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Transforming North Staffordshire Overview
Transforming North Staffordshire Overview Prepared for the North Staffordshire Regeneration Partnership March 2008 Contents Foreword by Will Hutton, Chief Executive, The Work Foundation 3 Executive summary 4 1. Introduction 10 1.1 This report 10 1.2 Overview of North Staffordshire – diverse but inter-linked 12 1.3 Why is change so urgent? 17 1.4 Leading change 21 2. Where is North Staffordshire now? 24 2.1 The Ideopolis framework 24 2.2 North Staffordshire’s economy 25 2.3 North Staffordshire’s place and infrastructure 29 2.4 North Staffordshire’s people 35 2.5 North Staffordshire’s leadership 40 2.6 North Staffordshire’s image 45 2.7 Conclusions 48 3. Vision for the future of North Staffordshire and priorities for action 50 3.1 Creating a shared vision 50 3.2 Vision for the future of North Staffordshire 53 3.3 Translating the vision into practice 55 3.4 Ten key priorities in the short and medium term 57 A. Short-term priorities: deliver in next 12 months 59 B. Short and medium-term priorities: some tangible progress in next 12 months 67 C. Medium-term priorities 90 4. Potential scenarios for the future of North Staffordshire 101 4.1 Scenario 1: ‘Policy Off’ 101 4.2 Scenario 2: ‘All Policy’ 102 4.3 Scenario 3: ‘Priority Policy’ 104 4.4 Summary 105 5. Conclusions 106 2 Transforming North Staffordshire – Overview Foreword by Will Hutton, Chief Executive, The Work Foundation North Staffordshire is at a crossroads. Despite the significant economic, social and environmental challenges it faces, it has an opportunity in 2008 to start building on its assets and turning its economy around to become a prosperous, creative and enterprising place to live, work and study. -
PRESS RELEASE New Lease of Life for Burslem School Of
PRESS RELEASE New lease of life for Burslem School of Art Burslem School of Art, in the heart of the Mothertown, will soon be embarking on a new chapter in its illustrious history. From September 2016, 200 students from Haywood Sixth Form Academy will move into the newly refurbished grade II listed building to enjoy purpose-built facilities. A state-of-the-art design enterprise suite will be used for engineering product design and textiles. A specialist photography suite will house its own dark room and Apple Macs to enable students to learn digital photography skills. An ICT ‘window on the world’ room and specialist computing laboratory will provide students with leading-edge computer equipment and there will also be a specialist science lab and language lab. Students will develop their artistic talents in the magnificent art room, with its huge windows and perfect lighting for artwork, following in the footsteps of the Burslem School of Art’s prestigious alumni, including Clarice Cliff, Susie Cooper and William Moorcroft. The Burslem School of Art Trust carried out a refurbishment of the building in 2000 and has developed and delivered many arts events, projects and activities over the past fifteen years, working with diverse communities and artists. Now, Haywood Sixth Form Academy is working closely with the Trust to form a partnership that will build on its fantastic work and secure the future of this beautiful building. Carl Ward, Executive Headteacher, said: “Haywood Sixth Form Academy is becoming as popular as I had hoped when many parents and students asked if we would consider opening, just a few years ago. -
Factory Nights Final Report
New Logo for future publicity of Factory Nights - designed by GLAD Creative currently in the process of finishing the Factory Nights Publication 2011-2012 Factory Nights Final Report 1. Introduction and Summary report 2. Factory Night Evaluators; Culture Partners Executive Summary 3. rednile personal reflections 4.Final Schedule 5. Overview of programme and Unique Commissions 6. Commissioned writing 7. Factory Ideas (365 days of Tweets) 8. Other Press, publicity and feedback 9. Evaluation report from Mumbai research/Peru research 10. Future of Factory nights overview 11. Participation and Audience Figures 12. Participation and Audience Details 1. Introduction and Summary report rednile have successfully delivered 16 Factory Nights, 7 in the North East and 7 in the West Midlands, giving