DOCSLIB.ORG

Performances for School Groups Professional Learning for Teachers 2017/2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Performances for School Groups Professional Learning for Teachers 2017/2018 Performances for School Groups Professional Learning for Teachers 2017/2018 40466_KC_SchoolBro_17_18.indd 1 7/27/17 4:34 PM Education at the Kennedy Center Dear Educator: The John F. Kennedy Center for the Performing Arts is the Greetings from the Kennedy Center, your national center for the performing arts and thank you for national champion for arts learning and creativity. We are your interest in our educational opportunities. Whether online, on stage, or behind the scenes we have committed to increasing opportunities for all people to performances, events, and professional learning programs designed for you and your students to explore participate in, learn about, and understand the arts. To fulfill and embrace the arts. We strive to provide accessible, firsthand experiences in the arts for all children, that mission, the Kennedy Center offers programs and events students, and adults. Throughout 2017 we’ve been celebrating President Kennedy’s 100th birthday and his that strive to reflect our nation and communities and that are words continue to provide us with inspiration and direction, “To further the appreciation of culture among accessible and inclusive for all. all the people, to increase respect for the creative individual, to widen participation by all the processes and fulfillments of art—this is one of the fascinating challenges of these days.” Education at the Kennedy Center is charged to serve Every Age, Every Art Form, Everywhere. From performances and exhibits on our stages and in your community, to classroom and Within these pages, you can find performances to attend, workshops where you can engage with world- community partnerships, to online resources accessible nearly class performers, as well as options for study within and across art forms, including dance, music, anywhere, we serve the burgeoning artist, the exploring student opera, theater, hip hop, and other multi-disciplinary art forms at the Kennedy Center. Be sure to look of any age, the teacher and teaching artist, and even the local for the “Celebrating Hip Hop Culture” button for a variety of ways to engage with the Center’s growing and national infrastructure—anyone interested in arts learning programmatic focus on the American art form that took the world by storm. There are theater programs, and utilizing the arts for positive change. opportunities with dance and ballet companies, and programs with the National Symphony Orchestra and the Washington National Opera; classes and workshops for aspiring young performers; and Our culturally responsive programming draws from our professional learning opportunities for teachers. We welcome everyone to engage in meaningful participation resources as the national performing arts center and a convener and are particularly proud to offer an increasing amount of sensory friendly performances. If you or a student of arts and education leaders, as well as the National Symphony needs assistance to participate, please let us know. Orchestra, The Suzanne Farrell Ballet, VSA (the international arts and disability organization), Washington National Opera, and our As you’ll notice, across this season there’s an air of exploration, investigation, and adventure. From explorer, Performances for Young Audiences. As an essential component Jane Goodall’s Me…Jane, to our sensory friendly folk opera, Night Train 57, throughout our Institutes, the of the living memorial to President Kennedy, our education programs utilize the arts to embrace the ideals of service, Cuba Festival, and within our new “2700 F Street” teen blog...you can find your own arts pathway to culture, justice, freedom, courage, and gratitude, and to activate and learning, and discovery. All of our programs, events, and artistic adventures described in the pages of this support the Citizen Artists in all of our audiences. brochure are packed full of learning and continue to come to life through our online learning portal, ARTSEDGE at artsedge.org. This site is a virtual library of lessons, curricular connections, interviews, videos. For more information, visit kennedy-center.org/education. We look forward to seeing you at the Kennedy Center. * * * * The Kennedy Center, through its educational work, is a member of the DC Arts and Humanities Education Collaborative, the Arts Education Partnership, the Association of Performing Arts Presenters, and Mario R. Rossero Americans for the Arts. Vice President, Education The U.S. Department of Education supports the educational efforts of the Kennedy Center. The contents of this brochure do not necessarily represent the policy of the U.S. Department of Education, and you should not assume endorsement by the Federal Government. 