DOCSLIB.ORG

News Release

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
News Release SPOLETO FESTIVAL USA NEWS RELEASE Contact: Jessie Bagley, 843.720.1136 [email protected] Note: Digital images are available for download from our Media Photo Gallery. FOR IMMEDIATE RELEASE Spoleto Festival USA Announces Grammy-nominated BRANDI CARLILE in Concert at the TD Arena at the College of Charleston on Monday, May 30 at 8:30pm Tickets on sale Friday, February 26 at 10:00am Donor pre-sale begins Tuesday, February 23 at 10:00am spoletousa.org | 843.579.3100 February 19, 2016 (CHARLESTON, SOUTH CAROLINA)—Spoleto Festival USA today announced that Americana singer-songwriter Brandi Carlile will perform a Memorial Day concert as part of the 2016 Festival. She will be joined on stage by her full band for the concert that will include songs from her Grammy-nominated and critically acclaimed album The Firewatcher’s Daughter. The concert will be in the TD Arena at the College of Charleston on Monday, May 31 at 8:30pm. Tickets start at $25 and go on sale to the general public on Friday, February 26. A donor pre-sale will start Tuesday, February 23. Known for her soaring melodies and rich, rugged voice, Brandi Carlile’s sound traverses the genres of folk, rock, and country underscored by a lyrical honesty. The Firewatcher’s Daughter—released in March 2015—features Carlile’s longtime collaborators Phil and Tim Hanesroth, known as “The Twins,” who will join her on stage in Charleston. Of this musical partnership, Rolling Stone magazine said: “Everyone sings. Everyone plays. Everyone writes songs. At its most collaborative, Brandi Carlile—the band, not the person—recreates the sort of primordial Americana pioneered by vocal groups like Crosby, Stills, Nash & Young . .” The harmonies also evoke Fleetwood Mac, who Carlile has acknowledged as a significant influence on The Firewatcher’s Daughter songwriting. Other collaborators with whom Brandi Carlile has worked during her career include producers T-Bone Burnett and Rick Rubin, and she collaborated with Elton John on her 2009 album Give Up the Ghost. Singles from The Firewatcher’s Daughter include “Wherever Is Your Heart” and “The Eye” and follow the success of previous songs “The Story” and “That Wasn’t Me.” The Brandi Carlile concert will conclude a jam-packed opening weekend for Spoleto Festival USA that takes place in Charleston, South Carolina May 27 through June 12. The Festival will be jump-started on Thursday, May 26 with a concert in the College of Charleston Cistern Yard by Old Crow Medicine Show, who will also perform on opening night. Other events taking place over opening weekend include opera, theater, classical music, chamber music and concerts presented as part of the Wells Fargo Jazz series. Tickets for all performances are available now from spoletousa.org or by phone from the box office at 843.579.3100. About Spoleto Festival USA For 17 days and nights each spring, Spoleto Festival USA fills Charleston, South Carolina’s historic theaters, churches, and outdoor spaces with over 150 performances by world-renowned artists as well as emerging performers in opera, theater, dance, and chamber, symphonic, choral, and jazz music. For more information on Spoleto Festival USA 2016, May 27–June 12, please visit spoletousa.org or call 843.579.3100. .
Load more

Recommended publications
  • A Conversation with Brandi Carlile by Frank Goodman (7/2007
    A Conversation with Brandi Carlile by Frank Goodman (7/2007. Puremusic.com) Raw talent vs. expensive packaging is always a pleasant surprise in the entertainment business. Brandi Carlile is the very rare exception to the rule; she and her band made their own EP, piece by piece with their own money, and Columbia ended up buying it and putting it out. Rolling Stone chose her as one of the 10 Artists to Watch in 2005. The subsequent Columbia full length debut CD contained new versions of a number of the songs from the EP. Relentless gigging leading up to the EP and through the debut had already moved her through various styles with her running twin partners, the Hanseroth Brothers. Tim and Phil had had a hard rock band called The Fighting Machinists, and they bring that honed edge to the BC sound. She is not only a vocalist that can literally do it all, the band itself moves fluidly and convincingly from flat out country right through edgy pop radio rock. She's the only artist you can see on CMT whose main cited influences are Elton John, k.d. lang, Jeff Buckley, and Radiohead. One hears all the time now about how acts getting tunes on Grey's Anatomy can practically launch their career, but in BC's case, there was a Grey's episode that actually debuted a version of the video for Brandi's big song "The Story." Overall, no less than four of her songs have been used in the show. She's hot, super talented, and a driven workaholic.
