DOCSLIB.ORG

DOSSIER DE PRESSE 27 Juin 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DOSSIER DE PRESSE 27 Juin 2019 DOSSIER DE PRESSE 27 juin 2019 NANCY JAZZ 9>19 OCT. 2019 PULSATIONS TYTGAT Service presse « NJP aime toutes Chloé LE BRIS Responsable relations presse [email protected] les musiques ! » 03 83 35 98 54 Miles YZQUIERDO Attachée de presse nationale [email protected] 06 18 99 76 31 Thibaud ROLLAND, directeur Accréditations médias ’est à travers cette ligne artistique ouverte et défendue depuis tant d’années par Patrick Kader que j’ai découvert et Toute couverture du festival nécessite une confirmation préalable aimé le festival il y a 11 ans. C’est par la même que j’entends inscrire la programmation du festival pour 2019, et pour de l’équipe presse. Le formulaire de demande d’accréditation sera longtemps. En témoigne la diversité des artistes invité.e.s de cette prochaine édition : quelques grands noms assez disponible en ligne sur www.nancyjazzpulsations.com dans la rubrique rares (Beirut, Heilung, Ryan Porter & Kamasi Washington), des légendes du jazz (Jean-Luc Ponty, Liebman / Brecker C/ Copland, Rymden, Omar Sosa...), des figures de la pop (Metronomy, Deluxe, Lou Doillon, Keren Ann, Mayra Andrade), sans «espace presse» à partir du lundi 26 août 2019 oublier les maîtres de la soul que sont Lee Fields ou l’immense Raphael Saadiq ! La programmation fait également honneur à des Pour des questions d’organisations, merci de retourner votre demande chanteur.se.s fascinant.e.s tel.le.s que Youn Sun Nah, Angélique Kidjo, Paul Personne, Aloïse Sauvage, Hailey Tuck, Sarah McCoy, en précisant votre intention de couverture avant le 16 septembre 2019. ou Catherine Ringer. Enfin, les soirées rap et électro de L’Autre Canal (Alpha Wann, Zola, Molécule, Motor City Drum Ensemble), L’accréditation est nominative et strictement personnelle. Votre accès la nouvelle scène jazz anglaise (Kokoroko, Alfa Mist) ou encore le Magic Mirrors, laboratoire défricheur d’artistes ensorcelants, sera à retirer chaque jour à l’accueil «invitations/presse» auprès de la vous promettent des soirées mémorables ! NJP n’a de cesse de vous étonner et vous transporter chaque automne et compte personne présente à l’accueil presse de la salle. bien continuer ! Pour toute demande relative aux accréditations et aux demandes Claude-Jean ANTOINE, président d’interviews, merci de contacter directement Chloé Le Bris à chloe@ errière les concerts qui font les titres de la presse, NJP est devenu une pépinière d’activités culturelles qui se sont nancyjazzpulsations.com développées au fil des éditions depuis sa création. De la construction d’une Kora (harpe-luth mandingue) dans le cadre des Quartiers Musiques jusqu’à la journée professionnelle consacrée à « la transition écologique et les festivals », en passant par l’accueil des enfants, les opérations de médiation et prévention, les concerts en milieu fermé sans oublier Dles bars, places, rues et centres commerciaux, le programme semble concentrer tout ce qui est possible d’imaginer autour des concerts. Depuis 46 ans, NJP se transforme en une immense scène où le jazz, le blues, les musiques du monde, le hip-hop, le rock, la chanson et les musiques électroniques