2 40466_KC_SchoolBro_17_18.indd 2 7/27/17 4:34 PM Performances align with the following National Access for Students and Sensory Friendly Table of Contents Core Arts Standards Teachers with Disabilities Performances for Theatre, Dance, The Kennedy Center welcomes The Kennedy Center is pleased 4–19 Performances for School Groups: Music, and Media Arts people with disabilities and is to offer sensory friendly school PreK through 12th grade respectively: committed to creating opportunities performances (see pages 7–9) that for everyone to learn through, are designed to create a performing Anchor Standard 7, Descriptions of Events in grade level order by discipline participate in, and enjoy the arts. arts experience that is welcoming to Responding: Perceive and 5 International Spotlight students with autism or who have analyze artistic work other sensory sensitivities. 6 Theater Anchor Standard 8, 10 Music Responding: Interpret intent Theaters, restrooms, and public Accommodations for sensory friendly 13 Jazz areas are wheelchair accessible. To performances include: and meaning in artistic work 14 Dance/Ballet request accessible seating, including • Lights remain on at a low 16 Opera Anchor Standard 11, wheelchair-accessible locations level in the theater during the Connecting: Relate artistic and locations that do not require performance ideas and works with societal, navigating any steps, please make a • Lower sound level, especially for 19–22 Opportunities for Young Performers note on your registration form or call startling or loud sounds cultural, and historical context (202) 416-8835. • Kennedy Center staff trained to to deepen understanding be inviting and accommodating to Sign language interpretation, students’ needs 23–30 Registration Section Specific connections to other cued speech transliteration, open- • A reduction of strobe lighting or areas of study are listed with captioning, assistive listening devices, lighting focused on the audience 23 General Information: Kennedy Center Facilities, each performance description. large print and Braille versions of print • Freedom to talk and enter and exit Tours, and Services; Public Transportation and Parking materials, and audio description will the theater as needed during the 24 How to Register for School Performances be provided upon request. Requests performance Suggested alignments to 25 Registration Form for Performances for must be received at least two (2) • Designated quiet areas within the curricular standards are listed weeks prior to the event. To request theater School Groups for each performance. an accommodation, please make a • Space throughout the theater for Standards are based note on your registration form or call standing and movement on Common Core State (202) 416-8835. • Resources to help students and 29–38 Changing Education Through the Arts (CETA): Standards, National Core teachers plan for their visit Professional Learning for Teachers Arts Standards, and Next Our dedicated accessibility team is Generation Science Standards. eager to answer any questions and Please contact the Accessibility 29 Descriptions of Events (grade level order) address any of your concerns. Office at (202) 416-8727 or For corresponding Virginia 35 In-Service and Graduate Credit and Please do not hesitate to contact [email protected] Kennedy Center Certificate of Study State Standards, visit us at (202) 416-8727 (voice), or if you have any questions. doe.virginia.gov/testing/sol/ 37 How to Register for CETA: [email protected]. Registration for standards_docs/english/ Professional Learning for Teachers Teacher Workshops The Kennedy Center seeks to provide 37 Registration Form: Professional is available ONLINE: For corresponding English equal opportunities for all students Learning for Teachers kennedy-center.org/ Language Proficiency and teachers in all programs and employment actions, and prohibits workshops Standards, visit ccsso.org/ discrimination based on race, color, 39 Funding Resources/Programs/ religion, sex, national origin, age, or Supporting_English_ disability. Language_Learners 3 40466_KC_SchoolBro_17_18.indd 3 7/27/17 4:34 PM What happens when ideas, the arts and learning intersect? We’d love to show you. Beginning September 2017, the We’re ARTSEDGE—the Kennedy Center’s digital network Kennedy Center will be the centerpiece for arts learning. for the launch of a yearlong international centennial celebration of iconic We create learning media that connects K–12 Learners to world-class artistic talent American composer, conductor, through culturally-relevant, accessible learning experiences that activate creativity pianist, educator, and humanitarian and build passionate, confident connections to the arts and the world around us. Leonard Bernstein (1918–1990). His prolific work in nearly every genre has
Load more

Recommended publications
  • George Harrison
    COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they
    [Show full text]
  • To Read Or Download the Competition Program Guide
    THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory.
