Michael Amott Original D C B A E 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 PATCH NAME Rhythm8 Rhythm7 Rhythm6 Rhythm5 Rhythm4 Rhythm3 Rhythm2 Rhythm1 LeadRif2 Acousti2 Acousti1 LeadRif Lead29 Lead28 Lead27 Lead26 Lead25 Lead24 Lead23 Lead22 Lead21 Lead20 Lead19 Lead18 Lead17 Lead16 Lead15 Lead14 Lead13 Lead12 Lead11 Lead10 Clean9 Clean8 Clean7 Clean6 Clean5 Clean4 Clean3 Clean2 Clean1 Lead9 Lead8 Lead7 Lead6 Lead5 Lead4 Lead3 Lead2 Lead1 several guitartracks. Yet anotherrhythmsoundpatch thatcanworkwellonit’s own orblendingtogetherwithsomeoftheother rhythmtoneswhenrecordings Lead tonewithtremolo effect youcancontrol withtheexpressionpedal. A semicleantonethatworks reallywellfor70’s styleriffs andleads! Another hugesoundingleadguitarpatchthat youcansoloonforever(with Wah ofcourse)! Awesome 80’s “arena rock”styleleadtone! The samenicewarmtonewithanalogstyle delayasthe“E3”patchbutwithadded Wah ontheexpressionpedal. This isonofmyfavepatches,anicewarm tone withanalogstyledelay. I loveplayingwiththemodulationfilterwhileshredding! An 80’s styleMetalleadtonewithplentyofroomreverb. Psychotic harmonizermadness! A cleansoundsimilartotheoneIusedoninstrumentaltrack“FejeeMermaid”(SPIRITUAL BEGGARS–“OnFire”,2003). Another strangecleansoundthatcouldbeusedforsomethingexperimentaland70’s sounding! Acoustic soundwithflangerandananalogstyledelay. Acoustic soundwithphaser, itdoesn’t getmuchmore70’s thanthis! A greatsoundforsomepsychedelicandspacedoutleads,ortryitfunkyriffs! A reallycoolanddemonicsoundingswellsound!Playsinglestringnoteshavefun! A soundinspiredbythe“Painkiller”eraJUDASPRIEST leadtone… Early SwedishDeathMetalleadtone. Early SwedishDeathMetalrhythmtone,verybassheavyandextreme! Swell sound,slowattack,canbeusefultoaddsometexturesand“soundeffects” toarecording. A spacedoutmindexplosion! Vibrato anddelay. Greatsoundforhuge,slowmelodylines! Octave, ensembleChorus,delay, springreverb…Beautifulandchaotic! Flanger andananalogstyledelay, thisisareallycoolsoundandyoucancontroltheamountofdelayeffect withtheexpressionpedal. Wah, chorusanddelay. A perfectsoundfortheshredhungryplayer! A muchdirtier“classicrock”riff patch. A greatsoundifyouwishtoaddsomedirtandgrityourrecording! Classic Rockriff patch,averylivelyandinspiringsound! My Carcassstyleleadtonewith Wah. A leadtonepatchreminiscentofmyonCarcass’ “Heartwork”album. A brutalpatchforheavyriffs! ReminiscentoftherhythmtoneonCarcass’ “Heartwork”album. The samegreatsoundasthe“B8”patchbutwithsomeroomstylereverb. A usefulpatchforhardrock/metalriff andleads! Early Arch EnemystyleleadtonewithDelayand Wah. Early Arch EnemystyleleadtonewithDelayandChorus. Early Arch EnemystyleleadtonewithDelay. A heavyrhythmtonereminiscentof Arch Enemy’s earlyalbums. “Step” effect andanalogstyledelay. Greatpatchfordroning,almostSitarlikeriffs andleads. chords andleads. Chorus andanalogstyleDelay. Perfectforstuff like“SnowBound”(ARCHENEMY –“Wages OfSin”2001). Also greatforJazzstyle Phaser