Journal of English Studies 17, 2019
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Celebration and Rescue: Mass Media Portrayals of Malala Yousafzai As Muslim Woman Activist
Celebration and Rescue: Mass Media Portrayals of Malala Yousafzai as Muslim Woman Activist A Thesis Submitted to the Faculty of Drexel University by Wajeeha Ameen Choudhary in partial fulfillment of the Requirements for the degree of Doctor of Philosophy November 2016 ii iii Dedication To Allah – my life is a culmination of prayers fulfilled iv Acknowledgements This dissertation would not have possible without the love and support of my parents Shoukat and Zaheera Choudhary, my husband Ahmad Malik, and my siblings Zaheer Choudhary, Aleem Choudhary, and Sumera Ahmad – all of whom weathered the many highs and lows of the thesis process. They are my shoulder to lean on and the first to share in the accomplishments they helped me achieve. My dissertation committee: Dr. Brent Luvaas and Dr. Ernest Hakanen for their continued support and feedback; Dr. Evelyn Alsultany for her direction and enthusiasm from many miles away; and Dr. Alison Novak for her encouragement and friendship. Finally, my advisor and committee chair Dr. Rachel R. Reynolds whose unfailing guidance and faith in my ability shaped me into the scholar I am today. v Table of Contents ABSTRACT ……………………..........................................................................................................vii 1. INTRODUCTION AND LITERATURE REVIEW...………….……………………………………1 1.1 Introduction ………………………………………………………………………………………...1 1.1.1 Brief Profile of Malala Yousafzai ……….………...…………...………………………………...4 1.2 Literature Review ………………………………………………………………………………….4 1.2.1 Visuality, Reading Visual -
Smart Speakers & Their Impact on Music Consumption
Everybody’s Talkin’ Smart Speakers & their impact on music consumption A special report by Music Ally for the BPI and the Entertainment Retailers Association Contents 02"Forewords 04"Executive Summary 07"Devices Guide 18"Market Data 22"The Impact on Music 34"What Comes Next? Forewords Geoff Taylor, chief executive of the BPI, and Kim Bayley, chief executive of ERA, on the potential of smart speakers for artists 1 and the music industry Forewords Kim Bayley, CEO! Geoff Taylor, CEO! Entertainment Retailers Association BPI and BRIT Awards Music began with the human voice. It is the instrument which virtually Smart speakers are poised to kickstart the next stage of the music all are born with. So how appropriate that the voice is fast emerging as streaming revolution. With fans consuming more than 100 billion the future of entertainment technology. streams of music in 2017 (audio and video), streaming has overtaken CD to become the dominant format in the music mix. The iTunes Store decoupled music buying from the disc; Spotify decoupled music access from ownership: now voice control frees music Smart speakers will undoubtedly give streaming a further boost, from the keyboard. In the process it promises music fans a more fluid attracting more casual listeners into subscription music services, as and personal relationship with the music they love. It also offers a real music is the killer app for these devices. solution to optimising streaming for the automobile. Playlists curated by streaming services are already an essential Naturally there are challenges too. The music industry has struggled to marketing channel for music, and their influence will only increase as deliver the metadata required in a digital music environment. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Biografia | Versão Espanhol Carlinhos Brown Fue El Primer Músico En
Biografia | Versão Espanhol Carlinhos Brown fue el primer músico en formar parte de la Academia del Oscar y a recibir los títulos de Embajador Iberoamericano de la Cultura y Embajador de Justicia Restaurativa de Bahía. Cantautor, arreglador musical, multiinstrumentista, técnico de The Voice Brasil, The Voice Kids y artista visual, el esteta intuitivo y gestual Carlinhos Brown, ha logrado construir una trayectoria consagrada por su actuación musical, social, percusiva y por la belleza de sus actuaciones. GRAN HOMBRE DE MOVIMIENTO Nacido en 1962 con el nombre de Antonio Carlos Santos de Freitas en la comunidad del Candeal Pequeño de Brotas, un quilombo de resistencia africana en el corazón de la ciudad de Salvador de Bahía, Carlinhos Brown promocionó a lo largo de su carrera, diversas revitalizaciones rítmicas, desarrollando ricas y significativas conexiones con sus raíces ancestrales. Reconocido como uno de los artistas más creativos e innovadores de la cultura brasileña, vive continuamente en búsqueda de nuevas experimentaciones sonoras. En la juventud se convertiría en el responsable por la mayor parte de las revoluciones musicales de su época. A partir de eso, hizo parte directamente de los primeros arreglos que dieron origen al Axé Music y al Samba Reggae, haciendo centenares de composiciones exitosas, contabilizando más de 800 canciones registradas y más de mil grabaciones registradas en el banco de datos Ecad. En el mismo barrio de Candeal Pequeño de Brotas, donde nació, creó contenidos artísticos llenos de vigor para el escenario de la música pop brasileña con gran repercusión por el mundo como, por ejemplo, la Timbalada, movimiento percusivo vivo que potencializa talentos, creado en principios de los años 90 y que sigue en constante transformación bajo la luz del maestro Brown. -
