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Free Land Attracted Many Colonists to Texas in 1840S 3-29-92 “No Quitting Sense” We Claim Is Typically Texas
“Between the Creeks” Gwen Pettit This is a compilation of weekly newspaper columns on local history written by Gwen Pettit during 1986-1992 for the Allen Leader and the Allen American in Allen, Texas. Most of these articles were initially written and published, then run again later with changes and additions made. I compiled these articles from the Allen American on microfilm at the Allen Public Library and from the Allen Leader newspapers provided by Mike Williams. Then, I typed them into the computer and indexed them in 2006-07. Lois Curtis and then Rick Mann, Managing Editor of the Allen American gave permission for them to be reprinted on April 30, 2007, [email protected]. Please, contact me to obtain a free copy on a CD. I have given a copy of this to the Allen Public Library, the Harrington Library in Plano, the McKinney Library, the Allen Independent School District and the Lovejoy School District. Tom Keener of the Allen Heritage Guild has better copies of all these photographs and is currently working on an Allen history book. Keener offices at the Allen Public Library. Gwen was a longtime Allen resident with an avid interest in this area’s history. Some of her sources were: Pioneering in North Texas by Capt. Roy and Helen Hall, The History of Collin County by Stambaugh & Stambaugh, The Brown Papers by George Pearis Brown, The Peters Colony of Texas by Seymour V. Conner, Collin County census & tax records and verbal history from local long-time residents of the county. She does not document all of her sources. -
See the 2009 Annual Report
Progress AnnuAl RepoRt 2009 the Michael J. Fox Foundation is dedicated to Finding a cure For parkinson’s disease through an aggressively Funded research agenda and to ensuring the developMent oF iMproved therapies For those living with parkinson’s today. 2 Letter From the CEO, Founder and Co-Founder 4 Scientific Progress Report high-priority research areas: The science we’re Most excited about transforming Basic discoveries into therapeutic targets Speeding clinical testing of new interventions Mobilizing new technologies and tools in PD therapeutic development 18 Select List of Organizations with Active MJFF Awards in 2009 19 Select List of 2009 MJFF Workshops and Summit Meetings 20 2009 in Photos 22 2009 Donor Listing 40 Financial Highlights AnnuAl RepoRt 2009 2 | MJFF ANNUAL REPORT 2009 letter FroM the CEO, Founder and c0-Founder Letter from the CEO, Founder and Co-Founder in 2009, with the support of more than 56,000 individuals, corporations and foundations, the Michael J. Fox Foundation continued to invest where we saw potential to drive progress forward, pushing ourselves and our partners to ever-greater heights in pursuit of transformative treatments and a cure for parkinson’s disease. a gainst an uncertain economic backdrop, we funded as canada’s Globe and Mail reported in september, our over $39 million in targeted parkinson’s research — the aggressive, entrepreneurial approach to science lies at most we’ve ever funded in one year — bringing our total the heart of our mission to find a cure for parkinson’s — research investments at year-end to nearly $170 million. and, in the process, to reshape the way medical research yet those who know us know our core belief is that ending gets done. -
UNITED CHURCH of CHRIST, INC. SCHEDULE of INVESTMENTS March 31, 2021 Unaudited - for Information Purposes Only