andanalogstyleDelay, anothercoolcleansound. Chorus andPP Delay. Soundsgreatinheadphones! Clean soundwithPP Delay. Blendsverywelltogetherwithpatch“A8”inrecordings. Vintage ChorusandDelayonthispatch. A similarcleantonetowhatIuseon“RevolutionBegins”(ARCHENEMY -“RiseOf The Tyrant”, 2007). Apocalypse” (ARCHENEMY –“DoomsdayMachine”,2005). My main Arch EnemystylerhythmtonepatchwithaNoisegate. This isasimilartypeofsoundtotheonethatIuseinverses“My Flanger anddelay. Sometallic,it’s likechewingaluminumfoil! Chorus andaPP delaymakesthishugesound. Wah and Chorus Arch Enemystyleleadtone. Arch Enemystyleleadtonepatch,with Wah anddelay. Arch Enemystyleleadtonepatch,withchoruseffect added. Arch Enemystyle,leadtonepatchwithdelayeffect. Gone” (ARCHENEMY –“KhaosLegions”,2011). This ismymain Arch Enemystylerhythmtonepatch. This soundisalongthelinesofmainrhythmtoneon“Yesterday IsDead And Michael Amott Signature Edition COMMENT PATCH List CombFLTR : Freq AnalogDLY : Mix PedalVox : Freq PEDAL SETTING PedalCry : Freq PedalCry : Freq PedalCry : Freq PedalCry : Freq PedalCry : Freq PedalCry : Freq PedalCry : Freq Tremolo : Rate VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME All productandartistnamesareintendedonlytoillustratesoniccharacteristicsthatwereusedasreferenceinthedevelopmentofthisproduct. Manufacturer namesandproductmentionedinthispatchlistaretrademarksorregisteredoftheirrespectiveownersdonotindicateanyaffiliationwithZOOMCORPORATION. • We recommendyoutoadjusttheNoiseReductionparameteraccordingyourguitars, ampsandrecordingorperformancesituation. • 50patchesfrombankFthroughJarehisfavoritesoundsselectedG2.1Nuoriginalpresets. • 50patchesfrombank A throughEarecreatedbyMichael Amott. G2.1Nu Original G H J F I 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 9 8 7 6 5 4 3 2 1 0 PATCH NAME MdRhythm BdRhythm DzRhythm PvRhythm HwCrunch Dreamdrg TexasMan McCrunch Milkyway Wet Head TapeEcho Wowmen AC house Z DREAM Grossnes Wreckles PDLPitch HOT DRV Synthish Oceanflr Wackjob MuffDrv M World Z CLEAN FdComp GvDrive Leading Reverse FatFace Vibrato TsDrive BgLead Z NEOS Oceans EXT DS Sc00ps Woosh Cream Waves Angus FullVx Z MP1 FatOd Chalk dist+ Juice Reso May DS1 RAT Reverse delay. Itcreatesauniquereverseeffect. Tape echoeffect givesyouauniquesoundbyturn thefeedbackallwayupandcontrol thepedal. Automatic Vibrato. Greatsoundfor chordarpeggio. Pedal controlledpitchshifter. Usetheexpressionpedaltocontrolpitch. Resonance. Bestsoundtoplaylongsustained chords. Hard saturateddistortionsound.Greatsound fortechnicallead. Modified VOX AC30 crunchsound.Respondswelltotheguitar'svolume. ZOOM's originalhighgainsound.Greatfor 7stringsortuneddownguitar. Greatprogressivemetalsound. The soundcombinationof ADA MP1andMarshallJCM800. Crystal cleansoundbasedonZCLEANwithchorusanddelay. Greatforarpeggio. Mild drivensoundmadebyatubesaturation.Eventhoughitisharddrivingstillhas a strongmelodiccoreinthesound. Classic MetalZoneshrapnelshredsound. BIG