Alvin Ailey American Dance Theater
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Donald Mckayle's Life in Dance
ey rn u In Jo Donald f McKayle’s i nite Life in Dance An exhibit in the Muriel Ansley Reynolds Gallery UC Irvine Main Library May - September 1998 Checklist prepared by Laura Clark Brown The UCI Libraries Irvine, California 1998 ey rn u In Jo Donald f i nite McKayle’s Life in Dance Donald McKayle, performer, teacher and choreographer. His dances em- body the deeply-felt passions of a true master. Rooted in the American experience, he has choreographed a body of work imbued with radiant optimism and poignancy. His appreciation of human wit and heroism in the face of pain and loss, and his faith in redemptive powers of love endow his dances with their originality and dramatic power. Donald McKayle has created a repertory of American dance that instructs the heart. -Inscription on Samuel H. Scripps/American Dance Festival Award orld-renowned choreographer and UCI Professor of Dance Donald McKayle received the prestigious Samuel H. Scripps/American Dance Festival WAward, “established to honor the great choreographers who have dedicated their lives and talent to the creation of our modern dance heritage,” in 1992. The “Sammy” was awarded to McKayle for a lifetime of performing, teaching and creating American modern dance, an “infinite journey” of both creativity and teaching. Infinite Journey is the title of a concert dance piece McKayle created in 1991 to honor the life of a former student; the title also befits McKayle’s own life. McKayle began his career in New York City, initially studying dance with the New Dance Group and later dancing professionally for noted choreographers such as Merce Cunningham, Martha Graham, Sophie Maslow, and Anna Sokolow. -
Finding Aid to the Historymakers ® Video Oral History with Arthur Mitchell
Finding Aid to The HistoryMakers ® Video Oral History with Arthur Mitchell Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Mitchell, Arthur, 1934-2018 Title: The HistoryMakers® Video Oral History Interview with Arthur Mitchell, Dates: October 5, 2016 Bulk Dates: 2016 Physical 9 uncompressed MOV digital video files (4:21:20). Description: Abstract: Dancer, choreographer, and artistic director Arthur Mitchell (1934 - 2018 ) was a principal dancer for the New York City Ballet for fifteen years. In 1969, he co-founded the Dance Theatre of Harlem, the first African American classical ballet company and school. Mitchell was interviewed by The HistoryMakers® on October 5, 2016, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_034 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Dancer, choreographer and artistic director Arthur Mitchell was born on March 27, 1934 in Harlem, New York to Arthur Mitchell, Sr. and Willie Hearns Mitchell. He attended the High School of Performing Arts in Manhattan. In addition to academics, Mitchell was a member of the New Dance Group, the Choreographers Workshop, Donald McKayle and Company, and High School of Performing Arts’ Repertory Dance Company. After graduating from high school in 1952, Mitchell received scholarships to attend the Dunham School and the School of American received scholarships to attend the Dunham School and the School of American Ballet. In 1954, Mitchell danced on Broadway in House of Flowers with Geoffrey Holder, Louis Johnson, Donald McKayle, Alvin Ailey and Pearl Bailey. -
October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
Dance Theatre of Harlem
François Rousseau François DANCE THEATRE OF HARLEM Founders Arthur Mitchell and Karel Shook Artistic Director Virginia Johnson Executive Director Anna Glass Ballet Master Kellye A. Saunders Interim General Manager Melinda Bloom Dance Artists Lindsey Croop, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher Charles McDaniel, Anthony Santos, Dylan Santos, Anthony V. Spaulding II Artistic Director Emeritus Arthur Mitchell PROGRAM There will be two intermissions. Friday, March 1 @ 8 PM Saturday, March 2 @ 2 PM Saturday, March 2 @ 8 PM Zellerbach Theatre The 18/19 dance series is presented by Annenberg Center Live and NextMove Dance. Support for Dance Theatre of Harlem’s 2018/2019 professional Company and National Tour activities made possible in part by: Anonymous; The Arnhold Foundation; Bloomberg Philanthropies; The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England Foundation for the Arts, National Dance Project; Tatiana Piankova Foundation; May and Samuel Rudin -
Alvin Ailey American Dance Theater
