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2010 Next Wave Festival BAMbill SEP 2010 2010 Next Wave Festival Elliott Puckette, Untitled, 2008 BAM 2010 Next Wave Festival is part of Diverse Voices at BAM sponsored by: 2010 Next Wave Festival Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Karen Brooks Hopkins, President Joseph V. Melillo, Executive Producer presents Vollmond (Full Moon) Approximate BAM Howard Gilman Opera House running time: Sep 29, 30; Oct 1, 2, 4, 5, 7—9, 2010 at 7:30pm two hours and 30 minutes, one A piece by Pina Bausch intermission Tanztheater Wuppertal Pina Bausch Directed and choreographed by Pina Bausch Set design by Peter Pabst Costume design by Marion Cito Musical collaboration Matthias Burkert & Andreas Eisenschneider Collaboration Marion Cito, Daphnis Kokkinos, Robert Sturm Music—René Aubry, Alexander Balanescu with the Balanescu Quartet and Steve Arguelles, Carl Craig, Siegfried Ganhör and to rococo rot, Nenad Jelic´, Leftfield, Marasma, Jun Miyake and Sublime, Magyar Posse, Cat Power, Amon Tobin, Tom Waits Premiere—May 11, 2006, Schauspielhaus Wuppertal BAM 2010 Next Wave Festival is part of Diverse Voices at BAM sponsored by Time Warner Inc. Leadership support for the Next Wave Festival provided by The Ford Foundation. Leadership support for Vollmond provided by Brigitte NYC. Support for the Vollmond Opening Night Party provided by Great Performances. Major support for dance at BAM provided by The Harkness Foundation for Dance and The SHS Foundation. Vollmond Photo: Laurent Philippe Laurent Photo: DANCERS Pablo Aran Gimeno Jorge Puerta Armenta Rainer Behr Azusa Seyama Ditta Miranda Jasjfi Julie Anne Stanzak Dominique Mercy Michael Strecker Nazareth Panadero Fernando Suels Mendoza Helena Pikon Tsai-Chin Yu ADDITIONAL PRODUCTION CREDITS Rehearsal directors Daphnis Kokkinos, Dominique Mercy, Robert Sturm Ballet master Ernesta Corvino Technical director Jörg Ramershoven Lighting director Fernando Jacon Lighting assistants Jo Verlei, Kerstin Hardt (guest), Imke Linde (guest) Sound Andreas Eisenschneider Stage manager Felicitas Willems Stage technicians Dietrich Röder, Martin Winterscheidt Properties Arnulf Eichholz Wardrobe Silvia Franco, Andreas Maier, Ulrike Schneider, Katrin Moos Shiatsu therapist Ludger Müller Performance Rights: L’Arche Editeur, Paris Vollmond Dear Friends, We’d like to extend a warm welcome to Tanztheater Wuppertal Pina Bausch on the occasion of the com- pany’s twelfth visit to BAM, its exclusive home in New York City. However, it is a bittersweet moment as we reflect on the passing of Pina Bausch (1940—2009), a great artist and friend who shaped and defined the genre of tanztheater, and whose work touched all who experienced it. While Vollmond is cause for celebration, she will be missed immensely. With regards, Karen Brooks Hopkins Joseph V. Melillo Harvey Lichtenstein President Executive Producer President Emeritus Photo of Pina Bausch by Peggy Jarrell Kaplan, courtesy the artist and Ronald Feldman Fine Arts Song: “Part One: Life and Death” Vollmond—Music Album: Maria T Label/No.: Mute Records, CD Stumm 242 Performer: Magyar Posse 072438 6027504 Composer: Magyar Posse Song: “The Endless Cycle of Violence” Performer: Amon Tobin Album: We Will Carry You Over the Mountains Composer: Amon Tobin Label/No.: OSC 000 Song: “Untitled” Album: Verbal Remixes & Collaborations Performer: Tom Waits Label/No.: Ninja Tune Zen CD 12138 Composers: Kathleen Brennan, Tom Waits Performer: Jun Miyake Song: “How’s It Gonna End” Composer: Jun Miyake Album: Real Gone Song: “Lillies of the Valley” Label/No.: Anti CD 86678 Performer: René Aubry Performer: Leftfield Composer: René Aubry Composers: Neil Barnes, Paul Daley, Della Song: “Mémoires du Futur” Volpe Album: Verbal Remixes & Collaborations Song: “Rino’s Prayer” Label/No.: Hopi Mesa 3113162 WAG 818 Album: Rhythm and Stealth: Stealth Remixes Performer: Nenad Jelic´ Label/No.: Sony International CD 495310 Composer: Nenad Jelic´ Song: “Aida” Performer: Balanescu Quartet with Album: Itan Bora Steve Arguelles Label/No.: Legend Recordings SA (Greece) Composer: Alexander Balanescu 2201151771 AEPI Vollmond—Music Photo: Jan Szito Jan Photo: Performer: Cat Power Performer: Sublime and Jun Miyake Composer: Michael Hurley Composer: Jun Miyake/Words: Sublime Song: “Werewolf” Song: “Au Clair de Lune” Album: You Are Free Album: Cool Chanson Label/No.: Matador Ole - 427 Label/No.: Video Arts Japan Performer: Balanescu Quartet with Performer: Amon Tobin Steve Arguelles Composer: Cujo (Amon Tobin) Composer: Alexander Balanescu Song: “Fat Ass Joint” Song: “Part Two: Aria” Album: Adventures in Foam Album: Maria T Label/No.: Ninja Tune Zen CD 60 Label/No.: Mute Records Performer: Marasma CD Stumm 242 072438 6027504 Composer: Antonio Feola/Gabi Matzeu Song: “The Bed and the Window” Performer: Alexander Balanescu and Album: Carl Craig: Onsumothasheeat the Balanescu Quartet Label/No.: Shadow CD 091 Composer: Alexander Balanescu Song: “To the Hills (Variation 1)” Performer: Amon Tobin Album: Il Partigiano Johnny Composer: Amon Tobin Label/No.: Extra Labels 7243 8 Song: “Ruthless (Reprise)” 506582 8 Virgin Music, Italy Album: Chaos Theory: Splinter Cell 3 Label/No.: Ninja Tune Zen 100 Performer: Amon Tobin Composer: Amon Tobin Performer: Siegfried Ganhör, to rococo rot Song: “Yasawas” Composer: Siegfried Ganhör, to rococo rot Album: Bricolage Song: “The River Flows and All is Well” Label/No.: Ninja Tune LP 29 Album: Lume, Lume Label/No.: Staubgold 16 LC 10252 Who’s Who Pina Bausch (director and choreographer) was Dominique Mercy (artistic director), born 1950 born 1940 in Solingen and died 2009 in Wup- in Mauzac, France, worked from 1965 at the pertal. She received her dance training at the Grand Théâtre in Bordeaux, then starting in 1968 Folkwang School in Essen under Kurt Jooss. at the newly formed Ballet Théâtre Contemporain Soon after, the director of Wuppertal’s theaters, in Amiens. In 1971, at the Saratoga Summer Arno Wüstenhöfer, engaged her as choreographer Festival (New York), he met Pina Bausch. Two beginning in the fall of 1973; she renamed the years later she invited him to join her new dance ensemble Tanztheater Wuppertal. Although contro- theater company. There he developed into an versial at the start, under this name the company outstanding, distinctive, individual dancer, whose gradually achieved international recognition. Its imaginative creation of roles characterized many combination of poetic and everyday elements de- of the pieces. Following the death of Pina Bausch cisively influenced the international development he took over artistic directorship of the Tanztheater of dance. Awarded some of the greatest prizes and Wuppertal together with Robert Sturm. honors worldwide, Pina Bausch is one of the most significant choreographers of our time. Robert Sturm (artistic director) was born into an acting family in 1965 in Dresden. In 1990 he Peter Pabst (set designer), born 1944 in Grodzisk began studying theater, film, and television with Wielkopolski, grew up in Berlin, and began learn- philosophy and international politics in Cologne. ing tailoring, then studied costume and set design Before graduating he migrated into professional in Cologne. He started his career in theater, practice and worked in Budapest and Szolnok as opera, and film, soon working with internation- a director’s assistant and dramaturge. He soon ally renowned directors. In 1980 Pina Bausch began to direct his own productions. In 1999 recruited him as set designer for the Tanztheater he accompanied Tanztheater Wuppertal during Wuppertal, where he remained till 2009. It research for Wiesenland in Hungary. Pina Bausch was soon clear that they formed a perfect team. initially engaged him as assistant for that produc- Pabst’s spaces varied from the ascetic to the spec- tion, and then from 2000 as permanent artistic tacular, as dramatic as they were unpretentious. assistant and rehearsal director. Following her Each set opened up a poetic dimension to dance death in 2009 he took over artistic directorship of theater, allowing the audience space to dream, Tanztheater Wuppertal together with Dominique and developed a magic and expressiveness which Mercy. contributed significantly to the company’s interna- tional success. Marion Cito (costume designer), born 1938 in Berlin, completed her dance training in her home- town under Tatjana Gsovsky, who subsequently employed her at the Deutsche Oper. From 1972 she worked with Gerhard Bohner in Darmstadt, before Pina Bausch took her on in 1976 as her assistant at the Tanztheater Wuppertal, where she also appeared as a dancer. Following the death of the set and costume designer, Rolf Borzik, in 1980, she took over costumes, extending and developing Borzik’s aesthetic approach. She persistently explores the delicate balance between elegance and the everyday and ensures that the company’s appearance remains colorful and sensuously rich. Who’s Who Selected works by Pina Bausch: 1974 Iphigenie auf Tauris, dance-opera by Pina Bausch Music: Christoph W. Gluck 1975 Das Frühlingsopfer Le Sacre du Printemps, by Pina Bausch Music: Igor Stravinsky performed at BAM in 1984 1976 Die Sieben Todsünden (The Seven Deadly Sins) with The Seven Deadly Sins of The Petty Bourgeoisie and Don’t Be Afraid Dance-evening by Pina Bausch Music: Kurt Weill, text: Bertolt Brecht performed at BAM in 1985 1977 Blaubart—Beim Anhören einer Tonbandaufnahme von Bela Bartok’s “Herzog Blaubarts Burg” (Bluebeard—While Listening to a Taped Recording
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