MUFFhighgainsound. Great fuzzsoundusingFUZZFACE withaddedsomelowend. Well sustainedleadsoundofRAT. DS-1 pedalsoundwithsomeextralowend. MXR distortiondrivesound. Guv'nor pedalisgreatforhardrocksound. Sounds like Tube Screameroverdriven.Greatforbluestorock. Natural overdrivensoundslikeOD-1withEQ.Greatforbothleadandrhythm. MESA/BOOGIE Rectifierrhythmsound.Greatfortheprogressivemetal. Diezel Herbertheavyrhythmsound.Greatforriffs withtuneddownguitars. Peavey 5150rhythmsound.Greatformetalguitar. Marshall JCM2000rhythmsound.Heavy, butthesoundstillhasaclassicMarshallsound. Marshall 1959classiccrunchsound.Feelthedynamicsofthis Fat crunchsoundofHIWATT CUSTOM 100.Greatrockcrunchsound. MESA/BOOGIE MKIIImilddrivesound.Greatforsustainedleads. Texas bluessoundofaFenderBassmanvolumeat10. The soundrespondstotheguitarvolume.Greatforblues. Overdriven Vox AC30 withroomreverb. The reverbaddsauniqueclosedbacktypesound. Fender Twin Reverbandcompressor. Greatforcleanfunkrhythmguitar. Heavy phasedandrevereddelaymelodytone.GoodforlegatotypeHoldsworthriffs. Wet wetwet,lushcleantonewithforeverdelaysinalldirections. Try playingtensionchordswithsightwhammybarvibrations. This hasthe"kitchensink!" Auto Wah, StereoChorus,Hall,etc.Playasolowithjumpingintervalsoneverynote. Clean warmsoundwithfoldingreverseechoesinalushhall.Goodforbackgroundchords. Long, rich,cavernouskindofcleantone. Acoustic simulator. StareintothenightskyandplaydescendingdoublestopsinaLydian sharp5scale. Clean tonewithdelayedattackandheavyFXdimensioning. Phased andcleanwithsharpattackthat'sgoodforsmackingrhythms. Dark andcleanwithwowresonance.Goodfordynamic,leadplaying. Z-Clean tonewithstepforarhythmicwaterfalleffect. ReminiscentofZappa"Ships Ahoy". Midrangy leadtonewithalongdelay. Greatforbuildingharmoniesintime. Clean, warmacoustictonewithrichreverb.Goodstand-byforcleanstrumming. Straight aheadcrunchyrhythmtonewithslightpitchshiftforfatness.Goodchunky5ths. Arena stylerhythm.HW Stackandsomeslightdelay. IfyoudoublerhythmswithSimphrytandthentriple Angus it'scool. Grotesque tonewithheavyscoopingandpitchshifting.Play"Frankenstein"typeriffs withthispatch. Squeak distortion. Warm usableleadtonewithheavyfatteningFX. Very lushmelodyplaying. Low octavesynthsoundingpatchwithsomegritandattack.Coolfordoublingabassline. Talking patchgoodasasemicleanFXsoundwithanFDCombo.Semi-clean, Mid-rangy semi-dirtytonewithmanypeculiaranomaliesanddimensions. Great warmsoundforlead.EvenifyouturntheFXcangetasimplerawdrivesound. Spacey smoothbutfilthytoneinacave. The scoopingofthemidsandhighleavesbottommovementafuzzytop. COMMENT Resonance : Sense AnalogDLY : Mix PDL Pitch: Bend TiledRoom : Mix TiledRoom : Mix TiledRoom : Mix TiledRoom : Mix TapeEcho: Time G2.1MA -PatchList-E-1 ReverseDL : Bal PEDAL SETTING EarlyRef : Mix EarlyRef : Mix Vibrato : Rate Spring : Mix Room : Mix Room : Mix Room : Mix Echo : Mix Echo : Mix Hall : Mix VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME VOLUME