DANCE ALVIN AILEY AMERICAN DANCE THEATER Gaillard Municipal Auditorium May 25 at 7:00pm; May 26 at 8:00pm; May 27 at 2:00pm Founder Alvin Ailey Artistic Director Emerita Judith Jamison Artistic Director Robert Battle Associate Artistic Director Masazumi Chaya Company Members Guillermo Asca Yannick Lebrun Kirven James Boyd Alicia Graf Mack Hope Boykin Michael Francis McBride Sean A. Carmon Rachael McLaren Sarah Daley Aisha Mitchell Ghrai DeVore Akua Noni Parker Antonio Douthit Briana Reed Belen Estrada Samuel Lee Roberts Renaldo Gardner Renee Robinson Vernard J. Gilmore Kelly Robotham Jacqueline Green Kanji Segawa Daniel Harder Glenn Allen Sims Demetia Hopkins Linda Celeste Sims Michael Jackson, Jr. Jermaine Terry Megan Jakel Marcus Jarrell Willis Guest Artist Matthew Rushing Executive Director Sharon Gersten Luckman The 2012 Dance Series is presented by BlueCross BlueShield of South Carolina. Additional support for the 2012 Dance Series is provided by The Harkness Foundation for Dance. Major funding for Alvin Ailey American Dance Theater is provided by the New York State Council on the Arts, the New York City Department of Cultural Affairs, American Express, Bank of America, Bristol-Myers Squibb, Diageo, FedEx Corporation, Ford Foundation, The Hearst Foundations, J.P. Morgan, Prudential Financial, Inc., The Shubert Foundation, The Starr Foundation, Target, and Wells Fargo. Toyota Motor Sales U.S.A., Inc. is the Official Vehicle Partner of Alvin Ailey American Dance Theater. 36 DANCE ALVIN AILEY AMERICAN DANCE THEATER PROGRAM A May 25 at 7:00pm ARDEN COURT (1981) Choreography by Paul Taylor Music by William Boyce Restaged by Cathy McCann Buck Set and costumes by Gene Moore Lighting by Jennifer Tipton First performed by the Paul Taylor Dance Company in 1981 Dancers Linda Celeste Sims, Glenn Allen Sims, Antonio Douthit, Kirven James Boyd, Rachael McLaren, Alicia Graf Mack, Michael Francis McBride, Samuel Lee Roberts, Jermaine Terry Generous support for this Company premiere was provided by Harlan B. -
Glen Tetley: Contributions to the Development of Modern
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. owner.Further reproductionFurther reproduction prohibited without prohibited permission. without permission. GLEN TETLEY: CONTRIBUTIONS TO THE DEVELOPMENT OF MODERN DANCE IN EUROPE 1962-1983 by Alyson R. Brokenshire submitted to the Faculty of the College of Arts and Sciences Of American University In Partial Fulfillment of The Requirements for the Degree Of Masters of Arts In Dance Dr. -
Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England -
A Conversation with Louis Johnson
Fall 2018 Ballet Review From the Fall 2018 issue of Ballet Review A Conversation with Louis Johnson © 2018 Dance Research Foundation, Inc. 4 David Vaughan (1924-2017) 6 Boston – Jeffrey Gantz 8 Miami – Michael Langlois 9 Sergei Vikharev – Joel Lobenthal 10 Boston – Jeffrey Gantz 12 London – Gerald Dowler 15 San Francisco – Rachel Howard 17 New York – Karen Greenspan 19 Miami – Michael Langlois 20 New York – Nancy G. Heller 23 London – Gerald Dowler 98 25 Miami – Michael Langlois 26 New York – Susanna Sloat 28 Sarasota – Jay Rogoff 29 Paris – Vincent Le Baron Ballet Review 46.3 Fall 2018 Dawn Lille A Conversation with Louis Johnson Editor and Designer: Marvin Hoshino Gary Smith Managing Editor: 39 A Conversation with Roberta Hellman Tamas Detrich Senior Editor: 56 Don Daniels Joseph Houseal 42 A Conversation with Associate Editors: Preeti Vasuvedan Joel Lobenthal Larry Kaplan Rachel Howard Alice Helpern 46 The Future Unbound Webmaster: David S. Weiss Karen Greenspan Copy Editor: 51 A Day in the Life of Nrityagram Naomi Mindlin Susanna Sloat Photographers: 42 56 Taylor 2018 Tom Brazil Costas Joel Lobenthal Associates: 67 Robert Barnett Stages Serenade Peter Anastos Robert Greskovic Harris Green George Jackson 70 Romeo + Juliet Elizabeth Kendall Paul Parish Michael Langlois Nancy Reynolds 74 A Conversation with James Sutton Simone Messmer Edward Willinger 8 Sarah C. Woodcock 87 London Reporter – Louise Levene 94 Music on Disc – George Dorris 98 Check It Out Cover photograph by Alexander Iziliaev , Miami City Ballet: Simone Messmer and Renan Cerdeiro in Other Dances. Louis Johnson at the School of American Ballet. (Photo: courtesy of Louis Johnson) 32 ballet review A Conversation with me because I would always dance around, even as an acrobat. -
Martha Graham Dance Company
