They Came to Nashville Online
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Contemporary Folk Week, July 24-30, 2016
36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways. -
Radio Margaritaville
CCVolumeOO22 No. 3CCSummeOOr 2006 NNUUTT TTEELLEEGGRRAAPPHH www.margaritaville.com Photo: Gr eg Dumas NewNew Orleans Orleans JazzJazz && HeritageHeritage FestivalFestival 20062006 The New Orleans Jazz & Heritage Festival was envisioned as a cultural event thatwould have popularappeal in and out ofThe Crescent City.It called fora large daytime fairwith multiple performers from varied musical backgrounds,food booths ofLouisiana cuisine,and arts and crafts booths,along with an evening concert series.Less than 400 people attended the firstJazz Fest in April of1970,and theywere entertained byMahalia Jackson,Duke Ellington,Pete Fountain,Al Hirt,The Preservation Hall Band,and manyothers. Jazz impresario George Wein opened the festival noting that,“The New Orleans Jazz & Heritage Festival repre- sents a new and exciting idea in festival presentation.This festival could onlybe held in New Orleans because here and here alone is the richest musical heritage in America.”In 2001,the Festival celebrated Louis Armstrong’s centennial,and the total attendance eclipsed 650,000,shattering records forvirtuallyeveryday ofthe Heritage Fair,including the all-time single-dayattendance record of160,000.Wein’s prediction that New Orleans would become the first cityofjazz festivals had clearlycome true. Jimmyhas appeared atJazz Fest manytimes overthe years,joining ZacharyRichard,LennyKravitz,the Neville Brothers,Lyle Lovett and countless others in scheduled and impromptu appearances.In an A&E In Concert Series,Jimmynoted that,“I came here in 1966 the first time -
Join Homegrown American Roots Band Mandolin Orange in Celebration of 20 Years of Yep Roc Records, Thursday, March 8, at 9 PM. C
03/2018 Lara Downes: Sounds like America • GIRL Power! • Trust Me, I’m a Doctor Join homegrown American roots band Mandolin Orange in celebration of 20 years of Yep Roc Records, Thursday, March 8, Morgan Wootten: at 9 PM. Catch more exciting, The Godfather of Basketball new shows during UNC-TV’s premieres Sunday, March 11, at 9 AM. Spring Fundraiser, March 3–18! aboutUNC-TV CenterPiece is the monthly program guide of UNC-TV, North Carolina’s public media network and broadcast service licensed to the University We Are Listening To You! of North Carolina. Contributions are tax deduct- ible to the extent permitted by law. UNC-TV’s central offices and studios are housed in the Members like you enable us to bring new ideas, Joseph and Kathleen Bryan Communications discoveries and perspectives to our communities. Center in Research Triangle Park. Thanks to your support, we serve millions of viewers each month through our four broadcast channels, and 10 UNC-TV Drive PO Box 14900 provide thousands of programs for on-demand viewing Research Triangle Park, NC 27709-4900 with UNC-TV Passport. 1-919-549-7000 or 1-800-906-5050 UNC-TV network stations are: We appreciate that you turn to UNC-TV for many Asheville WUNF-TV Canton/Waynesville WUNW-TV reasons. So, when you see this envelope in your Chapel Hill/Raleigh/Durham WUNC-TV mailbox, please let us know which programs you Charlotte/Concord WUNG-TV Edenton/Columbia WUND-TV enjoy most by completing our 2018 Member Survey. Greenville WUNK-TV Then, please help keep those programs on the air Jacksonville WUNM-TV with your tax-deductible gift today. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Iconic Mountain Lion