sont réunies. À défaut d’une thématique géographique ou esthétique, la diversité musicale s’impose comme la ligne directrice de Nancy Jazz Pulsations 2 3 Les affiches NJP 2019 Sommaire « NJP aime toutes les musiques ! » 3 Les affiches NJP 2019 4 Sommaire 5 Calendrier 2019 7 Programmation 8 Pépinière en fête 34 Jeune public 35 Concerts en région 36 Programmation OFF 38 Expositions 39 Ciné Jazz 39 Nos engagements 40 Nos projets 41 Le créateur, Philippe Tytgat Soutien à la scène régionale 42 Co-fondateur du collectif Cauboyz, né à Metz et installé à Nancy, il a notamment déja Actions culturelles 43 collaboré avec le Montreux Jazz Festival, le Pitchfork festival, la Blogothèque et même Le festival en chiffres 48 Arte. Graphiste de talent opérant en France et à l’international, il s’investit également en tant que designer dans la vie nancéienne (Le Muséum-Aquarium de Nancy, la Fête de Contacts 49 la Soupe...). Grâce à cette collaboration avec Nancy Jazz Pulsations, Philippe Tytgat peut exprimer librement sa passion pour la musique en y associant toute l’affection qu’il porte à sa ville de coeur. En choisissant de représenter le festival comme une compagnie d’aviation, Philipe Tytgat fait résonner le renouveau de NJP avec son affiche :l’avion comme symbole d’évasion et de traversée artistique mais aussi de décollage et de nouveau départ. Plus techniquement, il rend hommage aux graphistes des années 50/60 en détournant les codes de la communication de la Lufthansa, en utilisant les typographies d’Air France et en adaptant le logo de la Pan Am. 4 5 MERCREDI 9 JEUDI 10 VENDREDI 11 SAMEDI 12 DIMANCHE 13 LUNDI 14 MARDI 15 MERCREDI 16 JEUDI 17 VENDREDI 18 SAMEDI 19 OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE OCTOBRE Poirel Poirel Poirel Poirel La Manufacture La Manufacture La Manufacture La Manufacture La Manufacture La Manufacture Mayra Andrade • Kyle Eastwood 5tet • Belmondo 5tet • Keren Ann • Rymden • Moutin Factory 5tet • Hailey Tuck • Omar Sosa & Yilian • Michel Edelin 5tet • Laurent de Wilde • Pépinière New Monk Trio Sarah McCoy • Léon Phal 5tet • Boubacar Cissokho • Aloïse Sauvage • Claire Parsons & • Melusine • Madison McFerrin • Cañizares Obradovic-Tixier • en fête Damien Prud’homme • & Julien Petit Eran Har Even Duo Adam Ben Ezra • Duo (création NJP 2019) Medium Ensemble Magic Mirrors Chapiteau Chapiteau Chapiteau Chapiteau Chapiteau Chapiteau Chapiteau Chapiteau Chapiteau Nouvelle scène Angélique Kidjo • Paul Personne • Benin Musical • Hommage à Django Catherine Ringer • Deluxe • Jean-Luc Ponty • Metronomy • Raphael Saadiq • Jazz anglaise Omar Souleyman • Sugaray Rayford • International Angelo Debarre & • chante Les Rita Mitsouko Lee Fields and the • «Atlantic Years» 5tet Naive New Beaters • The Souljazz • Alfa Mist • ¿Who’s The Cuban? • Bror Gunnar The Bongo Hop • Gipsy Unity Quintet Lou Doillon • Expressions Guillaume Perret • Catastrophe • Orchestra «Elevation» Kokoroko • Orchestra Jansson • Daysy • Samarabalouf • Dégage • Michelle David & The • Ryan Porter Feat. The • Gospel Sessions Liebman / Brecker / • Dirty Deep • Cotton Club Jungle • Di Mauro Swing • West Coast Get Down Orchestra Copland 5tet feat. Blick Bassy • Carte Blanche à • Drew Gress and Joey