2 BROOKLYN ACAOEMY OF MUSIC OCTOBER 1970 BROOKLYN ACADEMY OF MUSIC I OCTOBER 1970 I 3 Brooklyn Festival of Dance 1970-71 The Brooklyn Academy of Music in cooperation with The Martha Graham Center of Contemporary Dance, Inc. presents the Martha Graham Dance Company By arrangement with H aro ld Shaw Bertram R oss Helen McGehee Mary Hinkson Matt Turney Richard Gain R obert Powell Richard Kuch Patricia Birch Takako A sakawa Phyllis Gutelfus Moss Cohen Diane Gray Judith Hogan Judith Leifer Yuriko Kimura Dawn Suzuki David Hatch Walker Lar Roberson and GUEST ARTLSTS Jane Dudley Jean Erdman Pearl Lang C onducto r : Eugene Lester Associate C onductor: Stanl ey Sussman Settings: l amu Noguchi , Arch Lauterer, Philip Stapp Lighting: Jean Ro entha l and William H. Batchelder Rehearsal Directo r : Patricia Birch C ompany Co-Director: Bertram Ross Production Ma nager : Willia m H. Batchelder Costume Supervision : Ursul a Reed Produced by LeRoy Leatherman The per for m a m:e~ o f the M artha Graham Dance Company at the Brooklyn Academy or Mu~ic are made p os~io l e by g r a nt ~ fro m the ation at Endowment l or the A rt , the Lila Acheson Wallace f-und, The Ford F oundation, the ew York State Council on the A rts and individual donor~ . Baldwin is the official piano o f the B rooklyn Academy o f 1\ t usic. The un a uth o ri .~:e d use of cam er a or recording equipment is ~trict l y prohibited duri ng perform.mce~ . -
Paul Taylor Dance Company WEDNESDAY EVENING, MARCH 8, 1989, at 8:00 POWER CENTER for the PERFORMING ARTS ANN ARBOR, MICHIGAN
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Paul Taylor Dance Company WEDNESDAY EVENING, MARCH 8, 1989, AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN ELIE CHAIB CHRISTOPHER GILLIS CATHY McCANN KARLA WOLFANGLE KATE JOHNSON RAEGAN WOOD SANDRA STONE MARY COCHRAN JOAO MAURICIO JEFF WADLINGTON CONSTANCE DINAPOLI FRANCIE HUBER JOSEPH BOWIE HERNANDO CORTEZ MANUEL RODRIGUEZ DONALD YORK, Musical Director JENNIFER TIPTON, Lighting Designer ROBERT YESSELMAN, Executive Director PROGRAM BRANDENBURGS Music by J. S. Bach Brandenburg Concertos Nos. 6 (movements 1 and 2) and 3 Choreography by Paul Taylor Costumes by George Tacet Lighting by Jennifer Tipton (First performed in 1988; Ann Arbor premiere, 1989) Christopher Gillis Cathy McCann Kate Johnson Mary Cochran Joao Mauricio Jeff Wadlington Joseph Bowie Hernando Cortez Manuel Rodriguez Production made possible in part by contributions from the National Endowment for the Arts, the Reader's Digest Dance and Theatre Program established by the Wallace Funds, the Andrew W. Mellon Foundation, and the Ida and William Rosenthal Foundation, Inc. Ten-minute Intermission The Taylor Company's master classes on Monday and concerts on Tuesday and Wednesday comprise a dance residency supported in part by Arts Midwest's members and friends, in partnership with the National Endowment for the Arts. Cameras and recording devices are not allowed in the auditorium. Thirty-third Concert of the 110th Season Eighteenth Annual Choice Series DUST Music by Francis Poulenc Concert Champetre Choreography by Paul Taylor Set and Costumes by Gene Moore Lighting by Jennifer Tipton (First performed in 1977; Ann Arbor premiere, 1989) Cathy McCann Karla Wolfangle Raegan Wood Sandra Stone Joao Mauricio Jeff Wadlington Constance Dinapoli Francie Huber Joseph Bowie Production made possible in par! by contributions from the National Endowment for the Arts and the Andrew W. -
Ailey II: the Next Generation of Dance Troy Powell, Artistic Director
Appalachian State University’s Office of Arts and Cultural Programs presents APPlause! K-12 Performing Arts Series Thursday, October 26, 2017 Ailey II: The Next Generation of Dance Troy Powell, Artistic Director Jessica Amber Pinkett, Photo by Kyle Froman School Bus As an integral part of the Performing Arts Series, APPlause! matinées offer a variety of performances at venues across the Appalachian State University campus that feature university-based artists as well as local, regional and world-renowned professional artists. These affordable performances offer access to a wide variety of art disciplines for K-12 students. The series also offers the opportunity for students from the Reich College of Education to view a field trip in action without having to leave campus. Among the 2017-2018 series performers, you will find those who will also be featured in the Performing Arts Series along with professional artists chosen specifically for our student audience as well as performances by campus groups. Before the performance... Familiarize your students with what it means to be a great audience member by introducing these theatre etiquette basics: • Arrive early enough to find your seats and settle in before the show begins (20-30 minutes). • Remember to turn your electronic devices OFF so they do not disturb the performers or other audience members. • Remember to sit appropriately and to stay quiet so that the audience members around you can enjoy the show too. PLEASE NOTE: *THIS EVENT IS SCHEDULED TO LAST APPROX 60 MINUTES. 10:00am – 11:00am • Audience members arriving by car should plan to park in the Rivers Street Parking Deck.