opportunities to 483 artists and creatives of this 31 travelled from outside of the regions with bursaries. All of these Factory Nights have been fully booked with a waiting list and attracted a significant proportion of new artists that have never attended a Factory Night before. We have commissioned 11 unique commissions involving 86 artists including a series of residency at Pitt Project space in Worcester for 6 artists resulting in exhibitions and a giant bill board tour from Worchester to Stoke-on-Trent, 2 weekends of events in Stoke-on-Trent Festival Park including a giant scaffold tower of kitted flowers by artist Ruthie Ford and a 24 hour durational performance by artist David Bethel made into a film. We also carried out two experimental making sessions where artists were invited to respond to the Factory Night on site making work. -
Museum News Brampton Park, Newcastle-Under-Lyme, Staffordshire, ST5 0QP T: 01782 619705 Mon-Sat 10.00-5.30, Sun 2.00-5.30
Museum News Brampton Park, Newcastle-under-Lyme, Staffordshire, ST5 0QP T: 01782 619705 www.newcastle-staffs.gov.uk/museum Mon-Sat 10.00-5.30, Sun 2.00-5.30 Current Exhibitions at a glance. Window 11 May - 30 June Friday 24 May will mark Queen Victoria’s 200th birthday. She was one of our longest serving monarchs, 2nd only to Queen Elizabeth II. Victoria came to the throne in 1837 and despite being only 18 years old and 5 foot tall she certainly made her mark during her 63 year reign! To celebrate 200 years since her birth our Window display area will showcase items from the collection with a ‘Victoria’ theme. Hall Gallery Portrait of a Moment 25th May-14th July Artist Nicola Knight’s exhibition, ‘Portrait of a Moment’, is a collection of oil paintings painted in a traditional style, with dark backgrounds, borrowed from the Dutch masters, depicting a portrait, capturing a scene or a moment in time. Main Gallery Criminal Quilts 25 May- 7 July Criminal Quilts is an art and heritage project inspired by photographs and documents relating to women held in Stafford Prison 1877-1916, created and developed by Ruth Singer in partnership with Staffordshire Record Office. Summer activities Out of This World- Space Race Toys. 20 July-1 September We have lift off! To celebrate the 50th anniversary of the moon landings, this family friendly exhibition, celebrates all things space! A touring exhibition, from Emma Warren Exhibitions, looks at toys from the 60's and 70's, influenced by the space race. -
Wing People and Organisations for Their Generous Support in Many and Varied Ways
Acknowledgments Artcity would like to thank the following people and organisations for their generous support in many and varied ways... Midland Heart, Cooke Rudling, Paul Dale, Rajas Takeaway, Rory Mack Associates Ltd, Urban Spectrum Property Management Limited, Lee Challinor, Sunil Gulshan, Gulshan Property Holdings, Cllr Alan Dutton, Castle Contractors, Richard Redwin, Our Burslem, The Leopard Pub, The Duke William Pub, The Market Cafe, Barewall Art Gallery and Bread in Common Artcity would also like to thank project participants Dan Thompson, Hilary Hughes, Anne Kinnaird and Siobhan Macaleer for delivering professional development sessions. Project artists Sonia Mirza, Sophie Molineaux, Joanna Dawidowska, Jack Stancliffe, Aimee Carter and Himarni Brownsword. Project Curators Martin Gooding, Holly Norcup, Selina Oakes, Rebecca Kremer, Leone Davis and Melodie Forrester. Site Managers Sarah Bonam, Peter Wilshaw, Annette Cartlidge and Ryan Ball. Additional Artists Chris Oldham for taking part in a workshop for Sonia and Melodie, Kidda Kinsey for artwork for the WiN map, Clinton Ball for vinyls in shop windows and Lead Curator Hilary Hughes. Finally Natalie Willatt for photographic documentation, Nicola Winstanley for project evaluation, and all of the volunteers that supported the project on workshop and event days. Project Report by Nicola Winstanley. Photography by Natalie Willatt. December 2018. 2 What is now? What Is Now? (WiN) was devised and led by arts and educational charity BArts as part of a 5 year programme of work by arts development consortium Artcity. Artcity aims to enable artistic activity in redundant spaces across the city of Stoke-on-Trent in an effort to encourage arts graduate retention and urban renewal though the arts. -