INSIDE >>> George L. Mountainlion 2013 Desert Gala Cool Saturday Nights & more ASDM NEWS A newsletter for friends of the Arizona-Sonora Desert Museum ASDM NEWS > JULY - AUGUST - SEPTEMBER 2013 the Iconic Mountain Lion By Peggy Pickering Larson, History Archives Project/Library Coordinator The fi rst George L. Mountainlion pictured in his cage in the early days of the Museum. A com- munity fundraising effort to “Uncage Our Cats” in which school children fi lled milk cartons with coins, allowed construction of natural habitats known as Cat Canyon. Th e Des- ert Museum achieved international acclaim and changed zoo exhibits forever by creating homes for George and the other cats. Th e two aging mountain lion siblings recently retired from exhibit are housed in “assisted living” quarters to assure their comfort and quality of life. 1176033_ASDM_July_NL1.indd76033_ASDM_July_NL1.indd 1 66/25/13/25/13 99:51:51 AMAM the Iconic Mountain Lion ...continued from front cover “Th e animals are ambassadors for their them were called to assist in recovering a “You know it’s so easy to please human kind in the world of humans and the Des- frightened ringtail aft er she bolted from beings. All the things I do in my enclosure ert Museum is their embassy,” stated Bill the set to the high beams of the TV studio like turning somersaults, chasing my tail Carr, co-founder and fi rst director of the while fi lming of the Museum’s program and standing up and jumping, I’d do any- Desert Museum. He might well have add- was in progress. -
Biography: Marshall Chapman
BIOGRAPHY: MARSHALL CHAPMAN SINGER, SONGWRITER, AND OUTLAW For five decades, Marshall Chapman has been an accomplished singer, songwriter, published author, and actor. Although her name isn’t as well known as others in the Outlaw era, she played an important role in the 1970s movement. Martha Marshall Chapman II — named after her paternal grandmother — was born on January 7, 1949, in Spartanburg, South Carolina, and she was always called Marshall. Chapman’s father was a wealthy textile-mill owner and her mother was active in local politics. When she was seven, she attended an Elvis Presley concert, and she became an instant fan of rock & roll. By high school, she was performing on the guitar. In 1967, she enrolled in Nashville’s Vanderbilt University at the urging of family friend Walter Forbes, a former RCA recording artist. At the songwriter Danny Flowers suggested she would be time, Chapman thought the Nashville music scene stuck singing other people’s songs unless she wrote was mostly made up of the traditional sounds her own, she picked up pencil and paper. of the Grand Ole Opry. But Forbes changed In 1976, she formed her own band and performed Chapman’s mind when he introduced her to such mostly her own songs. Her energy-packed shows Outlaw trailblazers as producer “Cowboy” Jack attracted a solo contract with CBS Records, which Clement and songwriter Kris Kristofferson. was in search of country acts with an Outlaw By the time she graduated in 1971, she had sound. joined a community of Outlaw artists who were Over the years, her thirteen albums have earned trying to make a living in the city. -
Song Link Tips Service
SongLink is one of the most acclaimed and widely-used tipsheets for music publishers and songwriters around the world, providing up-to-date and accurate "who's looking" leads and information to its hundreds of satisfied subscribers, many of whom have successfully placed songs and made valuable industry contacts through the London and LA-based service. Edited and published by music business veteran David Stark since 1993, SongLink's subscribers include all the major music publishers, independent companies, professional songwriters (including many top names) along with selected unsigned writers, who must meet certain standards in order to subscribe. SongLink provides listings on artists in all styles of music, including Pop, Rock, R&B, Dance, Soul, Country, Blues, Jazz and Crossover etc, whatever is required. Our leads are sent out by mail and/or email each month, along with interim updates, and provide the essential information needed to pitch songs, including details about the act and their style of music, links to their website or Myspace, plus - most importantly - direct contact details for their manager, A&R person or producer who has placed the lead. There are also listings for co-writers, masters and licensing deals wanted, plus upcoming events and other items of interest. Apart from the subscription fees, there are no extra charges for pitching songs through SongLink. However, in order to subscribe to the service, unsigned writers or new publishers must first supply at least 2 sample demos of their work for subscription approval. Writing or co-writing cover songs is a highly competitive and specialized business, and SongLink is not a service for writers with non-suitable material or sub- standard demos. -