    [Show full text]
  • 2020-21 Season Brochure
    2020 SEA- This year. This season. This orchestra. This music director. Our This performance. This artist. World This moment. This breath. This breath. 2021 SON This breath. Don’t blink. ThePhiladelphiaOrchestra MUSIC DIRECTOR YANNICK NÉZET-SÉGUIN our world Ours is a world divided. And yet, night after night, live music brings audiences together, gifting them with a shared experience. This season, Music Director Yannick Nézet-Séguin and The Philadelphia Orchestra invite you to experience the transformative power of fellowship through a bold exploration of sound. 2 2020–21 Season 3 “For me, music is more than an art form. It’s an artistic force connecting us to each other and to the world around us. I love that our concerts create a space for people to gather as a community—to explore and experience an incredible spectrum of music. Sometimes, we spend an evening in the concert hall together, and it’s simply some hours of joy and beauty. Other times there may be an additional purpose, music in dialogue with an issue or an idea, maybe historic or current, or even a thought that is still not fully formed in our minds and hearts. What’s wonderful is that music gives voice to ideas and feelings that words alone do not; it touches all aspects of our being. Music inspires us to reflect deeply, and music brings us great joy, and so much more. In the end, music connects us more deeply to Our World NOW.” —Yannick Nézet-Séguin 4 2020–21 Season 5 philorch.org / 215.893.1955 6A Thursday Yannick Leads Return to Brahms and Ravel Favorites the Academy Garrick Ohlsson Thursday, October 1 / 7:30 PM Thursday, January 21 / 7:30 PM Thursday, March 25 / 7:30 PM Academy of Music, Philadelphia Yannick Nézet-Séguin Conductor Michael Tilson Thomas Conductor Lisa Batiashvili Violin Yannick Nézet-Séguin Conductor Garrick Ohlsson Piano Hai-Ye Ni Cello Westminster Symphonic Choir Ravel Le Tombeau de Couperin Joe Miller Director Szymanowski Violin Concerto No.
    [Show full text]
  • Vivaldi Four Seasons with Zachary Depue, Violin Soloist and the Gregory Hancock Dance Theatre Schubert Symphony No
    ARTISTIC DIRECTOR Masterworks 4 Vivaldi Four Seasons with Zachary DePue, Violin Soloist and the Gregory Hancock Dance Theatre Schubert Symphony No. 5 Saturday, March 13 • 7:30pm THIS EVENING’S PERFORMANCE Antonio Vivaldi The Four Seasons for Violin and Orchestra, Op. 8, Nos. 1-4 Concerto No. 1 in E Major, RV 269 “La primavera” (“Spring”) I. Allegro II. Largo e pianissimo III. Allegro Concerto No. 2 in G Minor, RV 315 “L’estate” (“Summer”) I. Allegro ma non molto II. Adagio-Presto III. Presto Concerto No. 3 in F Major, RV 293 “L’autunno” (“Autumn”) I. Allegro II. Adagio molto III. Allegro Concerto No. 4 in F Minor, RV 297 “L’inverno” (Winter”) I. Allegro non molto II. Largo III. Allegro Zachary DePue, violin Special appearance by the Gregory Hancock Dance Theatre Franz Schubert Symphony No. 5 in B-flat major, D. 485 Allegro Andante con moto Menuetto: Allegro molto Allegro vivace THIS EVENING’S MUSICIANS FLUTE VIOLIN II Tamara Thweatt, Interim Principal Nataliya Nizhalova, Principal Pam Close, Assistant Principal OBOE Jonathan Johnson Rebecca McGuire, Principal Kris Zaloudek Sharon McCullough Sandra Neel Candida Wiley BASSOON Kevin Shiue Ryan Caldwell, Principal Kathleen Moniaci VIOLA Rachel Gries, Principal HORN Julie Scull, Assistant Principal Dave Poncar, Principal Daniel Wunderle Ginny Kundrat Melinda Bowman Karen Hutchins HARPSICHORD Thomas Gerber CELLO Anna Thompson-Danilova, Interim Principal VIOLIN I Matthew Trefethen, Acting Assistant Principal Alan Snow, Concertmaster Jan Brill Madeleine Wething Joerg Schreiber Nicholas Drumm Amanda Baer BASS Angela Ruch Rose Meyers, Principal Reinhold Strnat Joseph Everett, Assistant Principal MinJi Kim Ann Manship In Memoriam - Jesse Hawkins 1956-2021 Our performance in Philadelphia, Jesse read quartets regularly with Opera.
