Dana Gioia - Poems
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The Poetry of Robinson Jeffers
The Poetry of Robinson Jeffers 1 Table of Contents The Poetry of Robinson Jeffers About the Book.................................................... 3 “Permanent things, About the Author ................................................. 4 or things forever Historical and Literary Context .............................. 7 Other Works/Adaptations ..................................... 8 renewed, like the Discussion Questions............................................ 9 grass and human Additional Resources .......................................... 10 passions, are the Credits .............................................................. 11 material for poetry...” Preface The poetry of Robinson Jeffers is emotionally direct, magnificently musical, and philosophically profound. No one has ever written more powerfully about the natural beauty of the American West. Determined to write a truthful poetry purged of ephemeral things, Jeffers cultivated a style at What is the NEA Big Read? once lyrical, tough-minded, and timeless. A program of the National Endowment for the Arts, NEA Big Read broadens our understanding of our world, our communities, and ourselves through the joy of sharing a good book. Managed by Arts Midwest, this initiative offers grants to support innovative community reading programs designed around a single book. A great book combines enrichment with enchantment. It awakens our imagination and enlarges our humanity. It can offer harrowing insights that somehow console and comfort us. Whether you’re a regular reader already or making up for lost time, thank you for joining the NEA Big Read. NEA Big Read The National Endowment for the Arts 2 About the Book Introduction to Robinson Jeffers The poetry of Robinson Jeffers is distractingly memorable, not only for its strong music, but also for the hard edge of its wisdom. His verse, especially the wild, expansive narratives that made him famous in the 1920s, does not fit into the conventional definitions of modern American poetry. -
Bringing Art to All Americans
BRINGINGBRINGING ARARTT TOTO ALLALL AMERICANSAMERICANS AA CONVERSACONVERSATIONTION WITHWITH DANADANA GIOIAGIOIA here is no central literature, and art, and has composed ministry of culture that sets librettos for operas. national policy for the arts in In the following conversation, Gioia the United States government. discusses a range of subjects, from the The two national endowments public and private aspects of T— the National Endowment for American culture to the evolution of the Arts (NEA) and the National various disciplines. Dana Gioia Endowment for the Humanities (NEH) — provide grant support for individual artists Q: Let’s begin by viewing the arts in America and scholars and for arts and humanities institutions. through your unique prism — the NEA itself. While the NEA budget — $115 million for fiscal year A: I come to the NEA with a very simple vision. A 2003 — is quite modest when compared to other great nation deserves great art. America is the nations’ public arts funding, private donations have wealthiest and most powerful nation in the history of always provided the major support for American the world. But the measure of a nation’s greatness culture. Private spending for the arts in the United isn’t wealth or power. It is the civilization it creates, States for the year 2002 has been calculated at fosters, and promotes. What I hope to accomplish roughly $12.1 billion. During its nearly four decades here, in the broad sense, is to help foster the public of existence, the NEA, whose goals are to encourage culture that America deserves. excellence and to bring art to all Americans, has used Although we are the largest arts funder in the its funds as a spark for private beneficence. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. DAVE BRUBECK NEA Jazz Master (1999) Interviewees: Dave Brubeck (December 6, 1920 – December 5, 2012) with Russell Gloyd and Iola Brubeck (August 14, 1923 – March 12, 2014) Interviewers: Ted Gioia with recording engineer Ken Kimery Date: August 6-7, 2007 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 90 pp. Track markers were accidentally embedded into the original recording in such a way as to lose a few words at the breaks. Square brackets and five spaces – [ ] – indicate these small gaps in the transcription. Brubeck: There’s two cats in this house, and I don’t mean jazz musicians. But I haven’t heard them or seen them, so they probably are hiding. Gioia: They’re checking us out. Brubeck: This is a new house that – Chris had a house on the other side of town and got a pretty good deal and was able to have room for the first time in his life for a studio. He’s been writing so much – always new things. Gioia: It’s important to have the right setting. [microphone adjustment] Kimery: When you’re ready. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 Gioia: This is Ted Gioia. We are at Chris Brubeck’s house in Wilton, Connecticut, conducting an oral history with Dave Brubeck as part of the Smithsonian’s program of conducting oral histories with NEA [National Endowment for the Arts] Jazz Masters. -
Redemption Songs
Redemption Songs $QJHOD$ODLPR2¶'RQQHOO | NOVEMBER 19, 2012 Pity the Beautiful By Dana Gioia Graywolf Press. 80p $15.99 DDQD*LRLD¶VQHZERRNRISRHPVPity the Beautiful, offers a series of powerful meditations on loss and the redemSWLYHSRZHURIEHDXW\WRVXVWDLQWKHVRXOWKURXJKWKHPRVWKDUURZLQJRIKHOOV7KLVLV*LRLD¶VIRXUWK ERRNRISRHPVDQGKLVILUVWFROOHFWLRQLQ\HDUV7KHORQJKLDWXVZDVRFFDVLRQHGE\*LRLD¶VVL[-and-a-half- year service as chair of the National Endowment for the Arts under President George W. Bush. His long and successful foray into the realm of public service has served Gioia well as a poet. His signature public project² to take art out of the realm of academics and aesthetes and restore it to ordinary people²brought him into close contact with the preoccupations and the idiom of his readership, enabling Gioia to create poems that speak powerfully of our universal loves and losses and address our deepest desires. Pity the Beautiful does all of this, offering 35 poems that are compelling, haunting and, in fact, beautiful. The narrative arc traced in the course of the volume is one of pilgrimage. Gioia is a modern-day Dante, moving poem by poem through the stations of Hell and Purgatory, bringing us to the gates of a Paradise that is promised but not yet gained. The poems take us, inevitably, to dark places: the special treatments ward of a KRVSLWDOILOOHGZLWKG\LQJFKLOGUHQWKHER[RIOHWWHUVZULWWHQE\WKHSRHW¶VEHORYHGGHDG UHYHQDQWVZKRKDXQW this collection) and, in a wry twist, to the shopping mall, with its glittering altars to the false god of commerce we (un)wittingly worship. *LRLD¶V YLVLRQ KRZHYHU LV XOWLPDWHO\ D KRSHIXO RQH $Q XQVSRNHQ EHOLHI LQ WKH WKHRORJLFDO JLIW RI JUDFH pervades the poems²a suspicion, if not an outright conviction²that there is a divinity that shapes our ends, rough-hew them how we will. -
Art of Poetry Syllabus (2018) Word
ENG 172g: THE ART OF POETRY University of Southern California Dana Gioia Fall, 2018 Monday / Wednesday, 2:00 – 3:20 p.m. THH, Room 201 Syllabus Overview This course provides an introduction to the pleasures and insights of poetry. Our coursework will be divided into two parts. In the first half, we will systematically explore the key elements of the poetic art (voice, image, suggestion, metaphor, and form) with examples drawn from the high points of English-language poetry. The second part of the course will explore the lives and works of seven major poets in depth: William Shakespeare, Emily Dickinson, Robert Frost, E. A. Robinson, Wallace Stevens, Elizabeth Bishop, and Langston Hughes. This course will develop your skill in critical reading and writing—focusing on both what literary language says explicitly and what it suggests. As you will discover, the careful study of poetry will enhance your general mastery of language. Underlying all of these academic aims, however, is the assumption that poetry is not a remote and specialized art whose mysteries can be appreciated only by a trained intellectual elite. This course rests on the conviction that poetry is one of the irreplaceable human arts whose power and pleasure are open to any alert and intelligent person with an inclination to savor them. Instructor Information Office Hours: Wednesday, 3:30-4:30 p.m. or by appointment. Taper Hall, Room 314 Contact Information: [email protected] Teaching Assistants: Matthew Berger: [email protected] Justin Bortnick: [email protected] Jessica Kim: [email protected] Required Texts An Introduction to Poetry. -
