Sherlock Holmes and Inspector Morse - Two Contrasting Detectives
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RUSSELL GASCOIGNE Current
RUSSELL GASCOIGNE Current: THE PASSENGER - delivered treatment and opening episode of three-part crime drama. THE GRIM CREEPERS – writing YA novel with series potential and A LONG WALK SIDEWAYS. AS THICK AS THIEVES – working on original feature screenplay with co-writer Philip Hughes (Thunderpants, I Want Candy) CROW’S WOOD – written outline for crime drama series set in 18th Century. ________________________________________________ TV A TOUCH OF FROST - wrote Private Lives commissioned by Excelsior/YTV. Top-rating drama with 16.85 million viewers starring David Jason, Peter Egan, Philip Jackson and Paloma Baeza. A TOUCH OF FROST – wrote Standards of Living commissioned by Excelsior/YTV. McCALLUM – wrote episode Beyond Good and Evil starring Nathaniel Parker, Eva Pope. Scottish Television. BODY STORY – dramatisations for 6-part science-drama-factual series combining drama with cutting-edge computer technology to show what happens inside the human body during a medical crisis or at different stages of life. Wall-to-Wall Television for Channel 4/Discovery Channel. Director Leanne Klein. Winner of a BMA Awards silver medal for Television Film. IRONMAN – single film outline about Victorian engineer Isambard Kingdom Brunel commissioned by Ray Winstone’s company, Size 9 Productions (Steve Matthews) RHAG POB BRAD – wrote screenplay commissioned by BBC Wales/S4C starring Rhys Ifans. (Ruth Caleb) NIGHTSHIFT – wrote 3 x 30’ police drama series based on US series The Street for Portman Entertainment/BBC starring Rhys Ifans. FAMILY AFFAIRS – wrote two episodes of Channel 5 soap commissioned by TalkbackThames. THE BILL – episode commissioned by TalkbackThames. MONSIEUR REYNARD – wrote outline for series episode starring John Thaw as a priest in occupied France during WWII commissioned by Carlton Television. -
(2020), No. 9 1 Finding Inspector Morse in The
Finding Inspector Morse in the Archives In my first morning in the New College archives I was talking with College Archivist, Jennifer Thorp, about the good old days of open stacks when you could stumble across something more interesting than the book you were looking for. It struck me that archives held out that long-lost promise of academic serendipity and so it turned out to be. I was in the archives to research the College’s leading role in coresidence—the admission of women to the formerly men’s colleges. Although New College was the first Oxford College to formally raise the issue of admitting women it was not among the first to do so and I wondered why this was the case. I hoped to discover the answer in the archives. As I read the pamphlet ‘Ten Years of Women at New College’ I came across a quote from one of the first women to live in New College. Her first impression of the College was ‘this would make a fantastic film set’. As a fan of Inspector Morse—and just about anything to do with crime fiction—I suspected that an episode or two of Inspector Morse had probably been filmed here and I tried, unsuccessfully, to recall which episodes they were based on my having by now been in College for a full week as a Visiting Fellow. And, of course, having memorized every nook and cranny of this marvellous place. But I was not here to ponder whether Morse has ever strolled the quads of New College. -
TV/Series, 15 | 2019 Becoming Morse in Endeavour: the Prequel As Locus of Reconstruction of the Past? 2
TV/Series 15 | 2019 La Sérialité en question(s) Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Electronic version URL: http://journals.openedition.org/tvseries/3751 DOI: 10.4000/tvseries.3751 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Armelle Parey, « Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? », TV/Series [Online], 15 | 2019, Online since 16 July 2019, connection on 20 July 2019. URL : http:// journals.openedition.org/tvseries/3751 ; DOI : 10.4000/tvseries.3751 This text was automatically generated on 20 July 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? 1 Becoming Morse in Endeavour: the prequel as locus of reconstruction of the past? Armelle Parey Introduction 1 The figure of Inspector Morse first appeared in a novel by Colin Dexter, Last Bus to Woodstock, in 1975. By the time the character reached the TV screen in 1987, impersonated by John Thaw (in The Dead of Jericho), Colin Dexter (1930-2017) had already published 7 of the 12 novels he wrote in total around the figure of the grumpy opera- loving inspector. The TV adaptation, Inspector Morse, consisted in 33 films, broadcast in series or as “specials”, aired on ITV between 1987 and 2000, finishing with the adaptation of The Last Remorseful Day (1999) in which the character dies1. Following the death of John Thaw in 2002, Dexter stipulated in a clause in his will that no other actor should reprise the role2. -
Teaching World History with Major Motion Pictures
Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking. -
