Architectural Styles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BUILDING CONSTRUCTION NOTES.Pdf
10/21/2014 BUILDING CONSTRUCTION RIO HONDO TRUCK ACADEMY Why do firefighters need to know about Building Construction???? We must understand Building Construction to help us understand the behavior of buildings under fire conditions. Having a fundamental knowledge of buildings is an essential component of the decisiondecision--makingmaking process in successful fireground operations. We have to realize that newer construction methods are not in harmony with fire suppression operations. According to NFPA 1001: Standard for FireFighter Professional Qualifications Firefighter 1 Level ––BasicBasic Construction of doors, windows, and walls and the operation of doors, windows, and locks ––IndicatorsIndicators of potential collapse or roof failure ––EffectsEffects of construction type and elapsed time under fire conditions on structural integrity 1 10/21/2014 NFPA 1001 Firefighter 2 Level ––DangerousDangerous building conditions created by fire and suppression activities ––IndicatorsIndicators of building collapse ––EffectsEffects of fire and suppression activities on wood, masonry, cast iron, steel, reinforced concrete, gypsum wallboard, glass and plaster on lath Money, Money, Money….. Everything comes down to MONEY, including building construction. As John Mittendorf says “ Although certain types of building construction are currently popular with architects, modern practices will be inevitably be replaced by newer, more efficient, more costcost--effectiveeffective methods ”” Considerations include: ––CostCost of Labor ––EquipmentEquipment -
Environmental Design of Atrium Buildings in the U.K
3300 ENVIRONMENTAL DESIGN OF ATRIUM BUILDINGS IN THE U.K. F. Mills Member ASHRAE INTRODUCTION The innovative architects of this period were applying Atrium buildings were first prominent in the U.K. in technology made available by the Industrial Revolution. Victorian times when glazed features were incorporated Iron and glass could provide well lit, comfortable interiors. into building designs to improve daylight quality while pro An early example is the gallery at Attingham Park, Shrop viding shelter. Many fine examples of this forrn of archi shire, by John Nash in 1806. Many more examples follow tecture still exist, the most popularly known types being ed in both the U.K. and North America. with perhaps the shopping arcades and main li ne railway terminals. most ambitious project of the period being Paxton's Crystal U.K. developers and their architects, impressed with Palace near London , erected in 1850 but sadly destroyed the success of atria in North America, have adopted this by fire shortly thereafter. approach to U.K. developments and, since 1980, more Despite the obvious success of these early atria, many than 200 examples of various types have been constructed. of which still stand and are considered prestigious build The approach to the servicing of these atria has been ings, atria buildings lost favor with architects after 1900. This cautious, with little definitive design guidance in existenca may have resulted from the development of electric light Some early schemes followed the North American ap technology, which allowed architects to design buildings proach of heating, ventilating and, in some cases, air without seeking to achieve good daylighting. -
A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. PRESERVING LGBTQ HISTORY The chapters in this section provide a history of archival and architectural preservation of LGBTQ history in the United States. An archeological context for LGBTQ sites looks forward, providing a new avenue for preservation and interpretation. This LGBTQ history may remain hidden just under the ground surface, even when buildings and structures have been demolished. THE PRESERVATION05 OF LGBTQ HERITAGE Gail Dubrow Introduction The LGBTQ Theme Study released by the National Park Service in October 2016 is the fruit of three decades of effort by activists and their allies to make historic preservation a more equitable and inclusive sphere of activity. The LGBTQ movement for civil rights has given rise to related activity in the cultural sphere aimed at recovering the long history of same- sex relationships, understanding the social construction of gender and sexual norms, and documenting the rise of movements for LGBTQ rights in American history. -
Weights and Measures
