Mode Records の魅力】 嵯 峨 睦
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ألبوù… (الألبوù…ات & الجØ
Lee Konitz ألبوم قائمة (الألبوم ات & الجدول الزمني) Jazz Nocturne https://ar.listvote.com/lists/music/albums/jazz-nocturne-30595290/songs Live at the Half Note https://ar.listvote.com/lists/music/albums/live-at-the-half-note-25096883/songs Lee Konitz with Warne Marsh https://ar.listvote.com/lists/music/albums/lee-konitz-with-warne-marsh-20813610/songs Lee Konitz Meets Jimmy Giuffre https://ar.listvote.com/lists/music/albums/lee-konitz-meets-jimmy-giuffre-3228897/songs Organic-Lee https://ar.listvote.com/lists/music/albums/organic-lee-30642878/songs https://ar.listvote.com/lists/music/albums/lee-konitz-meets-warne-marsh-again- Lee Konitz Meets Warne Marsh Again 28405627/songs Subconscious-Lee https://ar.listvote.com/lists/music/albums/subconscious-lee-7630954/songs https://ar.listvote.com/lists/music/albums/an-image%3A-lee-konitz-with-strings- An Image: Lee Konitz with Strings 24966652/songs Lee Konitz Plays with the Gerry https://ar.listvote.com/lists/music/albums/lee-konitz-plays-with-the-gerry-mulligan- Mulligan Quartet quartet-24078058/songs Anti-Heroes https://ar.listvote.com/lists/music/albums/anti-heroes-28452844/songs Alto Summit https://ar.listvote.com/lists/music/albums/alto-summit-28126595/songs Pyramid https://ar.listvote.com/lists/music/albums/pyramid-28452798/songs Live at Birdland https://ar.listvote.com/lists/music/albums/live-at-birdland-19978246/songs Oleo https://ar.listvote.com/lists/music/albums/oleo-28452776/songs Very Cool https://ar.listvote.com/lists/music/albums/very-cool-25096889/songs -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Warne Marsh Quintet Jazz of Two Cities Mp3, Flac, Wma
Warne Marsh Quintet Jazz Of Two Cities mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Jazz Of Two Cities Country: Spain Released: 2003 Style: Cool Jazz MP3 version RAR size: 1461 mb FLAC version RAR size: 1907 mb WMA version RAR size: 1842 mb Rating: 4.6 Votes: 178 Other Formats: VOX MMF DXD VOC AU AIFF AAC Tracklist Hide Credits Smog Eyes 1-1 3:35 Composed By – Ted Brown Ear Conditioning 1-2 5:14 Composed By – Ronnie Ball Lover Man 1-3 4:28 Composed By – Ram Ramirez* Quintessence 1-4 4:15 Composed By – Ronnie Ball Jazz Of Two Cities 1-5 4:33 Composed By – Ted Brown Dixie's Dilemma 1-6 4:21 Composed By – Warne Marsh These Are The Things I Love (Based On Tchaikovsky's Opus 42, 3rd Movement) 1-7 3:59 Adapted By – Warne Marsh I Never Knew 1-8 5:02 Composed By – Gus Kahn, Ted Fiorito Ben Blew 1-9 3:37 Composed By – Ben Tucker Time's Up 1-10 3:08 Composed By – Ronnie Ball Earful 1-11 4:35 Composed By – Ronnie Ball Black Jack 1-12 3:15 Composed By – Warne Marsh Jazz Of Two Cities (Alternate Take) 1-13 4:39 Composed By – Ted Brown I Never Knew (Alternate Take) 1-14 5:09 Composed By – Gus Kahn, Ted Fiorito Aretha 2-1 4:59 Composed By – Ronnie Ball Long Gone 2-2 4:47 Composed By – Warne Marsh Once We Were Young 2-3 3:46 Composed By – Walter Gross Foolin' Myself 2-4 4:31 Composed By – Andy Razaf, Fats Waller Avalon 2-5 3:04 Composed By – Jolson*, DeSylva*, Rose* On A Slow Boat To China 2-6 5:17 Composed By – Frank Loesser Crazy She Calls Me 2-7 4:15 Composed By – Al Cahn Broadway 2-8 5:58 Composed By – Haydn Wood, Teddy McRae Arrival 2-9 3:48 Composed By – Ronnie Ball Au Privave 2-10 1:08 Composed By – Charlie Parker Ad Libido 2-11 2:43 Composed By – Ronnie Ball 2-12 Bobby Troup Discusses Warne's Music.. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
SAL MOSCA/WARNE MARSH QUARTET) (Archived from Cassette Sources - 1980-1981)
