Classics of Detective Fiction
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Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Parodying the Politics of Knowledge
Authors of Truth Writers, Liars, and Spies in Our Man In Havana Jacob Carroll “It takes two to keep something real” - Mr. Wormold in Graham Greene’s Our Man In Havana, 103 - Graham Greene’s celebrated parody of the spy-genre Our Man In Havana opens with a comparison between two characters that are completely unknown to the reader: “‘That nigger1 going down the street,’ said Dr. Hasselbacher standing in the Wonder Bar ‘he reminds me of you, Mr. Wormold’” (7). At first, the reader has no way of evaluating the truthfulness of the similarities Dr. Hasselbacher supposedly sees between Mr. Wormold and the “nigger”: these are two characters that have not yet been described except by the comparison in question. Dr. Hasselbacher’s words assert themselves in the mind of the reader as a statement that – however disorienting it may be as an introduction – cannot be immediately disproved or denied. The accuracy of Dr. Hasselbacher’s comparison is first called into question when the two characters are described in more detail by the narrator: the “nigger” is revealed to be a blind beggar with a limp, while Wormold is revealed to be the clean-cut owner of a Havana vacuum-cleaner shop. However, as the novel’s opening speaker, Dr. Hasselbacher initially details for the reader what the reader cannot perceive otherwise; he offers the only representation of Wormold and the “nigger” available at that juncture. The reader cannot evaluate Dr. Hasselbacher’s comparison as either true or false without first accepting it as a possible representation of both Wormold and the “nigger.” Because the comparison cannot be immediately disproved, it becomes a foil that will re-surface again and again as a potentially true description of these characters’ real natures and qualities. -
Double Agent
Double Agent InstItute of contemporAry Arts Double Agent pAWeŁ ALTHAMER / NOWolIpIe GROUP pHIl COLLIns DorA gArcÍA cHrISTOPH scHlINGENSIEF bARBArA VISSER DONELLE WOOLFORD ARTUR zmIJeWsKI curAteD by claire BisHop AnD MarK slADen InstItute of contemporAry Arts contents 09 IntroDuctIon claire bishop and mark sladen 13 pAWeŁ AltHAmer / pAWeŁ AltHAmer / NOWolIpIe group noWolIpIe group claire bishop 23 pHIl collIns stAgIng A terrAIn of sHAreD DesIre claire bishop and phil collins 35 DorA gArcÍA trA nscrIpt of INSTANT NARRATIVE (IN), 2006 – 08 49 cHrIstopH PERFORMING lIKe An ASYLUM SEEKER: scHlIngensIef pArADoXes of Hyper-AutHentIcIty In scHlIngensIef’s PLEASE LOVE AUSTRIA silvija Jestrovi c 63 bArbArA VIsser trAnscrIpt of LAST LECTURE, 2007 75 Donelle WoolforD DIscussIon WItH Donelle WoolforD At tHe IcA 95 Artur zmIJeWsKI Artur zmIJeWsKI AnD THEM, 2007 111 conteXtuAl mAterIAl 112 outsourcIng AutHentIcIty? DelegAteD performAnce In contemporAry Art claire bishop 128 performAnce In tHe serVIce economy: outsourcIng AnD DelegAtIon nicholas ridout 134 ArtIsts‘ bIogrApHIes 136 contrIbutors 138 colopHon 8 Double Agent prefAce 9 paweł althamer / nowolipie group In the early ’90s Paweł Althamer was among the first of a new generation of artists to produce events with non-professional performers; his early works in volv ed collaborations with homeless men and women, gallery invigilators, and children. IntroDuctIon Much of Althamer’s practice stems from his identi- fication with marginal subjects, and comes to claire bishop and mark sladen constitute an oblique form of self-portraiture. For over a decade, Althamer has led a ceramics class for the Nowolipie Group, an organisation in This book has been produced to accompany Warsaw for adults with multiple sclerosis and other the ICA exhibition Double Agent, an exhibition of disabilities. -
The Azef Affair and Late Imperial Russian Modernity