Schedule of Values Yadkin County 2009 Architectural Terms Apartment hotel a building designed for non-transient residential use, divided into dwelling units similar to an apartment house, but having such hotel apartment hotel accommodations as room furnishings, lounges, public dining room, maid service, etc. Apartment house a multi-family residence containing three or more non-transient residential living units and generally providing them with a number of common facilities and services. Attic An unfinished or semi-finished portion of a building lying between the highest finished story and the roof and wholly within the roof framing. Basement a building story which is wholly or partly below the grade level. Bay (1) a horizontal area division of a building usually defined as the space between columns or division walls. (2) an internal recess formed by causing a wall to project beyond its general line. Bay window a window, or group of continuous windows, projecting from the main wall of a building. Beam a long structural load-bearing member which is placed horizontally or nearly so and which is supported at both ends or, infrequently, at intervals along its length. Beam, spandrel a wall beam supporting the wall, above, as well as the floor. Building any structure partially or wholly above ground which is designed to afford shelter to persons, animals, or goods. See also construction. Building, fireproof a building in which all parts carrying loads or resisting stresses and all exterior and interior walls, floors, and staircases are made of incombustible materials, and in which all metallic structural members are encased in materials which remain rigid at the highest probable temperature in case its contents are burned, or which provide ample insulation from such a temperature. -
The Breezeway Building 2345 S Alma School Road Mesa, Az 85210
FOR LEASE THE BREEZEWAY BUILDING 2345 S ALMA SCHOOL ROAD MESA, AZ 85210 PROPERTY FEATURES + Availabilities: Suite 102: ±1,555 SF; $17.00/SF Full Service + Part of a ±21,710 SF professional office building + Covered parking available + Excellent location - just minutes from US-60 + Lush landscaping, garden courtyard environment + Frontage on Alma School Road + Shared conference room available for tenant use CONTACT US BRUCE SUPPES JAMIE SWIRTZ Vice President Senior Associate 602 735 1926 602 735 5630 [email protected] [email protected] www.cbre.us/phoenix FOR LEASE 2345 S Alma School Road THE BREEZEWAY BUILDING Mesa, AZ 85210 2345 S. ALMA SCHOOL ROAD not to scale © 2020 CBRE, Inc. All rights reserved. This information has been obtained from sources believed reliable, but has not been verified for accuracy or completeness. You should conduct a careful, independent investigation of the property and verify all information. Any reliance on this information is solely at your own risk. CBRE and the CBRE logo are service marks of CBRE, Inc. All other marks displayed on this document are the property of their respective owners, and use of such logos does not imply any affiliation with or endorsement of CBRE. Photos herein are the property of their respective owners. Use of these images without the express written consent of the owner is prohibited. www.cbre.us/phoenix FOR LEASE 23452345 S S.Alma Alma School School Road Rd. THE BREEZEWAY BUILDING Mesa, AZ 85210 FLOOR PLANS OFFICE OFFICE 14’3 x 12’3 13’3 x 12’3 Suite 102 ±1,555 SF KITCHEN FUTURE 7’8 x 7’1 OFFICE 11’9 x 11’5 TOUR SUITE 102 CONFERENCE 11’5 x 15’8 FUTURE OFFICE 11’9 x 11’5 OFFICE RECEPTION 13’6 x 12’7 14’ x 15’9 N not to scale all measurements are approximate www.cbre.us/phoenix. -
Futurama 45 Minutes
<Segment Title> 3/19/03 11:35 PM study time Futurama 45 minutes - An essay by Roland Marchand, "The Designers go to the Fair, II: Norman Bel Geddes, The General Motors "Futurama", and the Visit to the Factory Transformed" from the book Design History: An Anthology. Dennis P. Doordan (1995). Cambridge: The MIT Press. During the 1930s, the early flowering of the industrial design profession in the United States coincided with an intense concern with public relations on the part of many depression-chastened corporations.(1) Given this conjunction, it is not surprising that an increasingly well-funded and sophisticated corporate presence was evident at the many national and regional fairs that characterized the decade. Beginning with the depression-defying 1933-34 Century of Progress Exposition in Chicago, major corporations invested unprecedented funds in the industrial exhibits that also marked expositions in San Diego in 1935, in Dallas and Cleveland in 1936, in Miami in 1937, and in San Francisco in 1939. The decade's pattern of increasing investments in promotional display reached a climax with the 1939-40 World's Fair in New York City. Leaders in the new field of industrial design took advantage of the escalating opportunities to devise corporate exhibits for these frequent expositions. Walter Dorwin Teague led the way with his designs for Bausch & Lomb, Eastman Kodak, and the Ford Motor Company for the 1933-34 exposition in Chicago. In 1936 he designed the Ford, Du Pont, and Texaco exhibits at Dallas and three years later claimed responsibility for seven major corporate exhibits at the New York World's Fair—those of Ford, Du Pont, United States Steel, National Cash Register, Kodak, Texaco, and Consolidated Edison. -