    [Show full text]
  • TIME for THREE Today, the Concerts Feature Promising New Talent and Promote the Professional Development of Young Composers and Conductors
    From E.B. White’s Here is New York, 1949 free classical music, a service in harmony with our community nother hot night I stop off at the band concert “Queen Mary” announcing her intentions. She is in the Mall in Central Park. The people not on key; she is a half tone off. The trumpeter seated on the benches fanned out in front in the bandstand never flinches. The horns quarrel of the band shell are attentive, appreciative. savagely, but no one minds having the intimation AIn the trees the night wind sings, bringing leaves of travel injected into the pledge of love. “I leave,” to life, endowing them with speech; the electric sobs Mary. “And I will pledge with mine,” sighs lights illuminate the green branches from the the trumpeter. Along the asphalt paths strollers under side, translating them into a new language. pass to and fro; they behave considerately, On a bench directly in front of me, a boy sits with respecting the musical atmosphere. Popsicles are his arm around his girl; they are proud of each moving well. In the warm grass beyond the fence, other and are swathed in music. The cornetist forms wriggle in the shadows, and the skirts of steps forward for a solo, begins, “Drink to me girls approaching on the Mall are ballooned by only with thine eyes. .” In the wide, warm night the breeze, and their bare shoulders catch the the horn is startlingly pure and magical. Then from lamplight. “Drink to me only with thine eyes.” the North River another horn solo begins–the It is a magical occasion, and it’s all free.
    [Show full text]
  • TIME for THREE Nick Kendall, Violin Zachary De Pue, Violin Ranaan Meyer, Double Bass January 30/31, February 1, 2015
    TIME FOR THREE Nick Kendall, violin Zachary De Pue, violin Ranaan Meyer, double bass January 30/31, February 1, 2015 Time for Three - Zachary (Zach) De Pue, violin; Nicolas (Nick) Kendall, violin; and Ranaan Meyer, double bass - defies traditional classification. Performing music from Bach and Brahms to their own arrangements of The Beatles, Katy Perry, Kanye West and Justin Timberlake, they have performed everywhere from Carnegie Hall to Jazz clubs, European festivals, NFL games and the Indy 500. Their hit YouTube anti-bullying video Stronger, featured on CNN and the Huffington Post, has inspired students around the globe. Their packed 2012/13 season will include the release of their second album, a return to Carnegie Hall, their first tour of Asia, and the world premiere of a new concerto by William Bolcom, in addition to their continuing residency with the Indianapolis Symphony Orchestra. What started as a trio of musicians who played together for fun while students at Philadelphia’s Curtis Institute for Music evolved into Time for Three, or Tf3 for short -- a charismatic ensemble with a reputation for limitless enthusiasm and no musical boundaries. Violinists Zachary De Pue and Nicolas Kendall first discovered their mutual love of fiddling in the country western and bluegrass styles. Then bassist Ranaan Meyer introduced them to his deep roots in jazz and improvisation. After considerable experimentation, the three officially formed Tf3 and for the first few years enjoyed a close affiliation with, and were presented in performances by Astral Artists. The ensemble gained instant attention in July 2003, during a lightning-induced power failure at Philadelphia’sMann Center for the Performing Arts.
