Krauss Locomotive No. 8457: History K
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Tram Potential
THE INTERNATIONAL LIGHT RAIL MAGAZINE www.lrta.org www.tautonline.com JULY 2019 NO. 979 GROWING LONDON’S TRAM POTENTIAL Brussels congress debates urban rail safety and sustainability Doha launches Metro Red line service US raises Chinese security concerns India plans ‘Metrolite’ for smaller cities Canberra Energy efficiency £4.60 Realising a 100-year Reduced waste and light rail ambition greater profitability 2019 ENTRIES OPEN NOW! SUPPORTED BY ColTram www.lightrailawards.com CONTENTS 244 The official journal of the Light Rail Transit Association 263 JULY 2019 Vol. 82 No. 979 www.tautonline.com EDITORIAL EDITOR – Simon Johnston [email protected] ASSOCIATE EDITOr – Tony Streeter [email protected] WORLDWIDE EDITOR – Michael Taplin [email protected] 256 NewS EDITOr – John Symons [email protected] SenIOR CONTRIBUTOR – Neil Pulling WORLDWIDE CONTRIBUTORS Tony Bailey, Richard Felski, Ed Havens, Andrew Moglestue, Paul Nicholson, Herbert Pence, Mike Russell, Nikolai Semyonov, Alain Senut, Vic Simons, Witold Urbanowicz, Bill Vigrass, Francis Wagner, Thomas Wagner, Philip Webb, Rick Wilson PRODUCTION – Lanna Blyth Tel: +44 (0)1733 367604 [email protected] NEWS 244 saving energy, saVING COST 258 Doha opens Metro Red line; US politicians Len Vossman explains some of the current DESIGN – Debbie Nolan raise Chinese security concerns; Brussels initiatives driving tramway and metro ADVertiSING celebrates ‘tramway 150’; Arizona’s Valley energy efficiency. COMMERCIAL ManageR – Geoff Butler Tel: +44 (0)1733 367610 Metro extends to Gilbert Rd; Bombardier [email protected] UK to build new Cairo monorail; Luas-style SYSTEMS FACTFILE: london trams 263 PUBLISheR – Matt Johnston system proposed for Ireland’s Cork; Neil Pulling looks at developments on the Kent-Essex tramway is feasible; India UK network formerly known as Tramlink. -
Youtube Videos Cab Rides Strassenbahnen/Tramways in Deutschland/Germany Stand:31.12.2020/Status:31.12.2020 Augsburg
YOUTUBE VIDEOS CAB RIDES STRASSENBAHNEN/TRAMWAYS IN DEUTSCHLAND/GERMANY STAND:31.12.2020/STATUS:31.12.2020 AUGSBURG: LINE 1:LECHHAUSEN NEUER OSTFRIEDHOF-GÖGGINGEN 12.04.2011 https://www.youtube.com/watch?v=g7eqXnRIey4 GÖGGINGEN-LECHHAUSEN NEUER OSTFRIEDHOF (HINTERER FÜHRERSTAND/REAR CAB!) 23:04 esbek2 13.01.2017 https://www.youtube.com/watch?v=X1SfRiOz_u4 LECHHAUSEN NEUER OSTFRIEDHOF-GÖGGINGEN 31:10 (HINTERER FÜHRERSTAND/REAR CAB!) WorldOfTransit 27.05.2016 https://www.youtube.com/watch?v=4JeDUwVu1rQ GÖGGINGEN-KÖNIGSPLATZ-MORITZPLATZ- DEPOT 22:53 21.09.2014 https://www.youtube.com/watch?v=qbIIg8r0okI AUGSBURG NORD-KÖNIGSPLATZ-GÖGGINGEN 01:03:10 Reiner Benkert 08.01.2015 https://www.youtube.com/watch?v=tyNKAozjSKI LECHHAUSEN NEUER OSTFRIEDHOF-CURTIUSSTRASSE 02:28 RRV LINE 2:AUGSBURG WEST-HAUNSTETTEN NORD 26.12.2014 https://www.youtube.com/watch?v=W3di8ga1lZE AUGSBURG WEST-HAUNSTETTEN NORD (HINTERER FÜHRERSTAND/REAR CAB!) 31:33 esbek2 21.06.2019 https://www.youtube.com/watch?v=ILXRyG9iSoQ OBERHAUSEN-HAUNSTETTEN NORD 32:50 Reiner Benkert 27.12.2015 https://www.youtube.com/watch?v=__DFdZv7atk MORITZPLATZ-AUGSBURG WEST (HINTERER FÜHRERSTAND/REAR CAB!) 25:43 PatrickS1968 27.12.2015 https://www.youtube.com/watch?v=kbt0DIqvwdA AUGSBURG WEST-MORITZPLATZ (HINTERER FÜHRERSTAND/REAR CAB!) 25:52 PatrickS1968 1 LINE 3:STADTBERGEN-HAUNSTETTEN WEST 13.01.2017 https://www.youtube.com/watch?v=6fnPJ_W5o5s STADTBERGEN-HAUNSTETTEN WEST (HINTERER FÜHRERSTAND/REAR CAB!) 33:58 WorldOfTransit 08.04.2018 https://www.youtube.com/watch?v=l1zduTC5_kk HAUNSTETTEN-LECHHAUSEN -
El Lissitzky Letters and Photographs, 1911-1941
http://oac.cdlib.org/findaid/ark:/13030/tf6r29n84d No online items Finding aid for the El Lissitzky letters and photographs, 1911-1941 Finding aid prepared by Carl Wuellner. Finding aid for the El Lissitzky 950076 1 letters and photographs, 1911-1941 ... Descriptive Summary Title: El Lissitzky letters and photographs Date (inclusive): 1911-1941 Number: 950076 Creator/Collector: Lissitzky, El, 1890-1941 Physical Description: 1.0 linear feet(3 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: The El Lissitzky letters and photographs collection consists of 106 letters sent, most by Lissitzky to his wife, Sophie Lissitzky-Küppers, along with his personal notes on art and aesthetics, a few official and personal documents, and approximately 165 documentary photographs and printed reproductions of his art and architectural designs, and in particular, his exhibition designs. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in German Biographical/Historial Note El Lissitzky (1890-1941) began his artistic education in 1909, when he traveled to Germany to study architecture at the Technische Hochschule in Darmstadt. Lissitzky returned to Russia in 1914, continuing his studies in Moscow where he attended the Riga Polytechnical Institute. After the Revolution, Lissitzky became very active in Jewish cultural activities, creating a series of inventive illustrations for books with Jewish themes. These formed some of his earliest experiments in typography, a key area of artistic activity that would occupy him for the remainder of his life. -