Chto Takoe Azefshchina?: The Azef Affair and Late Imperial Russian Modernity By Jason Morton Summer 2011 Jason Morton is a Ph.D. student in the Department of History at the University of California, Berkeley. “Petersburg streets possess one indubitable quality: they transform passersby into shadows.” -Andrei Bely “Now when even was come, he sat down with the twelve. And as they did eat, he said, Verily I say unto you, that one of you shall betray me. And they were exceedingly sorrowful, and began every one of them to say unto him, Lord, is it I? And he answered and said, He that dippeth his hand with me in the dish, the same shall betray me.” -Matthew 26: 20-23 Introduction: Azefshchina- What’s in a name? On January 18, 1909 (O.S.) the former Russian chief of police, A.A. Lopukhin, was arrested and his house was searched. Eleven packages containing letters and documents were sealed up and taken away. 1 Lopukhin stood accused of confirming to representatives of the Socialist Revolutionary Party that one of their oldest and most respected leaders, Evno Azef, had been a government agent working for the secret police (Okhrana) since 1893. The Socialist Revolutionaries (or SRs) were a notorious radical party that advocated the overthrow of the Russian autocracy by any means necessary.2 The Combat Organization (Boevaia Organizatsiia or B.O.) of the SR Party was specifically tasked with conducting acts of revolutionary terror against the government and, since January of 1904, Evno Azef had been the head of this Combat Organization.3 This made him the government’s most highly placed secret agent in a revolutionary organization. -
Peter Hulme Graham Greene and Cuba
PETER HULME GRAHAM GREENE AND CUBA: OUR MAN IN HAVANA? Graham Greene’s novel Our Man in Havana was published on October 6, 1958. Seven days later Greene arrived in Havana with Carol Reed to arrange for the filming of the script of the novel, on which they had both been work- ing. Meanwhile, after his defeat of the summer offensive mounted by the Cuban dictator, Fulgencio Batista, in the mountains of eastern Cuba, just south of Bayamo, Fidel Castro had recently taken the military initiative: the day after Greene and Reed’s arrival on the island, Che Guevara reached Las Villas, moving westwards towards Havana. Six weeks later, on January 1, 1959, after Batista had fled the island, Castro and his Cuban Revolution took power. In April 1959 Greene and Reed were back in Havana with a film crew to film Our Man in Havana. The film was released in January 1960. A note at the beginning of the film says that it is “set before the recent revolution.” In terms of timing, Our Man in Havana could therefore hardly be more closely associated with the triumph of the Cuban Revolution. But is that association merely accidental, or does it involve any deeper implications? On the fifti- eth anniversary of novel, film, and Revolution, that seems a question worth investigating, not with a view to turning Our Man in Havana into a serious political novel, but rather to exploring the complexities of the genre of com- edy thriller and to bringing back into view some of the local contexts which might be less visible now than they were when the novel was published and the film released. -
Terror and Trickster
ABSTRACT TERROR AND TRICKSTER One of the ways in which rhetors stabilize the meaning of terrorism is through the vilification process. Two sets of artifacts were analyzed to explore the rhetorical mechanisms of and alternatives to radical vilification. The first set of artifacts demonstrates how Orthodox Terrorism Studies (OTS) scholars vilify and exclude Critical Terrorism Studies (CTS) scholars and their ideas. I argue OTS scholars perform rhetorical exclusion (Sanchez, Stuckey, & Morris, 1999) through naming, shifting the burden of proof, and strategic silence (Endres, 2009) to vilify CTS scholars. The second set of artifacts focuses on President Barack Obama and Secretary of State John Kerry’s rhetoric about ISIL from the first time they mentioned ISIL up to the execution of James Foley, a journalist. I analyze the speeches for vilification through rhetorical exclusion (naming and strategic silence), metaphors, and the Manichean dichotomy of Good vs. Evil. Finally, an alternative framework is offered to replace radical vilification. The alternative is the Trickster, an archetypal figure common to Native American and other indigenous discourse. Farrokh Eizadiboroujeni August 2016 i ii TERROR AND TRICKSTER by Farrokh Eizadiboroujeni A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Communication in the College of Arts and Humanities California State University, Fresno August 2016 APPROVED For the Department of Communication: We, the undersigned, certify that the thesis of the following -