The Golden Compass
Inspector Morse in Oxfordshire Oxford has long been home to Morse author Colin Dexter and famously became the backdrop to his popular murder mystery novels. It is not surprising that when ITV came to shoot the 33 Morse films, Oxford and the surrounding county consistently made it on to the screen. Inspector Morse is best known for an appreciation of beer, Wagner compositions, crossword puzzles, and zipping around his beloved city of dreaming spires in a red Jaguar car, usually accompanied by his long- suffering sidekick Sergeant Lewis played by actor Kevin Whateley. Enjoy a taste of Oxfordshire as you wind your way around some unmistakeable county locations in pursuit of mystery, Morse and murder! 1. Sheep Street 33, Burford The picturesque medieval town of Burford (known as the “Gateway to the Cotswolds”) features in The Remorseful Day where John Barron falls to his death from a ladder. He is pushed by a hooded culprit while painting Mrs Bayley’s house. 2/3.Blenheim Palace & Combe sawmill gate. Set in 2100 acres of beautiful parkland the unique English Baroque architecture of Blenheim Palace is on view in The Way through the Woods. Morse drives up to Blenheim to investigate after George Daley’s body is discovered inside the Combe sawmill gate, to the west of the estate. Morse returns to Blenheim to interview a worker on the grounds. (Blenheim Palace & Gardens, Woodstock. Open: 10:30 - 5:30 daily Tel: 01993 810500. Combe sawmill gate: Park Road to East End in Combe, Woodstock) 4. Oxford Canal, Thrupp basin (Banbury Rd. North of Kidlington) In the opening scene of The Last Enemy a decapitated body is found in the canal, along Thrupp just north of Kidlington. -
The Parish Magazine - March 2019 Please Mention the Parish Magazine When Responding to Advertisements
CONTENTS rish Mag e Pa azin T e 1869 150 YEARS S e e y rv E in 2019 g g in Cha onn The rvil, Sonning and S The John King Trophy and Gold Award Parish Best Magazine of the Year 2018 National Parish Magazine Awards Best Overall Magazine 2015 Best Content 2016 Magazine Best Print 2018 Serving the communities of Charvil, Sonning & Sonning Eye since 1869 March 2019 March 2019 the church of st andrew, SERVING THE COMMUNITIES OF CHARVIL, SONNING and sonning eye Church of St Andrew Serving Sonning, Charvil & Sonning Eye CONTENTS 2 The Parish Magazine - March 2019 Please mention The Parish Magazine when responding to advertisements Book your appointment now to view the last remaining 4 bedroom home within this exclusive gated development. Woodhay is a brand-new, uniquely designed barn-style home in a stunning countryside setting, with fabulous, light-filled space for entertaining. Augustfield, Charvil Lane, Sonning-on-Thames Viewings by appointment only Call today on 0118 960 1010 or email [email protected] CONTENTS Please mention The Parish Magazine when responding to advertisements The Parish Magazine - March 2019 3 information — 1 Contents for March 2019 Services at the vicar's letter, 5 This month's FRONT COVER St Andrew’s rish Mag e Pa azin T e 1869 150 YEARS S e e y rv E in 2019 g g in Cha onn Parish noticeBoard The rvil, Sonning and S Sunday 3 March The John King Trophy and Gold Award Parish Best Magazine of the Year 2018 National Parish Magazine Awards Best Overall Magazine 2015 Best Content 2016 — Organ update, 7 Magazine Best Print -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
THE SPIRE the Parish Magazine for St Paul, Wokingham St Nicholas, Emmbrook and Woosehill Church
THE SPIRE The Parish Magazine for St Paul, Wokingham St Nicholas, Emmbrook and Woosehill Church £1 OCTOBER 2019 www.spauls.org.uk - 1 - EDITORS’ MESSAGE Harvest Festival @ St Paul’s is on Sunday 6th October. Our harvest gifts will be auctioned off during coffee following the 9.30am service. All proceeds will go to our chosen charities – The Children’s Society, Soulscape, the Link Visiting Scheme and USPG. Lunch with follow at the slightly later start time of 1pm. The ‘best job in the world’ is how Fr Richard describes his life as a parish priest and the many and varied encounters he has each day (p.4). His sermon, Brexit & Evil, given at Woosehill last month is a salve for the anxious and weary in this present political climate (p.12). There is also an introduction for Cara Smart who is to become our new curate next June – hurrah! See Cara’s message on p.6. October is the feast month of our diocesan patron saint, St Frideswide, and to celebrate this year, the diocese has organised an inaugural pilgrimage to the saint’s shrine in Christ Church Cathedral on her feast day, Saturday 19th October. A few members from St Paul’s are making the journey and we are hopeful of an account or two making their way to our inbox for next month’s magazine. We would be particularly pleased to hear the points of view of any children or young people walking the pilgrim way. You can even use Bishop Steven’s Berkshire Pilgrimage report on p.10 by way of a template! And whilst we’re here, what does St Frideswide, Alice in Wonderland, and a treacle well have in common? Turn to p.16 to find out more. -
