March 2010 Editor: Tim Coakley W E B S I T E : — UPDATED DAILY It Might As Well Be Swing

Total Page:16

File Type:pdf, Size:1020Kb

March 2010 Editor: Tim Coakley W E B S I T E : — UPDATED DAILY It Might As Well Be Swing A P A PLACE FOR JAZZ O R March 2010 Editor: Tim Coakley W E B S I T E : HTTP://WWW.APLACEFORJAZZ.ORG — UPDATED DAILY It Might as Well be Swing by Tim Coakley Although spring is almost Redman, Terence Blanchard, “marked by keen empathy, upon us, A Place for Jazz is Wynton Marsalis and others. sensitivity, and power.” looking ahead to fall, and has His debut CD was “Between The brilliant young saxophon- prepared an outstanding con- the Lines,” with a follow-up ist J.D. Allen will take the cert series for 2010. We hope CD on Criss Cross. He also stage for the second half with that this year’s concerts will plays on Capitol Region saxo- the same fiery rhythm section. be as successful and well- phonist Brian Patneaude’s CD His first CD, “In Search Of,” received as last year’s. Here is “River View.” won him the Best New Artist what we have in store for you Capital Region favorites Nat in Italy that year. His follow- this fall. Phipps, piano (see Page 4) up release, “Pharaohs Chil- On Sept. 10, one of the leg- and Jeanne O’Connor, vo- dren,” was one of Jazziz ends of jazz, alto saxophonist cals, are two of our local he- magazines Critics Picks Top Lou Donaldson will kick off roes. On Oct. 8. They will 10 Albums of 2001. our season. From his early re- bring their swinging stylings cordings with Milt Jackson to the First Unitarian Society, and Thelonious Monk, and the backed by an outstanding Finally, in the centennial year famous “A Night at Birdland” bassist and drummer. of the great guitarist Django Reinhardt, we close out our with Art Blakey and Clifford Brown, LouDonaldson has season on Nov. 5 with The had a long and distinguished On Oct. 22, we have A Pair of Hot Club of Detroit. The career. Threes; two unique trios. Pi- group specializes in perform- His latest quartet is sure to get anist Bruce Barth will play ing the repertoire of our season off to a brilliant the first half of the concert Reinhardt, and a whole lot start. with Gregg August, bass, and more. The group includes the Rudy Royston, drums. Barth amazing Julian Labro on but- has made three solo piano ton accordion, and is a four- On Sept. 24, guitarist Mike tours of Japan, and has also time winner of Detroit Music Moreno and his quartet will performed with his trio Awards: Best Traditional Jazz bring a mixture of standards throughout the United States Group. and originals to our stage. He and Europe. All About Jazz has played with Joshua has described his trio as Page 2 A P l a c e f o r J a z z Ahora, Latin/Jazz! 2010 Season A Place for Jazz is proud to join "Chembo" Corniel, congas; Wil- bany 7:30 pm, $15; $5 students Dr. Jose Cruz as a co-sponsor lie Martinez, drums. At the Whis- as he continues his Latin jazz perdome, First Unitarian Society May 14: "Doc Cheatham, A por- concert series for 2010 as part of Schenectady, 1221 Wendell trait in jazz and Latin," multime- of Jazz Appreciation Month. Ave. 8 p.m. Tickets $20; $10 for dia presentation with commen- This important series gives lis- students tary and musical performance teners new insights into this in- by Ray Vega with Ray Alexan- fluential tributary into the great April 23: "The role of the flute in der, piano; Erik Johnson, bass; river of jazz. Afro-Cuban music." lecture and and Pete Sweeney, drums. Em- musical performance by Andrea erson Auditorium, Union Col- The schedule: Brachfeld. Humanities 354, lege, 7:30pm, $15; $5 students University at Albany. 7:30 pm, and Union College faculty April 16: The Jazz/Latino All $15; $5 students Stars (several of whom have Season tickets are $50; $15 stu- performed at A Place for Jazz): May 1: "Secrets of the Latin dents. For tickets, information, Ray Vega, trumpet; Chris bass." Lecture by David Am- and updates visit Washburne, trombone; Hilary brosio and musical perform- www.jazzlatino.org, e-mail Noble, sax; Nicki Denner, piano; ance by Grupo Los Santos. [email protected], or call 518- Jennifer Vincent, bass; Wilson Assembly Hall, University at Al- 466-9990 She's Ba-a-a-ck! Barbara Kaiser, creator and host bara. “The program plays in a 3- Armstrong, Dave Brubeck and of “Jazz & …” on WRPI, is back hour loop 24 hours a day, 7 Ella Fitzgerald as well as new now on the Internet. Barbara is days a week, 365 days a year. artists such as Tierney Sutton broadcasting on So, if you wake up at 3 a.m. and and Stacey Kent. However you www.live365.com/stations/ want to play it, it’s