    [Show full text]
  • U.S. National Tour of the West End Smash Hit Musical To
    Tweet it! You will always love this musical! @TheBodyguardUS comes to @KimmelCenter 2/21–26, based on the Oscar-nominated film & starring @Deborah_Cox Press Contacts: Amanda Conte [email protected] (215) 790-5847 Carole Morganti, CJM Public Relations [email protected] (609) 953-0570 U.S. NATIONAL TOUR OF THE WEST END SMASH HIT MUSICAL TO PLAY PHILADELPHIA’S ACADEMY OF MUSIC FEBRUARY 21–26, 2017 STARRING GRAMMY® AWARD NOMINEE AND R&B SUPERSTAR DEBORAH COX FOR IMMEDIATE RELEASE (Philadelphia, PA, December 22, 2016) –– The Kimmel Center for the Performing Arts and The Shubert Organization proudly announce the Broadway Philadelphia run of the hit musical The Bodyguard as part of the show’s first U.S. National tour. The Bodyguard will play the Kimmel Center’s Academy of Music from February 21–26, 2017 starring Grammy® Award-nominated and multi-platinum R&B/pop recording artist and film/TV actress Deborah Cox as Rachel Marron. In the role of bodyguard Frank Farmer is television star Judson Mills. “We are thrilled to welcome this new production to Philadelphia, especially for fans of the iconic film and soundtrack,” said Anne Ewers, President & CEO of the Kimmel Center for the Performing Arts. “This award-winning stage adaption and the incomparable Deborah Cox will truly bring this beloved story to life on the Academy of Music stage.” Based on Lawrence Kasdan’s 1992 Oscar-nominated Warner Bros. film, and adapted by Academy Award- winner (Birdman) Alexander Dinelaris, The Bodyguard had its world premiere on December 5, 2012 at London’s Adelphi Theatre. The Bodyguard was nominated for four Laurence Olivier Awards including Best New Musical and Best Set Design and won Best New Musical at the WhatsOnStage Awards.
    [Show full text]
  • 2O21-22 Season
    CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things.
    [Show full text]
  • 89Th Annual Academy Awards® Oscar® Nominations Fact
    ® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010).
    [Show full text]
  • Films Winning 4 Or More Awards Without Winning Best Picture
    FILMS WINNING 4 OR MORE AWARDS WITHOUT WINNING BEST PICTURE Best Picture winner indicated by brackets Highlighted film titles were not nominated in the Best Picture category [Updated thru 88th Awards (2/16)] 8 AWARDS Cabaret, Allied Artists, 1972. [The Godfather] 7 AWARDS Gravity, Warner Bros., 2013. [12 Years a Slave] 6 AWARDS A Place in the Sun, Paramount, 1951. [An American in Paris] Star Wars, 20th Century-Fox, 1977 (plus 1 Special Achievement Award). [Annie Hall] Mad Max: Fury Road, Warner Bros., 2015 [Spotlight] 5 AWARDS Wilson, 20th Century-Fox, 1944. [Going My Way] The Bad and the Beautiful, Metro-Goldwyn-Mayer, 1952. [The Greatest Show on Earth] The King and I, 20th Century-Fox, 1956. [Around the World in 80 Days] Mary Poppins, Buena Vista Distribution Company, 1964. [My Fair Lady] Doctor Zhivago, Metro-Goldwyn-Mayer, 1965. [The Sound of Music] Who's Afraid of Virginia Woolf?, Warner Bros., 1966. [A Man for All Seasons] Saving Private Ryan, DreamWorks, 1998. [Shakespeare in Love] The Aviator, Miramax, Initial Entertainment Group and Warner Bros., 2004. [Million Dollar Baby] Hugo, Paramount, 2011. [The Artist] 4 AWARDS The Informer, RKO Radio, 1935. [Mutiny on the Bounty] Anthony Adverse, Warner Bros., 1936. [The Great Ziegfeld] The Song of Bernadette, 20th Century-Fox, 1943. [Casablanca] The Heiress, Paramount, 1949. [All the King’s Men] A Streetcar Named Desire, Warner Bros., 1951. [An American in Paris] High Noon, United Artists, 1952. [The Greatest Show on Earth] Sayonara, Warner Bros., 1957. [The Bridge on the River Kwai] Spartacus, Universal-International, 1960. [The Apartment] Cleopatra, 20th Century-Fox, 1963.
