The Play About the Baby Edward Albee's
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Guest Artists
Guest Artists George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway SAMPLE BROADWAY GUEST ARTISTS CHRISTOPHER JACKSON - HAMILTON Christopher Jackson- Hamilton – original Off Broadway and Broadway Company, Tony Award nomination; In the Heights - original Co. B'way: Orig. Co. and Simba in Disney's The Lion King. Regional: Comfortable Shoes, Beggar's Holiday. TV credits: "White Collar," "Nurse Jackie," "Gossip Girl," "Fringe," "Oz." Co-music director for the hit PBS Show "The Electric Company" ('08-'09.) Has written songs for will.i.am, Sean Kingston, LL Cool J, Mario and many others. Currently writing and composing for "Sesame Street." Solo album - In The Name of LOVE. SHELBY FINNIE – THE PROM Broadway debut! “Jesus Christ Superstar Live in Concert” (NBC), Radio City Christmas Spectacular (Rockette), The Prom (Alliance Theatre), Sarasota Ballet. Endless thanks to Casey, Casey, John, Meg, Mary-Mitchell, Bethany, LDC and Mom! NICKY VENDITTI – WICKED Dance Captain, Swing, Chistery U/S. After years of practice as a child melting like the Wicked Witch, Nicky is thrilled to be making his Broadway debut in Wicked. Off-Broadway: Trip of Love (Asst. Choreographer). Tours: Wicked, A Chorus Line (Paul), Contact, Swing! Love to my beautiful family and friends. BRITTANY NICHOLAS – MEAN GIRLS Brittany Nicholas is thrilled to be part of Mean Girls. Broadway: Billy Elliot (Swing). International: Billy Elliot Toronto (Swing/ Dance Captain). Tours: Billy Elliot First National (Original Cast), Matilda (Swing/Children’s Dance Captain). -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
Edward Albee Albee Was Born on March 12, 1928, in Washington, D
Biography - Edward Albee Albee was born on March 12, 1928, in Washington, D. C., and adopted at the age of two weeks by Reed and Frances Albee, who named him Edward after Reed’s father. This elder Edward held a substantial business interest in a chain of vaudeville theatres, and the family was very wealthy. Young Edward’s early years were spent among servants, nurses, tutors, as the family alternated between stays in the mansion in Larchmont, New York, and extended winter holidays in Florida. He had, it seems, few friends his own age, but he did own a variety of pets – cats, guinea pigs, a St. Bernard. His parents were, in several ways, a unique couple. His father, Reed, was a small, quiet, apparently unassertive man. Frances Albee, on the other hand, seems to have been loud, aggressive, domineering. She was also twenty-three years younger and a foot taller than her husband. Other of Albee’s biographers usually stress her love of riding and suggest that her usual daytime wear was jodhpurs and a riding crop. Young Edward, who disliked riding, apparently felt more at home with his grandmother (Mrs. Albee’s mother). Albee’s school record was, in the conventional sense, a very bad one. Sent to a boarding school at the age of eleven, he was eventually dismissed from it for cutting classes, ignoring his academic work, not playing compulsory sports, and general bad behaviour. To encourage him toward greater self-discipline, his mother sent him to the Valley Forge Military Academy. Albee’s conduct, however, was apparently a problem that the resources of the academy were not designed to cope with, and he left that school too, at the school’s request. -
The Montclarion, October 24, 1974
Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 10-24-1974 The onM tclarion, October 24, 1974 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, October 24, 1974" (1974). The Montclarion. 251. https://digitalcommons.montclair.edu/montclarion/251 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. MONTCLARION Thun., Oct. 24, 1974 Voi. 49, No. 8 Montclair, N J 07043 Board Meeting Explosive^ Coming Home The international circus and homecoming parade were just two of the highlights of MSC Oktoberfest Homecoming. The series of events, several of which were filled to capacity, was sponsored by CLUB and provided almost non-stop entertainment during the Weekend. A Wilkommen featured Burgenleander Dancers and an accordianist on Friday night. Saturday's two circus performances sandwiched the parade while a beef and brew supper and German goodtime offset the football game against Wagner College. "Sigma's Steins" was the winning parade float, but the grid contest ended in a stalemate, the Indians first tie of the season, 20-20. Photos by Sue Castner and Rod Benmuvhar 2. MONTOLA RIÖN/Thurs., Oct. 24, 1974 newsnotes CLOTHES & CASTOFFS am to 4 pm. ID presentation is The Spanish Community Program required. TODAY, THURS., OCT. 24 is seeking contributions of clothes GENERAL FRAT MEETING: Sponsored by LECTURE: "Has Psychology Explained Away and other used but still useable BIG FRIEND Alpha Kappa Psi (prof, business Frat) in meeting Religion?" Pastor Gomes. -
Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055
Contact: Kirstin M. Franko/Julia Suszynski [email protected]; 202-600-4055 ARENA STAGE AT THE MEAD CENTER FOR AMERICAN THEATER ANNOUNCES THE 2010/11 INAUGURAL SEASON FOR NEW THREE-THEATER CAMPUS With more than 45 projects in homecoming season, Arena Stage returns to campus as a national center for the production, presentation, development and study of American theater (Washington, D.C.) Arena Stage Artistic Director Molly Smith announces the D.C.-based pioneering theater company’s 60th season filled with award-winning artists and projects to celebrate the grand opening of Arena Stage at the Mead Center for American Theater. The 2010/11 inaugural season includes eight full productions, seven presentations from the National Endowment for the Arts New Play Development Program and public readings from all 30 of Edward Albee’s works, totaling at least 45 projects produced and presented by Arena Stage in the inaugural year at the Mead Center. With the opening next fall, Arena Stage will fully become a national center for production, presentation, development and study of American theater. “The moment we have been waiting for has arrived—we are heading home,” shares Artistic Director Molly Smith. “After 11 years of planning and two and a half years of construction, the beautiful new Mead Center for American Theater will be ready to welcome audiences and artists this fall.” The new campus includes the renovation of the two existing performance spaces, the Fichandler Stage and the Kreeger Theater, and the creation of the 200-seat Arlene and Robert Kogod Cradle—a venue dedicated to cradling risk surrounding new or radically re-envisioned productions of American theater. -
Read Press Release
FOR IMMEDIATE RELEASE September 25, 2019 The Mayor’s Office of Media and Entertainment and SHOW-SCORE Announce ALL NEW YORK’S A STAGE The First Campaign Celebrating NYC’s Small Theater Industry New Yorkers invited to experience 200+ performances and events throughout the five boroughs NEW YORK – The Mayor’s Office of Media and Entertainment, in partnership with SHOW- SCORE.COM, today announced the launch of ALL NEW YORK’S A STAGE, the first-ever campaign dedicated to raising the visibility of our vibrant local theater industry, which is made up of small venues, companies and related organizations throughout the five boroughs. Starting today, September 25 through October 31, New Yorkers and visitors can explore the ALL NEW YORK’S A STAGE website, localtheater.nyc, to discover an exciting array of more than 200 performances and events throughout the city. ALL NEW YORK’S A STAGE offers New Yorkers an opportunity to learn about musicals and dramas, adaptations of classics, immersive and site-specific performances; staged readings, previews and special promotions – that may be right around the corner from where they live or work. The site also offers reviews and recommendations from other theatergoers, as well as those by professional theatre reviewers. “ALL NEW YORK’S A STAGE is the first citywide campaign to focus on connecting audiences to the amazing work of our small theaters, which are integral to the city’s creative culture, and where established and up-and-coming talent does some of their most creative work,” said Anne del Castillo, Commissioner of the Mayor’s Office of Media and Entertainment. -
Abstract the Goat Or, Who Is Sylvia?: a Perfomance At