THE PENSION BOARDS - UNITED CHURCH OF CHRIST, INC. SCHEDULE OF INVESTMENTS March 31, 2021 Unaudited - for information purposes only. SUMMARY OF INVESTMENTS COST VALUE STABLE VALUE INVESTMENTS Short-Term Investments $ 32,253,645 $ 32,253,645 Synthetic Guaranteed Investment Contracts Liquidity Strategy 22,775,770 22,775,770 Total Return Strategy 113,816,896 113,816,896 TOTAL STABLE VALUE INVESTMENTS $ 168,846,312 $ 168,846,312 SHORT-TERM INVESTMENTS Short-term Investments $ 99,844,082 $ 99,844,082 TOTAL SHORT-TERM INVESTMENTS $ 99,844,082 $ 99,844,082 FIXED-INCOME INVESTMENTS Bonds $ 1,100,460,107 $ 1,102,627,965 Bond funds 127,197,863 136,853,018 Asset-backed & Mortgage-backed Securities 252,260,633 255,492,647 TOTAL FIXED-INCOME INVESTMENTS $ 1,479,918,603 $ 1,494,973,630 EQUITY INVESTMENTS Common stocks and equivalents $ 948,021,079 $ 1,367,282,966 Equity funds 295,450,197 366,566,153 TOTAL EQUITY INVESTMENTS $ 1,243,471,276 $ 1,733,849,120 OTHER INVESTMENTS Hedge funds $ 92,035,561 $ 122,358,507 Real assets 107,927,936 98,977,251 Participation in the United Church Funds, Inc. 34,869,973 45,987,425 TOTAL OTHER INVESTMENTS $ 234,833,470 $ 267,323,183 TOTAL INVESTMENTS $ 3,226,913,743 $ 3,764,836,327 PRINCIPAL INTEREST DESCRIPTION SERIES MATURITY COST VALUE AMOUNT RATE % SHORT-TERM INVESTMENTS MFB NI Treasury Money Market Fund $ 32,253,645 $ 32,253,645 TOTAL SHORT-TERM INVESTMENT $ 32,253,645 $ 32,253,645 SYNTHETIC GUARANTEED INVESTMENT CONTRACTS- LIQUIDITY STRATEGY: Asset-Backed Securities 801,908 AEP Texas Inc. -
The Black Eyed Peas 'Pump It' up on Big Screens
THE BLACK EYED PEAS ‘PUMP IT’ UP ON BIG SCREENS NATIONWIDE WITH THE E.N.D. WORLD TOUR LIVE PRESENTED BY BLACKBERRY CONCERT EVENT LIVE FROM LOS ANGELES ON MARCH 30 NCM Fathom and AEG Live Team Up Again to Present an Exclusive One-Night Concert Performance with Behind-the-Scenes Footage Broadcast LIVE to Nearly 500 Select Movie Theaters Centennial, Colo. – Feb. 11, 2010 – The Black Eyed Peas are getting the party started across the country on The E.N.D. World Tour, presented by BlackBerry® and will rock the big screen as their concert performance from Los Angeles is transmitted LIVE nationwide on Tuesday, March 30th. Broadcast from STAPLES Center to nearly 500 select movie theaters across America, The Black Eyed Peas: The E.N.D. World Tour LIVE Presented by BlackBerry event will feature a 30-minute exclusive program for movie theater audiences, including behind-the-scenes footage and band interviews. Tickets for The Black Eyed Peas: The E.N.D. World Tour LIVE Presented by BlackBerry on March 30 at 10:30 p.m. Eastern / 9:30 p.m. Central / 8:30 p.m. Mountain / 7:30 p.m. Pacific are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, please visit the web site (theaters and participants may be subject to change). “This tour is not the E.N.D. but the beginning of The Black Eyed Peas experience presented to you in full Pea fashion,” says Taboo of The Black Eyed Peas. -
Bon Jovi and Network Live Launch Grand Opening Of
BON JOVI TEAMS WITH NETWORK LIVE, AEG LIVE & NATIONAL CINEMEDIA FOR “BON JOVI: HAVE A NICE DAY LAUNCH” EVENT AT NOKIA THEATRE TIMES SQUARE SEPTEMBER 19TH Network Live to Broadcast Via AOL Music LIVE! and XM Satellite Radio; National CineMedia to Simulcast Live to Movie Theatres Nationwide New York, NY and Los Angeles, CA — August 17, 2005 — BON JOVI will be the first band ever to perform at the Nokia Theatre Times Square when they celebrate the release of their new Island Records album, HAVE A NICE DAY, during a live, multi-media launch event on September 19th at 9:00pm (ET). The BON JOVI: HAVE A NICE DAY LAUNCH will instantly reach millions of fans across the country, courtesy of the band’s partnership with Network Live - a newly formed joint venture between America Online, XM Satellite Radio and AEG. An exclusive insider segment that explores the creative process behind HAVE A NICE DAY will precede the live performance on September 19th. Network Live will beam the event to AOL.com visitors and XM Satellite Radio subscribers, while the show is simulcast live in High Definition and 5.1 audio to more than 100 Regal, United Artists, Edwards, and Georgia Theatre Company movie screens in 50 U.S. markets. “This band is about two things – the music and the fans,” says front man Jon Bon Jovi. “This team we’re working with has given us the opportunity to share new music with our fans on every imaginable level – in person, on the radio, online and in theatres across the country.” “Network Live is committed to delivering thrilling new event programming to the masses in the same engaging, heart-pounding fashion that fans would feel when they’re sitting in the front row,” said Kevin Wall, CEO of Network Live. -