    [Show full text]
  • The Magic Flute Programme
    Programme Notes September 4th, Market Place Theatre, Armagh September 6th, Strule Arts Centre, Omagh September 10th & 11th, Lyric Theatre, Belfast September 13th, Millennium Forum, Derry-Londonderry 1 Welcome to this evening’s performance Brendan Collins, Richard Shaffrey, Sinéad of The Magic Flute in association with O’Kelly, Sarah Richmond, Laura Murphy Nevill Holt Opera - our first ever Mozart and Lynsey Curtin - as well as an all-Irish production, and one of the most popular chorus. The showcasing and development operas ever written. of local talent is of paramount importance Open to the world since 1830 to us, and we are enormously grateful for The Magic Flute is the first production of the support of the Arts Council of Northern Austins Department Store, our 2014-15 season to be performed Ireland which allows us to continue this The Diamond, in Northern Ireland. As with previous important work. The well-publicised Derry / Londonderry, seasons we have tried to put together financial pressures on arts organisations in Northern Ireland an interesting mix of operas ranging Northern Ireland show no sign of abating BT48 6HR from the 18th century to the 21st, and however, and the importance of individual combining the very well known with the philanthropic support and corporate Tel: +44 (0)28 7126 1817 less frequently performed. Later this year sponsorship has never been greater. I our co-production (with Opera Theatre would encourage everyone who enjoys www.austinsstore.com Company) of Donizetti’s L’Elisir d’Amore seeing regular opera in Northern Ireland will tour the Republic of Ireland, following staged with flair and using the best local its successful tour of Northern Ireland operatic talent to consider supporting us last year.
    [Show full text]
  • Perth Amboy Tt
    c s'O. 21 SOUTH AMBOY, N. J., SATURDAY, AUGUST 29, 1914. Price Three Cents. WILL TRY TO GET P. V. DeGRAW DIES $1 A YEAR SALARY THE BANNER AGAIN LOVELY NAMED AT WASHINGTON EOR CUSTODIAN Joel Parker Council No. 69, Jr. O. After an illness of six months, When the reports of committees U. A. M., is planning on sending an- Peter Vorhees DeGraw, former Fourth FOR MAYOR Assistant Postmaster General, died MAKE SUITE were reached in the regular order o-f" other large delegation to the next business at the regular meeting of. Past Councilors Association meeting, early last Saturday morning at hi tho Board of Education Thursday •which Is to held In Milltown on Tues- Democrats Decide to Endorse Him— home, 210 Maryland avenue northeast, Enfarse Mayor Dey and Councilman- Washington D. C. His wife and son evening a report was in order from day, Sept. 8th. At a meeting of this C. W. Stuart Will Run for Coun- at-Large Stratton for Re-Election the finance committee on the hill sub- kind held in Jamesburg some time were at the bedside at the time of his mitted by the present city treasurer- ago this council won a banner for cilman-at-Large—R. M. Mack for death. Mr. DeGraw had been sinking —Dr. Albright Named for Council- for three hundred and eighty dollars having the largest delegation present. for two weeks. A hemorrhage ear- City Clerk—Committeemen File man in Second Ward and fred Isely for his services as custodian of A short time later, at the last meet- ly In tho evening of Friday wa school moneys for the past two years.
    [Show full text]