Oxford DNB: January 2021
Oxford DNB: January 2021 Welcome to the seventieth update of the Oxford DNB, which adds biographies of 241 individuals who died in the year 2017: 224 with their own entries and seventeen added to existing entries as 'co-subjects'. Of these new inclusions, the earliest born is the journalist Clare Hollingworth (1911-2017) and the latest born is the artist and photographer Khadija Saye (1992- 2017). Hollingworth is one of five centenarians included in this update, and Saye one of thirty-four new subjects born after the Second World War. The vast majority (169, or over 70%) were born in the 1920s and 1930s. Sixty-three of the new subjects who died in 2017 (or just over 26% of the cohort) are women. Twenty of the new subjects were themselves contributors to the dictionary. Forty-five of the new articles include portrait images. From January 2021, the Oxford DNB offers biographies of 64,071 men and women who have shaped the British past, contained in 61,745 articles. 11,870 biographies include a portrait image of the subject—researched in partnership with the National Portrait Gallery, London. As ever, we have a free selection of these new entries, together with a full list of the new biographies. Most public libraries across the UK subscribe to the Oxford DNB, which means you can access the complete dictionary for free via your local library. Libraries offer 'remote access' that enables you to log in at any time at home (or anywhere you have internet access). Elsewhere the Oxford DNB is available online in schools, colleges, universities, and other institutions worldwide. -
The Seagull(1896)
Summer 1, 2021 GBS Theatre The Seagull (1896) by Anton Chekhov adapted by Joan Oliver Cast (in alphabetical order) Creative Team Simon Medvedenko Director Ian Bouillion Joan Oliver Eugene Dorn Designer Dylan Corbett-Bader Louis Carver Masha Russian Translator and Literary Advisor Florence Dobson Viktorija Rasciauskaite Boris Trigorin Associate Designer Raphel Famotibe Anita Gander Irina Arkadina Lighting Designer Elizabeth Hollingshead Amy Mae Konstantin Associate Lighting Designer Gabriel Howell Ollie Morrill Paulina Sound Designer Megan Langford Dylan Marsh Nina Cellist Aliyah Odoffin Elizabeth Hollingshead Ilia Shamrayev Movement Coach Samuel Tracy Mixalis Aristidou Peter Sorin Voice and Dialect Coach Benjamin Westerby Deborah Garvey Fight Coach Bret Yount Student Production Team Production Manager Radio Mic Runner Scenic Art Assistants Sam Kelly Abraham Walkling-Lea Jordan Deegan-Fleet Roma Farnell Technical Manager Broadcast Lucinda Plummer Jack Hollingsworth Andrea Scott Spiky Saul Stage Manager Sound Crew Props Maker Rosa Watson Alfie Sissons Pip Beattie Daberechi Ukoha-Kalu Deputy Stage Manager Abraham Walkling-Lea Props Assistants Jaimie Wakefield Isabelle Whitehill Aidan O’Sullivan Sylvia Wan Assistant Stage Manager Construction Project Manager Thomas Fielding Jeff Bruce-Hay (RADA Staff) Show Crew Alfie Sissons ASM 2s Assistant Construction Project Daberechi Ukoha-Kalu Aidan O’Sullivan Manager Abraham Walkling-Lea Sylvia Wan Joel Mansi Thomas Isabelle Whitehill Chief Electrician Scenery Builders Special thanks: Sammy Emmins Alice -
Intrigues and Delights
AUGUST 2016 SUMMER DRAMA INTRIGUES AND DELIGHTS Sunday nights in the summer are reserved for must-see dramas, and Dancing on the Edge is just that, combining murder and romance with the sultry sounds of 1930s jazz. The stylish new murder mystery series, premiering Tuesdays at 8pm, beginning August 16, written and directed by Stephen Poliakoff (The Lost Prince) follows the rise and fall of the fictional Louis Lester Band, a black jazz band in 1930s London. The band becomes the toast of high society, earning approval from the Prince of Wales, despite the racism and classism they encounter — until Louis finds himself entangled in a murder case. The all-star cast includes Chiwetel Ejiofor (12 Years a Slave) as the debonair Louis, John Goodman (O Brother, Where Art Thou?) as an affluent American entrepreneur named Masterson, and Jacqueline Bisset as socialite Lady Cremone, a performance which won her a Golden Globe. Masterpiece favorites Matthew Goode (Downton Abbey) and Joanna Vanderham (The Paradise) also star in the eight-part series. “Dancing on the Edge is a thing of beauty to watch,” states The Hollywood Reporter. Sharing a similar sentiment, British outlet Cultbox proclaims, “With its blend of compelling storytelling, sumptuous period production values and toe-tapping music, Dancing on the Edge has us hooked for what looks to be a thrilling ride.” Want more drama? The highly anticipated ninth and final season of Inspector Lewis on Masterpiece will premiere on Wednesday, August 17 at 9pm. For the last time, Inspector Lewis (Kevin Whately) and CS Hathaway (Laurence Fox) will investigate new cases of murder and other crimes in the academic haven of Oxford, together struggling with personal dilemmas and their future on the force.