The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I
The Roy Davids Collection Part III Poetry: Poetical Manuscripts & Portraits of Poets Volume I: A - K Wednesday 10 April 2013 at 1pm New Bond Street, London 2 | Bonhams The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I: A-K. Lots 1-263 Wednesday 10 April 2013 at 1pm New Bond Street, London Bonhams Customer Services Illustrations Please see back of catalogue 101 New Bond Street Monday to Friday 8.30am to 6pm Front cover: Lot 229 for Notice to Bidders London W1S 1SR +44 (0) 20 7447 7447 Back cover: Lot 224 www.bonhams.com Inside covers: Lot 151 New bidders must also provide proof Viewing of identity when submitting bids. Bids Friday 5 April 9am to 4.30pm Please see back of catalogue Failure to do this may result in your +44 (0) 20 7447 7448 Sunday 7 April 11am to 3pm for important notice to bidders bids not being processed. +44 (0) 20 7447 7401 fax Monday 8 April 9am to 4.30pm To bid via the internet Tuesday 9 April 9am to 4.30pm Live online bidding is Bidding by telephone will only be please visit www.bonhams.com available for this sale accepted on a lot with a lower Enquiries Please email [email protected] estimate in excess of £400. Please provide details of the lots Matthew Haley with “Live bidding” in the on which you wish to place bids Luke Batterham subject line 48 hours before at least 24 hours prior to the sale. Simon Roberts the auction to register for Francesca Spickernell this service. -
The Businessman, the Statesman, and the Poet - the Best American Poetry
The Businessman, the Statesman, and the Poet - The Best American Poetry The Best American Poetry WHO WE ARE ABOUT ADVERTISE WITH US BOOKS POEMS GUEST BLOGGERS BOOK STORES EMILY CHICKENSON REMEMBERING PAUL VIOLI PAUL VIOLI PRIZE April 29, 2012 The Businessman, the Statesman, and the Poet Ed note: On Thursday, April 26, 2012, at The Corner Bookstore in Manhattan (93rd Street and Madison Avenue), Dana Gioia read from Pity the Beautiful, his most recent volume of poetry. Here is the text of David Lehman's introduction. (sdh): Most poets lead lives of quiet desperation or perhaps subdued contentment. The example of Dylan Thomas to the contrary notwithstanding, the life of a modern poet is not supposed to be dramatic, exciting, full of unexpected detours and flamboyant adventures. Take a look at the contributors' notes of a poetry anthology and you’ll see the typical profile: the poet has an MFA degree, teaches writing workshops at a university or college, has several publications, has gained some recognition, and lives with spouse plus a pet with a cute name in Tuscaloosa or Kalamazoo, or maybe Iowa City or Ann Arbor. How different from this paradigm is the life and career of Dana Gioia. After college at Stanford, Dana studied comparative literature at Harvard, picking up a master’s degree but deciding that the academic life was not for him. In 1975, he returned to Stanford to study business. With his MBA in hand he began working for General Foods in Rye Brook, NY, becoming a vice president of marketing, with responsibilities for such accounts as Jell-O and Kool-Aid. -
Poetry's Afterlife: Verse in the Digital Age / Kevin Stein