there.” never know when you will hear jazzand. “It is a new venture and Barbara's eclectic programming Leonard Cohen, Tom Waits or it’s very interesting”, says Bar- integrates classic jazz artists Bob Dylan as well. such as John Coltrane, Louis Words on Music Some excellent books on jazz Teachout has a clear, unclut- thorough account of the unique have come out recently, a cou- tered writing style, and he tells pianist and composer, who was ple of which shed new insights us some things we might not often written about as much for on two jazz icons. have known before about this his seeming eccentric behavior “Pops” by Terry Teachout, pub- beloved American figure. as for his music. Kelley reveals lished by Houghton Mifflin, tells His happy exterior was only part that Monk was probably bipolar, the story of Louis Armstrong, of the story. which was a diagnosis unknown in his day. from his boyhood in New Or- leans to his great days in the There’s also much information 1920s and leading his big band “Thelonious Monk: The Life about the whole jazz scene in to the days of Ambassador and Times of an American New York during the 1940s and Satch, when he brought Ameri- Original,” by Robin D. G. Kelley ’50s. This is a superior read. can jazz around the world. (Simon and Schuster), is a really A P l a c e f o r J a z z Page 3 Local Jazz Venues (Listed Alphabetically) 9 Maple Ave, Saratoga Springs, 518-587- Jazz on Jay, in front of City Center (across Red Onion Restaurant, Route 212, Wood- 7759 from Proctor's), Schenectady, 518-372-5656 stock, NY 845-679-1223 The Bar at 74 State, 74 State St, Albany, (summer only) Saratoga Gaming & Raceway, Saratoga 518-434-7410 Justin’s, 301 Lark St, Albany, 518-436-7008 Springs, 518-584-2110 The Basement, 21 Center St, Northamp- Lark Tavern, 453 Madison Ave. Albany, Sarazen Student Union, Siena College, 518 ton, MA, 413-586-9030 518-463-9779 -783-4117 Blue Plate, 1 Kinderhook St, Chatham, The Linda , WAMC, 339 Central Ave., Sargo's, Saratoga National Golf Club, 458 NY, 518-392-7711 Albany, 518-465-5233 Union Ave, Saratoga Springs, 518-583-4653 Cabernet Café, 1814 Western Ave, Albany, Mo' Jazz Café , 7 South Main St, Wilming- Scrimshaw Tavern, Desmond Hotel, Colo- 518-452-5670 ton, VT 802-464-2280 nie, 518-869-8100 Café Capriccio, 49 Grand St, Albany, 518- Moon & River Café, 115 S. Ferry St., Spillin' the Beans, 13 3rd St, Troy, 518-268 65-0439 Schenectady, 518-382-1938 -1028 Castle Street Café, 10 Castle St, Great Bar- Muddy Cup, 1038 Madison Ave, Al- Stella's Lounge, 7 Main St, Catskill, 518- rington, MA, 413-528-5244 bany, 518-459-2022 943-3173 Chameleon on the Lake, 251 County Rt. One Caroline Street Bistro, Saratoga Stockade Inn, 1 N. Church St, 67, Saratoga Springs, 581-3928 Springs, 518-587-2026 Schenectady, 518-346-3400 Chez Sophie Bistro, 534 Broadway, Sara- Panza's Restaurant, Route 9P Saratoga The Van Dyck, 237 Union St, Schenectady, toga Springs, 518-583-3538 Lake, Saratoga Spgs, 518-584-6882 348-7999 Circus Café, 392 Broadway, Saratoga Parker Inn, 434 State St, Schenectady, 518- Wallabee's Jazz Bar, 190 Glen St, Glens Springs, 518-583-1106 688-1001 Falls, NY, 518-792-8282 Comfort Inn, 37 Rte 9W, Glenmont, 518- Prime 677, 677 Broadway Albany, 518-427- The Wine Bar, 417 Broadway, Saratoga 465-8811 7463 Springs, 518-584-8777 The Fountain Restaurant, 283 New Scot- Proctor's, 432 State St, Schenectady, 518- land Ave, Albany, 518-482-9898 382-3884 Four Corners Luncheonette, 2 Grove St, Provence Restaurant, Stuyvesant Plaza- Delmar, 518-439-0172 Western Ave at Fuller Rd, Albany, 518-689- Freedom Park, Schonowee Ave, Scotia, 7777 370-0662 (summer only) Quarter Moon Café, 53 Main Street, Delhi, NY, 607-746-8886 R A D I O J A Z Z WVCR 88.3 FM "The Crossroads of Jazz." Saturday from noon. to 2 p.m. with a mix of the Essentials and the Contemporary . Hosted by Darrin Scott and Ted Moisides. WCDB 90.9 FM Bill McCann, Saturday 8 am to 12 noon; Bill Goss, "TGIF Jazz Party", Friday, 4 - 6 pm; Mark Stevenson, "The Contemporary Jazz Cafe`", Saturday, 6 - 8 am WAMC 90.3 FM Tim Coakley, Saturday 10:30 pm-12 midnight; Jim Wilke, Jazz After Hours 1 am to 5 am Friday and Saturday; Marian McPartland, Sunday 9pm; Afro-Pop Worldwide, 8 pm Sunday WRPI 91.5 FM Kevin Roberts, Thursday. 8-10 pm with his exciting and varied theme shows WVPR 94.3 FM (Vermont Public Radio) George Thomas Tuesday-Thursday from 8-10 pm, Friday until midnight WKLI Magic 100.9 FM Sundays Albany (Sunday Morning Jazz Brunch) 6am-8am Dave Koz Radio Show; 8 am.- 10.am; Legends of Jazz with Ramsey Lewis; 10am-12 noon.: Swingin' with Sinatra with Steve Jackson Vicario.