A Pre-Trial Appeal
RECORD NO. 08-4358 IN THE UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT UNITED STATES OF AMERICA. Appellant, STEVEN J. ROSEN and KEITH WEISSMAN, Defendants-Appellees. Appeal f?om the United States District Court for the Eastern District of Virginia at Alexandria fie Honorable T.S. Ellis III, District Judge BRIEF OF THE UNITED STATES Chuck Rosenberg United States Attorney James L. Trump Thomas Reilly W. Neil Hammerstrom, Jr. Michael C. Martin David B. Goodhand Trial Attorneys Assistant United States Attorneys U.S. Department of Justice 2 100 Jarnieson Avenue 1400 New York Avenue, N.W. Alexandria, Virginia 223 14 Washington, D.C. 20530 (703) 299-3700 (202) 5 14-1 187 Attorneys for the United States ofAmerica TABLE OF CONTENTS JURISDICTIONAL STATEMENT .................................... 1 STATEMENT OF THE ISSUES ...................................... 2 STATEMENT OF THE CASE ....................................... 3 STATEMENT OF FACTS ..........................................5 A . The Defendants' Criminal Conduct ..........................5 B . The District Court's Creation of New Elements ................ 13 C . The Two Classified Documents at Issue in this Appeal .......... 14 1 . The Israeli Briefing Document ........................ 14 (a) Factual Background ...........................14 (b) CIPA Procedural History ....................... 18 2 . The FBI Report ................................... 20 (a) Factual Background ........................... 20 (b) CIPA Procedural History ....................... 22 SUMMARY OF ARGUMENT -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
Bruce Thompson – ORIAS Summer Institute 2013 1
Bruce Thompson – ORIAS summer institute 2013 1 “Double Agents and Strategic Deception in the Second World War” Bruce Thompson, History Department, UC Santa Cruz summarized by Stephen Pitcher Professor Thompson introduced the institute participants to the history of undercover travelers in WWII, focusing his presentation on the case study of Joan Pujol Garcia, arguably the most successful double agent in history. Garcia bore the British code name “Garbo,” in tribute to his chameleon-like acting ability. He lived up to the sobriquet — by the end of the war Garcia had invented and maintained a network of twenty-seven entirely non-existent spies stationed around the world, all dutifully remunerated by the Nazis. A clip of the documentary film Garbo the Spy provided some sense of the man’s powers of deception. A Catalan Spaniard caught up in the Spanish Civil War, Joan Pujol Garcia conceived a loathing for the Nazi regime, and repeatedly offered his services in vain to British security agencies before finally began working as an independent double agent, creating for himself a false identity as a Nazi sympathizer in the Spanish government willing to spy for the Germans. The British finally discovered his worth when Garcia convinced the Germans of the existence of a fictitious convoy being dispatched from Liverpool to relieve the siege of Malta, thereby deflecting an enormous quantity of German military force toward an illusory target. The British agent Thomas Harris was appointed his “handler,” and the two of them went on to become one of espionage’s most brilliant acts, employing the time-tested technique of giving the Germans what they wanted to hear, with just enough accuracy to render the information credible, and just enough inaccuracy to render it useless. -
The Search for the "Manchurian Candidate" the Cia and Mind Control