POETRY'S AFTERLIFE DIgITALCULTUREBDDKS is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Poetry's Afterlife VERSE IN THE DIGITAL AGE Kevin Stein The University of Michigan Press and The University of Michigan Library ANN ARBOR Copyright © by the University of Michigan 20IO Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press and The University of Michigan Library Manufactured in the United States of America r§ Printed on acid-free paper 2013 2012 2011 2010 4 3 2 I A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Stein, Kevin, 1954- Poetry's afterlife: verse in the digital age / Kevin Stein. p. cm. - (Digitalculturebooks) ISBN 978-0-472-07099-2 (cloth: alk. paper) - ISBN 978-0-472-05099-4 (pbk.: alk. paper) I. American poetrY-21st century-History and criticism. 2. Poetry-Appreciation United States-HistorY-2Ist century. 3. Poetry-Appreciation-United States HistorY-20th century. 4. American poetrY-20th century-History and criticism. I. Title. ps326s74 2010 811.509-dc22 ISBN 978-0-472-02670-8 (e-book) For Deb, with daisies, And for Kirsten and Joseph, who question everything. -
Speaking of Love Recorded at Red Rock Studios, Saylorsburg, Pennsylvania
Acknowledgments For Love or Money, Family Letters, and Speaking of Love recorded at Red Rock Studios, Saylorsburg, Pennsylvania. Recording engineer: William Holmes; produced by Paul Salerni. Special thanks to David Diggs, Casey Rule, Laura Johnson, and Kent Heckman for their help at the recording. Quartet 1.5 recorded at Sound Studio Hamu, Prague, Czech Republic. Recording engineer: Michal Pekarek; produced by Jan Jirasek. Speaking of Love Special thanks to Lenka Mrazkova for organizing the recording. Special thanks to Llyena Boylan for her wise advice and to Lehigh University and its donors for their support. SONGS AND CHAMBER MUSIC BY PAUL SALERNI WWW.ALBANYRECORDS.COM TROY1651 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. WORDS BY DANA GIOIA BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2016 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Salerni_1651_book.indd 1-2 10/20/16 12:58 PM About The Composer A dedicated educator, Salerni is the recipient of the Stabler Award, Lehigh’s most valued acknowledgement of excellence in teaching. He served on the Board of the Paul Salerni’s music “pulses with life, witty musical ideas and Suzuki Association of the Americas for seven years, two as its Chair. instrumental color” (The Philadelphia Inquirer), and is “impressive” Please visit Paul’s website: www.paulsalerni.com and “playful” (The New York Times). Salerni’s chamber music and songs are widely performed. Recent commissions included a string quartet (Quartet 1.5—Emory Chamber Music Society About The CD by Paul Salerni of Atlanta) a suite for trombone and harp (2x242—Southwest I have been blessed with terrific collaborators, first and foremost my wife Laura Minnesota Arts Council), a vocal work for singer and chamber Johnson who not only was part of the team raising our sons (both of whom perform ensemble (Family Letters—SATORI) and a woodwind quintet (U-Turn—East Winds). -
Library-Catalog-Updated-2021-01-04-07 Pàgina 1 Composer and Sheet Music Name (Pdf Or Rar File) File Size (KB) 100 Greatest
Library-Catalog-Updated-2021-01-04-07 Composer and sheet music name (pdf or rar file) File size (KB) 100 greatest POP songs.pdf 8.771 KB 100 Hits Simply The Best (Die besten Songs aus Pop, Rock) German.pd5.670 KB 100 Jazz & Blues Greats Book.pdf 20.044 KB 100 Jazz Etudes by Jacob Wise.pdf 2.254 KB 100 Light Classics For Piano Solo.pdf 4.810 KB 100 of the Best Movie Songs Ever!.pdf 14.313 KB 100 Of The Best Songs Ever For The Keyboard.pdf 29.986 KB 100 Piano Solos 1.pdf 15.465 KB 100 Pop Hits Of The 90's by Dan Coates.pdf 7.180 KB 100 Songs For Kids - Easy Guitar Lyrics.pdf 3.765 KB 100 Ultimate Blues Riffs For Piano Keyboards.pdf 2.351 KB 1000 Examples of Musical Dictation (Ladukhin, Nikolay).pdf 749 KB 1001 Blues Licks by Toby Wine - Piano.pdf 47.492 KB 1015 Songs - The Original, Musicians's (Musicals).pdf 20.679 KB 106 Songs Everybody Plays.rar 14.329 KB 11 Short Classical Piano Pieces.pdf 384 KB 116 Arrangements Of Baroque, Classical & Ballet Pieces For Piano Solo.22.841 KB 129 Easy Pieces For Piano Solo, also for beginners.pdf 3.926 KB 12th Street RAG - Liberace Collection Book 29 Piano.pdf 3.762 KB 150 Of The Most Beautiful Songs Ever 3rd Edit.pdf 26.540 KB 17 Moments of Spring - Mgnovenia (Mikael Tariverdiev).pdf 183 KB 1812 Overture Thaikovsky.pdf 591 KB 200 Jazz Standards Tunes (chords progressions for C Instruments) Bob T214 KB 200 Of The Best Songs From Jazz Of The 50s_.pdf 11.328 KB 20th Century Classics Volume 1.pdf 5.990 KB 20th Century Jazz Guitar by Richie Zellon.pdf 3.706 KB 20th Century Piano Musicpdf Book (1990) David -