SCHLOESSERLAND SACHSEN. Fireplace Restaurant with Gourmet Kitchen 01326 Dresden OLD SPLENDOR in NEW GLORY
Savor with all your senses Our family-led four star hotel offers culinary richness and attractive arrangements for your discovery tour along Sa- xony’s Wine Route. Only a few minutes walking distance away from the hotel you can find the vineyard of Saxon master vintner Klaus Zimmerling – his expertise and our GLORY. NEW IN SPLENDOR OLD SACHSEN. SCHLOESSERLAND cuisine merge in one of Saxony’s most beautiful castle Dresden-Pillnitz Castle Hotel complexes into a unique experience. Schloss Hotel Dresden-Pillnitz August-Böckstiegel-Straße 10 SCHLOESSERLAND SACHSEN. Fireplace restaurant with gourmet kitchen 01326 Dresden OLD SPLENDOR IN NEW GLORY. Bistro with regional specialties Phone +49(0)351 2614-0 Hotel-owned confectioner’s shop [email protected] Bus service – Elbe River Steamboat jetty www.schlosshotel-pillnitz.de Old Splendor in New Glory. Herzberg Żary Saxony-Anhalt Finsterwalde Hartenfels Castle Spremberg Fascination Semperoper Delitzsch Torgau Brandenburg Senftenberg Baroque Castle Delitzsch 87 2 Halle 184 Elsterwerda A 9 115 CHRISTIAN THIELEMANN (Saale) 182 156 96 Poland 6 PRINCIPAL CONDUCTOR OF STAATSKAPELLE DRESDEN 107 Saxony 97 101 A13 6 Riesa 87 Leipzig 2 A38 A14 Moritzburg Castle, Moritzburg Little Buch A 4 Pheasant Castle Rammenau Görlitz A72 Monastery Meissen Baroque Castle Bautzen Ortenburg Colditz Albrechtsburg Castle Castle Castle Mildenstein Radebeul 6 6 Castle Meissen Radeberg 98 Naumburg 101 175 Döbeln Wackerbarth Dresden Castle (Saale) 95 178 Altzella Monastery Park A 4 Stolpen Gnandstein Nossen Castle -
Introduction
Introduction The PRESSA opened its doors in Cologne on 12 May 1928. To this day, this international press exhibition, deemed by contemporaries to be the “world’s first look at the press” is unrivalled in size and importance. By the time the last ticket had been sold that October, more than five million visitors from Ger- many and around the world had taken in the facilities, halls and pavilions on the Deutzer banks of the Rhine, all of which had required an unprecedented degree of time and effort to build. They were able to admire the press exhibits and cultural presentations of the many participating nations (including the members of the League of Nations), attend the exhibition’s many informative and entertaining events and see the numerous tourist attractions in and around the host city and along the Rhine. Despite its contemporary and media-historical significance, the PRESSA has, in retrospect, hardly been studied. One might even say that it has been for- gotten. On the occasion of the 80th anniversary of its inauguration, an interna- tional interdisciplinary conference was therefore organised by the Centre for European and International Studies Research at the University of Portsmouth, the Institute of “Deutsche Presseforschung” at the University of Bremen and the Bremen Society for German Press Research in order to come to terms with the PRESSA’s significance. Along with presentations on the preparation and implementation of the exhibition and its political and artistic implications, the conference also dealt with the appearance of the German-Jewish press at the PRESSA. For the first time this press had the chance to present itself, in its own pavilion no less, as part of the general press to a wider public. -
Checklist of the Exhibition Checklist of the Exhibition Note: All Objects Are