ABSTRACT THE GOAT OR, WHO IS SYLVIA?: A PERFOMANCE AT MIAMI UNIVERSITY By Luis Fernando Midence Diaz The Goat or, who is Sylvia? is a character-driven story about an architect whose life crumbles when he falls in love with a goat. The actual focus of the piece lies on where the boundaries of “love” within an allegedly “liberal” society are, and how incommunicable such inclinations are. The play also features many language games and grammatical arguments in the middle of catastrophes and existential disputes between the characters. As director of the play my production concept integrates two particular fields of my interest and knowledge: theatre and television production. The idea is to bring Albee’s absurdist story one step further by combining the live theatre experience with the live television element. Besides a dramaturgical analysis of Albee’s play, this thesis further investigates the influence of the classic Greek tradition of tragedy as well as a possible link between Albee’s tragic comedy and Shakespeare’s The Two Gentlemen of Verona, while also incorporating Bertolt Brecht’s theories on Epic Theatre into the analysis and actual performance. THE GOAT OR, WHO IS SYLVIA?: A PERFOMANCE AT MIAMI UNIVERSITY A Thesis Submitted to the Faculty of Miami University In partial fulfillment of The requirements for the degree of Master of Arts Department of Theatre By Luis Fernando Midence Diaz Miami University Oxford, Ohio 2007 Advisor____________________________ (Dr. Roger Bechtel) Reader_____________________________ (Dr. William Doan) Reader_____________________________ (Dr. Howard Blanning) TABLE OF CONTENT Abstract Title Page i Table of Content ii Introduction 1 I. -
Davinci Pilot
DaVinci Pilot Newsletter of the USS DaVinci, NCC-74671, Columbus, GA Volume 22 Number 01 - September 2016 A Local Chapter of Starfleet, the International Star Trek Fan Association USS DAVINCI STAFF ROSTER Commanding Officer ADM Freddy Heller (706) 325-TREK (8735) Executive Officer RADM Joe Perry (706) 457-9725 Operations Officer RADM Joe Perry (706) 457-9725 Community Service Officer VACANT Finance Officer RADM Connie Heller (706) 392-5100 Publications Officer ADM Freddy Heller (706) 325-TREK (8735) Records Officer VADM Russell Ruhland (706) 464-5056 Science Officer LTJG David Lindsey (706) 239-1064 Archeology Officer ADM Barbara Paul (478) 929-3210 Computer Science Officer LTJG Leiko Koone (706) 663-2763 Counselor LTCMDR Diane Ruhland (334) 298-3998 Medical Officer RADM Jeff Kirkland (770) 253-6474 Morale Officer LTJG Dutch Cummings (706) 407-9945 Engineering Officer COMM Bill Paul (478) 929-3210 Communications Officer ENS Todd Kes (706) 593-3598 Quartermaster LTCMDR Randy Dunn (334) 291-0150 Security Chief LTJG Scott Roop (706) 326-6081 Cadet Corps Commander VACANT Starfleet Marines Commander VACANT UPCOMING DAVINCI EVENTS ***17 September, Goodbye Summer, Hello Fall Cookout, Freddy and Connie’s, 2:00 PM ***19 September, Night Out and Membership Meeting, Deorio’s, 7:00 PM PASSAGES StarTrek.com is saddened to report the death of actor Barry Jenner, who played Admiral William Ross in a dozen episodes of Deep Space Nine across the sixth and seventh seasons, including "A Time to Stand," "Tears of the Prophets," "The Changing Face of Evil" and "What You Leave Behind." The actor, who was 75 years old, also provided the voice of the character in the video game Star Trek: Deep Space Nine -- Dominion Wars, and was a popular figure on the convention circuit. -
Download CV (Pdf)
RAQUEL ALMAZAN RAQUEL.ALMAZAN@ COLUMBIA.EDU WWW.RAQUELALMAZAN.COM SUMMARY Raquel Almazan is an actor, writer, director in professional theatre / film / television productions. Her eclectic career as artist-activist spans original multi- media solo performances, playwriting, new work development and dramaturgy. She is a practitioner of Butoh Dance and creator/teacher of social justice arts programs for youth/adults, several focusing on social justice. Her work has been featured in New York City- including Off-Broadway, throughout the United States and internationally in Greece, Italy, Slovenia, Colombia, Chile, Guatemala, Canada and Sweden; including plays within her lifelong project on writing bi-lingual plays in dedication to each Latin American country (Latin is America play cycle). EDUCATION MFA Playwriting, School of the Arts Columbia University, New York City BFA Theatre Performance/Playwriting University of Florida-New World School of With honors the Arts Conservatory, Miami, Florida AA Film Directing Miami Dade College, Miami Florida PLAYWRITING – Columbia University Playwriting through aesthetics/ Playwriting Projects: Charles Mee Play structure and analysis/Playwriting Projects: Kelly Stuart Thesis and Professional Development: David Henry Hwang and Chay Yew American Spectacle: Lynn Nottage Political Theatre/Dramaturgy: Morgan Jenness Collaboration Class- Mentored by Ken Rus Schmoll Adaptation: Anthony Weigh New World SAC Master Classes Excerpt readings and feedback on Blood Bits and Junkyard Food plays: Edward Albee Writing -