Guide to Digitized Sal Mosca Audiovisual Recordings Compiled by Don Messina BOX 13 - SAL MOSCA - ARCHIVED VILLAGE VANGUARD PERFORMANCES WITH WARNE MARSH From SAL MOSCA's |PRIVATE COLLECTION (SAL MOSCA/WARNE MARSH QUARTET) (Archived from Cassette Sources - 1980-1981) SM V000X– Sal Mosca-Warne Marsh Quartet at the Village Vanguard, 7th Avenue, NY, NY; SOURCE: C=CD; CAS=Cassette. Performers: SM=Sal Mosca (Piano); WM=Warne Marsh (Tenor); FC=Frank Canino (Bass); SS=Skip Scott (Drums). (ES=Earl Sauls (Bass), and TP=Tim Pleasant (Drums) may be part of part of the rhythm section on the excerpted solos CDs). ARCHIVED (A) Miscellaneous Info SM V# SOURCE SM V# DATE & Notes SM V0001a SM V0001 (CAS) 8.11.1981 (SM,WM,FC,SS) CD 1 of 2 Love me or leave me Out of nowhere (317 East 32nd St.) Foolin myself Indiana (Back home) Ghost of a chance Crosscurrents # Cherokee # Marionette # Featherbed # You go to my head # Released on Zinnia Records - Sal Mosca/Warne Marsh Vol. 1 and Vol. 2 (103 and 104 CD) ________________________________________________________________________ SM V0001b-2 SM V0001/SM V0002 (CAS) 8.11.1981 (SM,WM,FC,SS) CD 2 of 2 SM V0001 Fishin' around Imagination SMV0002 8.11.1981 Two not one All the things you are Its you or no one (Duet SM+WM) Body and soul # Dreams # 1 Pennies in minor Sophisticated lady (incomplete) # Released on Zinnia Records - Sal Mosca/Warne Marsh Vol. 1 and Vol. 2 (103 and 104CD) ________________________________________________________________________ SM V0003a SM V0003 (CAS) 8.12.1981 (SM,WM,FC,SS) CD 1 of 2 Its you or no one 317 East 32nd St. -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas the the Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas the Dave Oliphant
Oliphant: The Wisconsin Texas Jazz Nexus The Wisconsin-Texas Jazz Nexus Jazz Wisconsin-Texas The The Wisconsin-Texas Jazz Nexus Nexus Jazz Wisconsin-Texas The Dave Oliphant The institution of slavery had, of course, divided the nation, and Chicago. Texas blacks had earlier followed the cattle trails and on opposite sides in the Civil War were the states of Wis- north, but, in the 1920s, they also felt the magnetic pull of consin and Texas, both of which sent troops into the bloody, entertainment worlds in Kansas City and Chicago that catered decisive battle of Gettysburg. Little could the brave men of the to musicians who could perform the new music called jazz that Wisconsin 6th who defended or the determined Rebels of the had begun to crop up from New Jersey to Los Angeles, beholden Texas Regiments who assaulted Cemetery Ridge have suspected to but superseding the guitar-accompanied country blues and that, one day, musicians of their two states would join to pro- the repetitive piano rags. The first jazz recordings had begun to duce the harmonies of jazz that have depended so often on the appear in 1917, and, by 1923, classic jazz ensembles had begun blues form that was native to the Lone Star State yet was loved performing in Kansas City, Chicago, and New York, led by such and played by men from such Wisconsin towns and cities as seminal figures as Bennie Moten, King Oliver, Fletcher Jack Teagarden, courtesy of CLASSICS RECORDS. Teagarden, Jack Fox Lake, Madison, Milwaukee, Waukesha, Brillion, Monroe, Henderson, and Duke Ellington. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright CHROMATIC THIRDS RELATIONS IN THE IMPROVISATIONS OF MARK TURNER A thesis submitted in fulfilment of the requirements for the degree of Masters of Music (Performance via Research) at The Sydney Conservatorium of Music at the University of Sydney. Tim ClarKson December 2009 1 Acknowlegements I would like to acknowledge the efforts of several people in the preparation of this thesis. My supervisor, Phillip Slater has provided focused feedback and astute criticism in helping to hone my arguments. -
Concert & Recital Programs Concert & Recital Programs
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-25-2010 Concert: Ithaca College Jazz Lab Ensembles Ithaca College Wednesday Jazz Lab Band Mike Titlebaum Ithaca College Super Sax Ulf Bandgren Ithaca College Monday Jazz Lab Ensemble See next page for additional authors Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Wednesday Jazz Lab Band; Titlebaum, Mike; Ithaca College Super Sax; Bandgren, Ulf; Ithaca College Monday Jazz Lab Ensemble; and Killian, Tom, "Concert: Ithaca College Jazz Lab Ensembles" (2010). All Concert & Recital Programs. 4416. https://digitalcommons.ithaca.edu/music_programs/4416 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Authors Ithaca College Wednesday Jazz Lab Band, Mike Titlebaum, Ithaca College Super Sax, Ulf Bandgren, Ithaca College Monday Jazz Lab Ensemble, and Tom Killian This program is available at Digital Commons @ IC: https://digitalcommons.ithaca.edu/music_programs/4416 PROGRAM Low-Down Blues Mike Titlebaum Peter Falango, trombone Casey Thomas, alto saxophone Andrew Loretz, tenor saxophone Scott Card, guitar Jordan Morton, bass ITHACA COLLEGE Ciribiribin Alberto Pestalozza Transcribed and adapted by Myles Collins JAZZ LAB ENSEMBLES Colin Johnson, trumpet Mike Titlebaum, Ulf Bandgren and Tom Killian, directors If I Were A Rich Man Sheldon Harnick and Jerry Bock Arr. Mike Titlebaum Walkin’ Shoes Gerry Mulligan Peter Falango, trombone Andrew Loretz, tenor saxophone Ford Hall Andrew Horwitz, alto saxophone Sunday, April 25, 2010 Alexander Schwind, trumpet 8:15 p.m. -
Cash Box, Music Page 1 May 22, 1954 Chuckles
— 7 The Cash Box, Music Page 1 May 22, 1954 Chuckles BENNY GOODMAN in Walt Disney’s “2 For The Record”—Capitol EAP-1-519 (EP) List: $1.50 ALL THE CATS JOIN IN; AFTER YOU'VE GONE; THERE'LL BE SOME CHANGES MADE. Formerly part of Disney’s “Make Mine Music” Benny Goodmans “After You’ve Gone” and “All The Cats Join In” are being released again by Disney as a cartoon called “Two For The Record.” This item is released in conjunction with the short. “There’ll Be Some Changes Made” rounds out the EP that should do well via the cartoon’s promotion. STRAUSS: “Strauss Waltzes” Transcribed for Organ—Richard Ellsasser MGM E 3110 (12" LP) List: $4.85 EMPEROR WALTZ; WINE, WOMAN, AND SONG; TALES FROM THE VIENNA WOODS; BLUE DANUBE WALTZ. The agile fingers of talented organist, Richard Ellsasser, glide over the key- board of the beautiful organ housed in the John Hays Hammond Museum in Gloucester, Massachusetts, as he renders four classic Strauss waltzes. The melodies are probably the most popular waltz numbers ever written. Disk should have a strong appeal to lovers of such music. Organ fans ought to go for this one too. CLASSICAL MIAMI BEACH, FLA.—The good natured kidding of Tony Martin (left) and Tad Bruce, strikes the funny bone of popular WKAT disk jockey Sleepy- LISZT: Les Preludes-Hungarian Rhapsodies—The Philharmonia Orchestra, time Gal. The female platter spinner sets the pace for the South’s midnight Rudolf Schwarz, conductor RCA Victor LBC-1070 (12" LP) List: $2.85 to 3:30 AM “Torch Time” show. -
Barney Kessel Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch …………………………………………………………………… 3 Scope & Content …………………………………………………………………… 5 Series Notes …………………………………………………………………………… 6 Container List: Series I: Correspondence …………………………………………………… 9 Incoming, Dated …………………………………………………… 9 From Maurice J. Summerfield …………………………………… 33 Incoming, Undated …………………………………………………… 35 Incoming, Unsigned & Undated …………………………………… 37 Blank Envelopes …………………………………………………… 37 Outgoing, Dated …………………………………………………… 38 To Maurice J. Summerfield …………………………………………… 43 Outgoing, Undated …………………………………………………… 44 Outgoing, Unsigned & Undated …………………………………… 44 Correspondence Including Photographs …………………………… 45 Series II: Personal Documents …………………………………………… 46 Biographies …………………………………………………………… 46 Marriage Documents …………………………………………………… 46 Obituaries …………………………………………………………… 47 Series III: Seminar …………………………………………………………… 48 Business …………………………………………………………… 48 Promotional Material …………………………………………………… 48 Notes …………………………………………………………………… 49 Correspondence …………………………………………………… 49 Questionnaires …………………………………………………… 50 Series IV: Promotional Material …………………………………………… 51 Flyers …………………………………………………………………… 51 Press Releases …………………………………………………… 52 Programs & Booklets …………………………………………………… 53 Interview Transcripts …………………………………………………… 55 Reviews …………………………………………………………… 55 Oversized Posters …………………………………………………… 56 Series V: Notes …………………………………………………………… 57 Notebooks ……………………………………………………………