Issue 157 Gold Dependent on PD Background? a Funny Thing Happened on the Way to Checking out the Top 100 Most-Played Country Radio Power Gold
September 8, 2009 Issue 157 Gold Dependent On PD Background? A funny thing happened on the way to checking out the Top 100 most-played Country radio Power Gold. I ran the PG list as normal, using Mediabase 24/7 for all CA/Mediabase reporting stations for the two-week period Aug. 23-Sept. 5, 2009. I figure with the start of the fall book just a couple weeks away, it’s a great time to make sure your Power Gold list is polished to a high gloss. After running that list, which appears on Page 6 of this CA Weekly, I decided to run the PG list using the Mediabase 24/7 Custom Report tool for both the “Country PD” and the “Pop- Parr None: KKGO/Los Angeles morning host Shawn Parr served as the background Country PD” filter I’ve run in the past. voice of the Jerry Lewis MDA telethon this past weekend (9/6-7), rubbing Background: In the April 13 CA Weekly (see elbows with everyone from Charro (l) to Wynonna (r). CountryAircheck.com, archives), we ran a comparison of the current music lists from the two sets of programmers. Taylor Turns 10 The “Country PD” list consists of 20 veteran Country radio According to Big Machine, Taylor Swift’s programmers. The “Pop PD” group is 18 current Country radio worldwide album sales have surpassed 10 million programmers who have come to the format for the first time in units, and she’s sold an additional 20 million paid the last year or so. song downloads. -
· .. T~Ik~S:•·~•I•
J)'/1.\ \'/1.(f WESTWOOD ONE ENTERTAINMENT 9540 Washington Boulevard • Culver City, California 90232-2689 • (310/ 204-5000 *** Disc One *** Open Bbds.: Lysol. Seg 1. - .10~46 Track 1 ··· •. Content: #20. Butterfly / Mariah Carey #19. Eyes Of Blue / Paul Carrack Commercials: :30 CBS Corporate :30 Shell/Quick :30 Sudafed Sinus -- Trojan PSA Outcue: " ... over 80 years." Local Break 1 :30 I Content: #18. Sand And Water/ Beth Nielsen Chapman Seg 2 - 14:37. · EXT. Take My Breath Away/ Berlin Track 2 · #17. Back To You / Bryan Adams Commercials: :30 Nabisco Air Crisp :30 Nyquil :30 Hershey's Kit-Kat :30 Lysol Outcue: " ... word on it." ~al. Break 1 :00 I Content: FMR#1. Downtown Train / Rod Stewart Seg 3 - 10:38. Track3 ·.· ·· · · ·· #16. Oh How The Years Go By/ Vanessa Williams Commercials: :30 Jergens Biore :~O Hershey's Kit Kat :30 Alka Seltzer Plus -- Rolling Stones Promo Outcue: " ... all usual outlets." Local Break 1 :30 I Content: #15. Tell Him / B.Streisand & C.Dion Seg 4 - 1 :3:36 Track.4 · R&D. I'll Be There / Escape Club Commercials: :30 Radio Shack/Accessories :30 Hershey's Tastetations :30 Comtrex :30 Diet System 6 Outcue: " ... stores everywhere." Local Break 1 :00 I Content: #14. Take A Little Time/ Amy Grant 1 Outcue: Jingle into music bed for local ID ·S •••··············· .· .. t~ik~s:•·· ~•i• Insert local ID over :06 jingle bed J)YI.\ '11.(f WESTWOOD ONE ENTERTAINMENT 9540 Washington Boulevard • Culver City, California 90232-2689 • /310/ 204-5000 .·.... .. ... •.•.•· : C.as~y's Countd9wn • .$~;~YI #=$8~9~ for)Jroc1:~cas(the ¥.'ee~en.d of Ji311LJilry J 7/18, 1998 Content: #13. -
An Open Letter to Olivia Newton John[Ver-04]
