1973-1124 American Country Countdown

Total Page：16

File Type：pdf, Size：1020Kb

1973-1124 American Country Countdown 40 - I Love - Tom T. Hall 02:58 39 - Broad-Minded Man - Jim Ed Brown 02:30 38 - Kiss It And Make It Better - Mac Davis 03:17 37 - Too Far Gone - Joe Stampley 02:52 Preview - Hey, Loretta - Loretta Lynn 02:49 36 - Sunday Sunrise - Brenda Lee 02:47 35 - Song And Dance Man - Johnny Paycheck 02:49 34 - That's What I'll Do - Don Gibson 02:08 Oldie - Oh Lonesome Me - Don Gibson 02:46 33 - Wherefore And Why - Glen Campbell 02:47 32 - Red Necks, White Socks And Blue Ribbon Beer - Johnny Russell 03:23 31 - Somewhere Between Love And Tomorrow - Roy Clark 03:35 30 - Still Loving You - Bob Luman 02:14 29 - Carry Me Back - Statler Brothers 04:04 28 - A Last Love Song - Hank Williams, Jr 02:53 27 - Got Leaving On Her Mind - Nat Stuckey 05:29 26 - Talking With My Lady - Johnny Duncan 03:17 25 - Stay All Night - Willie Nelson 02:45 24 - Lila - Doyle Holly 03:13 23 - All In The Name Of Love - Narvel Felts 02:49 Preview - Jolene - Dolly Parton 02:46 22 - Lay A Little Lovin' On Me - Del Reeves 02:43 21 - The Midnight Oil - Barbara Mandrell 03:02 20 - Love Me - Marty Robbins 04:46 19 - Ridin' My Thumb To Mexico - Johnny Rodriguez 02:17 18 - Let Me Be There - Olivia Newton-John 03:54 17 - Don't Give Up On Me - Jerry Wallace 03:36 16 - 'Til The Water Stops Running - Billy Craddock 02:36 Preview - Same Old California Memory - Henson Cargill 03:25 15 - Whole World's Making Love - Bobby G. Rice 03:19 14 - If We Make It Through December - Merle Haggard 04:50 13 - I'll Never Break These Chains - Tommy Overstreet 03:04 12 - You Ask Me To - Waylon Jennings 03:07 11 - I'm Your Woman - Jeanne Pruett 03:18 Preview - Secret Love - Tony Booth 02:37 10 - If You Can't Feel It - Freddie Hart 02:34 9 - Sometimes A Memory Ain't Enough - Jerry Lee Lewis 03:07 8 - Amazing Love - Charlie Pride 03:14 7 - We're Gonna Hold On - George Jones And Tammy Wynette 03:25 6 - Sawmill - Mel Tillis 02:54 Oldie- Sawmill - Mel Tillis 02:17 5 - Sing About Love - Lynn Anderson 02:36 4 - Country Sunshine - Dottie West 02:19 Preview - For 'Ol Times Sake - Elvis Presley 04:08 3 - Little Girl Gone - Donna Fargo 02:53 2 - Paper Roses - Marie Osmond 02:58 1 - The Most Beautiful Girl - Charlie Rich 04:47 .