Staffordshire – in Maintain Our Focus on the Future Economic a Special Ceremony at the Britannia Stadium on 4 December
Our City p1 15/11/13 12:41 Page 1 Stoke-on-Trent ISSUE 34: WINTER 2013 Our City Grateful pledge to Armed Forces Page eight CITY BUDGET reflects the people’s priorities Page three Our City p2 15/11/13 13:16 Page 1 2 Our City WINTER 2013 Buildings review leads to a creative solution protecting council services By City Council Leader, Councillor MOHAMMED PERVEZ OUR review of the way the city council uses the Council buildings it occupies has generated a positive and more efficient way forward. To support the economy of Stoke town, we are proposing to keep the current Civic Centre building open and relocate staff from other offices. grants We have listened to the concerns of Stoke town traders and residents and have worked hard to address their issues whilst being mindful of the needs of the city as a whole. Under the proposals that I have now double announced, the city council will maintain its presence in all six towns. We will create three universal hubs in Tunstall, the City Centre and Longton and each of these areas will receive significant investment. In the City Centre, the new buildings will honour also become the corporate headquarters for Photograph courtesy of Neal Simpson, Stoke City Football Club. the council and help to kick start the Central Business District and create much needed jobs for you. Additional council service hubs will be Exceptional contributions recognised with Freedom of created in Burslem, Stoke and Fenton. A number of neighbourhood centres across the city will also continue to provide services at a the City for Stoke City and The Queen’s Royal Lancers more local level. -
Education Chaplaincies and Institutions Education Chaplaincies and Institutions
832 EDUCATION CHAPLAINCIES AND INSTITUTIONS EDUCATION CHAPLAINCIES AND INSTITUTIONS CONFERENCE OF CATHOLIC CHAPLAINS IN HIGHER EDUCATION IN ENGLAND AND WALES President London WC1E 6AR Bishop Alan Williams Bishop of Brentwood, Cathedral House, Ingrave National Co-ordinator Road, Bentwood Essex CM15 8AT Mrs Roberta Canning 12, Grange Road, Cambridge CB3 9DU Chair E: [email protected] Sister Una Coogan IBVM Catholic Chaplaincy, Newman House Committee Members Harrisons Road, Edgbaston, Fr Paul Wilkinson Birmingham B15 2TT Howard House, 2 Station Approach, Falmer, Brighton BN1 9SD Secretary Fr Mark Swires Miss Marie Therese Lacey University of Essex Chaplaincy, Wivenhoe Park Liverpool Hope University Colchester, Essex CO4 3SQ The Chaplaincy, Hope University Treasurer For rapid access to details of Catholic chaplains Sister Carolyn Morrison in universities in England and Wales go to Newman House, Gower Street www.catholicsatuniversity.org.uk CATHOLIC CHAPLAINS IN HIGHER EDUCATION Aberystwyth University (Menevia Diocese) Aston University (Birmingham Archdiocese) Catholic Parish of Aberystwyth Fr Raymond Corbett Fr Paul Joseph Martin Luther King Chaplaincy Centre, E: [email protected] Aston Triangle, Aston University, Birmingham B4 7ET Alsager: Manchester Metropolitan T: 0121 204 4277 University (Shrewsbury Diocese) E: [email protected] Fr Tony Grace St Gabriel’s, 140 Lawton Road, Alsager, Bangor University (Wrexham Diocese) Cheshire ST7 2DE Raymond Bayliss T: 01270 872542 Catholic Chaplaincy, Ty Acwin, College Road, E: [email protected] Bangor, Gwynedd LL57 2DB T: 01248 353777 Anglia Ruskin University Cambridge E: [email protected] Campus, (East Anglia Diocese) W: https://facebook.com/ Rosina Abudulai bangor.catholic.chaplaincy Our Lady and English Martyrs Catholic Church, Hills Road, Cambridge CB2 IJR Bath University and Bath Spa University T: 01223 224860 College (Clifton Diocese) E: [email protected] Fr William McLoughlin Osm Mrs A.J. -
Counties Three