Recommended publications
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Liebman Expansions
    MAY 2016—ISSUE 169 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE LIEBMAN EXPANSIONS CHICO NIK HOD LARS FREEMAN BÄRTSCH O’BRIEN GULLIN Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2016—ISSUE 169 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Chico Freeman 6 by terrell holmes [email protected] Andrey Henkin: [email protected] Artist Feature : Nik Bärtsch 7 by andrey henkin General Inquiries: [email protected] On The Cover : Dave Liebman 8 by ken dryden Advertising: [email protected] Encore : Hod O’Brien by thomas conrad Editorial: 10 [email protected] Calendar: Lest We Forget : Lars Gullin 10 by clifford allen [email protected] VOXNews: LAbel Spotlight : Rudi Records by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above CD Reviews or email [email protected] 14 Staff Writers Miscellany David R. Adler, Clifford Allen, 37 Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Ken Dryden, Donald Elfman, Event Calendar 38 Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Tracing the history of jazz is putting pins in a map of the world.
    [Show full text]
  • The Sam Eskin Collection, 1939-1969, AFC 1999/004
    The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
    [Show full text]
  • Keeping the Tradition by Marilyn Lester © 2 0 1 J a C K V
    AUGUST 2018—ISSUE 196 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM P EE ING TK THE R N ADITIO DARCY ROBERTA JAMES RICKY JOE GAMBARINI ARGUE FORD SHEPLEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East AUGUST 2018—ISSUE 196 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : ROBERTA GAMBARINI 6 by ori dagan [email protected] Andrey Henkin: [email protected] Artist Feature : darcy james argue 7 by george grella General Inquiries: [email protected] ON The COver : preservation hall jazz band 8 by marilyn lester Advertising: [email protected] Encore : ricky ford by russ musto Calendar: 10 [email protected] VOXNews: Lest We Forget : joe shepley 10 by anders griffen [email protected] LAbel Spotlight : weekertoft by stuart broomer US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 31 Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, Event Calendar 32 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mathieu Bélanger, Marco Cangiano, Ori Dagan, George Grella, George Kanzler, Annie Murnighan Contributing Photographers “Tradition!” bellowed Chaim Topol as Tevye the milkman in Fiddler on the Roof.