WCAGA Baron Magic Mirrors Magic Mirrors Magic Mirrors Magic Mirrors Magic Mirrors Magic Mirrors Magic Mirrors Skarra Mucci • Bob log III • Dom La Nena • Magic Mirrors Francky Goes to • The Fat Badger’s • Nihiloxica • Pongo • Irie Crew • Rhizome Crew • Trans Kabar • Nova Materia • Pointe-à-Pitre Soul Train Moonshine • Sheitan Brothers • Bobby Oroza • Taxi Kebab • DJ • Leopard DaVinci • L’Autre Canal L’Autre Canal L’Autre Canal L’Autre Canal Opéra Beirut • Alpha Wann • Motor City Drum • Allées de la Pépinière Heilung • Youn Sun Nah Trio • Santiago Moreno • Zola • Ensemble Kill Your Idols • SKÁLD • La Bergerie • Detroit Swindle • Les Témoins De La • Anomalie • Joie Le Hublot Le Hublot Molécule• La Fanfaronne • The Psychotic Monks • Klusa Daba• Scène Extérieure Lysistrata • Yes Is More • Kill Your Idols • The Moon Drivers • VFO89 • Terrain des sports Cirqmü • Le Carnaval des • Caraïbes Kiosque Qban Sound Lab • Pelouses Solar Sunset by • Mitch Tornade Calendrier 2019 Vitto Meirelles • Mercredi 9 octobre L’Autre Canal - 20h Beirut Santiago Moreno IN Folk / USA Homme-orchestre / Grand Avec Gallipoli, son dernier Est album, Beirut nous emporte Avec Santiago Moreno, dans un tourbillon instrumental la musique s’écoute les où cuivres, piano, orgue Farfisa, yeux grands ouverts ! boîtes à rythmes, échos et voix se L’homme-orchestre active mêlent parfaitement. Leur venue, l’instumentarium qu’il porte sur un événement en soi, s’apparente son dos grâce à un réseau de fils déjà à une véritable fanfare et de poulies avec une dextérité sonore pour un voyage mélodique fascinante. Il offre au public un empreint de nostalgie. concert rythmé et invitant au voyage sur des sonorités sud- américaines. Poirel - 20h Mayra Andrade Sarah McCoy Pop / Cap-Vert Pop-Blues / USA En créole cap-verdien, anglais, Après un passage remarqué français et portugais, Mayra à NJP en 2017, Sarah McCoy Andrade nous entraîne dans revient en force avec son nouvel un mouvement aventureux, album Blood Siren sous le label tendre et inattendu. Son nouvel Blue Note et réalisé par Chilly album Manga mêle rythmes Gonzales et Renaud Létang. Sur électroniques, afro-beat et scène, elle perpétue l’intensité Programmation reggae dans une pop tropicale, légendaire d’Amy Winehouse actuelle, voyageuse qui va faire ou Nina Simone, pour faire succomber et s’embraser la Salle résonner au cœur sa voix blues et Poirel. puissante. 8 9 Jeudi 10 octobre Magic Mirrors - 00h En partenariat avec Jazz Magazine, pour l’achant d’une place pour cette soirée, bénéficiez pour 4,99€ de plus de l’abonnement 6 mois 100% web du magazine. Carte blanche à WCAGA Magic Mirrors - 20h NJP laisse carte blanche à l’association nancéienne What Comes Around… Goes Nouvelle scène jazz anglaise Around…, habituée des festivals pour leurs films et des salles pour leurs soirées décalées. Kokoroko Attendez-vous à des artistes qui tentent, se Afrobeat, Jazz / UK jouent des chapelles et des classifications soutenues par des organisateurs qui ne Partie intégrante de la scène jazz effervescente de croient pas en l’uniformisation de l’art. Londres, Kokoroko y apporte sa passion pour l’afrobeat et la soul. Leur premier EP cuivré, sorti presque un an après le succès
Load more