Three Counties Open Art Exhibition 2019 Cheshire | Shropshire | Staffordshire 27 July-26 August 2019 Burslem School of Art Image credit: Arthur Berry Prize winner 2018 Russell Gregory ‘Rage at Dusk’ 2 ArtsKeele Visual Art Three Counties Open Art Exhibition 2019 keele.ac.uk/artskeele | Three Keys Dates at Burslem Conditions of Entry School of Art 2019 The competition is open to all artists from Cheshire, Shropshire and Staffordshire. 01782 734340 Counties Receiving days Each artist may enter up to three works. The maximum framed dimension is 48 Prizes Saturday 13-Sunday inches (120cm). Box Office 14 July 10am to 4pm A non-returnable fee of £15 (concessions Arthur Berry Prize £12, students £8), for up to 3 entries inclusive. Cash or cheque only. Cheques £500 to be made payable to Keele University. Notification of selection Entries to be delivered on receiving days Keele University to the Burslem School on Art, Queen Friday 19 July St, Stoke-on-Trent ST6 3EJ along with 1st Prize the entry form. Work must be delivered without packing or wrapping. £300 Entries must be adequately framed Collection of entries not and mirror plated. All other fixings should Keele University selected for the exhibition be removed from frames. Frames will be inspected upon delivery. Clip frames 2nd Prize will not be accepted. The Art Studio, Saturday 20 July The Barracks, Newcastle are offering £150 10am-1pm a special discount of 10% on framing work in the exhibition on production Keele University of this leaflet. Entries must be clearly labelled on the 3rd Prize Preview back with the number, title, full name and address of the artist and the artist’s selling £50 Friday 26 July price (artist’s price plus 35% commission) OR the insurance value if not for sale. -
Cyrano, Northern Broadsides, West Yorkshire Playhouse, Leeds Chris Wallis March 1, 2017
Review: Cyrano, Northern Broadsides, West Yorkshire Playhouse, Leeds Chris Wallis March 1, 2017 Cyrano de Bergerac had a very big nose. So big in fact that Edmund Rostand immortalised it in his 1897 comic masterpiece, written almost 250 years after his eponymous hero’s death. Apart from the nose, and Cyrano’s position as a member of the Cadets (a regiment of noblemen fighting for the King of France), everything else in the story is fiction. Incredibly successful fiction. The play has been translated and seen all over the world, and a number of movies have been based on the story, including Roxanne starring Steve Martin. Northern Broadsides’ new version by Deborah McAndrew is a worthy addition to the canon. Adapted in verse like the original, McAndrew has great fun with rhymes and rhyme schemes, and stays faithful to the structure of the story. It’s a classic Broadsides ensemble show, performed by an accomplished group of actors and musicians, with music composed by theatrical polymath Conrad Nelson, who also directs. The story turns on the idea that Cyrano – an extremely talented man in every respect – considers himself so ugly because of his nose that no woman could ever love him, especially not his cousin Roxanne with whom he is deeply in love. So when Roxanne falls in love at first sight with the beautiful but uneducated yokel Christian, a new recruit to the Cadets, Cyrano volunteers to write his love letters for him. As the billet-doux pour in, Roxanne becomes ever more besotted and matters are further complicated by Cyrano’s commanding officer, the Count de Guiche, who, although married and many years her senior, is pursuing Roxanne with relentless persistence. -
Burslem Conservation Area, Whose Original Boundary Was Designated in October 1972 and the Most Recent Extension to the Boundary Was Made in December 2007
0 1 Contents LIST OF FIGURES & MAPS 3 1. APPRAISAL CONTEXT 4 2. THE STUDY AREA 6 3. HISTORY AND ARCHAEOLOGY 8 4. SPATIAL ANALYSIS AND APPRAISAL OF VIEWS 13 4.1 TOWNSCAPE FORM 14 4.2 USE 24 4.3 VIEWS 24 4.4 OPEN SPACES & PUBLIC REALM 29 5. BUILT FORM 5.1 THE INFLUENCE OF USE PATTERNS AND PATRONAGE 33 5.2 ARCHITECTURAL CHARACTER, MATERIALS, COLOURS AND TEXTURES 33 5.21 Style 33 5.22 Plan, Form and Massing 34 5.23 External Walls and Façade Finishes 35 5.24 Roofs 36 5.25 Windows 37 5.26 Porches 37 5.27 Doors 37 5.28 Enclosure 38 5.29 Shop Fronts 39 5.210 Details and Features 40 5.211 Groundscape and Public Realm 41 5.3 LISTED AND UNLISTED BUILDINGS OF IMPORTANCE 44 5.31 Buildings on the Statutory List 44 5.32 Locally Listed Buildings 45 5.4 TREES, GREEN SPACES, EDGES AND ECOLOGY 48 5.5 DETRACTORS, NEUTRAL AREAS AND GAP SITES 50 – ENHANCEMENT AND DEVELOPMENT OPPORTUNITIES 6. PRESSURES AND THREATS 55 7. SUMMARY OF SPECIAL INTEREST 56 8 . RECOMMENDATIONS AND PROPOSALS 57 9. SOURCES 60 APPENDICES Appendix A: Statutory Listed buildings Appendix B: Locally Listed buildings Appendix C: Article 4 Direction 2 List of Figures FIG 1: Burslem in the City Context FIG 2: Old Yates map FIG 3: Swan Bank Methodist Church (circa 1890-1895) FIG 4: Burslem’s first Town Hall (1843) FIG 5: Historic photo of Burslem Station (1955) FIG 6: Old Town Hall FIG 7: View into Conservation Area on Westport Road FIG 8: View along Moorland Road to the town centre FIG 9: View within the Conservation Area of the Old Town Hall FIG 10: William Clowes Street FIG 11: St John’s -