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • James Moody James Moody Mp3, Flac, Wma
    James Moody James Moody mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: James Moody Country: US Released: 1959 Style: Bop MP3 version RAR size: 1841 mb FLAC version RAR size: 1635 mb WMA version RAR size: 1170 mb Rating: 4.5 Votes: 198 Other Formats: MP1 WMA MIDI MMF AC3 XM AU Tracklist Hide Credits Darben The Redd Foxx A1 3:45 Written-By – James Moody Little Girl Blue A2 3:07 Written-By – Rodgers & Hart Out Of Nowhere A3 6:35 Arranged By – Tom McIntoshWritten-By – Heyman*, Green* Daahoud A4 6:00 Written-By – Clifford Brown Yesterdays B1 4:00 Written-By – Kern*, Harbach* Cookie B2 2:28 Written-By – Gene Kee With Malice Toward None B3 3:17 Arranged By – McIntosh*Written-By – Frank McIntosh* R.B.Q. B4 8:06 Written-By – Gene Kee Companies, etc. Record Company – Argo Record Corp. Manufactured By – Chess Producing Corp. Published By – Arc Music Published By – T. B. Harms Published By – Famous Music Published By – Brent Music Lacquer Cut At – RCA Studios, Chicago Pressed By – RCA Records Pressing Plant, Indianapolis Credits Baritone Saxophone – Musa (Moose) Kalliem* Bass – John Lathen Cover – Don Bronstein Flute, Tenor Saxophone, Alto Saxophone – James Moody Liner Notes – Jack Tracy Piano – Gene Kee Trombone – Tom McIntosh Trumpet – Johnny Coles Notes Recorded in August 1959 Originally released on Argo Records Probably recorded and mastered at Ter Mar Studios. Incorrect credit written by B3 as Frank McIntosh Barcode and Other Identifiers Matrix / Runout (Side A Label): K8OY-9624 Matrix / Runout (Side B Label): K8OY-9625 Matrix /
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Aaron Joseph Lington
    AARON JOSEPH LINGTON E-Mail: [email protected] EDUCATION University of North Texas, Denton, Texas August 2005 DMA Saxophone Performance – G.P.A. 4.0/4.0 Dissertation: The Improvisational Vocabulary of Pepper Adams: A Comparison of the Relationship of Selected Motives to Harmony in Four Improvised Solos University of North Texas, Denton, Texas August 2001 MM Jazz Studies – G.P.A. 4.0/4.0 University of Houston, Moores School of Music, Houston, Texas May 1998 BM Music Education, Magna cum laude CURRENT POSITIONS Full Professor, San José State University 2004-present Coordinator of Jazz Studies TEACHING EXPERIENCE Director of the San José Jazz High School All Stars 2005-2006, Teaching responsibilities: conduct rehearsals; choose and program 2011-present repertoire; prepare ensemble for public performances San José State University: Full Professor, Coordinator of Jazz Studies 2004-present Teaching responsibilities: coordinate all activities in the jazz studies department; oversee activities of part-time faculty; classroom instruction in jazz arranging and composition; direct the San José State University Jazz Orchestra; teach undergraduate and graduate courses in jazz history; teach courses in world music; teach applied jazz saxophone and applied jazz composition; advise students in the jazz studies department; various school and university level committee service Texas Wesleyan University: Adjunct Faculty in Jazz Arranging 2003-2004 Teaching responsibilities: classroom instruction in jazz arranging/ composition; coaching of saxophone
    [Show full text]
  • The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
    Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H.
    [Show full text]
  • JELLY ROLL MORTON's
    1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref.
    [Show full text]
  • Glenn Miller Archives
    Glenn Miller Archives ARTIE SHAW INDEX Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 Table of Contents 2.1 Recording Sessions 3 2.2 Broadcasts (Recordings) 4 2.3 Additional Broadcasts (Data Only) 8 2.4 Personal Appearances 13 2.5 Music Library 16 2.6 On The Record 82 2.6.1 Analog Media 83 2.6.2 Digital Media 143 2.7 Glenn Miller Archives 162 2.7.1 Analog Media 163 RTR Edward Burke Collection 163 2.7.2 Digital Media 164 EHD Columbia Broadcasting System (CBS) 164 EHD Mutual Broadcasting System (MBS) 165 EHD National Broadcasting Company (NBC) 165 2.8 Star Spangled Radio Hour 167 Cover: Artie Shaw 1940 Paramount Publicity Photo P-2744-6 (Glenn Miller Archives) 2 2.1 Recording Sessions 38-07-24 Bluebird Recording Session, Victor Studio #2, New York 38-09-27 Bluebird Recording Session, Victor Studio #2, New York 38-11-17 Bluebird Recording Session, Victor Studio #2, New York 38-11-28 Vitaphone Melody Master (Film), Warner Brothers, New York 38-12-19 Bluebird Recording Session, Victor Studio #2, New York 39-01-17 Bluebird Recording Session, Victor Studio #2, New York 39-01-23 Bluebird Recording Session, Victor Studio #2, New York 39-01-31 Bluebird Recording Session, Victor Studio #2, New York 39-03-00 Vitaphone Melody Master (Film), Warner Brothers, New York 39-03-12 Bluebird Recording Session, Victor Studio #2, New York 39-03-17 Bluebird Recording Session, Victor Studio #2, New York 39-03-19 Bluebird Recording Session, Victor Studio #2, New York 39-06-05 Bluebird Recording Session, Victor Studio, Hollywood 39-06-12 Bluebird Recording Session, Victor Studio, Hollywood 39-06-22 Bluebird Recording Session, Victor Studio, Hollywood 39-06-00 Paramount Headliner (Film), Paramount Studios, Hollywood 39-07-15 MGM Prerecording Session, MGM Studio, Culver City, Cal.
    [Show full text]