Original Writer Title Genre Running Time Year Director/Writer Actor
Original Running Title Genre Year Director/Writer Actor/Actress Keywords Writer Time Katharine Hepburn, Alcoholism, Drama, Tony Richardson; Edward Albee A Delicate Balance 133 min 1973 Paul Scofield, Loss, Play Edward Albee Lee Remick Family Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. I Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 54 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. II Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. III Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 53 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. IV Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 50 min 1995 Austen, Andrew Crispin Bonham-Carter, Vol. V Romance Classic, Davies Jennifer Ehle Strong Female Lead, Inheritance Georgian, Eighteenth Century, Simon Langton; Jane Colin Firth, Pride and Prejudice Drama, Romance, Jane Austen 52 min 1995 Austen, -
M Ont C Larion
Montclair State University Montclair State University Digital Commons The onM tclarion Student Newspapers 12-13-1973 The onM tclarion, December 13, 1973 The onM tclarion Follow this and additional works at: https://digitalcommons.montclair.edu/montclarion Recommended Citation The onM tclarion, "The onM tclarion, December 13, 1973" (1973). The Montclarion. 229. https://digitalcommons.montclair.edu/montclarion/229 This Book is brought to you for free and open access by the Student Newspapers at Montclair State University Digital Commons. It has been accepted for inclusion in The onM tclarion by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. M o n t Clarion Vol. 47, No. SO Montclair, N.J. 07043 Thurs., Dec 13, 1973 MONTCLARION/Bernle Sluzas MONTCLARION/Bob Adochio Students manned tables in the crowded Student Center lobby this week. SG A legislators (left) wage a campaign to enlist student aid in Lobbying opposing the proposed faculty strike and any future tuition increase. The students were asked to write to Governor-elect Brendan Byrne as well as the state senators. Another table (center) contained students supervising the Gulf Oil Referendum which was voted on Tuesday and Wednesday. While some students voted (right), there was a generally poor voter turnout which was to decide the fate of the Gulf station on Effort campus. State Strikes Added Oil Supply By Carla Capizzi Dickson and Quinn said. schools by 20% where practical, he noted. In necessitates stricter enforcement of However, in a campus memo, H O W EV ER . Q U IN N felt that it addition, fresh air intakes in heating no smoking regulations in classrooms "Based on information we received Dickson warned, "...we must be was "unlikely that MSC would get systems have been reduced for and offices. -
Joan Van Ark
Joan van Ark Tony nominee Joan van Ark’s most recent television role was in the movie “The Wedding Stalker” airing on Lifetime with “Glee”s Heather Morris. She is best known for her role as Valene Ewing on television’s iconic Dallas and Knots Landing for 14 years. She earned her Tony nomination for her Broadway role in The School for Wives and won Broadway’s Theater World Award for The Rules of the Game. In 2005 she appeared at the Kennedy Center in the world première of Tennessee Williams’ Five by Tenn as part of the Center’s Williams celebration with Sally Field, Patricia Clarkson and Kathleen Chalfant. She co-starred in the Feydeau farce Private Fittings at the La Jolla Playhouse, the New York theatre production of The Exonerated as well as the West Coast production of the off Broadway hit Vagina Monologues by award-winning playwright Eve Ensler. Her most recent theater appearance was in Tennessee Williams’ A Lovely Sunday for Creve Coeur at Hartford Stage directed by Michael Wilson. She also appeared off- Broadway in Love Letters and co-starred in the New York production of Edward Albee’s Pulitzer Prize-winning play Three Tall Women. Her Los Angeles theater credits include Cyrano de Bergerac, playing Roxanne opposite Richard Chamberlain’s Cyrano, Ring Around the Moon with Michael York, Chemin de Fer, Heartbreak House and As You Like It, for which she won a Los Angeles Drama Critics Award. She starred as Lady Macbeth in the Grove Shakespeare Festival’s production of Macbeth. She also appeared at The Shakespeare Theatre in Washington, D.C.