Checklist of the exhibition Note: All objects are from the collections of the Getty Research Institute, unless otherwise noted. When “photograph” is listed as the medium, the item is a documentary photograph of an original design or artwork. Futurist Beginnings 1. El Lissitzky Cover of Solntse na izlete (Spent sun) Poems by Konstantin Bolshakov Moscow: Tsentrifuga, 1916 88-B24323 2. Natalia Goncharova Cover of Vtoroi sbornik Tsentrifugi (Second Centrifuge collection) Poems by eleven authors Moscow: Tsentrifuga, 1916 90-B4642 3. Natalia Goncharova Cover of Serdtse v perchatke (Heart in a glove) Poems by Konstantin Bolshakov Moscow: Mezonin poezii, 1913 88-B24316 4. Natalia Goncharova Cover of Vetrogradari nad lozami (Gardeners on the vines) Poems by Sergei Bobrov Moscow: Lirika, 1913 88-B24275 1 4a. Natalia Goncharova Pages from Vetrogradari nad lozami (Gardeners on the vines) Poems by Sergei Bobrov Moscow: Lirika, 1913 88-B24275 Yiddish Book Design 5. El Lissitzky Dust jacket from Had gadya (One goat) Children’s illustrated book based on the Jewish Passover song Kiev: Kultur Lige, 1919 1392-150 6a. El Lissitzky Cover of Had gadya (One goat) Children’s illustrated book based on the Jewish Passover song Kiev: Kultur Lige, 1919 1392-150 6b. El Lissitzky Page from Had gadya (One goat) Children’s illustrated book based on the Jewish Passover song Kiev: Kultur Lige, 1919 1392-150 7. El Lissitzky Cover of Sihas hulin: Eyne fun di geshikhten (An everyday conversation: A story) Tale by Moses Broderson Moscow: Ferlag Chaver, 1917 93-B15342 8. El Lissitzky Frontispiece from deluxe edition of Sihas hulin: Eyne fun di geshikhten (An everyday conversation: A story) Tale by Moses Broderson Moscow: Shamir, 1917 93-B15342 2 9. -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
Herbert Bayer's Exhibition Catalogue for the 1930 Section Allemande
$UFKLWHFWXUDO Miller, W 2017 Points of View: Herbert Bayer’s Exhibition Catalogue for the 1930 Section Allemande. Architectural Histories, 5(1): 1, +LVWRULHV pp. 1–22, DOI: https://doi.org/10.5334/ah.221 RESEARCH ARTICLE Points of View: Herbert Bayer’s Exhibition Catalogue for the 1930 Section Allemande Wallis Miller Sigfried Giedion called Herbert Bayer’s exhibition catalogue for the 1930 Section Allemande a “minor typographical masterpiece.” Like similar catalogues, it is inexpensive, provides an inventory list, has an introduction, functions as a guide, and is illustrated. However, the majority of its images are of instal- lations, not their contents. Bayer accommodates the catalogue type for applied arts exhibitions by list- ing installations as objects, but he confronts the type by showing installations as display contexts that establish points of view, emulating, idealizing and interpreting the experience of the exhibition. By inde- pendently constructing ways of seeing and understanding the exhibition, the catalogue resists being an appendage to the exhibition, despite their close relationship. Giedion may have viewed Bayer’s catalogue as an important but secondary work of graphic design, but this article argues that it is of primary signifi- cance as an exhibition catalogue, an unusual essay on the book typology that is conscious of its history while moving outside — to other types of book design and to exhibitions — to transform it. Introduction In the summer of 1930, crowds filled Paris’s Grand Palais to capacity. The people were heading to the Section Alle- mande (German Section), the German Werkbund’s exhibi- tion at the annual Salon of the Société des Artistes Déco- rateurs (Society of Decorative Artists). -
Exposition Architecture
Exposition architecture Date 1936 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2095 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Bulletin of The Museum of Modern Art A view of the Stockholm Exposition, 1930, designed by Cunnar Asplund. Exposition Arehiteeture 3 Volume 4 January 1036 Exposition Architecture Expositions, like skyscrapers, dramatize architecture for the general public. Hence they have an influence upon architectural history far greater than their intrinsic importance. Their particular atmosphere of holiday and ballyhoo, their very transience, indeed, appeal to the imagination of a wide public which is otherwise rarely stirred by any ideas of architecture at all. Real innovations of structure or design seldom make their first appearance in expositions. But World's Fairs are sounding boards for ideas, both good and bad, which have already taken solid form under more obscure conditions. At the first World's Fair, the Great Exposition of 1851 in London, the English saw a building of whose like few had ever dreamed. Technically Pax- ton's Crystal Palace was no more than an enlargement of the Palm House at Chatsworth which he had designed over a decade earlier. Yet visitors to the Crystal Palace saw a vision of buildings all of metal and glass—a vision which the architects and engineers of the time were incapable of realizing on any general scale. -
JUN 2 7 2013 JUNE 2013 LIBRAR ES 02013 Mariel A
