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Doc Nyc Announces 2020 Pro Conference Will Move Online; 10 Programs Covering the Craft and Business of Documentary, Including
DOC NYC ANNOUNCES 2020 PRO CONFERENCE WILL MOVE ONLINE; 10 PROGRAMS COVERING THE CRAFT AND BUSINESS OF DOCUMENTARY, INCLUDING CINEMATOGRAPHY, EDITING, PRODUCING, LEGAL, DISTRIBUTION, PODCASTING AND OTHER TOPICS, TO BE AVAILABLE TO AUDIENCES AROUND THE WORLD SESSIONS TAKE PLACE WEDNESDAYS, AUGUST 5 - OCTOBER 21, IN ADVANCE OF THE NOVEMBER 11 OPENING OF THE FESTIVAL, FEATURING MORE THAN 70 SPEAKERS, WITH GUESTS INCLUDING FILMMAKERS, PRODUCERS, FUNDERS, MARKETERS, DISTRIBUTORS AND MORE PRO ALL ACCESS PASSES AND TICKETS FOR INDIVIDUAL EVENTS NOW ON SALE NEW YORK, July 28, 2020 – DOC NYC, New York’s documentary festival, announced the lineup for the 2020 edition of its DOC NYC PRO conference, taking place August 5-October 21. For the first time, the conference will move online, making its full slate of programs available to audiences around the globe. The 2020 PRO lineup will feature more than 70 participants representing a wide spectrum of voices and perspectives, from emerging directors to noted producers and established cinematographers, from artist collectives and filmmaker peer support organizations, to broadcasters, research institutions, news platforms, leading distributors and more. Tickets for individual events and a PRO All Access Pass, offering admission to all 10 classes and the archives of DOC NYC’s earlier 2020 online courses, are now on sale. “This spring, we've been buoyed by the tremendous response to DOC NYC’s first ventures into online programming, and specifically by the engagement and enthusiasm of new audiences— many of whom have never attended DOC NYC in person before,” said Caitlin Boyle, DOC NYC’s Director of Industry and Education. -
“Lover” Rings Discordant, but Resurrects the Old Taylor “Lover” Rings Discordant, but Resurrects the Old Taylor
“Lover” rings discordant, but resurrects the old Taylor “Lover” rings discordant, but resurrects the old Taylor graphic by Nina Li Taylor Swift is the kind of celebrity that needs no introduction. Since 2006 with Taylor Swift, she has topped the charts and won awards, planting her securely in the realm of unforgettable musicians. Her name has come to be synonymous with a certain genre: love songs. In her seventh album, Lover, Swift fully embraces that brand with a maturity and honesty that is missing from her earlier albums. The old Taylor appears to have come back to life for Lover. The darker persona she adopted for Reputation has faded into pastels and glitter — which isn’t a bad thing. While Lover lacks auditory unity over its long run (at 18 tracks, it’s her longest yet), Swift crafts a powerful and beautiful statement — she chooses to love. Lover shows a complete turnaround from her last album, Reputation, released two years prior. Instead of addressing hate and bad public image, Swift instead returns to the love songs that vaulted her into fame in the first place. From the very first track, she rejects the idea that this album is about someone else. “I Forgot That You Existed” is a sassy takedown of anyone claiming that this album is petty or spiteful. But she doesn’t linger on that, transitioning to “Cruel Summer,” an upbeat song about a failing romance. Strangely, the contrast works; “Cruel Summer” is one of the strongest tracks on the album. The fierce lyricism that is a theme with Swift is showcased here with vivid imagery and evocative language. -
Lover Download
Lover download LINK TO DOWNLOAD · Taylor Swift Lover Full Direct zip Album FULL DIRECT LINK - renuzap.podarokideal.ru Year: Genre: Pop Quality: mp3, kbps Track list: I Forgot That You Existed Cruel Summer Lover The Man The Archer I Think He Knows Miss Americana & The Heartbreak Prince Paper Rings Cornelia Street Death By A. Download Lover Bunny font for free. Lover Bunny is a font / typeface offered for free. please note that if the license offered here is non-commercial you have to obtain a . · DOWNLOAD: Ychinz – Lover. By Sammy Skratch August 14, 1 Min Read. Share. Share on Facebook Share on Twitter Pinterest. ADVERTISEMENT. Fast rising Nigerian singer, Ychinz returns with a new song tagged; LOVER. ADVERTISEMENT. Take a listen below. · Download Series Lover App for PC without Bluestacks Users who want to experience the available movies & TV without blustacks can use a new software called The ARC Welder. So this software only runs through google chrome browser.4,4/5(). 9 min The Undercover Lover - M Views - p. Blonde sexwife had sex with lover and cuckold husband. 7 min Lyonel34 - 35k Views - p. Housewife Loves To Do The Swinging. 7 min Screw My Wife Club - 34k Views - p. Wife fucked by lover. 10 min Empireman99 - 1M Views - p. White Wife With Her Black Lover. Kobayashi Teppei was an ordinary student, but that suddenly changed when he lost both of his parents in an accident. His grandfather, Arima Isshin, appears in front of him and demands he be the successor to his famed family which has influence over the entirety of Japan's economy. -