Vol. 5 No. 12 Dec. 1996
Complimentary to churches <,/,< r r and community groups JHfnnrftu ©pporhmftn N^ftis 2730 STEMMONS FRWY STE. 1202 TOWER WEST, DALLAS, TEXAS 75207 VOLUME 5, NO. 12 December 1996 TPA From The Editor Chris Pryer :v^ photo bif Derrick WaUerw Race Matters Teiiaco can ttam sluir debacle Race Matters, the title of Cornel . West's sociological treatise, is succinctly into gsreat opportraiity and appropriately named. The spinal cord of race runs through every aspect of When the news broke that a number aco. He solemnly pledged to stamp out nity needs is real trickle-down econom American life, either unmistakable in its of high-level members of management at any vestige of discrimination that exists ics. Just as the years of discrimination brazeness or, in all too rare occasions, Texaco were taped making racial slurs at his company. have had a profound effect on the collec conspicuous by its absence. And whether about fellow African American employ Eventually, rather than fight a class- tive economic well-being of blacks, vig you interpret Mr. West's title as meaning ees during a meeting, it sent Shockwaves action suit filed against it by 1,400 cur orous steps taken by corporate America "issues of race" or "race makes a differ across America. While the firmly rent and former employees, Texaco set in the areas of contract procurement, ence," its painfully, disturbingly and entrenched white business establishment tled out-of-court for the sum of $176 mil upper-management opportunities and unceasingly accurate. expressed appropiate outrage and dis lion. A princely sum, you think? We think access to capital for business start-ups may, the collective response of African if s relatively paltry. -
Les Payne • 1981-1983 Bob Reid • 1979-1981 Bob Reid • Vernon Jarrett • 1977- Vernon Jarrett Chuck Stone • 1975-1977 Chuck Foreword Merv Aubespin • 1983
T Foreword 3 able of by Paula Madison Chuck Stone • 1975-1977 5 • Essay by Paul Brock • Photograph by Robert Miller Vernon Jarrett • 1977- 8 Contents • Essay by Lynn Norment • Photograph by Andre F. Chung Bob Reid • 1979-1981 11 • Essay by Gayle Pollard Terry • Photograph by Hillery Shay Les Payne • 1981-1983 14 • Essay by Derrick Z. Jackson • Photograph by Suné Woods Merv Aubespin • 1983- 17 • Essay by Michel Marriott • Photograph by Durell Hall Al Fitzpatrick • 1985- 20 • Essay by John L. Dotson Jr. • Photograph by Gary J. Kirksey DeWayne Wickham • 23 • Essay by Sheila Brooks • Photograph by Hillery Shay Thomas Morgan III • 1989- 26 • Essay by Katti Gray • Photograph by Suné Woods Sidmel Estes-Sumpter • 1991-1993 29 • Essay by Ernie Suggs • Photograph by Joey Ivansco Dorothy Butler Gilliam • 1993-1995 32 • Essay by Jacqueline E. Trescott • Photograph by Hillery Shay Arthur Fennell • 1995- 35 • Essay by Herbert Lowe • Photograph by Hillery Shay Vanessa Williams • 1997- 38 • Essay by Betty Winston Bayé • Photograph by Dudley M. Brooks William W. Sutton Jr. • 1999- 41 • Essay by Michael Days • Photograph courtesy of The News & Observer Condace Pressley • 2001- 44 • Essay by Eric Deggans • Photograph by Ian Irving 47 Contents Herbert Lowe • 2003- • Essay by Jackie Jones • Photograph by Jason Miccolo Johnson Remembering Vernon 50 able of Contributors 52 T hen did I first learn of NABJ? It was back in the late '70s. I was an Y B investigative reporter at The Syracuse (N.Y.) Herald-Journal and I PAULA was down. We had no black editors, no black folks on the desk, no black photographers. -
Accelerate Local Announces Digital Transformation Lab for Publishers of Color