Recommended publications
  • Mental Health in the Middle Kingdom a Look at How China Handles People with Psychiatric Disorders
    P earl R iver D elta Mental Health in the 城市漫步珠三角 Follow Us on WeChat Now Middle Kingdom 英文版 8 月份 国内统一刊号: A look at how China handles people with psychiatric disorders CN 11-5234/GO China Intercontinental Press Plus: The Phantom of the Opera, Ladysmith Black Mambazo, Lives Advertising Hotline 400 820 8428 AUGUST 2015 of Crazy Rich Chinese, Disney's Shenzhen Animators and more 《城市漫步》珠江三角洲 英文月刊 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing http://www.cicc.org.cn 社长 President of China Intercontinental Press: 李红杰 Li Hongjie 期刊部负责人 Supervisor of Magazine Department: 邓锦辉 Deng Jinhui 编辑 : 刘扬 发行 / 市场 : 黄静 李若琳 广告 : 林煜宸 Editor in Chief Tom Lee Guangzhou Editor Jocelyn Richards Shenzhen Editor Christine Gilbert Web Editor Matthew Bossons Events Editor Will Wu Editorial Assistant Emma Guo Contributors Marianna Cerini, Andrew Chin, Erik Crouch, Stephen George, Sky Gidge, Lena Gidwani, Jon Hanlon, Joanna Hutchins, George McKibbens, Lisa Nguyen, Kara Wutzke, Lee Chae Young, Tristin Zhang Urbanatomy Media Shanghai (Head Office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 传真 : Guangzhou 上海和舟广告有限公司广州分公司 广州市麓苑路 42 号大院 2 号楼 610 室 邮政编码 : 510095 Rm 610, No. 2 Building, Area 42, Luyuan Lu, Guangzhou 510095 电话 : 020-8358 6125 传真 : 020-8357 3859 - 816 Shenzhen 深圳联络处 深圳市福田区彩田路星河世界大厦 C1-1303 C1-1303, Galaxy Century Building, Caitian Lu, Futian District, Shenzhen 电话 : 0755-8623 3220 传真 : 0755-6406 8538 Beijing 北京联络处 北京市东城区东直门外大街 48 号东方银座 C 座 G9 室 邮政编码 : 100027 9G, Block C, Ginza Mall, No.
    [Show full text]
  • Muski Nazareth Bravo Hits Party New York Ska-Jazz
    So 04/12 NAZARETH Fr 09/12 ELINA DUNI So 18/12 TAG DER KULTUREN Sa 31/12 Sa 10/12 PALKO!MUSKI CLOUDS BALLNACHT Sa 17/12 Fr 02/12 MÜSLÜM & BAND Fr 16/12 KLISCHÉE 15/12 – 29/01 ouvert: SockL Fr 23/12 NEW YORK SKA-JAZZ ENSEMBLE Sa 03/12 BRAVO HITS PARTY DEZ 16 So 18/12 TAG DER KULTUREN DEZ Veranstaltet von SAH Schaffhausen, 2016 Haus der Kulturen, Integres & KiK Fr 09/12 ELINA DUNI Jazz (CH) AGENDA Mit ihrem Solo Programm «Aufbrechen» DEZ Fr 02/12 Fr 02/12 MÜSLÜM Kammgarn Am internationalen Tag der Migranten laden das SAH Schaffhausen, das FABER Tap Tab MÜSLÜM & BAND Haus der Kulturen, Integres und das Kulturzentrum Kammgarn ein zu Sa 03/12 BRAVO HITS PARTY Kammgarn einem multikulturellen Tag für die ganze Familie. Rock/Pop/Blues (CH) SCHLAKKS Tap Tab Apochalüpt-Tournee 2016 Das Programm ist vielfältig und bietet für jeden etwas: Durch Vorträge So 04/12 NAZARETH Kammgarn erhaltet ihr detaillierte Informationen zum Thema Migration und den Fr 09/12 ELINA DUNI Kammgarn Geschichten der Migranten, welche in Schaffhausen zu Hause sind. Wer WINSTON FRANCIS auf eine spielerische Art andere Kulturen kennen lernen möchte, kann Tap Tab dies am Spieltisch tun. Auch für Live-Musik und Verpflegung ist gesorgt. Sa 10/12 CLOUDS Kammgarn Alles mit der Idee, die verschiedenen Kulturen kennenzulernen, die Teil HATHORS, NO MUTE Tap Tab unserer Gesellschaft sind. Mo 12/12 SAH KOCHT Kammgarn Beiz Es gibt ihn, diesen bestimmten Augenblick: Aus dem Schmerz heraus wächst Freude. Geheimnis des Daseins, Transzendenz des Leidens.