Intellectual Property Statement
Goedhart 1 INTELLECTUAL PROPERTY STATEMENT Name Annabel Goedhart Student no. 6579302 Essay title Plath and Swift: The Feminist Confessional Lyric of Two “Ladies Lazarus” Course English BA Thesis Date 27 January 2021 Signature* A. Goedhart *signifying you have read & understood the plagiarism declaration overleaf. Goedhart 2 INTELLECTUAL PROPERTY STATEMENT Utrecht University defines “plagiarism” as follows: “If, in a thesis or some other paper, data or parts of a text produced by someone else are used without the source being identified, this shall be considered plagiarism. Among other things, plagiarism may entail the following: cutting and pasting text from digital sources such as encyclopaedias or digital journals, without using quotations marks and references; cutting and pasting any text from the internet without using quotation marks and references; copying from printed material such as books, journals or encyclopaedias without using quotations marks and references; using a translation of the above texts in your own work, without using quotations marks and references; paraphrasing the above texts without using references. A paraphrase should never consist of merely replacing some words by synonyms; using pictures, sound recordings, or test materials produced by others without references, such that it appears that this is one’s own work; copying work by other students and passing this off as one’s own work. If this is done with the other student’s consent, the latter shall be an accomplice to the plagiarism; even in cases where plagiarism -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
REPRESENTATION, POLITICS and MONEY: a SCREENING GUIDE “I’M Running Because of Cori Bush
REPRESENTATION, POLITICS AND MONEY: A SCREENING GUIDE “I’m running because of Cori Bush. I’m running because of Paula Jean Swearengin. I’m running because everyday Americans deserve to be represented by everyday Americans.” - Alexandria Ocasio-Cortez TABLE OF CONTENTS 4 About the Film 5 Letter from Director, Rachel Lears 6 Using the Guide Tips for Leading Conversations Pre-Screening Discussion Questions 9 Post-Screening Background and Context Who Knocked in 2018? Representation: Who is in Congress and Why it Matters How Money Works in Elections The Politics of Elections 25 Get Involved Share the Film Spark Conversations Across Party Lines Vote and Get Out the Vote Support a Candidate Run for Office 33 Resources for Further Learning 3 ABOUT THE FILM Knock Down the House is the story of four working-class women who embraced the challenge of running for Congressional office in the 2018 midterm elections. They are four of the record numbers who organized grassroots campaigns, rejected corporate PAC money and challenged the notion that everyday people cannot run successful campaigns against sitting incumbents. Collectively these candidates herald a cultural and political shift to transform the process of running and electing our representatives. Such changes do not occur in a vacuum, nor are they about a singular issue. Rather they are about changing the attitudes, behaviors, terms, and outcomes of existing and entrenched norms and building to- wards a more inclusive and representative government. 4 LETTER FROM THE DIRECTOR, RACHEL LEARS I’ve been making films about politics since the days of Occupy Wall Street. After having a baby in 2016, I thought I might take a break from political filmmaking—but the day after the election, I knew I had no choice. -
2019-2020 Annual Review 2 Table of Contents
2019-2020 ANNUAL REVIEW 2 TABLE OF CONTENTS 04 PRESIDENT & CEO REPORT 08 ROSTER & REPERTOIRE 12 REVENUE PERFORMANCE 13 PROTECTING THE FUTURE OF MUSIC 15 DISTRIBUTION & ADMINISTRATION 16 TECHNOLOGY 4 President & CEO Report IT’S BEEN A YEAR UNLIKE The $1.233 billion total in distributions includes domestic and international royalties, with the COVID-19 crisis profoundly as well as distributions from direct deals that ANY OTHER, transforming the world and deeply affecting BMI administers on behalf of our publisher the creative and business communities BMI and digital service provider clients. Those is entrusted to serve. In response, BMI’s deals, which account for $71 million, represent commitment to meeting the diverse and an increase