Life behind ruins: Constructing documenta by Mariel A. Viller6 B.A. Architecture Barnard College, 2008 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF ARCHVES MASTER OF SCIENCE IN ARCHITECTURE STUDIES MASSACHUSETTS INSTTE AT THE OF TECHNOLOGY MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUN 2 7 2013 JUNE 2013 LIBRAR ES 02013 Mariel A. Viller6. All rights reserved. The author hereby grants MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Department of Architecture May 23,2013 Certified by: Mark Jarzombek, Professor of the Histo4y 7eory and Criticism of Architecture Accepted by: Takehiko Nagakura, Chair of the Department Committee on Graduate Students 1 Committee Mark Jarzombek,'Ihesis Supervisor Professor of the History, Theory and Criticism of Architecture Caroline Jones, Reader Professor of the History of Art 2 Life behind ruins: Constructing documenta by Mariel A. Viller6 B.A. Architecture Barnard College, 2008 Submitted to the Department of Architecture on May 23,2013 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies Abstract A transnational index of contemporary art, documenta in its current form is known in the art world for its scale, site-specificity and rotating Artistic Directors, each with their own theme and agenda. On a unique schedule, the expansive show is displayed in Kassel, Germany from June to September every five years. The origins of the exhibition-event are embedded in the postwar reconstruction of West Germany and a regenerative national Garden Show. -
Annual Report 2010 Page 2 Annual Report 2010
Annual Report 2010 Page 2 Annual Report 2010 Contents Contents .......................................................................................................................... 2 Foreword ......................................................................................................................... 5 Chairman‘s Report—David T Morgan MBE TD ............................................................... 6 Vice Chairman‘s Report - Mark Smith ........................................................................... 10 Vice President‘s-report Brian Simpson .......................................................................... 12 President-Lord Faulkner of Worcester .......................................................................... 13 Managing Director—David Woodhouse ........................................................................ 14 Finance Director—Andrew Goyns ................................................................................. 15 Company Secretary - Peter Ovenstone ........................................................................ 16 Sidelines / Broadlines and Press—John Crane............................................................. 17 Railway Press —Ian Smith ............................................................................................ 19 Small Groups—Ian Smith .............................................................................................. 20 General Meetings-Bill Askew ....................................................................................... -
Draft Release June 15 2017 Oktoberfest Rail Extravaganza To
Draft release June 15 2017 Oktoberfest Rail Extravaganza To Be ‘Wunderbar’ For Groups Group tour operators and coach professionals are being prompted to take a look at a brand new ‘Oktoberfest’ event from Ravenglass and Eskdale Railway, which will tick the box of any narrow gauge rail enthusiast or club. The event that promises to be absolutely ‘wunderbar’ is taking over the Ravenglass and Eskdale Railway between October 21 and 29, and will comprise a feast of German locos, food and even musical entertainment at the weekends. The Lake District railway has secured the visit of two German Krauss-built steam engines, Tazzelwurm from the Killesberg Railway in Stuttgart and Steam Engine no 1, from The Prater Liliputbahn, Vienna. Tazzelwurm takes its name from a serpentine creature in Alpine folklore and arrived on the scene in 1950, to help replace two locos sent to Leipzig during World War 2. Steam Engine No 1 was built in the late 1920s, as a park ‘garden train’, which were all the rage at amusement parks at the time. Other narrow gauge locos of Germanic origin heading to Ravenglass are the Romney, Hythe and Dymchurch engine The Bug. The R&ER will also be displaying some of its own narrow gauge museum engines in the NEW Railway Museum – Synolda, Count Louis and Katie. One some days there will be mini rides with double header The Bug and Count Louis to Muncaster Mill. “The Oktoberfest event is sure to be a huge draw not only for narrow gauge enthusiasts but ootehrs who want to enjoy a packed day out at the railway ”, says R&ER marketing manager, Lisa Braithwaite.