    [Show full text]
  • New York Ska-Jazz Ensemble Live in Gouvy Mp3, Flac, Wma
    New York Ska-Jazz Ensemble Live In Gouvy mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Reggae Album: Live In Gouvy Country: Spain Released: 2016 Style: Ska, Rocksteady, Reggae MP3 version RAR size: 1924 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1159 mb Rating: 4.4 Votes: 457 Other Formats: XM MP4 MPC MP2 AUD AHX MPC Tracklist Hide Credits Free As A Bird 1 3:27 Written-By – Reiter* Arachnid 2 3:12 Written-By – Reiter* The Ride 3 4:30 Written-By – Wasser* A Message To You Rudy 4 4:33 Written-By – Livingstone* Hot Like Fire 5 3:28 Written-By – Appleton* Mr.Pitiful 6 3:31 Written-By – Redding*, Cropper* Groovin' Steady 7 4:40 Written-By – Reiter* Teardrops From My Eyes 8 3:03 Written-By – Toombs* Nasty By Nature 9 3:36 Written-By – Reiter* Frenesi 10 3:29 Written-By – Dominguez* Bonus Studio Track Spanish Ska 11 3:07 Written-By – Tarin* Companies, etc. Mixed At – Capture Sound Credits Bass – Ben Basile Drums – NanaYao Dinizulu* Guest, Acoustic Bass – Wayne Batchelor (tracks: 11) Guest, Trombone – Ric Becker (tracks: 11) Guitar, Vocals – Alberto Tarin Mixed By, Mastered By – Paul Shellack Piano, Organ, Keyboards – Earl Appleton Tenor Saxophone, Flute, Lead Vocals, Executive Producer, Mixed By – "Rock Steady" Freddie Reiter* Trombone, Vocals – Mark Paquin Trumpet, Vocals – Kevin Batchelor Notes Live in Gouvy was recorded in the summer of 2015 at “Ferme de la Madelonne” a historic jazz club in Belgium Other versions Category Artist Title (Format) Label Category Country Year New York Ska-Jazz BR040LP Live In Gouvy (LP) Brixton Records BR040LP Spain 2017 Ensemble Related Music albums to Live In Gouvy by New York Ska-Jazz Ensemble Ralf Paulsen Und Die Carawells - Der Rote Reiter Von Texas / Zwei Freunde Zogen In Die Welt Die Apokalyptischen Reiter - Soft & Stronger Ohrkan - Goldener Reiter (Radio Version) Henning Sieverts - Blauer Reiter JUerGeN ReiTeR ORkAaN ORkEstRA - NO TRESPASSING Vitold Rek & Charlie Mariano Feat.
    [Show full text]
  • Ecg1151 EJF2017 FINAL.Indd
    14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint.
    [Show full text]
  • Jazz America’S Music African-American Influence
    Jazz America’s Music African-American Influence • Jazz is a genre of music that originated in African American communities during the late 19th and early 20th century. Jazz emerged in many parts of the United States of independent popular musical styles. • Linked by the common bonds of African American and European American musical parentage with a performance orientation. • Jazz spans a range of music from ragtime to the present day—a period of over 100 years—and has proved to be very difficult to define. • Jazz makes heavy use of improvisation, polyrhythms, syncopation, and the swung note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and ragtime. • A musical group that plays jazz is called a jazz band. Jazz Styles • As jazz spread around the world, it drew on different national, regional, and local musical cultures, giving rise to many distinctive styles. • New Orleans jazz began in the early 1910s, and it combined earlier brass band marches, French quadrilles, beguine, ragtime, and blues with collective, polyphonic improvisation. • Heavily arranged dance-oriented swing big bands, Kansas City jazz, a hard-swinging, bluesy, improvisational style and Gypsy jazz, a style that emphasized Musette waltzes, were important styles in the 1930s. Styles cont’d • Bebop emerged in the 1940s; it shifted jazz from danceable popular music towards a more challenging "musician's music" which was played at faster tempos and used more chord- based improvisation. • Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.