    [Show full text]
  • Changes to Rule 5.5B1, Extent of Item for Notated Music
    CC:DA/MLA/2011/2 May 12, 2011 page 1 of 5 To: ALA/ALCTS/CCS Committee on Cataloging: Description and Access From: Mark Scharff, Music Library Association liaison to CC:DA Subject: Change to RDA 7.24 and Glossary, Artistic and/or Technical Credit The Bibliographic Control Committee of the Music Library Association requests CC:DA’S endorsement of the proposed revision to the text of Resource Description and Access (RDA). We ask for your consideration and endorsement at the 2011 Annual Meeting so that the proposal may be considered by the Joint Steering Committee at their November meeting. This proposal has been reviewed by members of OLAC’s Cataloging Policy Advisory Committee (CAPC). As mentioned at the end of the document, CC:DA may wish to broaden the scope of this proposal; if that is the case, we hope for timely action. Background Music catalogers have traditionally recorded information on music producers and engineers deemed to be significant in a note, according to AACR2 rule 6.7B6, Statements of Responsibility. Such information has been accommodated in MARC field 508 $a, Creation/Production Credits Note. Furthermore, music catalogers have often found it prudent to trace the names of producers and engineers in added entries, for enhanced access. As presently written, RDA 7.24 restricts the recording of this information to motion pictures and video recordings, thereby limiting catalog users’ access to this information in the realm of sound recordings. Rationale RDA 7.24 and the Glossary currently define Artistic and/or Technical Credit as “a listing of persons, families, or corporate bodies making contributions to the artistic and/or technical production of a motion picture or video recording other than as performers, narrators, or presenters.” MLA proposes that the Glossary definition and Basic Instructions on recording artistic and/or technical credits (7.24.1) be expanded to include sound recording producers and engineers.
    [Show full text]
  • June 2017.Pub
    Volume 10, Issue 6 (The ORMF Edition) Expand Your Horizons June 1, 2017 OYSTER RIDGE OUTLOOK Director: Bridget Stewart, Assistant Director: Jennifer Parker, Program Assistant: Julie Robinson 20 Adaville Dr. Diamondville Bearheart (307) 877-6958 College was the formative time for Bearheart. It’s been KemmererOutreach.com many years since then, but co-founders Matthew How to Register Leonhardt and Chris Barrett have taken the years Come in and fill out a since to continue crafting this vivacious band. Blending folk instrumentation with alt-country and registration form indie rock forms, Leonhardt’s voice brings genuine or emotion and feeling to each song, backed by powerful go online to percussion from Barrett. www.westernwyoming.edu or With years of writing and shows under their belts, call the outreach Bearheart brings maturity and perspective beyond office at their years. Various members have helped cultivate 877-6958 the sound of Bearheart over the years, contributing Monday - Friday banjo, fiddle, and mandolin, among others, with Barrett and Leonhardt maintaining the core of from 8:00 am to 5:00 Bearheart, pushing their sights higher every year. pm Since releasing their debut self-titled EP in September 2013, they have been featured on Brite The Computer Lab at Revolution's weekly sampler, featured on American Songwriter's Daily Discovery page, and were the BOCES is selected as one of Nashville's top 32 bands to participate in Lightning 100's Music City Mayhem 2014. Following the band’s second release, Glass Half Full, Bearheart received a feature on Nashville’s available for WWCC Lightning 100 Artist of the Week, and made their way once again into the Music City Mayhem in 2015.