Northwest Rooms Upper Breezeway Design Improvements
NORTHWEST ROOMS UPPER BREEZEWAY DESIGN IMPROVEMENTS Revised Certificate of Approval Application 305 Harrison St. Seattle, WA 98109 September 4, 2020 DLR Group 51 University Street, Suite 600 Seattle, WA 98108 www.dlrgroup.com t 206.461.6000 Table of Contents Section 1 1 Cover Sheet 2 Project Information 3 Comparative Tabulation of Scope of Work Section 2 4 Existing Site Plan 5 Existing Conditions 7 Floor Plans - Demo & Proposed 8 Reflected Ceiling Plans - Demo & Proposed 9 North Elevations - Demo & Proposed 10 South Elevations - Demo & Proposed 11 N-S Building Section - Demo & Proposed 12 N-S Building Section - Demo & Proposed 13 Partial Enlarged Elevation - Proposed 14 Partial Enlarged Building Section - Proposed 15 Exterior Details - Proposed Section 3 18 NW View - Existing 19 NW View - Proposed 20 SE View - Existing 21 SE View - Proposed 22 Materials and Finishes Section 4 24 Lighting - Location of Fixtures 25 Lighting - Fixtures 9.4.2020 | 1 SECTION 1 | PROJECT INFORMATION DESCRIPTION GOALS The Northwest Rooms Breezeway is one of two entrances to the Seattle Center De-clutter and simplify breezeway campus from the corner of West Republican Street and Warren Ave. N. • Remove recent alterations and additions in favor of Thiry’s original mid-century modernist design. The current breezeway configuration was created in the early 1990s by demolishing a portion of the adjacent structure, the Nisqually Room and enlarging a small, existing breezeway. As a part of the same project, swooping canopies, neon lights, skylights, new paving, aluminum wall cladding, and ticket and concession spaces were constructed. Over the years, the breezeway space has deteriorated and the 1990s improvements have become worn and dated. -
The Archive of Renowned Architectural Photographer
DATE: August 18, 2005 FOR IMMEDIATE RELEASE THE GETTY ACQUIRES ARCHIVE OF JULIUS SHULMAN, WHOSE ICONIC PHOTOGRAPHS HELPED TO DEFINE MODERN ARCHITECTURE Acquisition makes the Getty one of the foremost centers for the study of 20th-century architecture through photography LOS ANGELES—The Getty has acquired the archive of internationally renowned architectural photographer Julius Shulman, whose iconic images have helped to define the modern architecture movement in Southern California. The vast archive, which was held by Shulman, has been transferred to the special collections of the Research Library at the Getty Research Institute making the Getty one of the most important centers for the study of 20th-century architecture through the medium of photography. The Julius Shulman archive contains over 260,000 color and black-and-white negatives, prints, and transparencies that date back to the mid-1930s when Shulman began his distinguished career that spanned more than six decades. It includes photographs of celebrated monuments by modern architecture’s top practitioners, such as Richard Neutra, Frank Lloyd Wright, Raphael Soriano, Rudolph Schindler, Charles and Ray Eames, Gregory Ain, John Lautner, A. Quincy Jones, Mies van der Rohe, and Oscar Niemeyer, as well as images of gas stations, shopping malls, storefronts, and apartment buildings. Shulman’s body of work provides a seminal document of the architectural and urban history of Southern California, as well as modernism throughout the United States and internationally. The Getty is planning an exhibition of Shulman’s work to coincide with the photographer’s 95th birthday, which he will celebrate on October 10, 2005. The Shulman photography archive will greatly enhance the Getty Research Institute’s holdings of architecture-related works in its Research Library, which -more- Page 2 contains one of the world’s largest collections devoted to art and architecture. -
ASSESSMENT of the POTENTIAL ROLE of LIVE/WORK DEVELOPMENT in CENTERS