    [Show full text]
  • 2016-2017 Engineering Graduate Bulletin
    Santa Clara 500 El Camino Real Santa Clara, CA 95053-1050 408-554-4313 SCHOOL OF ENGINEERING ENGINEERING OF SCHOOL University 2016-17 2016-2017 SANTA CLARA UNIVERSITY UNIVERSITY CLARA SANTA School of Engineering www.scu.edu/engineering/graduate Graduate Program Correspondence Santa Clara University reserves the right to make program, regulation, and fee School of Engineering changes at any time without prior notice. The University strives to assure the accu- Santa Clara University racy of the information in this bulletin at the time of publication; however, certain 500 El Camino Real statements contained in this bulletin may change or need correction. Santa Clara, California 95053-0583 Engineering Phone: 408-554-4313 Nondiscrimination Policy www.scu.edu/engineering/graduate Santa Clara University prohibits discrimination and harassment on the basis of E-mail: [email protected] race, color, religious creed, sex, gender, gender expression, gender identity, sexual orientation, religion, marital status, registered domestic partner status, veteran status, age, national origin or ancestry, physical or mental disability, medical condition in- cluding genetic characteristics, genetic information, or any other consideration made unlawful by federal, state, or local laws in the administration of its educational poli- cies, admissions policies, scholarships and loan programs, athletics, or employment- related policies, programs, and activities; or other University-administered policies, programs, and activities. Additionally, it is the University’s policy that there shall be no discrimination or retaliation against employees or students who raise issues of discrimination or potential discrimination or who participate in the investigation of such issues. The University will provide reasonable accommodations for the known physical or mental limitations of an otherwise qualified individual with a disability under the law.
    [Show full text]
  • Stepstep I Step I Step Into Step Into
    STEP I STEP STEP I STEP INTO STEP INTO STEP INTO JA STEP INTO JAZZ STEP INTO JAZZ M STEP INTO JAZZ MU STEP INTO JAZZ MU STEP INTO JAZZ MU North Carolina Central University Jazz Studies step into the world of jazz music azz is a music genre that originated at the beginning of the 20th Century, arguably earlier, within the African-American communities of the Southern United States. Its roots lie in the combining by African- Americans of certain European harmony and form elements, with their existing African-based music. Its African musical basis is evident in its use of blue notes, improvisation, polyrhythms, syncopation and the swung note.[1] From its early development until the present day, jazz has also incorporated elements from popular music especially, in its early days, from American popular music. As the music has developed and spread around the world it has, since its early American beginnings, drawn on many different national, regional and local musical cultures, giving rise to many distinctive styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid- 2 CCU offers study leading to the bachelor of music and master of music in Jazz Studies. Our stellar faculty includes Dr. Ira Wiggins (Director, saxophone), Branford Marsalis (Artist-in-Residence, saxophone), Joey NCalderazzo (Artist-in-Residence, piano), Brian Horton (saxophone), Arnold George (saxophone/vocal), Lenora Helm (vocal), Albert Strong (trumpet), Robert Trowers (trombone), Ed Paolantonio (piano), Baron Tymas (guitar), Damon Brown (bass) and Thomas Taylor (percussion).