Lladel Bryant Stephen Collins
Lladel Bryant Dick Wilkins, Topper Lladel appeared in the original production of A Christmas Carol in addition to Nine Lives, The Night Before Christmas, Road and Europe at the Leeds Playhouse. He has just completed a sell-out run of Nine Lives at the Bridge Theatre, London. His screen credits include DCI Banks; Intergalactic for Sky One and the 00’s CBBC cult classic game show The Raven’s Tournament. Lladel has recently embarked on a journey of creative social change. Through his impromptu #freestylemonologues, which he produces and shares on his social media, YouTube and website www.lladelbryant.com, he aims to use his experience as an actor and certified speaker to entertain, educate & empower young people aged 13-18, to strive for greatness in all areas of their lives. Stephen Collins Bob Cratchit Stephen Collins is a London-based actor, workshop facilitator, Lead Artist for DH Ensemble and Associate Artist for 1623 Theatre and Amplified Theatre. He assisted with the direction of Handprint Theatre’s ‘Moonbird’ which won a Broadway World Award for ‘Best Children’s Theatre Production’ at the Edinburgh Fringe. Theatre credits include; Oliver Twist (Leeds Playhouse), A Christmas Carol (Bristol Old Vic); Blasted (RADA/Graeae); Frozen Snow Queen and Scrooge (D-Live! Theatre); Beauty & The Beast (ATT/Unity Theatre); Up N Under (Fingersmiths); Reasons To Be Cheerful UK TOUR, Threepenny Opera, The Iron Man (Graeae/New Wolsey/TRSE); Summit (Fuel Theatre); Fair is Foul, Nodus Tollens (DH Ensemble); Crimplene Crusaders (Vamos Theatre); The Government Inspector (Ramps on the Moon/Birmingham Rep); Love’s Labour’s Lost (Shakespeare’s Globe), Tyrannosaurus Drip and Red Flags (Deafinitely Theatre); Hansel & Gretel (Red Earth); The Winter’s Tale (Taking Flight) Screen credits include; Doctors (BBC); Post Office Holiday Mode Activated (Ogilvy and Family Productions); Smirnoff Commercial (Bold Company); Dawn Of The Deaf (Shadowhouse); 4 (BSLBT); Nonsense (Max Clendaniel); How To Mug A Deaf Person (Greensville); The Paralympic Opening Ceremony (Channel 4). -
The Story of Lidice and Stoke-On-Trent
1 CULTURAL VALUE: EMPATHY, COMPASSION AND UNDERSTANDING The Story of Lidice and Stoke-on-Trent: Towards Deeper Understandings of the Role of Arts and Culture Jackie Reynolds, Janet Hetherington, Ann O’Sullivan, Kelvin Clayton and John Holmes Executive Summary This report details the research activities, findings and outputs from our six month Research Development Award exploring the value of arts and culture in relation to empathy, compassion and understanding. Our research focused on storytelling approaches in the context of exhibitions and community and participatory arts projects. We use as a case study the relationship between Stoke-on-Trent and the village of Lidice in the Czech Republic. Following the destruction of Lidice by the Nazis in 1942, Stoke-on-Trent Doctor and Councillor Barnett Stross launched the ‘Lidice Shall Live’ campaign, rallying local working people to contribute to a fund that eventually contributed to re-building the village after the war. Many people demonstrated tremendous empathy and compassion by donating up to a week’s wages despite the hardships of the time. In recent years, the links between Stoke-on-Trent and Lidice have been refreshed and are explored, expressed and celebrated almost exclusively through arts and culture. Our main research question is therefore why we would choose the medium of arts and culture to link distant geographical communities in ways that foster empathy, compassion and understanding. We held interviews and focus groups with a multi-disciplinary group of academics and with a wide range of artists and creative practitioners to discuss issues of empathy, compassion and understanding, and the value of arts and culture.