JULY 2004 ASSESSMENT of the POTENTIAL ROLE of LIVE/WORK DEVELOPMENT in CENTERS JULY 2004 ASSESSMENT of the POTENTIAL ROLE of LIVE/WORK DEVELOPMENT in CENTERS Delaware Valley Regional Planning Commission Created in 1965, the Delaware Valley Regional Planning Commission (DVRPC) is an interstate, intercounty and intercity agency that provides continuing, comprehensive and coordinated planning to shape a vision for the future growth of the Delaware Valley region. The region includes Bucks, Chester, Delaware and Montgomery counties, as well as the City of Philadelphia in Pennsylvania and Burlington, Camden, Gloucester and Mercer counties in New Jersey. DVRPC provides technical assistance and services; conducts high priority studies that respond to the requests and demands of member state and local governments; fosters cooperation among various constituents to forge a consensus on diverse regional issues; determines and meets the needs of the private sector; and practices public outreach efforts to promote two-way communication and public awareness of regional issues and the Commission. Our logo is adapted from the official DVRPC seal and is designed as a stylized image of the Delaware Valley. The outer ring symbolizes the region as a whole, while the diagonal bar signifies the Delaware River. The two adjoining crescents represent the Commonwealth of Pennsylvania and the State of New Jersey. DVRPC is funded by a variety of funding sources including federal grants from the U.S. Department of Transportation’s Federal Highway Administration (FHWA) and Federal Transit Administration (FTA), the Pennsylvania and New Jersey departments of transportation, as well as by DVRPC’s state and local member governments. -
A Southern California Visionary with Northern Michigan Sensibilities
John Lautner By Melissa Matuscak A SOUTHERN CALIFORNIA VISIONARY WITH NORTHERN MICHIGAN SENSIBILITIES 32 | MICHIGAN HISTORY Architect John Lautner would have turned 100 years old on July 16, 2011. Two museums in his hometown of Marquette recently celebrated this milestone with concurrent exhibits. The DeVos Art Museum at Northern Michigan University focused on a professional career that spanned over 50 years and the Marquette Regional History Center told the story of the Lautner family. Combined, they demonstrated how in!uential his family and his U.P. upbringing were to Lautner’s abilities and his eye for design. nyone who has lived in the Upper Peninsula tends to develop a deeper awareness of nature, if only to anticipate the constantly changing weather. !e natural landscapes, and especially Lake Superior, are integral to the way of life in the region in both work and leisure. John Lautner’s idyllic childhood in Marquette stirred what By Melissa Matuscak would become an ongoing quest to create unity between nature and architecture. !e story of what made John Lautner a visionary architect begins with his parents. His father, John Lautner Sr., was born in 1865 near Traverse City, the son of German immigrants. !ough he began school late—at age 15—by age 32 John Sr. had received bachelor’s and master’s degrees in German literature from the University of Michigan. His studies took him to the East Coast and to Europe, but he eventually returned to Michigan to accept a position at Northern State Normal School (now Northern Michigan University) in Marquette in 1903. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
Mid-Century Modern and Florida Tropical Architecture Emily Mason College of Design, Construction and Planning, University of Florida
ISSN: 2683-0668 ____________________________________________________ Rufus Nims: Mid-century Modern and Florida Tropical Architecture Emily Mason College of Design, Construction and Planning, University of Florida Faculty mentor: Vandana Baweja, School of Architecture Abstract Mid-century modern architecture developed after the Second World War as numerous technological advancements allowed for open house plans with the increased use of glass and a reconfiguration of indoor-outdoor relationships. Rufus Nims, a Miami architect (1913–2005), hybridized emerging ideas of mid-century modernism with climatic design that emerged in the field of tropical architecture after the Second World War. Nims experimented with homes that had disappearing walls; and that could be comfortable in the hot and humid climate of Florida. This paper will analyze Rufus Nims’ role in the development of Florida Tropical Architecture, through his seamless integration of indoor and outdoor spaces. Further, this study will assess how Rufus Nims used tropical architecture strategies in South Florida, such as screened-in porches, disappearing walls, and landscape integration. The paper argues that Rufus Nims’ architectural ideas were based on an emerging redefinition of the indoor-outdoor spatial relationships as was evident in the broader mid-century modern movement and Florida Tropical Architecture. Introduction Mid-century Modern In Europe, the modernism movement began after the First World War with a need to industrialize the building production process, minimize the cost of construction, and provide a livable home designed for human habitation.1 Architects from Germany including Walter Gropius, Marcel Breuer, and Mies van der Rohe came to America during the 1930s at Harvard and changed Harvard’s emphasis from Beaux-Arts Architecture to Bauhaus modernism.