    [Show full text]
  • Theuppertones.Com
    The Uppertones is a powerful trio of trombone, vocals, piano, & drums dedicated to the sound of the 50's in Jamaica, the Jamaican R'n'B, Jamaican boogie, calypso, & mento. The kick start to homegrown Jamaican music in the 50s came from American rock'n'roll and R'n'B. At that time it was the birth of Ska, which originated rocksteady, reggae etc. This trio aims to please crowds with a stompin' swing style mixed with the Jamaican edge and style. Mr.T-Bone is a well known singer, composer, and trombone player in the international ska scene who has released 8 solo albums in the last 12 years and has toured Europe, USA, Canada, Indonesia, Brazil and Mexico. He has been a major contributor to the Italian ska & reggae scene for over a decade now. Peter Truffa a is a fabulous piano player & singer from New York. With his blues, jazz, and ska roots, he toured for years with The New York Ska-Jazz Ensemble and with Giuliano Palma and the Bluebeaters. Ferdinando Count Ferdi Masi is the best drummer you can have for this kind of music, he's an Italian ska and rocksteady pioneer founder of The Casino Royale the first italian ska band and The Bluebeaters. He plays with Mr.T-Bone since 1992 in many different projects. Their first album Closer To The Bone was released in 2015. This album was a selection of 12 tunes from the marvelous sound of the 50’s. After releasing it they immediately toured Europe for two years no stop playing 200 shows in twelve European countries.
    [Show full text]
  • Wetf Id 0:01:4
    TIME ARTIST TITLE ALBUM 0:01:34 -------------- Hour Marker -------------- 0000 (12am 4/25/2018) 0:01:36 ~[000000] WETF ID 0:01:40 PROMO Front Row Seat 0:02:10 Jon Hendricks Stardust Freddie Freeloader 0:05:52 Béla Fleck; Edgar Meyer; Zakir Hussain In Conclusion, for banjo, tabla & double bass Melody of Rhythm: Triple Concerto & Music for Trio 0:12:12 Pérez Prado Guantanamera Hall of Fame: Historia Musical, Vol. 2 Disc 2 0:15:27 Jazz Funk Soul D.C. Jazz Funk Soul 0:19:22 Fred Knapp Trio Surry Hills How Deep Is The Ocean 0:23:48 Ray Charles Unchain My Heart Anthology 0:26:31 Billie Holiday; Teddy Wilson Miss Brown to You Lady Day: The Master Takes and Singles Disc 1 0:29:28 Sergio Mendes Viramundo Celebration: A Musical Journey Disc 1 0:32:22 Dave Samuels Mambo de Luna (Para Cachao) Mosaic 0:39:11 Glenn Miller I Close My Eyes 0:41:39 Gus Arnheim And His Orchestra Feelin' Good Gus Arnheim: From Films And Records 0:44:53 Loading playlist for 01:00 0:44:59 Joe Probst Tune for the Toes Kickin' Back 0:47:30 Rabo de Lagartixa Que Graca! Quebra-Queixo: Jawbreaker 0:51:57 Joe Henderson Blues on the Corner The Blue Note Years (Disc 4) 0:57:51 Bobby Morganstein Besame Mucho Party Request Series, Vol. 2: Latin & Ballroom 1:00:52 Skipped Track: "Choc Quib Town; Santana; Ziggy Marley"Iron Lion Zion 1:00:52 -------------- Hour Marker -------------- 0100 (1am 4/25/2018) 1:00:54 ~[010000] WETF ID 1:00:58 Cities 1:01:36 Renato Anesi A Ginga do Mané Dez Anos Depois 1:04:29 Benny Green Kaleidoscope Kaleidoscope 1:13:12 Martin Hesselbach, Corman, And Roberto
    [Show full text]
  • STAGE PRESENCE Costume and Make-Up in Indian Classical Dance
    May 2021 ® ON Stagevolume 10 • issue 10 STAGE PRESENCE Costume and make-up in Indian classical dance A RICHER SOUND A FINE STATE New members join the SOI Glimpses of Maharashtra Chairman’s Note here is a general impression that with the lockdown, the NCPA is not functioning as before. While it is true that there is nothing Twhich can substitute a face-to-face encounter and/or meeting to achieve the desired result, the next best course is to gird up our loins and innovate ways in which the NCPA would most benefit and the employees, musicians, technicians, etc. would occupy themselves meaningfully. Having laid out these objectives before our heads of divisions, I must say that a modicum of success has been achieved. The musicians in residence of the SOI have been furiously preparing new programmes and have already, in the last month, recorded four of them fully for the digital platform. These have been recorded in the theatre and with better sound than when the audience is present. Similarly, full- year plans, conditions permitting, have been presented by the Indian Music, International Music, Dance and Theatre genres. Preparations are, therefore, underway to put together a year’s programme of likely performances when the lockdown and other bans are lifted and otherwise, recording online for the presence of the NCPA to be noted by its members and the public alike. Methods of management are being put together and we realise that getting the finest advisors in areas where we need these inputs is the cheapest way of keeping up with technology and modern practices.