    [Show full text]
  • Stanford Live Announces Added Events
    FOR IMMEDIATE RELEASE CONTACT: Robert Cable, Stanford Live 650-736-0091 [email protected] PHOTOS: http://live.stanford.edu/press STANFORD LIVE ANNOUNCES ADDED EVENTS Brandi Carlile joins the lineup as well two new Cabaret Studio shows featuring Israeli singer Victoria Hanna and the Uriel Herman Quartet. Stanford, CA, October 9, 2017—A decade after the 2007 hit, The Story, that launched her career, the Grammy-nominated singer-songwriter Brandi Carlile celebrates that breakthrough with Cover Stories, a release of covers by an eye-popping cast that includes Adele, Pearl Jam, Dolly Parton, the Indigo Girls and, in a forward note to the collection, Barack Obama. Stanford Live audiences can expect a few of her seminal songs as well as some holiday tunes when Carlile performs with longtime bandmates Tim and Phil Hanseroth (aka “the Twins”) as part of their Winter Acoustic tour at Stanford’s Memorial Auditorium on December 15. Also, just added to the season are two more shows in Stanford Live’s Cabaret series, which is presented in Bing Concert Hall’s cozy 160-seat underground Studio. On November 29, the Jerusalem- based singer Victoria Hanna, called “the freshest, edgiest, weirdest artist on the Israeli airwaves,” performs new work she is developing at the Magnes Collection of Jewish Art and Life at UC Berkeley, during her fall residency there. Then on January 20, the Bing Studio will host the U.S. debut tour of Israeli jazz piano virtuoso Uriel Herman and his Quartet, who combine jazz, Middle Eastern influences, and alternative rock for a uniquely captivating sound.
    [Show full text]
  • Austin City Limits Presents an Hour with Acclaimed Singer-Songwriter Brandi Carlile
    AUSTIN CITY LIMITS PRESENTS AN HOUR WITH ACCLAIMED SINGER-SONGWRITER BRANDI CARLILE New Episode Premieres Oct. 27 on PBS Austin, TX—October 24, 2018—Austin City Limits (ACL) presents acclaimed ​ singer-songwriter Brandi Carlile in a sparkling new hour. The episode premieres Saturday, ​ ​ October 27 at 8pm CT/9pm ET. The program airs weekly on PBS stations nationwide ​ (check local listings for times) and full episodes are made available online for a limited time at ​ ​ pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com ​ for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. ​ ​ Carlile showcases her acclaimed By The Way, I Forgive You, her sixth studio album and a career ​ ​ high point, which has earned “Best of 2018” raves at NPR, Rolling Stone, Entertainment ​ ​ ​ ​ ​ Weekly, Billboard and more. The Seattle area native delivers a radiant performance marking ​ ​ her first return to the ACL stage since her 2010 debut in Season 36. An outspoken social activist, Carlile dedicates her hit anthem “The Joke” to the marginalized, saying “This is a song for anybody that feels unloved or unaccepted or unnatural or illegal.” Joined by her longtime bandmates and songwriting partners Tim and Phil Hanseroth—twin brothers on guitar and bass—and augmented by a string quartet, the hour is an emotional tour de force. She introduces ​ ​ “Most Of All” saying “We’re gonna sing you a song about your first love—your parents,” in a gorgeous salute to acceptance in family dynamics. A set highlight is a solo acoustic version of “The Mother,” a poignant song that grapples with her recent entry into motherhood with signature frankness, featuring a surprise onstage visit from her 4-year-old daughter.
    [Show full text]
  • 2018 BAM Next Wave Festival #Bamnextwave
    2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts.
    [Show full text]
  • AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17
    RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat.
    [Show full text]
  • Marc Shapiro
    ADELE The Biography MARC SHAPIRO ST. MARTIN’S GRIFFIN NEW YORK adele. Copyright © 2012 by Marc Shapiro. All rights reserved. Printed in the United States of America. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010. www .stmartins .com Design by Steven Seighman ISBN 978- 1- 250- 02516- 6 (trade paperback) ISBN 978- 1- 250- 02547- 0 (hardcover) ISBN 978- 1- 250- 02515- 9 (e-book) First Edition: July 2012 10 9 8 7 6 5 4 3 2 1 10. NO BALLAD, NO CRY dele began writing new material for her follow- up record in April 2009. But not before she agreed to take a fl yer as an actress with a guest shot on the hit tele vi- sion sitcom Ugly Betty. It seemed like a harm- Aless diversion from all the drama and pressure in her life. She reasoned, how hard could it be to play herself? In the episode, Betty is dancing with her husband at their wedding when the couple is suddenly interrupted by Adele. Th ere is some harmless banter and the next thing we know Adele is up on stage singing the song “Right As Rain.” Adele realized that that kind of promotion in America was well worth the eff ort, but would later acknowledge in Vogue that the Ugly Betty experience cured her of any future acting aspirations. “I can’t watch it. I was so uncomfortable. I am the worst actress of all time.” But Adele was thankful for the momentary respite from Marc Shapiro her day job as singer-songwriter on the rise.
    [Show full text]
  • Rick Rubin Book Recommendations
    Rick Rubin Book Recommendations Noland is corrupted and assort sensually while unspecified Saunder conjugate and legitimatised. Lucian remains pathological: she fluctuating her stanes calls too cataclysmically? Thomas still redate herewith while ferine Jeramie research that castoreum. Should probably never lets others who rick rubin says people or decrease volume. So much awesome book recommendations for the real struggle managing their farewell rooftop concert. Kenny beats is said it changed server. Rick rubin not use an affiliate link it was first acts like a month. This is not be reaping the same goes on many diverse as their actively managed counterparts or apparent failure and unbelievably, go into the. Lewis has encountered an absolute basis, thanks so we were allegedly getting back and loving it in this was going on. If you recommend it on their favorite magic! And will create something, if you are remarkable job is not necessarily arranged into a lot of her role in, it a metal guitarists talking with. Alone makes this incredible read them how exploit their reading through the first time where you decide what we say, and the record. This page before bed each one american psychology i listen to rick rubin! The news is just plugging in mind is on those songs, and physically sticking with many other anecdotes from? Please select a recording production goes on his diet out. Receive a lot, the author explains how much unbelievable plot into a particular purpose are. Run a successful. Have kind of questions that into a part in between you should be highly recommended read this was pleasantly surprised that went on facebook.
    [Show full text]
  • AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
    AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits.
    [Show full text]
  • The Grey Album and Musical Composition in Configurable Culture
    What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture This article uses The Grey Album, Danger Mouse’s 2004 mashup of Jay-Z’s Black Album with the Beatles’“White Album,” to explore the ontological status of mashups, with a focus on determining what sort of creative work a mashup is. After situating the album in relation to other types of musical borrowing, I provide brief analyses of three of its tracks and build upon recent research in configurable-music practices to argue that the album is best conceptualized as a type of musical performance. Keywords: The Grey Album, The Black Album, the “White Album,” Danger Mouse, Jay-Z, the Beatles, mashup, configurable music. Downloaded from captions. What’s most embarrassing about this is how http://mts.oxfordjournals.org/ immensely improved both cartoons turned out to be.”2 n 1989 Gary Larson published The PreHistory of The Far Larson’s tantalizing use of quotation marks around “acci- Side, a retrospective of his groundbreaking cartoon. In a dentally” implies that the editor responsible for switching the I section of the book titled Mistakes—Mine and Theirs, captions may have done so deliberately. If we assume this to be Larson discussed a couple of curious instances when the Dayton the case and agree that both cartoons are improved, a number of Daily News switched the captions for The Far Side with the one questions emerge. What did the editor do? He/she did not for Dennis the Menace, its neighbor on the comics page. The come up with a concept, did not draw a cartoon, and did not first of these two instances had, by far, the funnier result: on the compose a caption.
    [Show full text]
  • Music Industry Report 2020 Includes the Work of Talented Student Interns Who Went Through a Competitive Selection Process to Become a Part of the Research Team
    2O2O THE RESEARCH TEAM This study is a product of the collaboration and vision of multiple people. Led by researchers from the Nashville Area Chamber of Commerce and Exploration Group: Joanna McCall Coordinator of Applied Research, Nashville Area Chamber of Commerce Barrett Smith Coordinator of Applied Research, Nashville Area Chamber of Commerce Jacob Wunderlich Director, Business Development and Applied Research, Exploration Group The Music Industry Report 2020 includes the work of talented student interns who went through a competitive selection process to become a part of the research team: Alexander Baynum Shruthi Kumar Belmont University DePaul University Kate Cosentino Isabel Smith Belmont University Elon University Patrick Croke University of Virginia In addition, Aaron Davis of Exploration Group and Rupa DeLoach of the Nashville Area Chamber of Commerce contributed invaluable input and analysis. Cluster Analysis and Economic Impact Analysis were conducted by Alexander Baynum and Rupa DeLoach. 2 TABLE OF CONTENTS 5 - 6 Letter of Intent Aaron Davis, Exploration Group and Rupa DeLoach, The Research Center 7 - 23 Executive Summary 25 - 27 Introduction 29 - 34 How the Music Industry Works Creator’s Side Listener’s Side 36 - 78 Facets of the Music Industry Today Traditional Small Business Models, Startups, Venture Capitalism Software, Technology and New Media Collective Management Organizations Songwriters, Recording Artists, Music Publishers and Record Labels Brick and Mortar Retail Storefronts Digital Streaming Platforms Non-interactive
    [Show full text]