Copy Link

Recommended publications

I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context
Smith ScholarWorks Theses, Dissertations, and Projects 2018 I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context Nicholas Johnston Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Politics and Social Change Commons, Psychology Commons, and the Sociology of Culture Commons Recommended Citation Johnston, Nicholas, "I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context" (2018). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/2096 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. I’LL HANG AROUND AS LONG AS YOU WILL LET ME: HARD COUNTRY MUSIC, THE WHITE WORKING-CLASS, AND THE EXPERIENCE OF LOSS IN THE AMERICAN NEOLIBERAL CONTEXT A project based upon an independent investigation, submitted in partial fulfilment of the requirements for the degree of Master of Social Work. Nicholas S. Johnston Smith College School for Social Work Northampton, Massachusetts 01063 2017 Nicholas S. Johnston I’ll Hang Around as Long as You Will Let Me: Hard Country Music, the White Working-Class, and the Experience of Loss in the American Neoliberal Context ABSTRACT This paper utilises the object relations theories of Ronald Fairbairn to conceptualise the narratives of Hard Country music, and understand how they relate to the shifting experiences of the male, white working-class in America in the latter half of the twentieth century.
[Show full text]
Gene Watson Fan Club Newsletter
Gene Watson Fan Club Newsletter March/April 2014 Volume 34 Hi Friends- I’m happy to say we have a new album coming out June 10th titled “My Heroes Have Always Been Country”. Although it will be in select stores, as you are aware by now, most of the big “box” stores as they call them, don’t carry a whole lot of CDs anymore and certainly not much Classic Country. You’ll always find my music at Ernest Tubb Records and some of the great in- dependent record stores. You can also buy it online at places Here Comes My Baby Back like Amazon, I-Tunes or at my store at Again www.GeneWatsonMusic.com . This is a collection of some of Don’t You Believe Her my favorite classic country songs that you’ll know by greats like George Jones, Merle Haggard, Ray Price, Dottie West and Slide Off Of Your Satin Sheets more. I can’t wait for you to hear it and hope you like it as Make The World Go Away much as I do. In other news, we’re going to Alaska in July! I’m looking for- Long Black Veil ward to that as everyone says it’s a trip of a lifetime. If you It’s Not Love, But It’s Not haven’t signed up, check it out at www.CFRcruise.com. It’s a 7 Bad day Sawyer Glacier cruise July 19-26 and departs from Seattle, Walk Through This World WA. If you’ve been on one of the Country’s Family Reunion With Me cruises before, you know how much fun they are and I think this one will beat all.
[Show full text]
National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria.
[Show full text]
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air
[Show full text]
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
[Show full text]
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
[Show full text]
A Narrative Approach to the Philosophical Interpretation Of
A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: Curriculum and Instruction A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Stephen Carpenter Patrick Slattery Committee Members, Valerie Hill-Jackson Toby Egan Head of Department, Dennie Smith May 2011 Major Subject: Curriculum and Instruction iii ABSTRACT A Narrative Approach to the Philosophical Interpretation of Dreams, Memories, and Reflections of the Unconscious Through the Use of Autoethnography/Biography. (May 2011) Antonio Rivera Rosado, B.A., Interamerican University of Puerto Rico; M.Ed., The University of Texas at El Paso Co-Chairs of Advisory Committee, Dr. Stephen Carpenter Dr. Patrick Slattery The purpose of the present study aimed to develop a comprehensive model that measures the autoethnographic/biographic relevance of dreams, memories, and reflections as they relate to understanding the self and others. A dream, memory, and reflection (DMR) ten item questionnaire was constructed using aspects of Freudian, Jungian, and Lacanian Theory of Dream Interpretation. Fifteen dreams, five memories, and five reflections were collected from the participant at the waking episode or during a moment of deep thought.
[Show full text]
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary.
[Show full text]
MY SATURDAY NIGHT at the GRAND OLE OPRY by Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, Pg
MY SATURDAY NIGHT AT THE GRAND OLE OPRY By Wayne Hogan Herald•Citizen, Cookeville, TN Sunday, 9 December 2012, pg. C•4 ‘Writer’s Corner’ Editor’s note: This was originally written by Hogan in 1993. They call it the “Grand Ole Opry.” That’s what former newspaper reporter George D. Hay, its inventor, named it not long after the first group of performers had stood before their open mikes that first Saturday night and had their down•home music and vaudeville•comic routines beamed out over Nashville’s WSM•650 “clear•channel” radio to nearly all of America, way back in 1925. Nineteen hundred and twenty five. The year Nashville’s venerable Grand Ole Opry was born. It’s hardly missed a heartbeat since. Almost since its first moments, the Grand Ole Opry has been Mecca to the millions who’ve, over the years, come to Nashville to savor the finest in “country” music. It was not till a few short years ago, through, that I became one of those “savorers.” For a long time, I hated “country music” (which, as I’m sure you know, has been called “hillbilly music” much of its life and mine). Could barely stand to think of it, much less listen to it. Well, to make what could easily be a longer story shorter, Susan and I’d often talked about getting a couple of tickets and driving the 80 miles to Nashville some Saturday night to experience this “Grand Ole Opry” thing in person. See if it was all that our mind’s eye image had it cracked up to be.
[Show full text]
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J.
[Show full text]
Hâfez and Betinis: a Conductor’S Approach to Ancient Persian Poetry As Voiced by a Twenty-First Century, Western Composer
HÂFEZ AND BETINIS: A CONDUCTOR’S APPROACH TO ANCIENT PERSIAN POETRY AS VOICED BY A TWENTY-FIRST CENTURY, WESTERN COMPOSER Peter C. Steenblik, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2015 APPROVED: Dr. Jerry McCoy, Major Professor and Director of Choral Studies Dr. Stephen Austin, Committee Member and Director of Vocal Studies Dr. Richard Sparks, Committee Member and Chair of the Division of Conducting and Ensembles Dr. Benjamin Brand, Director of Graduate Studies, College of Music Dr. John C. Scott, Dean of the College of Music Dr. Costas Tsatsoulis, Dean of the Toulouse Graduate School Steenblik, Peter C. Hâfez and Betinis: A Conductor’s Approach to Ancient Persian Poetry as Voiced by a Twenty-First Century, Western Composer. Doctor of Musical Arts (Performance), December 2015, 91 pp., 1 table, 20 illustrations, bibliography, 67 titles. The choral music of Abbie Betinis is being widely performed and commissioned by prominent high school, university, and civic choruses. This study examines From Behind the Caravan: Songs of Hâfez, a five-movement work by Betinis for women’s chorus, vielle, oud, and Persian percussion. Four ghazals by Hâfez of Shiraz, a fourteenth century Sufi poet, are used as the text for Betinis’s Caravan. When considering a performance of this work, a conductor must understand proper treatment of the text, available translation options, Hâfez’s vast world of imagery, vocal demands inherent to the work, alternate instrumentations available and the benefits of each, how to approach improvisatory passages, how to engage heterophonic elements, and how to prepare a Western choir and audience with very little to no understanding of the philosophies of Sufism that heavily influence the work.
[Show full text]
Hundreds of Country Artists Have Graced the New Faces Stage. Some
314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
[Show full text]