAMA, Tamako 15/6 Japan Sleeping Beauty (Act III) 77 ELLIS, Karin Maria 15/3 U.S.A. Sleeping Beauty (Act III)

78 LI, Ying 16/11 Peoples' Le Corsaire Rep. China

80 MATTINGLY, Jennifer 17/4 U.S.A. Coppelia (Act III)

81 1 HEFT, Tiffany Dawn 17/3 U.S.A. Le Corsaire

87 YOUNG, Leslie Leong 17/9 U.S.A. Giselle (Act I)

88 McCUNE, Margo 17/9 U.S.A. Le Corsaire

95 MOTA, Edwin 18/11 Mexico Don Quixote

96 STIERLE, Edward 16/10 U.S.A. Don Quixote

97 ANDERSON, Christopher 18/8 U.S.A. Sleeping Beauty (Act III)

98 PAN, Jiabin 17/5 Peoples' Giselle (Act I: Rep. China Peasant Variation)

99 NEAL, Philip H. 16/11 U.S.A. Don Quixote

100 XU, Gang 17/4 - Peoples' Giselle Rep. China (Prince Albrecht) Prix de Lausanne 1985 Lausanne 19.1.85 - 20.1.85 New York 24.1.85 - 17.1.85 How to take part in the Kiaknpm-mibriacTve Prix de Lausanne B flosanckok flpempun

Art. 1 ,garbs H aApec Dates and address

Art. 4 Choice of the category swoop Kareropin4

Art. 6 Conditions for participation YCJ10131,19 y4acTH9

Art. 7 Application Deadline CpoK perfric-rpaumm

Art. 21 Choice of location for MeCTO BblepaHHOe the eliminations p,71 oT6opo4ibix Typos Art. 14 Required documents PeKyMeHTbl, for Lausanne Heo6xo,qmmbie Ansi .11038Hlibi Art. 8, 9 Variations to be prepared BapHaumm, KoTopbie crierwer 110itrOTOBliTb Art. 8 Necessary pianoforte flapTwrypa tn aanHcb, score and recording Ko-ropbie He06x0Ammo npmeeary Art. 23 Requested dressing for 0Aew,qa, -rpe6yemasi Ansi the eliminations OT60e04H6Mrpygos

Art. 12 Dimensions of the stage Pa wept,'

Art. 21 - 27 Schedule of the competition FlpoimAeHHe KoHKypca

Art. 8b, 25, 27, 32 Variation choreographed by .11H9Ha9 xopeorpacOm9 the candidate

Art. 29, 31e, 33 Swiss candidates and the Week1,411161 lel KOHKypC competition

Art. 28 - 32 Awarded Prizes BbiAaeaembie npmabi Indications pour les bandes magnetiques a observer rigoureusement: Die Bandaufnahmen mussen folgende Voraussetzungen erfullen: Tape recordings must be produced strictly in accordance with the following: Tpe6oBaHvm K MBIHMTOCIDOHHOVI neHTe, Koropbie cnegyeT crporo co6nEo,qa-rb:

- bobine de 15 ou 18 cm de diametre, bande magnetique de type professionnel - enregistrement, si possible fait par des professionnels, stereo 2 pistes 19 Cm/s ou mono pleine piste - armorces blanches ou de couleur de 100 cm au debut de la bande et a la fin de la musique - le titre de ('oeuvre avec la reference du disque (marque et numero) et le nom du candidat doivent etre inscrits sur la bobine un enregistrement par bobine - les cassettes ne sont pas autorisees. - Spule mit 15 bis 18 cm Durchmesser, Band guter, professioneller Qualitat; - wenn moglich von Fachleuten gemachte Aufnahme, in Stereo, zweispurig 19 cm/s oder Mono vollspurig; weisse oder farbige Markierung von 100 cm Lange am Anfang des Bandes und am Ende der Musikaufnahme; - Werktitel, Angaben Ober die Schallplatte (Marke und Ref.- Nummer) und der Name des Kandidaten mussen auf der Spule vermekt sein; - eine Aufnahme pro Spule; - Kassetten werden nicht zugelassen.

- diameter of the spool 15 to 18 cm (6 to 7.2 inches) on professional quality tape - 2 track stereo recording 19 cm/s (7 1/2 inches per second) or full track mono recording preferably recorded by professionals - 100 cm (40 inches) of white (or colored) leader must be attached to the beginning and end of the music - the title of the work with reference to the record used (trademark and number) and the name of the candidate must be written on the spool only one recording per spool is allowed - recordings on cassettes are not acceptable.

- npocpeccmoHanbHaR marHwroePoHHaFi neHra OT 15 40 18 CM B Ainametpe, - 3am/cis, no BO3M0>KHOCTVI pone, 6b1Tb npoelpeccaoHanbHofi, 4eyx4o- powe4flian crepeownacb 19 CM /C Hf1H moaownvich Ha op,Hoa 4opo>KKe, - 6enbia vine spell°. pakop4 B 100 CM B HaHane noun,' H B nom, my3bikanbliOr0 OTBbIBKB, - Hawaiian cowHerima C gam-amm o nnacTaHke (cimpma a Homep) H cpa- M14111/19 kaiipmara AOTBKHbl 6bITb o603HaHeHbi Ha neure. - no 0480my COLIVIHBHVIK) Ha neure, - mcnonbwearime KaCCeT He 4onyckaerca.