THE SEARCH FOR THE "MANCHURIAN CANDIDATE" THE CIA AND MIND CONTROL John Marks Allen Lane Allen Lane Penguin Books Ltd 17 Grosvenor Gardens London SW1 OBD First published in the U.S.A. by Times Books, a division of Quadrangle/The New York Times Book Co., Inc., and simultaneously in Canada by Fitzhenry & Whiteside Ltd, 1979 First published in Great Britain by Allen Lane 1979 Copyright <£> John Marks, 1979 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner ISBN 07139 12790 jj Printed in Great Britain by f Thomson Litho Ltd, East Kilbride, Scotland J For Barbara and Daniel AUTHOR'S NOTE This book has grown out of the 16,000 pages of documents that the CIA released to me under the Freedom of Information Act. Without these documents, the best investigative reporting in the world could not have produced a book, and the secrets of CIA mind-control work would have remained buried forever, as the men who knew them had always intended. From the documentary base, I was able to expand my knowledge through interviews and readings in the behavioral sciences. Neverthe- less, the final result is not the whole story of the CIA's attack on the mind. Only a few insiders could have written that, and they choose to remain silent. I have done the best I can to make the book as accurate as possible, but I have been hampered by the refusal of most of the principal characters to be interviewed and by the CIA's destruction in 1973 of many of the key docu- ments. -
Indian Scholar
ISSN 2350-109X Indian Scholar www.indianscholar.co.in An International Multidisciplinary Research e-Journal INCAPABILITY OF SECRET INTELLIGENCE SERVICE IN GRAHAM GREENE’S OUR MAN IN HAVANA Dr. Dhruv Shankar (Ex-Lecturer) Department of Applied Science and Humanities Krishna Institute of Technology & Naraina College of Engineering & Technology, Kanpur, U. P., India Abstract Graham Greene is a prolific, productive and fruitful writer whose work―Our Man in Havana explores the detective issues of the modern world. The thematic analysis of the novel is based on Greene’s Secret Intelligence Service which was served directly or indirectly by him throughout his subsequent novelistic career. Indeed, it is a great satire on the British Secret Service as well as on the vacuum-cleaner agencies. Possessing an adequate knowledge of spying, Greene has succeeded in exhibiting the absurdity and incapability of this profession which is usually considered to be heroic and valiant. Moreover, it requires both the great intelligence and professional dexterity. The novel embodies the story of Wormold, a middle-aged man and local representative in Havana (Cuba) of a British vacuum-cleaner-manufacturing plant. Living under debt, he gets himself enrolled as an agent in the Secret Intelligence Service. Then, he is authorized to recruit some sub agents too. Furthermore, he begins to send bogus information about a missile launching site and also names of counterfeit agents. Simultaneously, some of the real models of these fictitious figures exist, and are slaughtered by enemy agents. Wormold worries lest his story of fake agents and fictitious missile launching should be traced. Brooding over the matter, he confesses that he has invented fake agents. -
Must-Read Debut Novels @ San Rafael Public Library
Must-Read Debut Novels @ San Rafael Public Library Taken BY Scott Bergstrom meets The Girl with the Dragon Tattoo and The Bourne Identity in this action-packed debut thriller (optioned for film by Jerry Bruckheimer) about a girl who must train as an assassin to deal with the gangsters who have kidnapped her father. Things Fall Apart by Chinua Achebe: “Things Fall Apart—the first volume of Chinua Achebe’s masterpiece The African Trilogy—tells two intertwining stories, both centering on Okonkwo, a “strong man” of an Igbo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo’s fall from grace in his world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of that world when European missionaries arrive in his village.” Purple Hibiscus by Chimamanda Ngozi Adichie: “Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in beautiful house, with a caring family, and attend an exclusive missionary school. They’re completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear.” The House of the Spirits by Isabel Allende: “One of the most important novels of the twentieth century, The House of the Spirits is an enthralling epic that spans decades and lives, weaving the personal and the political into a universal story of love, magic, and fate.” Bastard Out of Carolina by Dorothy Allison: “At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective.