Euphemism in Sherlock Serial TV Season 3

Total Page:16

File Type:pdf, Size:1020Kb

Euphemism in Sherlock Serial TV Season 3 Euphemism in Sherlock Serial TV Season 3 A Thesis Submitted to Faculty of Letters and Humanities in Partial Fulfillment of the Requirements for the Degree of Strata One (S1) BY LIYON AKBAR 1110026000066 ENGLISH LETTERS DEPARTMENT FACULTY OF LETTERS AND HUMANITY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2014 ABSTRACT Liyon Akbar, Euphemism in Sherlock Serial TV Season 3. Thesis: English Letters Department, Letters and Humanities Faculty, State Islamic University SyarifHidayatullah, Jakarta, 2014. This research is aimed at findingthe euphemismsused by John and Sherlock in Sherlock serial TV season 3 and explaining their meanings. The analysis of euphemism is conducted by using Rawson’s theory (1981) while the meaning is explained with Leech’s theory (1985) and Hyme’s Theory of context (as cited in Brown 1983). In conducting this research the writer usesqualitative method and descriptive analysis technique for data analysis. The data are collected by watchingall episodes of Sherlock season 3and taking notes of dialogues that might contain euphemismand then compiling them in one word file. After analyzing Sherlock serial TV season 3, the writer found three types of euphemism used by John, they are:indirection (3), abstraction (2), and circumlocution (2); and those euphemisms are classified into three typesof meaning; affective (5), conceptual (2), and social (1).The writer found four types of euphemism used by Sherlock, they are:indirection (4), abstraction (2), circumlocution (1), and borrowing (1); and those euphemisms are classified into three typesof meaning; affective (3), conceptual (3), social (2). i ACKNOWLEDGEMENT First and foremost, the writer would like to thank Allah SWT, the lord of the world for giving him the best guidance, br ightest lights and deepest mercy. The pour of blessing lead him to finish this thesis. Shalawat and salam always devoted to our Prophet Muhammad, peace be upon him, who has guided us from the darkness to enlightenment in theworld. The writer would like to express his gratitude for his advisors, Drs. H. Abdul Hamid, M. Ed. and DhuhaHadiyansyah, M. Hum., who always giveinspirations, encourage ments, critiques, andsincere guidance for him in finishing thet hesis. The writer also would like to takethis opportunity for expressing his deep and since re gratitude and thankfulness to: 1. Prof. Dr. Oman Fathu rahman, M. Hum. , the Dean of Faculty of Letters andHumanities. 2. Drs. Saefuddin, M.Pd., the Head of English Letters Department. 3. ElveOktafiyani, M.Hum., the Secretary of English Letters Department. 4. All the lectures of English Letters Department for their valuable knowledge. 5. H is parents for their limitless support and endless love. 6. His friends for being there. v THE LIST OF TABLES Table 1: List of Types of Meanings… ………………………………………. 24 Table 2: Table of Euphemism………………………………………….......... 62 vi THE LIST OF FIGURES Figure 1: Encoding and Decoding…………………………………………… 18 Figure 2: Example of Collo cative Meaning………………………………….. 22 vii TABLE OF CONTENTS ABSTRACT………………………………………………………………. i APPROVAL SHEET ……………………………………………………... ii LEGALIZATION… ……………………………………………………… iii DECLARATION. ........................................................................................ vi ACKNOWLEDGEMENT ……………………………………………….... v THE LIST OF TABLES .............................................................................. iv THE LIST OF FIGURES ............................................................................ i v i TABLE OF CONTENTS .......................................................... .................. viii CHAPTER I INTRODUCTION. ................. ........ ................................... 1 A. Background of the Study……….. ................................................. 1 B. Focus of the Study…...............................................……… …. .. 6 C. ResearchQ uestion. ..............................................….……… ..…... 6 D. Significance of the Study…...............................................…….. 6 E. Research Methodology…...............................................… .... .. 7 1. The Objectives of Research. ..................... ……………..... 7 2. The Method of Research. .................................................. 7 3. The T echnique of Data Analysis…........................ .......... 8 4. The Instrument o f the Research…......................……….. 9 F. Unit of Analysis. …………………............................................... 9 G. Place and Time….…………................................................…… 9 CHAPTER II THEORETICAL FRAMEWORK…........... ............ ....… 01 A. Previous Research…....................................……………. 0 1 viii B. Euphemism… …....................................….……… ...........…...12 1. Definition of Euphemism. ....................... ............. ............. 12 2. Types of Euphemism…....................... ................... ......…. 14 a. Borrowing... …. ................ ............ ...................….. 14 b. Shortening…….............. ............ ......................….. 15 c. Abstraction…................ ............ ....................……. 15 d. Indirection….............. ............ ......................……. 16 e. Understatement…....... ............ .............................. 16 f. Circumlocutio n... ......... ............ ...........................… 17 C. Theory of Meaning……….. ............. .......... ........................….. 17 1. Semantics….. …........... ............ ........................... .…….... 17 2. Types of Meaning....... ....... ............ ............................…… 18 a. Conceptual Meaning…….............. ................. …. 18 b. Connotative Meaning…....... ............ .........… …. 19 c. SocialM eaning…........... ............ .......................... 02 d. Affective Meaning…................ …..................... 21 e. Reflected Meaning…. .............. ............ .....…..…... 21 f. Collocative Meaning……............ ............ ......… . 22 g. Thematic Meaning.…. ............... ............ ...... ........ 2 D. Context………............. …. ....................................……..…. 24 CHAPTER IIIR ESEARCH FINDINGS……… .... ............................... 6 2 A. Data Description…... ................................ .......... .....… .…...... 26 B. Data Analysis….. .…............................ .......... .........…..……….. 27 CHAPTER IV CONCLUSIONS AND SUGGESTION….............…... 9 4 ix A. Conclusions… …....................................…..………...........…. 49 B. Suggestions…..……. .....................................……... ..........…. 49 BIBLIOGRAPHY….. …...........…..……..……..………..…. ............….... 51 APPENDIX….. …...........…..……..……..……..……..…. ...... .......… ... 53 x CHAPTER I INTRODUCTION A. Background of the Study H umans are social creatures because we cannot live without other humans. That is why it is important for us to maintain our social relationship with other humans. One basic way to socialize and maintain our relation is through language, a very important tool in humans’ life. Language plays a great role in our life, for we cannot live without it. We use language in order to communicate with each other, to give or to get information, to interact with other humans, and also to express thoughts. W hen speaking to other people, we often choose carefully the words that we want to say because sometimes there are certain words, in certain situations that we cannot speak about or taboo. Taboo is “t he prohibition or avoidance in any society of behavior believed to eb harmful to its members in that it would cause them anxiety, embarrassment, or shame.” 1 These words “are not to talk about, not because they cannot be, but because ‘people don’t talk about those things.”2 Then, how do we talk about the things that we are no t supposed to talk about? This is when euphemism takes part . If we imagine taboo words as poison then it is safe to assume that euphemism is their antidote. When taboo words are spoken, it ca n be, as quoted from Wardhaugh before, harmful. However, if we t alk about them in a euphemistic way, their 1 Ronald Wardhaugh, A n Introduction to Sociolinguistics 5th ed. (O xford: Blackwell Publishing, 2006), p. 239 2 Ibid., p. 238 1 2 poisons become ineffective. Euphemism, generally speaking, is the way to talk about things considered taboo in an acceptable way, so we can safely talk about them without being frowned upon by society. In this modern era where we can easily share our thoughts in social media, euphemism becomes more and more important to study. Everything that we tweet on Twitter, and everything that we post in our Facebook page can be accessed by all eyes around the world. Just because we have the rights of free speech, it does not mean we can talk anything we like without having any consequences, instead we need to be extra careful in using our rights of free speech. If we, somehow, write something that some people considered offensive or insulting, they can sue us, and it is not possible that we spent our time in prison “just” because of the things that we write on our personal page on the internet. T he main purpose of euphemism is to soften the taboo expression, but the reason behind its usa ge and its meaning is different depending on context. T his is what makes the analysis of euphemism becomes interesting. For example, when talking to lecturer, students use euphemism not only to avoid using taboo expression but also to prevent triggering anger of the lecturer . eW need to watch our language when talking to people
Recommended publications
  • December 2016: Early Morning Alaskapublic.Org
    schedule available online: December 2016: Early Morning alaskapublic.org 12:00am 12:30am 1:00am 1:30am 2:00am 2:30am 3:00am 3:30am 4:00am 4:30am Emery Antiques Roadshow: Thu 12/1 Inspire Happiness To Catch a Comet Passing On Blagdon Austin, TX (pt. 2) NOVA: Alien Planets Fri 12/2 Masterpiece Mystery! Sherlock - The Reichenbach Fall Masterpiece Mystery! Sherlock - The Empty Hearse Revealed Sat 12/3 Charlie Rose Highwaymen: Live at Nassau Coliseum Santana IV This Old House Hour Highwaymen: Live at Pearl Harbor - USS Washington Charlie Rose Sun 12/4 Eat to Live Katmai Nassau Coliseum (cont.) Oklahoma - The Final Story Week Week Emery Pearl Harbor - Into the Antiques Roadshow: Mon 12/5 Carpenters (cont.) BrainFit: 50 Ways to Grow Your Brain Blagdon Arizona Austin, TX (pt. 2) Antiques Roadshow: Antiques Roadshow: The Greeks: Cavemen to Secrets of Althorp - The Tue 12/6 To Catch a Comet Austin, TX (pt.3) Bismark, ND (pt.1) Kings Spencers Pearl Harbor - USS Pearl Harbor - Into the Frontline: The Secret The Greeks: Cavemen to Antiques Roadshow: Wed 12/7 Oklahoma - The Final Story Arizona History of ISIS Kings Bismark, ND (pt.1) Nature: Love in the Animal NOVA: Bombing Hitler's Antiques Roadshow: Pearl Harbor - USS Pearl Harbor - Into the Thu 12/8 Kingdom Supergun Austin, TX (pt.3) Oklahoma - The Final Story Arizona Sherlock Holmes: The Masterpiece Mystery! Sherlock - a Study in Masterpiece Mystery! Sherlock - The Blind NOVA: Bombing Hitler's Fri 12/9 Resident Patient Pink Banker Supergun Washington Charlie Rose First You Dream: The Music Antiques Roadshow: Sat 12/10 Hitmakers This Old House Hour Week Week of Kander & Ebb Bismark, ND (pt.1) Keeping Up As Time Miss Fisher's Murder Mysteries: Midsomer Murders: Bad Masterpiece Mystery! Sherlock - The Great Bluegrass Sun 12/11 Appearances Goes By Murder in the Dark Tidings (pt.
    [Show full text]
  • Sherlock III Ep3 FINAL Shooting Script
    SHERLOCK III Episode 3 FINAL SHOOTING SCRIPT by STEVEN MOFFAT 09.09.13 EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 1 BLACK SCREEN 1 A voice. Female, refined. LADY SMALLWOOD Mr. Magnussen, please state you full name for the record. MAGNUSSEN Charles Augustus Magnussen. Fading in on ... 2 INT. ENQUIRY ROOM - DAY 2 A government Enquiry. The strip-lit room, the horse-shoe table of MPs, facing the accused. The speaker is Lady Smallwood - fifties, wiry, sharp-eyed. The accused - calmly folded hands on a table top. Next to them, a pair of gold-rimmed spectacles. Magnussen. His voice is soft, reasonable, a Danish accent. LADY SMALLWOOD Mr. Magnussen, how would you describe your influence over the Prime Minister? MAGNUSSEN The British Prime Minster? LADY SMALLWOOD Any of the British Prime Ministers you have known. MAGNUSSEN I never had the slightest influence over any of them. Why would I? Lady Smallwood is consulting some notes. LADY SMALLWOOD I notice you’ve had seven meetings at Downing Street this year. Why? MAGNUSSEN Because I was invited. LADY SMALLWOOD Can you recall the subjects under discussion. MAGNUSSEN Not without being more indiscreet than I believe is appropriate. One of the MPs round the table - Garvie, bullish, self- righteous. (CONTINUED) 1. EPISODE 3 BY STEVEN MOFFAT - FINAL SHOOTING SCRIPT - 09.09.13 2 CONTINUED: 2 GARVIE Do you think it’s right that a newspaper proprietor - a private individual and in fact a foreign national - should have such regular access to our Prime Minister? On Magnussen’s clasped hands.
    [Show full text]
  • The Baker Street Roommates: Friendship, Romance and Sexuality of Sherlock Holmes and John Watson in the Doyle Canon and BBC’S Sherlock
    The Baker street roommates: Friendship, romance and sexuality of Sherlock Holmes and John Watson in the Doyle canon and BBC’s Sherlock. Riku Parviainen 682285A Bachelor’s Seminar and Thesis English Philology Faculty of Humanities University of Oulu Spring 2020 Table of Contents Abstract .......................................... ................................................................................... 1 1. The Meeting ................................................................................................................... 2 1.1 The doctor and the detective ......................................................................................... 3 1.2 The detective’s past ....................................................................................................... 5 1.3 The meeting re-envisioned ....... ................................................................................... 7 2. Bachelor life at Baker street .......................................................................................... 9 2.1 Victorian friendship ...................................................................................................... 9 2.2 Watson: the incompetent partner?................................................................................. 11 2.3 Conflict at Baker street ................................................................................................. 14 3. Romance at Baker street ................................................................................................
    [Show full text]
  • Scuttlebutt from the Spermaceti Press 2014
    Jan 14 #1 Scuttlebutt from the Spermaceti Press Sherlockians (and Holmesians) gathered in New York to celebrate the Great Detective's 160th birthday during the long weekend from Jan. 15 to Jan. 19. The festivities began with the traditional ASH Wednesday dinner sponsored by The Adventuresses of Sherlock Holmes at O'Casey's and continued with the Christopher Morley Walk led by Jim Cox and Dore Nash on Thursday morning, followed by the usual lunch at McSorley's. The Baker Street Irregulars' Distinguished Speaker at the Midtown Executive Club on Thursday evening was James O'Brien, author of THE SCIENTIFIC SHER- LOCK HOLMES: CRACKING THE CASE WITH SCIENCE & FORENSICS (2013); the title of his talk was "Reassessing Holmes the Scientist", and you will be able to read his paper in the next issue of The Baker Street Journal. The William Gillette Luncheon at Moran's was well attended, as always, and the Friends of Bogie's at Baker Street (Paul Singleton, Sarah Montague, and Andrew Joffe) entertained their audience with a tribute to an aged Sherlock Holmes and Dr. Watson. The luncheon also was the occasion for Al Gregory's presentation of the annual Jan Whimsey Award (named in memory of his wife Jan Stauber) honoring the most whimsical piece in The Serpentine Muse last year; the winners (Susan Rice and Mickey Fromkin) received certificates and shared a check for the Canonical sum of $221.17. And Otto Penzler's tradi- tional open house at the Mysterious Bookshop provided the usual opportuni- ties to browse and buy. The Irregulars and their guests gathered for the BSI annual dinner at the Yale Club, where John Linsenmeyer proposed the preprandial first toast to Marilyn Nathan as The Woman.
    [Show full text]
  • Telling the True Story
    Bachelor Thesis Telling The True Story Queerbaiting, representation, and fan resistance in the BBC Sherlock fandom Suzanne Frenk 613191 Algemene Cultuurwetenschappen (Culture Studies) School of Humanities Tilburg University Supervisor: Dr. P. K. Varis Second Reader: Dr. I. E. L. Maly August 18, 2017 Synopsis In this thesis, I follow an online community on Tumblr revolving around a self- proclaimed conspiracy theory called TJLC. This group is part of the broader community of fans of the BBC TV show Sherlock, and is focused on ‘The Johnlock Conspiracy’: the belief that the two main characters of the show, John and Sherlock, are bisexual and gay, respectively, and will ultimately end up as a romantic couple, which would make Sherlock a mainstream TV show with explicit and positive LGBTQIA+ representation. This visibility is especially important to LGBTQIA+ individuals within the TJLC community, who want to see their identities more often and more accurately represented on television. The fact that the creators of Sherlock, as well as several of the actors in the show, are either part of the LGBTQIA+ community themselves or known supporters, works to further strengthen TJLC’ers’ trust in the inevitable unfolding of the story into a romantic plot. The fact that the TJLC community is based on a conspiracy theory not only makes it a remarkable example of fan culture, but has also led to many close readings of the show and its characters – from the textual level to symbolism to the musical score – on a level that can often be seen as close to academic. These pieces of so-called ‘meta’ have led to many predictions about the direction of the show, such as the strong belief that ‘Johnlock’ would become real in season four of the series.
    [Show full text]
  • The Empty Hearse S
    1 EXT. CEMETERY. DAY. 1 A stark black gravestone. Dead flowers wilted round the base, messages scrawled on damp cards. The ink has run. It’s like a shrine. The stone’s a bit grubby but the name in gold letters is unmistakable - SHERLOCK HOLMES A shadow falls across it... JOHN (V.O.) Sherlock!! CUT TO: 2 EXT. BART’S HOSPITAL ROOF. DAY. 2 ...flashback... SHERLOCK, phone in hand, stands on the roof of Bart’s. Below him, PASSERS-BY, a red phone-box, a parked laundry van... SHERLOCK (into phone) It’s a trick, John. Just a magic trick. CUT TO: Behind him, the dead body of JIM still lies, blood pooling around his shattered head. CUT TO: JOHN Stop it! John takes a step into the road. SHERLOCK Don’t! Don’t move. Stay right where you are. Keep your eyes fixed on me. I need you to do this for me. JOHN Do what? SHERLOCK This phone call. It’s my note. That’s what people do, isn’t it? Leave a note? 2. JOHN Leave a note when? SHERLOCK Goodbye, John. JOHN No - ! And Sherlock throws himself from the roof... JOHN (CONT’D) Sherlock!! John rushes across the street - and a CYCLIST slams into him. John’s hurled to the tarmac. The cyclist doesn’t stop. John doesn’t see what happens next... CUT TO: 3 INT. BART’S HOSPITAL. DAY. 3 Two MEN in black fatigues manhandle JIM’s corpse into a lift. Fast, ‘Mission Impossible’ style cuts. CUT TO: CLOSE on a contact lens holder.
    [Show full text]
  • The Sherlock Holmes Paradigm in Contemporary Crime Series
    Echoing the Eccentric Genius – The Sherlock Holmes Paradigm in Contemporary Crime Series Inaugural-Dissertation zur Erlangung der Doktorwürde der Philologischen Fakultät der Albert-Ludwigs-Universität Freiburg i. Br. vorgelegt von Isabell Ewers aus Baden-Baden SS 2020 Erstgutachter/in: Frau Prof. Dr. Barbara Korte Zweitgutachter/in: Frau PD Dr. Nicole Falkenhayner Vorsitzende/r des Promotionsausschusses der Gemeinsamen Kommission der Philologischen und der Philosophischen Fakultät: Prof. Dr. Dietmar Neutatz Datum der Fachprüfung im Promotionsfach: 22.03.2021 Table of contents 0. Introduction 4-10 1. The creation and popularisation of the eccentric genius 1.1. Explaining the continuum of an ambivalent fascination 1.1.1. Eccentrics and geniuses: terminology, parallels and the question of definition 11-12 1.1.2. “Great men” or madmen? The eccentric genius in the eyes of the Victorians 13-21 1.1.3. A new working definition based on family resemblance: ten key features 22-31 1.2. Adapting the paradigm to the small screen 1.2.1. The ‘what’ and the ‘why’: a sociological turn of adaptation studies 32-41 1.2.2. The ‘how’: medium-specific codes and the potential of television series 41-48 2. The Sherlock Holmes stories by Arthur Conan Doyle 2.1. The (integrational) functions of an eccentric genius 2.1.1. The birth and background of the Sherlock Holmes paradigm 49-53 2.1.2. A genius put to use: Holmes’s profession and its attraction for society 53-69 2.1.3. Decadence, domestic life and mental state of a singular and other-worldly (?) genius 69-78 2.2.
    [Show full text]
  • Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World
    University of Dayton eCommons Honors Theses University Honors Program Spring 4-2015 Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World Allison K. Carey University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses Part of the English Language and Literature Commons eCommons Citation Carey, Allison K., "Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World" (2015). Honors Theses. 46. https://ecommons.udayton.edu/uhp_theses/46 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World Honors Thesis Allison K. Carey Department: English Advisor: John P. McCombe, Ph.D. April 2015 Sherlock Holmes and James Moriarty: Victorian Genius in a Millennial World Honors Thesis Allison K. Carey Department: English Advisor: John P. McCombe, Ph.D. April 2015 Abstract In 1887, Sir Arthur Conan Doyle published his first novel regarding the detective Sherlock Holmes. He would go on to publish another three novels and 56 short stories detailing the great detective’s endeavors. Today, 128 years later, Conan Doyle’s Sherlock Holmes is as popular, as relevant, and as alive as ever. Adaptations continue to be made and achieve success, including the BBC’s mini-series, Sherlock. This modern adaptation and its interpretation of Conan Doyle’s characters, novels, stories, plots, and themes allow for a unique combination of Victorian and Modern England.
    [Show full text]
  • Sherlock to Premiere on MASTERPIECE on PBS on January 19, 2014 Benedict Cumberbatch and Martin Freeman Return in Highly Anticipated Season 3
    The Game is On! Sherlock to Premiere on MASTERPIECE ON PBS on January 19, 2014 Benedict Cumberbatch and Martin Freeman Return in Highly Anticipated Season 3 Boston, MA, October 23, 2013—A date has been set for the return of one of television’s most eagerly anticipated shows: Sherlock Season 3 will premiere on MASTERPIECE on PBS on Sunday, January 19, 2014 at 10pm, following the 9pm broadcast of Downton Abbey. Benedict Cumberbatch (The Fifth Estate, Star Trek Into Darkness) and Martin Freeman (The Hobbit, The Office UK) return as Sherlock Holmes and John Watson in three new 90-minute episodes of the contemporary reinvention of the Sir Arthur Conan Doyle classic, created by Steven Moffat (Doctor Who) and Mark Gatiss. “The genius Sherlock team has done it again,” says MASTERPIECE executive producer Rebecca Eaton. “These new episodes are as wildly-imaginative and brilliantly-produced as all the others. These people are GOOD!” Nearly 11 million viewers tuned into the second season of Sherlock, which ended with one of the most shocking cliffhangers in television history. Fans flocked to the internet to speculate about Sherlock’s “demise,” and express their eagerness to find out what happens next. “We love that Sherlock fans are so passionate and eager to see Season 3,” says PBS Chief Programming Executive and General Manager of General Audience Programming Beth Hoppe. “The pairing of Downton Abbey and Sherlock in January offers a blockbuster night of British drama only on PBS stations.” "We are hugely excited about this next series of Sherlock, and have worked closely with our partners, MASTERPIECE and PBS, to bring these episodes to U.S.
    [Show full text]
  • Sherlock Holmes Films
    Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led to stories or 4 novels) many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 1-25-2016 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co.