of $9 million over last year and evolving needs of our songwriters, composers, approximately 6% of BMI’s total distribution. publishers and licensees has never been stronger. The Company was well positioned to BMI’s long-term strategic focus on diversifying navigate this challenging time, and despite the revenue streams enabled the Company to unprecedented impact of the global pandemic weather declines that resulted from the I am pleased to share that BMI is reporting pandemic. To that end, strong growth in the record-breaking results for the fiscal year Digital and Radio categories helped offset a ended June 30, 2020. BMI generated historic significant downturn in the General Licensing revenues of $1.311 billion, an increase of $28 sector. For the first time ever, revenue from million, or 2%, over the prior year. Notably, Digital sources represented the largest portion BMI absorbed a $60 million negative impact of BMI’s domestic total with 32%, or $304 due to the pandemic’s effect across multiple million, an increase of $42 million, or 16%, over businesses, yet the Company still surpassed last year. -
Imposter Next Door: a Study on Authenticity in The
IMPOSTER NEXT DOOR: A STUDY ON AUTHENTICITY IN THE MODERN POP STAR by Chris Cantu HONORS THESIS Submitted to Texas State University in partial fulfillment of the requirements for graduation in the Honors College May 2020 Thesis Supervisor: Rachel Romero Second Reader: Amber Lupo IMPOSTER NEXT DOOR: A STUDY ON AUTHENTICITY IN THE MODERN POP STAR by Chris Cantu May 2020 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Chris Cantu, authoriZe duplication of this work, in whole or in part, for educational or scholarly purposes only. ACKNOWLEDGMENTS Putting together this thesis has been something of a lifelong endeavor. In essence, it is the blueprint by which I intend to launch my career as a recording artist and songwriter. I could have never imagined combining my greatest passions – academia and pop culture – without the incredible guidance of Dr. Rachel Romero. The critical curiosity she has sparked within me, class after class, has completely changed the way I approach the world. Throughout my tenure at Texas State, Dr. Romero has been a gifted educator, wise mentor, and ultimately a genuine friend. I’d like to thank her for her unyielding support throughout this process, and her incredible impact on my life. -
Doc Nyc Announces Full Lineup for Tenth Anniversary Edition November 6-15, 2019
DOC NYC ANNOUNCES FULL LINEUP FOR TENTH ANNIVERSARY EDITION NOVEMBER 6-15, 2019 Festival’s Biggest Slate Ever Includes 28 World Premieres, 27 US Premieres Among More Than 300 Films and Events Once Were Brothers: Robbie Robertson and The Band Opens Festival, The Capote Tapes Closes Event Bikram: Yogi, Guru, Predator Screens as Centerpiece Includes New Films by Veteran Documentarians Barbara Kopple, Joe Berlinger, Kim Longinotto, Michael Apted, Patricio Guzmán, Alan Berliner, Eva Mulvad, Weijun Chen, Thomas Balmès, Beth B, Geeta Gandbhir, Dror Moreh, Yung Chang, Kate Davis & David Heilbroner, Jennifer Siebel Newsom, Oren Jacoby, Ngawang Choephel, Treva Wurmfeld, Mark Benjamin & Marc Levin, Julia Ivanova, Deborah Shaffer & Rachel Reichman Special Guests include Robbie Robertson, Dr. Ruth Westheimer, Ben Taylor, Sally Taylor, Kori Withers, Chris Stills, André Leon Talley, Lydia Lunch, Thurston Moore, Donita Sparks, Maurice Hines, Nicholas Kristof, Sheryl WuDunn, Soledad O’Brien, Elliott Erwitt, Audrey Flack, Buster Williams NEW YORK, Oct. 10, 2019 – DOC NYC, America’s largest documentary festival, announced the full lineup for its expanded tenth anniversary edition, running November 6-15 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinépolis Chelsea. The 2019 festival includes 136 feature-length documentaries among over 300 films and events overall, making this landmark year DOC NYC’s biggest edition yet. Included are 28 world premieres, 27 US or North American premieres and 59 NYC premieres, with more than 500 doc -
Netflix – Miss Americana Promotion Official Rules