FOR IMMEDIATE RELEASE Contact: Nancy Lane, President, Local Media Association [email protected] Jed Williams, Chief Strategy Officer, Local Media Association [email protected] Peter Newton, Managing Director, Accelerate Local [email protected] Accelerate Local announces Digital Transformation Lab for publishers of color The Atlanta Voice, The Dallas Weekly, New York Amsterdam News, Houston Defender, The Washington Informer to be pilot partners; first stand-alone project for LMA accelerator (September 25, 2019) — Accelerate Local, designed to reinvent business models for news, today announced its first stand-alone project: a six-month digital transformation lab for African-American newspapers. The Atlanta Voice, The Dallas Weekly, New York Amsterdam News, Houston Defender and The Washington Informer will serve as pilot partners in this unique lab. According to a recent Local Media Association survey, African-American newspaper owners, like many other media outlets, are concerned about the future of their publications and struggle with digital transformation — only 9.5% of their revenue comes from digital. The five pilot partners have been in business an average of 75-plus years and have strong ties to their communities. “The black press, like the rest of the local media industry, needs help when it comes to digital transformation strategies,” said Nancy Lane, president, Local Media Association. “We are delighted to launch the first industry effort focused on a strong digital future for publishers of color. We invite other funders, R&D partners and philanthropists to join our efforts and help this important segment of the local media industry.” Accelerate Local, owned by LMA, will invest six figures in this lab that will feature three phases over six months: ● Assessment and analysis of short-and-long term opportunities — conducted by Accelerate Local’s managing director, Peter Newton (former chief operating officer for GateHouse Media and former executive at Monster.com and The Boston Globe). -
National Cinemedia and Hollywood Theaters Enter Into Affiliate Agreement to Present Pre- Show Advertising, Meetings and Alternative Events in Eighth Largest U.S
March 25, 2008 National CineMedia and Hollywood Theaters Enter Into Affiliate Agreement to Present Pre- Show Advertising, Meetings and Alternative Events in Eighth Largest U.S. Movie Circuit CENTENNIAL, Colo. & PORTLAND, Ore., Mar 25, 2008 (BUSINESS WIRE) -- National CineMedia LLC (NCM), has entered into a network affiliate agreement with Hollywood Theaters, the eighth largest movie theater exhibition company in the U.S., for the presentation of pre-show advertising, comprehensive meetings and event services, and in-theater entertainment events through its NCM FATHOM division. Under the terms of the new, exclusive multi-year agreement, Hollywood Theater locations in 15 states including Alabama, Arizona, California, Florida, Hawaii, Kansas, Louisiana, Missouri, Montana, Nevada, Ohio, Oklahoma, Pennsylvania, Texas and West Virginia, will exclusively present NCM's digitally distributed pre-show program, FirstLook; offer in-theater corporate meetings and event services through NCM's CineMeetings; and present NCM FATHOM live and pre-recorded in-theater entertainment events. The agreement will be effective on April 1, 2008, with respect to approximately 480 screens in select locations including Malibu, Cal.; Jacksonville, Fla.; Honolulu, Hawaii; Topeka, Kan.; and Columbia, Mo.; among others. NCM currently has exclusive, long-term agreements in place with its founding member exhibitors, AMC Entertainment Inc., Cinemark USA Inc. (NYSE:CNK) and Regal Entertainment Group (NYSE:RGC), as well as network affiliate pacts with theater circuits such as Georgia Theatre Company, Goodrich Quality Theatres, Kerasotes ShowPlace Theatres and Marcus Theatres, among others. Hollywood Theaters is the most recent addition to the expanding NCM national network, the largest digital video and satellite distribution network in the U.S. -
Bon Jovi--The Circle Tour" in More Than 550 U.S