    [Show full text]
  • Jazz Is a Music Genre That Started in the Early 1900'S Or Earlier, Within the African-American Communities of the Southern United States
    Jazz is a music genre that started in the early 1900's or earlier, within the African-American communities of the Southern United States. It combines African rhythms and European harmony to create a new African American art form. It combines blues, improvisation, polyrhythms, syncopation and dance. Jazz also has elements from popular music especially, in its early days, from American popular music. As the music developed and spread around the world it has split into many styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s on down through Afro-Cuban jazz, West Coast jazz, ska jazz, cool jazz, avant-garde jazz, soul jazz, Latin jazz in various forms, smooth jazz, jazz fusion and jazz rock, jazz funk, acid jazz, and other ways of playing the music. Louis Armstrong (1901-1971) was the greatest of all Jazz musicians. Armstrong defined what it was to play jazz. Like almost all early jazz musicians, Louis was from New Orleans. He was from a very poor family and was sent to reform school when he was twelve. He loved music and his favorite artist was Joe "King" Oliver. When he was older King Oliver gave him his first real cornet, and even gave him lessons. In 1922 Louis joined Oliver's Creole Jazz Band in Chicago. His playing in the band soon made him very well known. By 1925 he formed his own band, Louis Armstrong's Hot Five and Hot Seven. There recordings are considered jazz classics and are some of the greatest of all time.
    [Show full text]
  • 1994 Fall Program Guide
    r Monday: Flagpole" A near lethal dose of unabashedly brainless pop punk songs 8am-10am: Toby Heytens "Magic, Loss, and Rage" about love and beer in suburbia, tempered with a measure of The unifying concept of this show will be general doom and heartwrenching DC-emo stylings and the occasional old-school gloom. Requests for depressing songs will be honored. Levity favorite. and joy will make rare and brief appearances. 2am-4am: Seth Halvorson "Town Meeting with the lOam-Noon: Leif Johnson "Jazz Legends" Local VFW" Legendary jazz artists of the bop period and earlier. Vocalists Music that has a soul driven by intelligent vocals and guitar performing standards and some "big band." No fusion, no from the depths of the amplifier, drums that bellow with the Kenny G. voice of God. Noon-2pm: Susan Davies "La la la la la la la!" Experimental punk plus a cross section of hardcore, crust, Wednesday: emo, and '77 style with theme shows. 2pm-4pm: Geof Brown "Songs Yer Mom Wouldn't 8am-10am: Sara Bendure "Lucky Charms" Like" A show with more charisma and reasons to make you smile Metal, Hardcore, and some rap all designed to make yer Mom than the sugary cereal. It's better for you, too. retch. lOam-Noon: Skye Meriwether "Queen of Heaven III: 4pm-6pm: Nate Sparks "Allis In Chalmers" One Last Fling" A musical pinch between your cheek and gum. I refuse to play Juliana Hatfield. It's just not happening. She 6pm-8pm: Jordan Barnett "Dubble Attack" just doesn't stack up to Miranda Sex Garden, PJ Harvey, Babes, 1,000 watts of reggae force on a ten watt system.
    [Show full text]