NETFLIX – MISS AMERICANA PROMOTION OFFICIAL RULES NO PURCHASE IS NECESSARY TO PARTICIPATE OR WIN. A PURCHASE WILL NOT IMPROVE YOUR CHANCES OF WINNING. VOID WHERE PROHIBITED BY LAW. TO BE ELIGIBLE TO PARTICIPATE AND WIN A PRIZE (AS THAT TERM IS DEFINED BELOW), YOU MUST LIVE IN AN AREA SERVICED BY DOORDASH (“FULFILLMENT PARTNER”) IN MANHATTAN, NY, LOS ANGELES, CA, AND NASHVILLE, TN WHICH FULFILLMENT PARTNER LOCATIONS CAN BE FOUND AT https://miss- americana.fooji.com/#delivery-zones AND MUST SATISFY THE OTHER ELIGIBILITY REQUIREMENTS SET FORTH BELOW. BY PARTICIPATING IN THIS PROMOTION, YOU AGREE TO THESE OFFICIAL RULES, WHICH ARE A CONTRACT, SO READ THEM CAREFULLY BEFORE PARTICIPATING. WITHOUT LIMITATION, THIS CONTRACT PROVIDES FOR INDEMNIFICATION OF THE SPONSOR AND OTHER PROMOTION ENTITIES BY YOU, A CLASS ACTION AND JURY TRIAL WAIVER, A REQUIREMENT THAT MOST DISPUTES BE SETTLED BY MANDATORY BINDING ARBITRATION, AND A LIMITATION OF YOUR RIGHTS AND REMEDIES. 1) Promotion Entry Period: The Netflix Miss Americana Promotion (the “Promotion”) begins at approximately 3pm EST on January 31, 2019 and ends at 9pm EST on January 31, 2019 or when all available Prizes are issued by Sponsor, whichever comes first (the “Promotion Period”). At 1pm EST on January 31, 2019, the beginning of the Promotion Entry Period, Sponsor will tweet a call to action from the @Netflix Twitter handle (the “CTA Tweet”). As soon as the CTA Tweet is issued, eligible entrants may participate in the Promotion as provided herein. 2) Eligibility: To be eligible to receive a Prize, entrants must, at the time of entry, meet all of the following requirements: (i) be legal residents of the fifty (50) United States or the District of Columbia who live in an area serviced by Fulfillment Partner at one of the locations identified in the link above (“Territory”); (ii) be 18 years of age or older and the age of majority in the entrant’s jurisdiction as of the date and time of participation; and (iii) be registered users of Twitter (each, a “Participant(s)”). -
Achs Roar 0.00 $
5th PRICE: Edition ACHS ROAR 0.00 $ FRIDAY, April 30, 2021 Fun Fact of The Day: What animals cannot walk backwards? EXTRA EXTRA READ Emus and kangaroos cannot walk backwards... ALL ABOUT IT! By: Alexis Nguyen Welcome to the fifth edition of the new rendition of We are also bringing back a number of classics, such as Arlington Collegiate High School’s newspaper titled Uncle Julio’s Advice Column and Princess’s Pet Review. ACHS ROAR! Unfortunately, this is our final Numerous student written articles including my edition for the semester. I hope you enjoyed reading contribution of ideas on how students can give back to the our bi-monthly newsletter as much as many of our Earth and Paulina’s tips and tricks on how to get a better staff and editors enjoyed writing them. Thank you night’s sleep. Plus, there’s a couple of student entry to all the students, teachers, and staff that help poems, album reviews, and pictures submitted by you make this newspaper possible. Without getting all guys. There's a lot planned for this newspaper so get sentimental, for this month, we have a teacher comfy, grab a snack, and I hope you enjoyed your time spotlight interview featuring our brand new here. freshmen biology teacher, Ms. Bowens. - If you The Final Newspaper need help, By: Princess V just ask! The Hello everyone! I just want to say thank you to everyone who read the teacher newspaper every other week and wanted to contribute ideas it really s are means a lot. I really enjoyed my time working for the newspaper and alw coming up with fun little ideas and just getting to practice my writing as I do not get to do that often. -
Following Is a Listing of Public Relations Firms Who Have Represented Films at Previous Sundance Film Festivals
Following is a listing of public relations firms who have represented films at previous Sundance Film Festivals. This is just a sample of the firms that can help promote your film and is a good guide to start your search for representation. 11th Street Lot 11th Street Lot Marketing & PR offers strategic marketing and publicity services to independent films at every stage of release, from festival premiere to digital distribution, including traditional publicity (film reviews, regional and trade coverage, interviews and features); digital marketing (social media, email marketing, etc); and creative, custom audience-building initiatives. Contact: Lisa Trifone P: 646.926-4012 E: [email protected] www.11thstreetlot.com 42West 42West is a US entertainment public relations and consulting firm. A full service bi-coastal agency, 42West handles film release campaigns, awards campaigns, online marketing and publicity, strategic communications, personal publicity, and integrated promotions and marketing. With a presence at Sundance, Cannes, Toronto, Venice, Tribeca, SXSW, New York and Los Angeles film festivals, 42West plays a key role in supporting the sales of acquisition titles as well as launching a film through a festival publicity campaign. Past Sundance Films the company has represented include Joanna Hogg’s THE SOUVENIR (winner of World Cinema Grand Jury Prize: Dramatic), Lee Cronin’s THE HOLE IN THE GROUND, Paul Dano’s WILDLIFE, Sara Colangelo’s THE KINDERGARTEN TEACHER (winner of Director in U.S. competition), Maggie Bett’s NOVITIATE