Co-Site Electromagnetic Interference Troubleshooting and Validation of Suppressing Performance by Extrapolation Method
Co-site Electromagnetic Interference Troubleshooting and Validation of Suppressing Performance by Extrapolation Method Ma Xie Southwest Communication Institute, Postbox 810, Chengdu, CHINA E-mail: [email protected] Abstract Co-site interference is becoming an increasingly significant problem in electronic systems. Ever increasing demand for more sophisticated, higher performance communication systems on one hand and the need for high density integrations in congested electromagnetic environments on the other have introduced numerous challenges to system designers. In this paper, the procedure of troubleshooting interference from vehicle to co-site radio system is detailed, and an approach for suppressing the interference is proposed. With the equivalent experiment and extrapolation method, the efficacy of suppressing is easily and effectively predicted. Also the signal coverage test and error analysis of prediction are reported. 1. Introduction The modern military operations and emergency communication for rescue have created the need for more co- operation and higher efficiency. Thus, the lightweight wheeled vehicle integrated kinds of electronic systems forms the high-mobility unit with multi-function. Since last two decades, the high mobility multi-purpose wheeled vehicle has been widely used in both military and civil rescue. There has been much effort put into the design of radio systems and antennas in order to increase the wireless signal coverage during the past years. But meanwhile, the co-site Electro- Magnetic Interference (EMI) caused by the close proximity of antennas mounted on a space limited vehicle, has become a significant problem. Issues associated with co-site interference are multifold. Techniques to mitigate such effects are thus critical for ensuring reliable communications. -
Enterprise Best Practices for Ios Devices On
White Paper Enterprise Best Practices for iOS devices and Mac computers on Cisco Wireless LAN Updated: January 2018 © 2018 Cisco and/or its affiliates. All rights reserved. This document is Cisco Public. Page 1 of 51 Contents SCOPE .............................................................................................................................................. 4 BACKGROUND .................................................................................................................................. 4 WIRELESS LAN CONSIDERATIONS .................................................................................................... 5 RF Design Guidelines for iOS devices and Mac computers on Cisco WLAN ........................................................ 5 RF Design Recommendations for iOS devices and Mac computers on Cisco WLAN ........................................... 6 Wi-Fi Channel Coverage .................................................................................................................................. 7 ClientLink Beamforming ................................................................................................................................ 10 Wi-Fi Channel Bandwidth ............................................................................................................................. 10 Data Rates .................................................................................................................................................... 12 802.1X/EAP Authentication .......................................................................................................................... -
Thyroid Nodules in Adults JCG0042 V2.2
Part of East Anglia Thyroid Cancer Multi-Disciplinary Team Joint Trust Guideline for the Management of Thyroid Nodules in Adults A clinical guideline recommended Endocrinology, General Medicine, Endocrine For use in: Surgery, ENT, Oncology, Radiology, Nuclear Medicine By: Consultants and junior staff For: Adult patients with thyroid nodules Division responsible for document: Medical Division Key words: Thyroid, Nodules Name of document author: Dr Ketan Dhatariya Job title of document author: Consultant Endocrinologist Name of document author’s Line Dr Swe Myint Manager: Job title of author’s Line Manager: Consultant Endocrinologist Clinical Guidelines Assessment Panel (CGAP) Assessed and approved by the: If approved by committee or Governance Lead Chair’s Action; tick here Date of approval: 29 July 2020 Ratified by or reported as approved Clinical Safety and Effectiveness Sub Board to (if applicable): To be reviewed before: This document remains current after this 29 July 2023 date but will be under review To be reviewed by: Authors Reference and / or Trust Docs ID No: 1225 Version No: JCG0042 v2.1 Compliance links: (is there any NICE No NICE related to guidance) If Yes - does the strategy/policy deviate from the recommendations of N/a NICE? If so why? This guideline has been approved by the Trust's Clinical Guidelines Assessment Panel as an aid to the diagnosis and management of relevant patients and clinical circumstances. Not every patient or situation fits neatly into a standard guideline scenario and the guideline must be interpreted and applied in practice in the light of prevailing clinical circumstances, the diagnostic and treatment options available and the professional judgement, knowledge and expertise of relevant clinicians. -
Risk of Malignancy in a Multinodular Goiter: Report of Two Cases with a Literature Review MY Razaleigh1, a Nor Safariny2, B Anita3
CASE REPORT Risk of Malignancy in a Multinodular Goiter: Report of Two Cases with a Literature Review MY Razaleigh1, A Nor Safariny2, B Anita3 ABSTRACT Goiter is a common disease in Malaysia. It can be classified as retrosternal, substernal, and intrathoracic goiter. According to this classification, the approach to surgery differs. We have two cases presented with a multinodular goiter with evidence from imaging and histopathology. Both cases were treated as intrathoracic goiters and underwent thyroidectomy with the postoperative pathology report indicating them as micropapillary carcinomas. We will discuss regarding management options for both patients according to the pathology. In conclusion, management will differ based on classification and postoperative pathology reports. Keywords: Intrathoracic goiter, Micropapillary carcinoma, Multinodular goiter. World Journal of Endocrine Surgery (2019): 10.5005/jp-journals-10002-1262 INTRODUCTION 1–3 Department of Surgery, Hospital Putrajaya, Putrajaya, Malaysia Goiter is a common disease in Malaysia. Our hospital has had Corresponding Author: MY Razaleigh, Department of Surgery, experience in variable types and sizes of goiters. However, Hospital Putrajaya, Putrajaya, Malaysia, Phone: +60 122911204, e-mail: subgroups of a multinodular goiter should be known. There [email protected] are retrosternal, substernal, and intrathoracic goiters. Many How to cite this article: Razaleigh MY, Safariny AN, et al. Risk of classifications have been given for this, as approach to surgery Malignancy in a Multinodular Goiter: Report of Two Cases with a differs. To treat a benign intrathoracic multinodular goiter with Literature Review. World J Endoc Surg 2019;11(2):60–63. an intraoperative pathology report of micropapillary thyroid Source of support: Nil carcinoma can be challenging. -
The Neccessity of Using Functional Training in the Independent Studio
THE INDEPENDENT TEACHER Karen Hall, Associate Editor !e Necessity of Using Functional Training in the Independent Studio Jeannette LoVetri ! "# $%&# '()*+#) ,-*% the twenty-.rst century, teachers of singing who maintain an independent studio need to stay abreast of ingredients that will attract students to their studio and entice them to stay there long enough to accomplish something good. A/ese students attract others through word of mouth, and help establish a studio’s reputation as being a place where they can learn what they need in a timely way. Functional training is a very important ingredient that will soon become a necessity in the independent studio. /e more you understand functional Jeannette LoVetri training for the voice, and the more you are able to o0er this as part of your approach to teaching singing, the more your studio will grow and your suc- cess expand. WHAT IS FUNCTIONAL TRAINING? Because there is no uniformly accepted de.nition of the term functional training, what follows is my understanding of these words, used together, and applied to singing. We must recognize that not all training for the voice is or has been, traditionally speaking, functional. /e training many of us had was musically based, and while such training can be valuable, it is not always functional. We were told to “extend the notes,” or “connect up the notes so they 1ow together more smoothly,” or we were asked to “crescendo the note,” or “approach the note without sliding into the pitch.” Van Christy seems to support this view when he states, “/e importance of musicianship is o2en underestimated by the student of singing.”1 Others were taught to produce a tone in a particular con.guration but without much explanation about how or why it was necessary. -
My Daughter Malala Transcript
My Daughter Malala Transcript Losing and Parian Lauren still moonshines his sulphur-bottom theatrically. Elbert siping arguably? Certificated Samuel overstate impatiently while Dunstan always harmonizes his halm achings scribblingly, he commingle so boiling. Women and they were growing up before my daughter gifted me tell rather required that they road was not be passionate about them change the New version of speech, my daughter malala transcript: you were born, entertainment and sent you will hide our voice heard earlier in that day for? So at that time and if she wanted to talk: from the my daughter malala transcript may still to perform some male on youth takeovers in her truth was. I respect highly Malala for strength courage to speak out destination without his father's. Remember one worm in my daughter malala transcript. They did not be my daughter malala transcript. That she had simply defending her right near an education made the following even more astounding. Practice key skills for my daughter malala transcript has become the. Bill Murray Movies And Tv Shows. My father and transcript may choose a lot of people started sort of the show you working on my daughter malala transcript has been put forward. Ziauddin Yousafzai My daughter Malala I used education for emancipation. Kid not exactly sure that case it is a person came away from india and kanju for education, and other guys who refuses to my daughter malala transcript may need to? Malala chapter by writers you though it just made you will be my daughter malala transcript provided by. -
Got It? Instructions
GO TO page vi UNIT for UNIT OPENER step-by-step 10 Got It? instructions. WHAT DO YOU ALREADY KNOW? STUDENTS MAY ALREADY KNOW: 1 Think about the things you are good at in different areas of your life. Write the things. 2 IN PAIRS Share and compare your ideas. Add more words to your lists. • At home: communication, organization, At home cooking, gardening, fixing things, hobbies, cleaning, washing, fixing the car. • At school or work: school At school or work subjects, punctuality, friendships, relationships, mentoring. • Sports and art: drawing, painting, Sports and art sketching, soccer, basketball, running, athletics. DISCUSS & SHARE GO TO page xx 3 IN GROUPS Watch the video and answer the question. for VIDEOS IN SYM Would you use your talent to express your creativity or make money? SYM step-by-step VIDEO instructions. In this unit, you will … • talk about your talents and abilities, ask and answer questions for a talent show audition, and share advice on how to succeed in the music industry. • use thinking skills: question, analyze, and evaluate. • read about what causes talent. • use strategies and language to talk about your achievements politely, control your nerves when speaking to a group, and use idioms in informal contexts. • use communication skills to make judgments and choose winners of a talent contest. • follow a talent scout to learn about this job and the skills needed to be in this industry. Unit 10 Got It? 97 9781380031419__text.indb 97 12/12/19 1:37 PM WHAT DO YOU ALREADY KNOW? VIDEO DISCUSS & SHARE If students are struggling to Before viewing, ask: Students should place themselves understand what to do, you can ask on a continuum of opinion. -
CCM Versus Music Theater: a Comparison
POPULAR SONG AND MUSIC THEATER Robert Edwin, Associate Editor CCM versus Music Theater: A Comparison Matthew Edwards and Matthew Hoch t the turn of the twenty-first century, music theater pedagogy was often considered synonymous with CCM peda- gogy. It was clear that the vocal requirements of many of the newer Broadway shows were “nonclassical” in nature, and that Aclassical voice lessons alone were insufficient to prepare aspiring music theater performers. However, as time moves forward, it is becoming increasingly clear that the nonclassical nature of music theater is perhaps one of the only things that the genre has in common with other CCM genres. As we near the end of the second decade of the twenty-first century, separate pedagogies Matthew Edwards are emerging that distinguish important differences between the training of commercial singers and that of music theater performers. CCM: THE TERM AND ITS ORIGINS The term contemporary commercial music (CCM) first appeared in print in a 2003 research paper by Jeanette LoVetri and Edrie Means-Weekly.1 LoVetri clarified questions surrounding the term in a 2008 article in theJournal of Voice, where she wrote: “Contemporary commercial music (CCM) is the new term for what we used to call non-classical music. This is a generic term Matthew Hoch created to cover everything including music theater, pop, rock, gospel, R&B, soul, hip hop, rap, country, folk, experimental music, and all other styles that are not considered classical.”2 The term is widely accepted in the voice pedagogy community, yet it has not caught on outside our industry.