    [Show full text]
  • Calender December.Indd
    Primetime Highlights December 2016 *New Programs in Red Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 7:00 Andre Rieu: 7:00 Washington Week 6:30 Carpenters: Close Waltzing Forever with Gwen Ifill to You & Christmas 7:30 Insight with John Memories (My 8:30 Il Volo Notte Ferrugia Special “The Magica Cost of Homelessness” Music Presents) 10:00 Eat to Live with a 8:30 Rock, Rhythm & 8:00 Charlie Rose: The Doo Wop Joel Fuhrman, MD Week 10:30 The Last Waltz 8:30 Arts District a 9:00 Lang Lang’s New York Rhapsody 10:30 The Highwaymen Live at Nassau Coliseum 4 5 6 7 8 9 10 7:00 Ed Sullivan’s Rock 7:00 Blue Suede Shoes: 7:00 Carpenters: 7:00 Magic Moments 7:00 Best of Rocky 7:00 Washington Week 7:00 Best of Rocky and Roll Classics A Rockabilly Close to You - The Best of 50s Mountain PBS with Gwen Ifill Mountain PBS Session with - The 60s (My & Christmas Pop (My Music 7:30 Looking Over Music) Carl Perkins and Memories (My #102) Friends Jordan: African 9:00 Santana IV Music Presents) 9:00 Motown 25 (My Americans and the 10:30 Dr. Ruth’s Revving 8:30 The Highwaymen 9:00 Suze Orman: Music Presents) War Up Your Romance Live at Nassau Financial 11:00 Brain Fit: 50 Ways Coliseum 8:00 Charlie Rose - The Solutions for You to Grow Your Week 10:00 Eat Fat Get Thin 11:00 Eat to Live with Brain with Daniel 8:30 Arts District a with Dr.
    [Show full text]
  • Sarah Davies 1St Assistant Director
    Sarah Davies 1st Assistant Director Credits include: HIS DARK MATERIALS Director: Harry Wootliff Fantasy Adventure Drama Series Series Producer: Nick Pitt Featuring: Dafne Keen, Amir Wilson, Adewale Akinnuoye-Agbaje Production Co: Bad Wolf / HBO / BBC One THE RISING Director: Ed Lilly Supernatural Crime Drama Series Producer: Julian Stevens Featuring: Clara Rugaard, Matthew McNulty, Daniel Ings Production Co: SKY Studios / NOW TV / Sky One WAR OF THE WORLDS Director: Richard Clark Mystery Sci-Fi Drama Series Producer: Adam Knopf Featuring: Gabriel Byrne, Elizabeth McGovern, Daisy Edgar-Jones Production Co: Urban Myth Films / Canal+ / FX INTERGALACTIC Director: Rebecca Johnson Sci-Fi Thriller Drama Series Producer: Bryony Arnold Featuring: Eleanor Tomlinson, Parminder Nagra, Savannah Steyn Production Co: Tiger Aspect / Moonage Pictures / Sky One LITTLE BIRDS Director: Stacie Passon 1950’s Drama Producer: Ruth McCance Featuring: Juno Temple, Amy Landecker, David Costabile Production Co: Warp Films / Sky Atlantic THE ABC MURDERS Director: Alex Gabassi 1930’s Mystery Crime Thriller Producer: Farah Abushwesha Agatha Christie adaptation Featuring: John Malkovich, Rupert Grint, Shirley Henderson Production Co: Mammoth Screen / ACP / Amazon / BBC One DOCTOR WHO Production Co: BBC One Sci-Fi Adventure Drama Producer: Nikki Wilson THE WOMAN WHO FELL TO EARTH, DEMONS OF THE PUNJAB Director: Jamie Childs Featuring: Jodie Whittaker, Bradley Walsh, Mandip Gill WORLD ENOUGH AND TIME Director: Rachel Talalay Featuring: Peter Capaldi, Matt Lucas, Michelle
    [Show full text]