An Open Letter to Olivia Newton John [ver-04] … Written and will be distributed by Bill Wiesner from TCFamily.org to those attending the October 12, 2017 Traverse City Opera House Show entitled: “LIV ON: Olivia Newton-John, Beth Nielsen Chapman and Amy Sky” pages 5 and 6 he tells the story of Dear Olivia, “Little Jessica” to illustrate why God must judge sin: I read with interest the April 6, 2014 queerty interview, “Olivia Newton-John Also, does not the horrific Las Vegas shooting spree show Is Still The One We Want.” The reporter us also that if God is good that he asked: Q: “Have you ever been must judge sin? And a God that is concerned about sharing your opinion perfectly good must judge all of our about important issues like marriage sins too, even the “small” ones. equality …?” And you responded: ONJ: Also, in the Chicago Pride interview “I might be a little nervous, but it doesn’t from August 6, 2012 (Olivia Newton- stop me if it’s correct …” I admire your John – Summer lovin’ …), you said: attitude a lot. And that’s what we also “To me love is love. It shouldn’t matter. I try to do at www.TCFamily.org. have so many close friends and family From reading various interviews that who are gay I don’t even think about it.” you have given, I see that you But consider excerpt from believe it is correct to have “gay an October 6, 2017 article marriage” in America and your native by Michael Cook entitled: Australia, and I suppose everywhere. -
A Conversation with Suzy Bogguss by Frank Goodman (12/2007, Puremusic.Com) What a Singer. When, Only Now and Then, a Singer's Ba
A Conversation with Suzy Bogguss by Frank Goodman (12/2007, puremusic.com) What a singer. When, only now and then, a singer's basic sound is completely arresting, it's like a wake up call. You can have attitude, you can be dramatic, elastic or gymnastic-- but when you have that sound, you can just sing, and it's all there. You can dial in degrees of whatever else you want, but that's just icing on the cake. And it's the cake they call angel's or devil's food, right? A dozen or so albums into a charmed career, Suzy says she's just realizing she's actually the thread that ties it all together, not whether she's singing Country, or Swing, or Jazzy Pop. And the last of those is the place where Sweet Danger goes with assured poise. Though most of her fantastic work has been in the Country vein, her fans followed her when she cut the landmark Swing record with her old friend Ray Benson and past and present members of Asleep At The Wheel. It's a cinch that they will be along for the ride here to witness Suzy absolutely killing the great Beth Nielsen Chapman and Annie Roboff song "Right Back Into The Feeling," or the mindblowing cover of the Peter Cetera classic "If You Leave Me Now." Sometimes you don't really get how great a singer is until they come out of the bag that made them famous. We said jazzy pop, but at times it feels also like a really great soft rock album. -
A Creator's View of the Music Ecosystem and DMCA
A Creator’s View of the Music Ecosystem and DMCA Creating music that matters is more than just a labor of love – it takes all the joy, loss, courage, fear, and humanity that we have. But whether it’s a Platinum megahit or a lonely ballad written for just one heart, we are grateful for the chance to share our stories and our truth. We see much to celebrate in today’s music landscape – including vibrant digital services that help fans connect with the songs they love. But we also see profound obstacles facing young artists and songwriters hoping to find their voice and build a sustainable career. One of the biggest hurdles is an outdated and ineffective law called the Digital Millennium Copyright Act. Many big tech companies have figured out how to game this law – hiding behind its sweeping immunities while earning billions off of our work. Meanwhile, too many working artists, musicians, songwriters, and producers are left to fight for digital scraps. Thanks to the DMCA, a single video service has swallowed up almost every other form of listening, while paying among the lowest royalties in the business – rates it extracts from creators who have no effective way to keep unlicensed copies off the service if they refuse. The DMCA leaves creators at the mercy of rogue websites that operate at the farthest reaches of US law – and beyond – and offers no meaningful way to hold repeat offenders to account. And forces us to stand by helpless as billions of dollars in advertising is sold around illegal copies of our work.