October 13, 2010 "Bon Jovi--The Circle Tour" in More Than 550 U.S. Movie Theaters for One Night Only™, November 8, 2010 NCM Fathom and AEG Network Live Present Bon Jovi Concert Event Featuring Footage from Sold-Out Series of New Meadowlands Stadium Shows CENTENNIAL, Colo., Oct 13, 2010 (BUSINESS WIRE) -- Giving fans across the country a chance to experience one of the year's most historic series of concerts, NCM Fathom and AEG Network Live will present Bon Jovi--The Circle Tour, a special in- theater event on Monday, November 8 at 7:30 p.m. local time. In anticipation of the band's soon-to-be-announced 2011 concert dates, and to celebrate the upcoming release of the Bon Jovi - Greatest Hits Collection, this special event captures the magic and energy of the band's sold-out, four-night stand at New Jersey's New Meadowlands Stadium. Bon Jovi--The Circle Tour features footage shot during these epic nights, which drew 200,000 fans on the band's home turf, and began with the stadium's inaugural concert on May 26, 2010. Bon Jovi--The Circle Tour is exclusive to movie theaters for one night only, and features performances of songs from the band's 2009 album, The Circle, as well as their career-spanning hits. The event will kick off with a sneak preview of Bon Jovi's new music video, "What Do You Got." Tickets for the Bon Jovi--The Circle Tour in-theater event are now on sale at participating box offices and online at www.FathomEvents.com. -
JODY PINTO SELECTIONS Jumbie Camp
Y E A R I N R E V I E W 2008 American Evolution: Arts in the New Civic Life SLIDE SET SCRIPT © 2001 Americans for the Arts JODY PINTO SELECTIONS Jumbie Camp Laura Anderson Barbata/mx-lab Location: 23 rd Street, Brooklyn, New York & 24 th Street between 10 th and 11 th Avenue, Chelsea, New York Completed: August 21 – September 29, 2007 (street performance on September 1 &15, 2007) Agency: Galeria Ramis Barquet Collaborators: The Brooklyn Jumbies Materials: Recycled materials such as: cardboard, paper, assorted textiles, aluminum, paint, used sneakers, hand-made wooden stilts, natural fibers, seeds, feathers, mirrors and assorted decorative elements Photographers: Stefan Hagen; Frank Veronsky Budget: $35,000 Description: Laura Anderson Barbata has been working in the social realm since 1992. In 2002 she began working with Moko Jumbies - still walkers - from Dragon Keylemanjahro School of Arts and Culture in Trinidad, a community center completely operated through volunteer participation from residents of the neighborhood. The project focuses on providing free of charge extracurricular activities to youth of a low-income area, as well as reviving the art and tradition of West African stilt walking. Through artistic interventions during special events, carnival competitions, workshops and outreach programs, the project aims to reinforce social ideals such as healthy life choices and respect for cultural heritage. Jumbie Camp follows the same concepts as above with the Brooklyn Jumbies and takes place in two burrows of New York with very different demographics. Jumbie Camp set up in Galeria Ramis Barquet in Chelsea, where the gallery was transformed into a workshop and rehearsal space where costumes and masks were created to provide costumes free of charge for the Brooklyn Jumbies’ presentations. -
Projected Performances: the Phenomenology of Hybrid Theater David Edward Coley Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Projected performances: the phenomenology of hybrid theater David Edward Coley Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Coley, David Edward, "Projected performances: the phenomenology of hybrid theater" (2012). LSU Doctoral Dissertations. 4051. https://digitalcommons.lsu.edu/gradschool_dissertations/4051 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROJECTED PERFORMANCES: THE PHENOMENOLOGY OF HYBRID THEATER A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by David Coley B.A., Samford University, 2006 M.A., University of Missouri- Kansas City, 2008 May 2012 TABLE OF CONTENTS Abstract………………………………………………………..…………………………………iii Chapter One: The Possible Presence……………………………………………………………...1 Phenomenologically Speaking…………………………………………………………...11 The Live and the Living………………………………………………………………….22 Chapter Two: The Stuff That