Catholic Imagination Conference Program
Connecting, Researching, Communicating THE THIRD BIENNIAL The Joan and Bill Hank Center CATHOLIC IMAGINATION CONFERENCE Cfor the Catholic CIH Intellectual Heritage THE FUTURE OF THE CATHOLIC LITERARY TRADITION www.luc.edu/ccih/ Loyola University Chicago | September 19-21, 2019 FALL 2019 LAKE SHORE CAMPUS CAMPION HALL WEST LOYOLA AVENUE CROWN MERTZ SeanSean Earl Earl Field Field CENTER HALL Alfie Norville Practice Facility CUDAHY CTA NORVILLE LIBRARY RED LINE GENTILE ATHLETICS LOYOLA ARENA CENTER STATION DAMEN DUMBACH STUDENT HALL CENTER LOYOLA INFORMATION COMMONS Entrance to Fordham parking East Quad CUDAHY HALAS SCIENCE HALL SPORTS MADONNA DELLA FORDHAM West CENTER STRADA CHAPEL HALL Quad P UNIVERSITY BOOKSTORE NORTH SHERIDAN ROAD NORTH SHERIDAN GRANADA CUNEO CENTER HALL CAMPUS SAFETY OFFICE COFFEY HALL P MUNDELEIN QUINLAN LIFE CENTER SCIENCES SHUTTLE PIPER CENTER HALL STOP FLANNER HALL WELCOME CENTER DEVON AVENUE WEST SHERIDAN ROAD RALPH BVM HALL ARNOLD SULLIVAN FINE ARTS DE NOBILI CENTER FOR ANNEX HALL STUDENT SERVICES REGIS INSTITUTE OF HALL SIMPSON ENVIRONMENTAL LIVING- SUSTAINABILITY LEARNING CENTER NORTH SHERIDAN ROAD NORTH SHERIDAN NORTH KENMORE AVENUE NORTH WINTHROP AVENUE NORTH BROADWAY STREET NORTH BROADWAY ALUMNI HOUSE 1 Welcome Conference Attendees: A warm welcome to the Third Biennial Catholic Imagination Conference. In 2015, we inaugurated this unique conference in lovely Los Angeles; in 2017, we assembled in beautiful New York City for an inspired second iter- ation; today, we bring the conference to sweet home Chicago—the city of Big Shoulders, quick wit, and a robust Catholic culture. Our conference features over 80 writers, poets, filmmakers, playwrights, journalists, editors, publishers, stu- dents, and critics who will explore a variety of questions surrounding the Catholic imagination in literature and the arts. -
Naming and Taming the Truth: Dana Gioia's Transformative Poetry
Naming and Taming the Truth 26 ___ 10.2478/abcsj-2021-0003 Naming and Taming the Truth: Dana Gioia’s Transformative Poetry ROXANA DONCU “Carol Davila” University of Medicine and Pharmacy, Bucharest, Romania Abstract This essay attempts to trace the ways in which Dana Gioiaʼs use of form relates to, and simultaneously differs from Romanticism, Modernism and postmodernism. His particular brand of formalism takes up the notion of a connection between truth and beauty, without presuming to identify one with the other, and, at the same time, resisting both the Modernist obsession with dissolution and fragmentariness and postmodernism's skepticism towards grand narratives. Form becomes a coalescing agent, uniting different aspects and levels of reality, and narratives are instrumental in shaping both the individual and the social body. The power to name (point to and describe) and to tame (to translate dark or incomprehensible aspects of reality), inherent in language, is the means by which poetry shapes our social and cultural world. Keywords: modernism, new formalism, expansive poetry, poetic truth, poetic form Introduction: Not Form but Transformation Our private and public lives are shaped by the truths we fight for, and we are constantly at war with those that misunderstand us. Knowledge is power, yet true knowledge is scarce and not easily discernible among the heaps of disposable errors. Science has developed procedures and protocols to ascertain the truth of facts, and logic has its own methods to check the truth of statements. Yet while scientific, logical truth is always 27 Naming and Taming the Truth predicated of a specific object, there is another kind of truth (sometimes capitalized as the Truth), which we find in religion, metaphysics, or esoteric knowledge – modes that emphasize the meaning of life – and we identify with.